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Shannon Ebner

20140809075139-stimac_santa_fe_billings Clouded Points of Access: Phantoms in the Dirt at the Museum of Contemporary Photography   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Jeremy Bolen, Matthew Brandt, Shannon Ebner, Assaf Evron, Anya Gallaccio, Jay Heikes, Joachim Koester, Harold Mendez, Richard Mosse, Eileen Mueller, Arthur Ou, Alison Rossiter, Adam Schreiber/US, Daniel Shea, Greg Stimac, Shane Ward at Museum of Contemporary Photography July 25th - October 5th
Posted 8/9/14

What first reads like an astral constellation is in fact a photograph whose blackness is broken only by the erratic swarm of dead insect bodies. Greg Stimac’s Santa Fe to Billings (2009) documents the choreography of the countless lives his windshield intersected on a drive between locales. The momentum of each smash is evident—guts smear and spray across the surface, recording innumerable tiny accidents. To create this piece, Stimac placed an 8 x 10 inch sheet of Plexiglass on the h... [more]

Ebner_installation Modern-Day Hieroglyphs   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Shannon Ebner at Wallspace Gallery October 30th, 2009 - December 19th, 2009
Posted 11/22/09

Shannon Ebner’s new exhibition Invisible Language Workshop derives its name from MIT’s influential Visible Language Workshop, co-founded in 1975 by groundbreaking graphic designer Muriel Cooper.  This facility researched the intersection between visual communication, graphics and artificial intelligence—leading the way to designing for a burgeoning computer culture.  Ebner discovered the program’s practice while working on her recent monograph with graphic design team Dexter Sinister (The... [more]

Ebnerblank What Do You Mean?   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Mathew Cerletty, Shannon Ebner, Brendan Fowler, Karl Holmqvist, Christopher Knowles, Dave McKenzie, Emily Roysdon, Discoteca Flaming Star, CODY TREPTE at Eleven Rivington (Rivington Street) July 9th, 2009 - August 14th, 2009
Posted 7/24/09

  Character Generator, a group exhibition curated by The Kitchen’s Matthew Lyons, is a straightforward overview of connotations that text-based artworks may evoke. Employing language as raw substance, the included works play off deliberate omissions, unusual juxtapositions, and systematic restructuring.  Several of the participating artists create within the gap that forms when words are removed.  Shannon Ebner’s untitled black and white photograp... [more]

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