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Alicia Framis

20150515160947-20150514222113-img_2778web Dreaming in Daylight: Creative Time in Central Park   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Spencer Finch, Alicia Framis, Marc Bamuthi Joseph, Nina Katchadourian, Ragnar Kjartansson, David Levine, Karyn Olivier, Lauri Stallings at Central Park's North End May 15th - June 20th
Posted 5/15/15

If you happen upon a couple in 1920s garb having a heated discussion about love on a park bench in Central Park, don’t worry, you didn’t fall asleep watching Netflix. If you spot a pastel solar-powered ice cream truck handing out soft-serves that tastes like sunshine, you’re not hallucinating. If you happen upon an Icelandic sailboat revolving around an island on the Harlem Meer while a brass band plays a haunting melody, no, you haven’t died and gone to Valhalla. Creative Time, a 40-year-old organization based in... [more]

20110114093552-gsk-web-10835 GSK Contemporary: Aware   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Marina Abramović, Azra Akšamija, Maja Bajevic, Handan Börüteçene, Hussein Chalayan, Alicia Framis, Meschac Gaba, Marie-Ange Guilleminot, Andreas Gursky, Mella Jaarsma, Kimsooja, Claudia Losi, Susie MacMurray, Marcello Maloberti, La Maison Martin Margiela, Yinka Shonibare MBE, Alexander McQueen, Yoko Ono, Maria Papadimitriou, Grayson Perry, Cindy Sherman Hon RA, Gillian Wearing RA, Dai Rees, Katerina šedá, Helen Storey, Acconci Studio, Rosemarie Trockel, Sharif Waked, Yohji Yamamoto, Andrea Zittel at Royal Academy of Arts January 12th, 2011 - January 30th, 2011
Posted 1/23/11

There are many that argue that art is elitist; a medium enjoyed only by those specifically educated to decipher and appreciate it, or sufficiently “cultured” to willingly choose paintings and sculpture over pursuits with more mass-appeal.  These sceptics are right in that whilst art is available to everyone, not everyone is interested, and by default this makes art the premise of the few rather than the many.  On the other hand, being able to wander around the Royal Academy on a Sunday afternoo... [more]

20101129052658-exhibition_side_8901 Digital? Analogue!   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Taco Anema, Paulien Barbas, Melanie Bonajo, Rob Bosboom, Morad Bouchakour, Dik Bouwhuis, Popel Coumou, Marrigje de Maar, Govert de Roos, Rineke Dijkstra, Leo Divendal, Isabel Firvida, Alicia Framis, Miklos Gaál, Joan Gannij, Jasper Groen, Sigudur Gudmundsson, Ni Haifeng, Jacqueline Hassink, Astrid Hermes, Scarlett Hooft Graafland, Nadine Hottenrott, Annabel Howland, Emily Kocken, Dirk Kome, Eva-Fiore Kovacovsky, Dana Lixenberg, Annaleen Louwes, Thomas Manneke, Charlott Markus, Katja Mater, Hanna Mattes, Brígida Mendes, Dorothée Meyer, Antoinette Nausikäa, Adrienne Norman, Rob Nypels, Paulien Oltheten, Liza May Post, Carolin Reichert, Nono Reinhold, Lon Robbé, Public Space With a Roof, Thirza Schaap, Maurice Scheltens, Patricia Schimmel, Eddy Seesing, Han Singels, Peter Svenson, Roos Theuws, Armando Andrade Tudela, Paula van Ameijde, Daniëlle van Ark, Elsbeth Struijk van Bergen, Martijn van de Griendt, Frank van den Broeck, Eric van den Elsen, Rob van der Nol, Marc Philip van Kempen, Marijke van Warmerdam, Marianne Viero, Joyce Vlaming, Puck Willaarts, Henk Wilschut, Vincent Zedelius at Huis Marseille Museum voor Fotografie November 27th, 2010 - February 27th, 2011
Posted 11/29/10

Very rarely do we consider the chemical processes of photography when we look at photographic prints; even less frequently do we consider the printer, the person in the darkroom dodging, burning, adjusting colors and times, emerging occasionally to scrutinize a test strip or analyze an exposure. Perhaps this is because we’ve entered a digital age in which photographs are as often pixels of pigment as they are fixed silver. Or maybe it is because photography’s mimetic nature makes it easi... [more]

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