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ArtSlant Profile
Artist
Curator
Writer
Jennifer Gradecki
Jennifer Gradecki, Subject / Object Relations, 2008, Installation
Jennifer Gradecki, Subject / Object Relations, 2008, Installation
Jennifer Gradecki, Subject / Object Relations, 2008, Installation
Jennifer Gradecki, Subject / Object Relations, 2008, Installation
Jennifer Gradecki, Debriefing Brochure for Subject / Object Relations, 2008, Digital Print, 8.5" x 11"
Jennifer Gradecki, Diagram (detail) for Subject / Object Relations, 2008, Vinyl Banner, 3'x 6'
Jennifer Gradecki, Subject / Object Relations, 2008, Installation
Jennifer Gradecki, Verb List: Actions to Relate to Art, 2008, Installation
Jennifer Gradecki, Verb List: Actions to Relate to Art, 2008, Installation
Jennifer Gradecki, Subject / Object Relations, 2007 - ongoing, Performance / Experiment / Installation, 100 Subjects from Galleries and Museums in the Los Angeles Area
University of California Los Angeles, 2009, MFA - New Genres University of Wisconsin-Milwaukee, 2005, BFA - Sculpture / Minor: Art History University of Wisconsin-Milwaukee, 2005, BFA - Sculpture / Minor: Art History
TAGS:
performance-art, theory, science, conceptual, photography, sculpture, photography, video
> STATEMENT
Jennifer Gradecki was born in Milwaukee, Wisconsin. As an
undergraduate, she attended the University of Wisconsin-Milwaukee, earning a
double major in Sculpture and Experimental Social Psychology and a minor in Art
History, with an emphasis on Modern and Contemporary art. Gradecki is a
currently an MFA candidate in New Genres at UCLA.
Her artistic practice lies at
the intersection of art, experimental psychology and philosophy. Gradecki
conducts psychology experiments in the field of art that are either not
possible in the field of psychology because of ethical restrictions, or they
are better suited to the field of art conceptually. Her
performance/experiment/installations have focused on the subjects of
perception, power relations and objectification. Gradecki performs conceptual
systems that rigorously and tautologically consider the function of art and
it’s social conventions.
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