Oneiros came about as a synthesis of my two favorite art movements, Graffiti and Futurism. As a reaction to the selfie phenomenon in social media, there has been an opposite trend to hide one's identity…to present a no-selfie of sorts. Oneiros, as the embodiment of a dream, seemed to fit with the anonymous, non-identity of the abstracted and polygon-ized face of my daughter, which resulted from many separately, digitally collaged, abstract elements. In the most layered images her identity nearly ceases to be recognizable.
I follow in the footsteps of artists/printmakers such as Donald Judd, Frank Stella, Andy Warhol, Helen Frankenthaler, and Wade Guyton. Digital printmaking enables me to use the same thought processes of traditional printmaking without the toxicity of using traditional materials on a daily basis.
Please view my Room Five at Panther Modern, the first virtual museum built by the artist avatar LaTurbo Avedon.
Carolyn Frischling on Instagram
Washington University in St. Louis MFA in Printmaking 1993
New York University Publishing Institute
Grinnell College BA in French
Institute de Touraine
carolynfrischling.com for acquisitions
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Studio Visit, vol. 27, 1/15
Carolyn Frischling, ArticulAction Art Review, 11/14
Carolyn Frischling's Dynamic Work Brings Printmaking Into The Digital Age Beautiful/Decay Magazine 2/10/14
Associated Artists Annual at Westmoreland is a respectable reflection of regional art 7/30/14
A Conversation with Mobile Artist Carolyn Frischling 6/26/14
When Abstract Becomes Concrete: Budmen and Frischling Project Creates “Actualizing Abstraction” with 3D Printing 4/16/14
Autoscatti con l'opera nel giorno del #MuseumSelfie 3/29/14
Saltzy Selfies - Around 100 Image Makers 2/29/14
Grabado Digital de Carolyn Frischling 2/11/14
Carolyn Frischling: Digital art enables me to use the same thought processes of traditional printmaking without the toxicity of using traditional materials on a daily basis 2/11/14
Digital printmaker wants work to impart a sense of well-being 10/16/13