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Yuan Chu Chen

Chen Yuan Chu The secret of the art market  
Posted 2/9/16

Chen Yuan Chu The secret of the art market The complexity of China's current situation is indeed a challenge for the industry workers, but it is also because of the complexity of China's real problems in various aspects, to provide a steady stream of nutrients for the arts. Whether from enterprises in Western art, and gallery in China have mushroomed appear, art centers and private public art museum system, in fact, will artistic influence the natural development of sta... [more]

Where is the real way out of Chen Yuanchu's Chinese art?Where is the real way out of Chinese art? The road of the art is rough, the thorns. Brought doctrine reflected in all aspects of art, art is also the case. We although there are excellent splendid cu  
Posted 2/6/16

Chen Yuan Chu Where is the real way out of Chinese art? Where is the real way out of Chinese art? The road of the art is rough, the thorns. Brought doctrine reflected in all aspects of art, art is also the case. We although there are excellent splendid culture of five thousand years of history, creation of too numerous artistic peak, but in the context of globalization, the integration of the world (or the total Westernization) offer for the trend today. It seems to be our nation can withstand th... [more]

Yuan Chu Chen To explore the true meaning of contemporary art  
Posted 2/3/16

Yuan Chu Chen To explore the true meaning of contemporary art Expresionsm, a word used to describe a particular artistic style, in fact does not exist a movement called the "Expressionism". The term is generally used to describe the drawing and drawing style of German opposition to academic tradition in the late nineteenth Century and early twentieth Century. Play a key role in the process of counseling and Nietzsche through on ancient Chinese art criticism in the form of expressioni... [more]

Yuan Chu Chen Expressionism in China  
Posted 2/3/16

Yuan Chu Chen Expressionism in China , the pioneer of China's expressionism painting is xu wei Zhu Da, over, "yangzhou eight eccentrics", qi baishi painting masters such as pay attention to performance style, the formation of its performance style performance in their mentality, content, both in its form and technique, the specific method of depicting objects and pen in ink. Expressionism spirit of Chinese artists of painting style a lot,, and Chinese painting fa... [more]

Chen Yuan Chu The art market in China in a stunning way rising  
Posted 1/29/16

Chen Yuan Chu The art market in China in a stunning way rising Every year Chinese cultural relics and art auction market total annual turnover frequently break billion. Chinese auction market also gave birth to a new vocabulary: works of art become a billion". The market continued to heat up, prices continue to rise - in the near boiling market situation, people for the Chinese art market in the future to a more attention: art market will show what kind of trend? What kind of art will be... [more]

Yuan Chu Chen Help artists!  
Posted 1/28/16

Yuan Chu Chen Help artists! Most European classical painters are trained, grew up in the famous painter studio apprentice, slowly accumulate experience, and then the independent opening or inherited the teacher's work. Fran oisPicot studio has recruit gustave moreau (GustaveMoreau) and bouguer ROM (Bouguereau) as an apprentice, and Matisse (Matisse) are both students. Botticelli, Botticelli was vlade · Philip ripper (FraFilippoLippi) studio apprentice; Van del... [more]

Yuan Chu Chen In the crucible of the contemporary art market  
Posted 1/28/16

Yuan Chu Chen In the crucible of the contemporary art market Since the may fourth movement, the Chinese fine arts has been a hold, a radical. Advocating the spirit of art to observe the traditional Chinese painting and calligraphy collectors don't casually follow something alien, and contemporary art circle, the problems existing in the traditional art to innovation, to learn the west, to focus on the present moment. Debate has not stopped, art world never short of tit-for-tat... [more]

世界近代艺术史195 陈源初著  
Posted 1/25/16

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Chen Yuan Chu China's art market rising in a stunning way  
Posted 1/25/16

Chen Yuan Chu China's art market rising in a stunning way China's art market rising in a stunning way, every year total annual Chinese relics and art auction market turnover at billions. China's auction market also gave birth to a new word: art became a "$". Increasingly hot market, prices continue to rise - in nearly boiling under the market situation of people for the future of Chinese art market much a concern: the shape of the art market will present how? What types of art will beco... [more]

Chen Yuan Chu What is the foundation of all painting?  
Posted 1/23/16

Chen Yuan Chu What is the foundation of all painting? "Sketch is the foundation of all painting", "Chinese traditional painting did not sketch foundation", now discussed warmly about these views, is worthy of our study. Sketch is the foundation of all painting? Anatomy is the basis of all painting? The foundation of all painting color? Alone is not the foundation of all painting? Form the foundation of all painting? Love is the foundation of all painting? Reason is the foundation of all pai... [more]

Chen Yuan Chu A song about the mind: “Waiting for who?” Is waiting for who in the years to come, a song about the mind, a plum time will sing, that the days of the story. Pedestrians passing yo, who can read the story of the year, when the sunset in  
Posted 1/23/16

Chen Yuan Chu A song about the mind: “Waiting for who?” Is waiting for who in the years to come, a song about the mind, a plum time will sing, that the days of the story. Pedestrians passing yo, who can read the story of the year, when the sunset in the west. During the day, find the spring. Grass quietly from the soil to explore his head, out of the body, looked around a look. Grass is very shy, low head, glittering and translucent dew shining light, is his... [more]

Yuan Chu Chen Contemporary artists need to sublimation  
Posted 1/22/16

Yuan Chu Chen Contemporary artists need to sublimation The value of the artist, is that he has created a new way of language. The final visual effect produced by this kind of language, whether for other kind of language can't do, namely, the uniqueness of the relative Visual uniqueness is not enough, the visual effect of the language way there must be a spirit of charm, or is a thinking level. Can create such a form of language, is a very outstanding artist. But the kind of l... [more]

世界近代艺术史193 陈源初著  
Posted 1/22/16

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世界近代艺术史194 陈源初著  
Posted 1/22/16

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陈源初 一切绘画的基础是什么?  
Posted 1/21/16

陈源初 一切绘画的基础是什么? “素描是不是一切绘画的基础”“中国传统绘画不画素描有没有基础”,现在有关这些观点讨论热烈,是值得我们研究的。 速写是不是一切绘画的基础?解剖是不是一切绘画的基础?色彩是不是一切绘画的基础?光是不是一切绘画的基础?形是不是一切绘画的基础?感情是不是一切绘画的基础?理性是不是一切绘画的基础?科学是不是一切绘画的基础?政治是不是一切绘画的基础?经济是不是一切绘画的基础? 一切绘画的基础是什么? 一切绘画的定义是什么,肖像画,静物画,风景画,画人体,中西风景,印象派,抽象派,立体派,野兽派,观念艺术图,行为艺术图,大地艺术图,建筑图,机械图,地图,医疗人体图,中医脉络图,针灸穴位图,器官图,各种气象图,各种天象图,各种心理学图,各种化学元素图,各种经济走势图,各种数学图表,各种商业管理图表,各种物理学图,各种数学图,各种商业设计图,各种广告图,时装设计图,鞋帽,手袋丝巾领带床上用品设计图,各种瓷器,玻璃器皿,木,石,金属工艺品设计图,五花八门的首饰设计图,家居设计图,家具设计图,电气线路图,集成电子图,液压图,军事布局图,政治局势图,等等等等,这一切算不算都是绘画? 我们所讨论的仅仅是艺术绘画吗?以上一切都含有丰富的广义的艺术。 素描的定义是什么,素描drawing一般为单色线条的描绘,是绘画的基础形式。中国传统的十八描、各种皴法也是素描。素描呈现形体和轮廓,表现物体的质感与量感,运动感和韵律感。素描可以用铅笔,钢笔,毛笔,排笔,粉笔等等一切工具来单色描绘。当色彩进入之后,就不再是素描了。 当我们把思路放宽之后,论题的答案可能会明确起来。 中国传统绘画的基础讲的是线描、笔墨和写意,主要体现在山水,花鸟,人物上。西方写实绘画的理论基础是:线,型,光,色和情感,主要体现在风景、静物、人物上。中国传统绘画除了讲究绘画本身的技艺研习之外,还要有书法诗词的深厚造诣。无论那种绘画,素描是不是必须要学?不学可以吗?学了有好处吗?学了有坏处吗? 中国传统绘画的基础理论是否要一定要以素描为基础?其实见仁见智。不学素描,和学过素描的中国画家,都可以创造独特的风格而成为大家。有深厚素描功底的画家,会在造型精确度,透视,光线明暗方面把握有度,而不学素描,更能在泼洒挥毫,水墨情趣方面不受制约,天马行空尽情发挥。 一个专业的抽象画家是否要一定要以素描为基础?其实也是见仁见智。抽象艺术的范围广阔,不学素描,和学过素描的抽象画家,都可以创造独特的风格而成为大家。有深厚素描功底的抽象画家,会在层次的丰富上,营造抽象形体方面容易入手,而不学素描,更能在色彩笔触,情感发泄方面尽表现自如。甚至学过化学,心理,几何数理等等,都会对抽象画家带来丰富的灵感。 当代艺术的范畴已经拓展到了无限大,观念艺术,装置艺术,行为艺术,地景艺术等等不一而足,很多艺术家学习过素描,也有很多没有学过,相对于写实主义绘画来说,特别是油画,素描尤其重要。但是对于广义的绘画乃至广义的艺术,素描可以是一种重要的艺术技巧修养,但并非一定要以素描为必须的基础,非学不可。学与不学,对于广义的艺术作品,影响没有到一种关键的高度。美术教学中有素描学科,完全是正常的。素描美术教育和实践中的地位重要的。但不是主要的。而我们在素描美术教育和实践中缺乏些什么? “素描是不是一切绘画的基础”这个议题在西方不会出现。“中国传统绘画不学素描有没有基础”的问题也只会在中国出现,值得我们研究的是写实主义在中国的地位和状态,写实主义是以真实自然原因或自然原理来表达一切艺术的思潮,在二十世纪前为西方艺术的主体,在二十世纪后已退出了西方艺术的主流,但在中国却成为二十世纪后半期的主导。建国前三十年,由于政治意识形态的宣传艺术的需要,样板戏式一度成为艺术专制;在文革倒台后完全消失。而写实主义,在新世纪十年,不论是美院的招生和教学,还是资本市场暴发户的炒作及媒体的盲目追捧,又奇迹般地占据当代艺术的主流。中国的当代艺术引起了国际的关注,如何认识中国当代艺术的发展和问题。对于这些中国发生艺术的问题可能有不同的角度,过去我们经常讲中国人的看法和西方人的看法可能会有一点差异,但是如果我们进行一些深入分析的话会发现有些不同的内容,现实主义过去在中国是很普通的词汇,在过去几年这个词汇淡淡的消失在人们的视野当中。其实在我们今天很多创作当中,回忆一下早已由美术学院制定的、在当时仍占支配地位的关于题材的清规戒律和人物形象的基本法则。到目前为止,关于艺术中的“现实主义”一词,中国当代视觉艺术界的绝大多数有关知名艺术家和理论家几乎均已发表了自己的观点和看法。可谓仁者见仁,智者见智,各抒己见,不一而足。但是,“现实主义”是艺术史中的一个重要概念。换言之,对“现实主义”的讨论不能只停留在一己之见的层面上,理论家们还应该澄清一些问题,如现实主义与写实主义(包括徐悲鸿所说的“现实主义”与“写实主义”)究竟有无区别,中西现实主义概念是否完全一致,现实主义究竟是指一种艺术观或精神还是一种创作方法,西方19世纪的现实主义艺术与20世纪苏联的“社会主义现实主义”有无关系,我国的“革命现实主义”与西方19世纪的现实主义的关系是什么,等等。尽管自徐悲鸿先生起,现实主义就成了我国艺术创作的一面旗帜,但不可否认的是,现实主义这一概念本身就像油画一样是从西方“舶来”的。 1949年后中央美院的权力变迁主要发生在三个派系,即国统区系、延安系及红旗下的马训班,徐系对行政权力和教育课程的主导权在1957年后就失去了。徐悲鸿不仅在民国时代未使写实主义体系一统天下,在1949年后亦未达成。写实主义在建国后的一统天下被归罪于徐悲鸿一人是一个历史误解。真正的原因是建国后的极左意识形态体制,以及这一体制对政治宣传艺术及写实主义手段的排他性推行。在一个多元的现代社会,写实主义和现代主义以及浪漫主义,印象主义,立体主义,抽象主义等等都有其精神价值,且可以并行不相矛盾。徐悲鸿在民国时期异常激烈地抨击现代主义,但最终的格局仍是各干各的:黄宾虹在追宋元文人画传统、吴昌硕延续大写意、陶冷月尝试“月光山水”、刘海粟画印象派、庞薰琹搞立体主义、赵兽创作野兽派、林风眠从敦煌和民间绘画中寻找中国资源,还有一些人学日本画。但从建国初到文革三十年,... [more]

Yuan chu Chen Art criticism needs to be deepened  
Posted 1/20/16

Yuan chu Chen Art criticism needs to be deepened Criticism with an independent attitude and opinion is of critical value. Well, please criticism and all things to all men everywhere, not serious value criticism. In the modern sense, art criticism is developed from the traditional literary criticism, which is in a broad sense, which belongs to the scope of criticism, because criticism is not a general comment, which highlights its special form. That is to say, the artistic developme... [more]

世界近代艺术史191 陈源初著  
Posted 1/20/16

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Yuan Chu Chen 陈源初 Whitney Museum of American Art 惠特尼美國藝術博物館  
Posted 1/18/16

陈源初 Whitney Museum of American Art 惠特尼美國藝術博物館 惠特尼博物館(Whitney Museum of American Art)的全名是惠特尼美國藝術博物館,在1931年由葛楚·范德伯爾特·惠特尼女士(Gertrude Vanderbilt Whitney)成立,位於紐約市曼哈頓區。此博物館以美國現代藝術的收藏聞名,作品有些比另一家現代藝術博物館還要新,在惠特尼博物館建館前30年,美國的藝術是相當保守而且崇歐的,藝術品的展出、購買和教育幾乎都由美國國家設計學院主導,因此惠特尼博物館的成立,打破了美國藝術的保守情況,1918年,一開始僅是藝術家俱樂部的會員成果展,稱為惠特尼畫室俱樂部,年度大展吸引了越來越多美國當代藝術家,1928年,會員成長到800名左右,於是開始籌備博物館設立,在1931年正式在美國曼哈頓上東區開幕。 早期的惠特尼博物館收藏偏向於寫實派的繪畫作品,後來在1940年代開始變成完全的現代藝術,也就是抽象與概念化的作品居多,在1960年代更因普普藝術盛行,加入了不少具有流行意象、反諷的現代作品。1968年,惠特尼在館外開始有雕塑品展覽,首次展品來自於知名的藝術家丹尼斯·歐本海默(en:Dennis Oppenheim)和麥可·海澤(en:Michael Heizer)。1970年則因地景藝術盛行,在紐約市布朗斯區,展出了藝術家羅勃·史密森(en:Robert Smithson)的作品《螺旋堤》(Spiral J... [more]

世界近代艺术史190 陈源初著  
Posted 1/18/16

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Yuan Chu Chen The difference between Chen yuan early art criticism and art theory  
Posted 1/18/16

Yuan Chu Chen The difference between Chen yuan early art criticism and art theory Art criticism: is the most important part in understanding the analysis works of art to express the subjective world. The artist thought the stand or fall of the lack of standards, judgments, all thoughts should be equal? But immoral, and even the human thought can't equate with noble thoughts. Use the only standard to measure whether the thought itself is expressed the human nature? A work of art can't be... [more]

陈源初 有关艺术版权的争议  
Posted 1/13/16

陈源初 有关艺术版权的争议 艺术版权是近年来越来越多遭到争议的话题。杰夫·昆斯在美国惠特尼艺术博物馆的首个最全面的艺术作品展肯定是艺术圈值得期待的大展,关于此次展览展方都做出了史无前例的尝试 ——以单个艺术家作品展满近整个场地的首次尝试。就在等待这个大展开幕的前期,一个关于昆斯所创作的《大力水手》雕塑作品“剽窃”的消息也在沸沸扬扬的讨论着。2014年5月14日,在纽约苏富比当代艺术拍卖会晚上,昆斯创作的大型钢铁雕塑作品《大力水手》(POPEYE)以1816.5万美元的高价被一 位名为史蒂夫·韦恩(Steve Wynn)的富豪买走。高额的数字经常是人们关注的焦点,显然昆斯这件作品天文的数字也毫无疑问成为了大众关注的焦点。但是,早在2002年的时候,黑马 (Dark Horse)的漫画公司就推出过《大力水手》的小型雕塑,而昆斯的雕塑“水手”和黑马的“水手”外貌及其相似,只是尺寸更大些,体型更硬朗了些。同时昆斯 在2008年创作的一幅名为《大力水手三人行》(Triple Popeye)中也发现了“剽窃”的特征。Cartoon Brew动漫公司指出:纵使“大力水手&rd... [more]

Yuan Chu Chen New horizons in Contemporary Art - Network Art  
Posted 1/13/16

Yuan Chu Chen New horizons in Contemporary Art - Network Art The network mode of contemporary art is more and more open and interactive in the world. It can fully show the concept of post modernism, and highlight the spirit of the reader as the main body. In 1967, French writer Roland Roland Barthes proposed the doctrine of "the author is dead" and that when the work is finished, the influence of the author does not exist, the substitution is the text itself that structure and symbol, and reade... [more]

Yuan Chu Chen The art market is distorted 是赶出来的画,或者是还没画完就卖给别人了,或者干脆是找助手画了自己签个名就卖了,并不是这些艺术家真正认真画的作品。但是一般人心理上可能  
Posted 1/13/16

Yuan Chu Chen The art market is distorted Pompidou Center in the aftermath of World War II also has a good collection of works, such as Richter and Boyce's works, but had to admit, Pompidou's good collection is mainly second, the art of the 1930s, 1940s after basically not what good collection, although most of the artists are well-known in the history of Art in the 20th century figures. So the Pompidou art consultant and is not necessarily true eyesight, but public superstition of t... [more]

世界近代艺术史186 陈源初著  
Posted 1/13/16

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世界近代艺术史187 陈源初著  
Posted 1/13/16

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世界近代艺术史188 陈源初著  
Posted 1/13/16

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Yuan Chu Chen 当代艺术中的新秀-网络艺术  
Posted 1/12/16

当代艺术中的新秀-网络艺术 当代艺术中的网络模式在世界各地越来越开放与互动化,完全能展现后现代主义不重视理性的概念,以及突显以读者为主体的精神。在1967年法国文学家罗兰 Roland Barthes 提出了“作者已死”的学说,认为当作品完成时,作者的影响力就不存在了,取代的是文本的本身那些结构与符号,以及读者自身经验所阅读到的符号,因此作品因人而感受不同,于此阅读的同时也正是写作的同时,这种“作者已死”论,非常符合网络艺术中“非线性”集体创作的特质。作品因观者的参与而改变,也变得更加完整。网络艺术存在高度的游戏性,作品充满好玩、有趣,能吸引更多人的参与和关注。透过志同道合的社群,一时间会因为某个共同议题而聚集,会因为一次有趣的实验而参与,艺术超越时空而进行,透过信息时代的视像艺术,将把人们带入一个游戏于彼岸与此岸的自由世界。在这种信息世界的视像艺术更强调自娱娱人。人们通过种种新奇的消费性视听器材寻求着自我创作,透过网络来达成自我实现的自我乐趣。如2005年2月才成立的YouTube网站,短短一年后,在2006年用户群每月平均点阅率已经超过二十五亿次,而这些用户,也是积极的创造者,平均每天上传六万五千多支短片进入YouTube 的资料库。 这种现象吸取的是20世纪90年代关于艺术是社会互动和政治参与的一个平台或实验室的理念。在网络模式中包括了视觉艺术家所创作的艺术作品,但是其创作又远远超过了视觉艺术的范围。而且,网络模式不仅仅促进当代艺术的发展,同时也模拟网络博客的方式,在社会传媒中得以广泛地应用。在这个模式的影响之下,传统艺术和艺术家之间的关系发生了变革,同时也吸引... [more]

陈源初 当代艺术中的新秀-网络艺术  
Posted 1/12/16

陈源初 当代艺术中的新秀-网络艺术 当代艺术中的网络模式在世界各地越来越开放与互动化,完全能展现后现代主义不重视理性的概念,以及突显以读者为主体的精神。在1967年法国文学家罗兰 Roland Barthes 提出了“作者已死”的学说,认为当作品完成时,作者的影响力就不存在了,取代的是文本的本身那些结构与符号,以及读者自身经验所阅读到的符号,因此作品因人而感受不同,于此阅读的同时也正是写作的同时,这种“作者已死”论,非常符合网络艺术中“非线性”集体创作的特质。作品因观者的参与而改变,也变得更加完整。网络艺术存在高度的游戏性,作品充满好玩、有趣,能吸引更多人的参与和关注。透过志同道合的社群,一时间会因为某个共同议题而聚集,会因为一次有趣的实验而参与,艺术超越时空而进行,透过信息时代的视像艺术,将把人们带入一个游戏于彼岸与此岸的自由世界。在这种信息世界的视像艺术更强调自娱娱人。人们通过种种新奇的消费性视听器材寻求着自我创作,透过网络来达成自我实现的自我乐趣。如2005年2月才成立的YouTube网站,短短一年后,在2006年用户群每月平均点阅率已经超过二十五亿次,而这些用户,也是积极的创造者,平均每天上传六万五千多支短片进入YouTube 的资料库。 这种现象吸取的是20世纪90年代关于艺术是社会互动和政治参与的一个平台或实验室的理念。在网络模式中包括了视觉艺术家所创作的艺术作品,但是其创作又远远超过了视觉艺术的范围。而且,网络模式不仅仅促进当代艺术的发展,同时也模拟网络博客的方式,在社会传媒中得以广泛地应用。在这个模式的影响之下,传统艺术和艺术家之间的关系发生了变革,同时也吸引更多跨学科的... [more]

Chen Yuan chu' The absurdity of art market model  
Posted 1/9/16

Chen Yuan chu' The absurdity of art market model Exist in Chinese contemporary art market in all aspects of abnormal phenomenon, the need for relentless criticism, artists such as bypass gallery works directly get the auction house, 80% of art capital go crazy realist painting, 70% of the art crowd but the line to pass, outstanding artists batch production of inferior works to reap benefits...... Even the independent art criticism often become the auction company's marketing link, not really critic... [more]

世界近代艺术史185 陈源初著  
Posted 1/9/16

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