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Forrest Bess

20131106120228-1 My painting is tomorrow's painting. Watch and see.   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Forrest Bess at Hammer Museum September 29th, 2013 - January 5th
Posted 11/6/13

“I can close my eyes in a dark room and if there is no outside noise and attraction, plus, if there is no conscious effort on my part – then I can see color, line, patterns, and forms that make up my canvases... I have always copied these arrangements without elaboration.” —Forest Bess, 1951 I saw my first Forrest Bess at the Hammer in 2008, in Amy Sillman's room in curator Gary Garrell's Oranges and Sardines, a group show composed of artists choosing their favorite ar... [more]

20120326233937-michelson01 Herzog’s Whitney Biennial Piece Is Not Overrated but Under-Thought  
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Kai Althoff, Thom Andersen, Charles Atlas, Lutz Bacher, Forrest Bess, Dennis Cooper, Cameron Crawford, Moyra Davey, Liz Deschenes, Nathaniel Dorsky, Nicole Eisenman, Kevin Jerome Everson, Vincent Fecteau, Andrea Fraser, LaToya Ruby Frazier, Vincent Gallo, K8 Hardy, Richard Hawkins, Werner Herzog, Jerome Hiler, Matt Hoyt, Dawn Kasper, Mike Kelley, John Kelsey, John Knight, Jutta Koether, The Red Krayola, George Kuchar, Laida Lertxundi, Kate Levant, Sam Lewitt, Joanna Malinowska, Andrew Masullo, Nick Mauss, Richard Maxwell, Sarah Michelson, Alicia Hall Moran and Jason Moran, Stephen O’Malley, Laura Poitras, Matt Porterfield, Luther Price, Lucy Raven, Peter Rehberg, Kelly Reichardt, Elaine Reichek, Michael Robinson, Georgia Sagri, Michael E. Smith, Tom Thayer, Wu Tsang, Oscar Tuazon, Gisèle Vienne, Frederick Wiseman at Whitney Museum of American Art March 1st, 2012 - May 27th, 2012
Posted 4/1/13

My response to Art Fag Cities' Paddy Johnshons review of the Werner Herzog work at the 2012 Whitney Biennial, also mentioned in CAPITAL magazine.  PARIS — In a recent article on AFC, Paddy Johnson argues that Werner Herzog’s piece in this year’s Whitney Biennial is essentially a throwaway. She sees Herzog’s contribution as a quick fix for inclusion that relies mainly on “bells and whistles” rather than substance. But her account is conspicuously reactionary and seems to be more of a response to... [more]

20120326175818-2012_biennial_lobby_01 GEOslant: Natalie Hegert at the Whitney Biennial   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Kai Althoff, Thom Andersen, Charles Atlas, Lutz Bacher, Forrest Bess, Dennis Cooper, Cameron Crawford, Moyra Davey, Liz Deschenes, Nathaniel Dorsky, Nicole Eisenman, Kevin Jerome Everson, Vincent Fecteau, Andrea Fraser, LaToya Ruby Frazier, Vincent Gallo, K8 Hardy, Richard Hawkins, Werner Herzog, Jerome Hiler, Matt Hoyt, Dawn Kasper, Mike Kelley, John Kelsey, John Knight, Jutta Koether, The Red Krayola, George Kuchar, Laida Lertxundi, Kate Levant, Sam Lewitt, Joanna Malinowska, Andrew Masullo, Nick Mauss, Richard Maxwell, Sarah Michelson, Alicia Hall Moran and Jason Moran, Stephen O’Malley, Laura Poitras, Matt Porterfield, Luther Price, Lucy Raven, Peter Rehberg, Kelly Reichardt, Elaine Reichek, Michael Robinson, Georgia Sagri, Michael E. Smith, Tom Thayer, Wu Tsang, Oscar Tuazon, Gisèle Vienne, Frederick Wiseman at Whitney Museum of American Art March 1st, 2012 - May 27th, 2012
Posted 3/26/12

“Be advised that the fourth floor galleries will be closing in about fifteen minutes for Sarah Michelson’s performance,” I was told when I arrived at the Whitney ticket counter, “So you should probably begin your visit there.” Yeesh. Fifteen minutes for an entire floor? I’d better hurry, I thought, as I dashed to the elevator. On the fourth floor, one of Michelson’s dancers was warming up, stretching her limbs out with a couple quick pas-de-bourrées over the dance floor—a site-specific work in i... [more]

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