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Martine Syms

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  • 20150804120439-27_syms_memory-palace
  • 20150804120342-26_syms_memory-palace
  • 20150804120746-28_syms_notes-on-gesture
  • 20150804115037-5_syms_s1e1-install_2015
  • 20150804114953-7_syms_s1e1-install_2015
  • 20150804123013-3_syms_a-pilot-for-a-show-about-nowhere_2015
  • 20150804115618-23_syms_the-queens-english
  • 20150804115411-20_syms_the-queens-english
  • 20150804115448-22_syms_the-queens-english
  • 20150804115950-24_syms_most-days
  • 20150928160217-ms_a_installation_marcbremstatti
  • 20150817125609-thequeensenglishl
  • 20160417174033-websyms_lesson-xxii_2014
  • 20160417174515-webmisdirected_kiss
 



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Website

Schools
SAIC (School of the Art Institute of Chicago), 2007, MFA

Tags
digital, photography, performance, video-art, publishing

Upcoming Exhibitions and Events
Jun, 2016 Made in L.A. 2016: a, the, though, only
Hammer Museum
 
Current Exhibitions and Events
Apr, 2016 Fact & Trouble
Institute of Contemporary Arts (ICA)
 
Statement

Martine Syms is an LA-based conceptual entrepreneur who uses publishing, video, and performance to look at the making and reception of meaning in contemporary America. Her work has been shown at the New Museum, the Studio Museum, White Flag Projects, ICA Philadelphia, and 356 Mission, among many others. Syms is Director of Dominica Press. She recently collaborated with Kahlil Joseph on the short film Memory Palace for MoCA TV, and her solo show Vertical Elevated Oblique opens September 17th at Bridget Donahue Gallery, NYC. 

Recent Exhibits

Martine Syms participated in these exhibits:

Apr, 2016 Misdirected Kiss
Institute of Contemporary Arts (ICA)
 
Feb, 2016 Rob Pruitt's Flea Market
Downtown Los Angeles
 
Feb, 2016 Black Box
Human Resources
 
Jan, 2016 Cut-Up: Contemporary Collage and Cut-Up Histories through a Feminist Lens
Franklin Street Works
 
Oct, 2015 Notes On Gesture
Machine Project
 
Oct, 2015 Round 43: Small Business / Big Change: Economic Perspectives from Artists and Artrepreneurs
Project Row Houses
 
Click here to see all exhibits for Martine Syms
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