| LIZ DESCHENES BIOGRAPHY |
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| Born Boston, MA, 1966 |
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Lives and works in New York
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| EDUCATION |
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| 1988 |
Rhode Island School of Design B.F.A. Photography, Providence, RI |
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| PUBLIC COLLECTIONS |
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The Walker Art Center, Minneapolis, Minnesota |
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The Art Institute of Chicago |
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Hirshhorn Museum and Sculpture Garden, Washington D.C |
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The Metropolitan Museum of Art, NY |
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Corcoran Museum of Art, Washington D.C. |
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Whitney Museum of American Art, NY |
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CCS Bard Hessel Museum, Annondale-on-Hudson, NY |
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| SOLO EXHIBITIONS |
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| 2012 |
Solo Survey Exhibition, Massachusetts Institute of Technology, Boston |
| 2010 |
"Shift / Rise", Sutton Lane, Brussels |
| 2009 |
"Right / Left", Sutton Lane, Paris |
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"Chromatic Aberration (Red Screen, Green Screen, Blue Screen a series of Photographs from 2001 to 2008)", Sutton Lane, London |
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"Tilt / Swing", Miguel Abreu Gallery, New York |
| 2008 |
Presentation of new works, Sutton Lane, Paris |
| 2007 |
"Photographs", Sutton Lane, London |
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"Registration", Miguel Abreu, New York |
| 2001 |
"Blue Screen Process", Andrew Kreps Gallery, NYC |
| 1999 |
"Below Sea Level", Andrew Kreps Gallery, NYC |
| 1997 |
"Beppu", Bronwyn Keenan Gallery, NYC |
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| GROUP EXHIBITIONS |
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| 2010 |
"How soon is now", selected by Tom Eccles, Liam Gillick, Hans Ulrich Obrist, Philippe Parreno and Beatrix Ruf, Garage, Moscow |
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"Free", curated by Lauren Cornell, New Museum of Contemporary Art, New York |
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"A Shot in the Dark", Walker Art Center, Minneapolis |
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"Systems Analysis", westlondonprojects, London |
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"Les rencontres d'Arles 2010 / Edition 41", Arles, France |
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"False/Divide", Miguel Abreu, New York |
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"Picture Industry (Goodbye To All That)", organized by Walead Beshty, Regen Projects, Los Angeles |
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"ITEM", Mitchell Innis & Nash, New York |
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"De Rigueur", Richard Telles Fine Art, Los Angeles, CA |
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"Photogenic", Blanket Contemporary Art, Vancouver, British Columbia |
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"Blind Mirror", Galleria Raucci/Santamaria, Naples, Italy |
| 2009 |
"Infinitesimal Eternity", Yale University School of Art, New Haven |
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"SEQUENCE 2: One or two works, one week" (with Olivier Mosset, Hans Bellmer and R.H Quaytman), Miguel Abreu Gallery, New York |
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"Colour Chart: Reinventing Colour, 1950 to Today", Tate Liverpool, UK |
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Art|40|Basel, Art Premiere with R. H. Quaytman |
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"Collateral", Group exhibition with Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Nora Schultz, Cheyney Thompson, Le Confort Moderne - Centre pour l’art contemporain, Poitiers |
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"Der Schnitt durch die Oberflache legt neue Oberflachen frei"(The Cut Through the Surfaces Reveals New Surfaces), curated by Max Mayer and Hans-Jurgen Hafner, Temporary Gallery, Cologne |
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"FAX", The Drawing Center, New York |
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"Modern Wing Inaugural Installation of Contemporary Photograph", curated by Matthew Witkovski, The Art Institute of Chicago |
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"La Vie mode d'emploi: Carl Andre, Martin Barre, Daniel Buren, Liz Deschenes, Sherrie Levine, Cheyney Thompson, Franz West", curated by David Lewis, Sutton Lane, Paris |
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"Constructivismes!", curated by Olivier Renaud-Clement, Galerie Almine Rech, Brussels |
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Lora Reynolds Gallery, Austin |
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"To Be Determined", Andrew Kreps Gallery, New York |
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"Practice vs Object", organized by Margaret Liu Clinton, Miguel Abreu Gallery, New York |
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"Twilight", Harris Lieberman, New York |
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"Photography in the Abstract", organised by Maureen Mahoney, Lora Reynolds Gallery, Texas |
| 2008 |
"Le Retour: Mark Amm, Walead Beshty, Liz Deschenes, Nathan Hylden", Nice & Fit, Berlin |
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"Photography on Photography: Reflections on the Medium since 1960", The Metropolitan Museum of Art, New York |
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"Color Chart", Museum of Modern Art, New York |
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"Standard Sizes", curated by Joao Ribas, Andrew Kreps Gallery, New York |
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"The Man Whose Shoes Squeaked", Richard Telles Gallery, Los Angeles |
| 2007 |
"Regroup Show", Miguel Abreu Gallery, New York |
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"24 November - 22 December", Sutton Lane - Paris |
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"Stuff: International Contemporary Art from the Collection of Burt Aaron", Museum of Contemporary Art Detroit, Detroit |
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"For the People of Paris", Sutton Lane c/o Ghislaine Hussenot, Paris |
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"Strange Magic", Luhring Augustine, New York |
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"Form As Memory", Miguel Abreu Gallery, New York, NY |
| 2006 |
"Bunch Alliance and Dissolve", The Contemporary Art Center, Cincinnati |
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Vija Celmins,Liz Deschenes, Zoe Leonard, Tracy Williams, Ltd. NY |
| 2005 |
"The Photograph in Question", Von Lintel Gallery, NY |
| 2004 |
Liz Deschenes/ Siobhan Liddell, Gesellschaft fur Aktuelle Kunst, Bremen Germany |
| 2003 |
"Rethinking Photography V", curated by Ruth Horak, The Forum Stadtpark, Graz Austria |
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"In Full View", Andrea Rosen Gallery, New York |
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"Afternoon Delight", curated by Max Henry, Caren Golden Fine Art, New York |
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"Back Grounds", curated by Olivier Renaud-Clement, Andrew Kreps Gallery, New York |
| 2002 |
"Back Grounds", curated by Olivier Renaud-Clement, Galerie Nelson, Paris |
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"Modern Photographs from the Collection", Metropolitan Museum of Art, New York |
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"Overnight to many Cities", Photographer’s Gallery, London |
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"State of the Gallery", Andrew Kreps Gallery, New York |
| 2001 |
Salon Style, Plus Ultra, Brooklyn New York |
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"[Some] Photography [Abstract]", Larry Becker Gallery, Philadelphia, Pennsylvania |
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"Overnight to Many Cities", curated by Collier Schorr, 303 Gallery, New York |
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"In the landscape", Silverstein Gallery, New York |
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"Rocks and Trees", curated by David Armstrong, Photographic Resource Center, Boston, Massachusettes |
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"Serial Number", Gale Gates, curated by Lauren Ross, Brooklyn, New York Hydro, Marcel Sitcoske Gallery, curated by Erin Parrish, San Francisco, California |
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"Sea Change: The Seascape in Contemporary Photography", Museum of Photographic Arts, San Diego, California, and International Center of Photography, New York |
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The Cathedral Project: Liz Deschenes, Kevin Larman, Donald Moffett, curated by Katherine Gass, The Cathedral Church of St. John the Divine, New York |
| 1998 |
"Sea Change: The Seascape in Contemporary Photography", curated by Trudy Wilner Stack (catalogue), Center for Creative Photography Museum, University of Arizona, Tucson, Arizona |
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Tenri Bienale 1998 (catalogue), Doyusha Gallery, Tokyo; Osaka Municipal Museum of Art, Osaka; Hokutopia, Tokyo; Niigata Prefectural Civic Centre, Niigata; Fukuoka Prefectural Museum of Art, Fukuoka; and Aichi Prefectural Museum of Art, Aichi, Japan |
| 1996 |
"Water", James Graham & sons, New York |
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Liz Deschenes, Drew Dominick, Susan Silas, Jose Freire Gallery, New York |
| 1991 |
"Outrageous Desire", Rutgers University, Mason Gross School of the Arts, DAB Galleries, New Brunswick, New Jersey |
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| GRANTS AND AWARDS |
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| 2004 |
Anonymous was a Woman Foundation |
| 2000 |
Aaron Siskind Foundation Grant |
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| CURATION |
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| 2000 |
Photography About Photography, Andrew Kreps Gallery, New York |
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