Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
New York

Shelley Holcomb

Indicator-greybk-0576b3776febf9f4be8e16c49bdf76da
 
  • 20140613000133-classof2020_150dpi
  • 20130415185905-sculptureb150dpi
  • 20130415185732-untitled_elrey150dpi
  • 20130415185546-twins150dpi
  • 20120518071821-crybaby
  • 20121003070929-untl-natasha300dpi
  • 20121003074556-murica300dpi
  • 20121003064911-untl-theyouth300dpi
  • 20121003062328-untl2_300dpi
  • 20121003070011-sailanfat300dpi
  • 20130415185052-natasha72dpi
  • 20121003072857-olyellard300dpi
 



20140613000536-me_

Birthplace
Starkville, MS

Birth year
1985

Lives in
Los Angeles

Works in
Los Angeles

Website

Schools
Savannah College of Art and Design, Savannah, GA, 2008, Painting

Tags
exhibition/performance, sculpture, conceptual, figurative, realism, mixed-media

Statement

Shelley Holcomb (1985, Starkville, Mississippi, USA) is an artist who has been living and working in Los Angeles, CA. She holds a Bachelor’s Degree in Fine Art with a specialization in Painting from Savannah College of Art and Design. Her work is focused on the human figure with a particular emphasis on portraiture, specifically the immersive qualities thereof. Holcomb’s past projects have utilized a variety of media, including film and installation. Her intention is to reveal and express the layered, buried characteristics of her subjects’ humanity. Holcomb’s ongoing work continues to focus on these themes and create conceptual art through the use of a classical standard -- portraiture -- but expands into other media including video installation, large-scale works on paper, sculpture, and cultural experiments. Her works seek to inspire thought and conversation and will continue to turn a mirror upon its viewer, their societal surroundings, and their own behaviors. 

Holcomb’s latest series, ‘Fat Babies’, focuses solely on portraits of obese children. Communicating through tactile painting techniques a conversation between the artist and her audience about the juxtaposition of innocence and the obscene. She is interested in how images that are ostensibly innocent and pure as a baby can sometimes reflexively elicit uncomfortable and even unseemly emotional responses. The works can spin the viewer's response from intrigue to repulsion and simultaneously evoke thoughts of theoretical contradictions and challenge habits of perception. Her jocular, in-your-face compositions draw you in while at the same time repelling you with a visceral mixture of feelings involving provocation, guilt, disgust, and vulnerability. Contour lines, as would demarcate the crevices or hills of a landscape, cut across the delicate skin of each baby to create bulging folds. Her subject matter is often pictured without eyesight suggesting an extrasensory watchfulness. They are sightless, yet somehow, see right into you. 

The ‘Fat Babies’ series references Mary Shelley’s Frankenstein and our modern society’s neglect and perversion of innocence. In the famous novel, Dr. Frankenstein’s monstrous creation is described to its readers as "Formed into a hideous and gigantic creature, the monster faces rejection and fear from his creator and society.” Much in the same way, the ‘Fat Babies’ series brings attention to the unfortunate, predetermined reality her subject matter will inevitably face in their lifetime, confronting the viewer with a myriad of emotions.

Recent Exhibits

Shelley Holcomb participated in these exhibits:

Sep, 2014 BYOB - Bring Your Own Beamer LA
Werkartz
 
Dec, 2011 Distinct by design, LAAA's annual OPEN SHOW
Los Angeles Art Association/Gallery 825
 
May, 2014 there is nothing happening above us
Werkartz
 
Feb, 2014 starving in the middle of nowhere.
Werkartz
 
Nov, 2010 BEST WISHES
Western Canon at Celebrity Vault
 
Click here to see all exhibits for Shelley Holcomb

Copyright © 2006-2012 by ArtSlant, Inc. All images and content remain the © of their rightful owners.