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Chris Burden

20140616212042-francescoarena278kmasaletterofnietzsche Parcours: Taking Art Basel to the Streets   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Francesco Arena, Darren Bader, Gottfried Bechtold, Pierre Bismuth, Jean-Luc Blanc, Chris Burden, Zeng Fanzhi, Ryan Gander, Mario García Torres, Mark Handforth, Seth Price, Eva Rothschild, Guido van der Werve at Art Basel June 18th - June 22nd
Posted 6/16/14

The Dreiländereck (literally, “angle of the three countries”) rises up on the northern end of the Kleinhuningen Port in Basel. It’s a metal pillar, resembling a silver screwed missile, oriented towards the sky and signaling the exact point where three nations—Switzerland, France, Germany—meet together. Basel is a city wedged into the core of Europe; it’s a border town, stuck in the offshoots of Swiss mountains and split in two by an ample bight of the Rhin... [more]

20110503033934-20100904012201-wl On the “Attempt”   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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SOON 3, Eleanor Antin, Rea Baldridge, Olaf Breuning, Chris Burden, Peter d'Agostino, Jaime Davidovich, Douglas Davis, T. R. Uthco & Ant Farm, Paul Forte, Terry Fox, Chip Lord & Phil Garner, Luis Felipe Ortega & Daniel Guzman, Lynn Hershman, Christian Jankowski, Martin Kersels, Paul & Marlene Kos, Noah Krell, Joel Kyack, Stephen Laub, Whitney Lynn, Tom Marioni, Raul Marroquin, Ricardo Rivera, Bonnie Sherk, Barbara Smith, Pierrick Sorin, Mario Garcia Torres, Bill Viola at CCA Wattis Institute April 21st, 2011 - July 2nd, 2011
Posted 5/3/11

I’ve been ruminating about the “attempt.” I’ve been rolling the word and a few of its meanings over in my mind these last days. (Some joke could be inserted here about “attempts to understand attempt,” I’ll let you come up with your own.) In all this cogitation, the word thankfully did not dissolve into meaninglessness (as some words do when you repeat them too many times—spoon… spoon… spoon… spoon… spoon?), instead it gained a new kind of significance for me. The impetus for this rumination on the word began du... [more]

20101104184332-003--11 Welcome to the Playground   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Vito Acconci, Carl Andre, Chris Burden, Liam Gillick, Aernout Mik, Bruce Nauman, Dennis Oppenheim, Gabriel Orozco, Dan Peterman, Michelangelo Pistoletto, Richard Serra, Andrea Zittel at Museum of Contemporary Art (MCA) November 20th, 2010 - May 1st, 2011
Posted 1/3/11

Pulling from the Museum of Contemporary Art’s (MCA) own collection, curator Tricia Van Eck, with the help of Dominic Molon (a former curator at the MCA, now Chief Curator at the Contemporary Art Museum, St. Louis), presents this season’s bread-and-butter exhibition. Running until May, “Without You I’m Nothing” addresses an issue that has defined art from the ‘60s onward: the viewer. What is the role of the audience in art? Does art exist without an audience? How can art affect and effect the view... [more]

Da3 Crash: Homage to J.G.Ballard   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Richard Artschwager, Francis Bacon, JG Ballard, Hans Bellmer, Glenn Brown, Chris Burden, Jake & Dinos Chapman, John Currin, Salvador Dalí, Giorgio de Chirico, Tacita Dean, Jeremy Deller, Paul Delvaux, Cerith Wyn Evans, Cyprien Gaillard, Douglas Gordon, Loris Gréaud, Richard Hamilton, Roger Hiorns, Damien Hirst, Dan Holdsworth, Carsten Höller, Edward Hopper, Allen Jones, Mike Kelley, Jeff Koons, Roy Lichtenstein, Vera Lutter, Florian Maier-Aichen, Paul McCarthy, Adam McEwen, Dan Mitchell, Malcolm Morley, Mike Nelson, Helmut Newton, Cady Noland, Claes Oldenburg, Eduardo Paolozzi, Steven Parrino, Richard Prince, Robert Rauschenberg, Gerhard Richter, Ed Ruscha, Jenny Saville, George Shaw, Cindy Sherman, John Hilliard and Jemima Stehli, Piotr Uklański, Andy Warhol, Rachel Whiteread, Christopher Williams, Jane and Louise Wilson, Christopher Wool at Gagosian Gallery - Britannia Street February 11th, 2010 - April 1st, 2010
Posted 3/14/10

‘The choreography of mediatised reality’   --Will Self, ‘The Bounds of Inner Space’ Gagosian Gallery Catalogue 2010 We are not living in the real world, but merely exist in a virtual dimension, held like flies in aspic by shifting screens and filters which drip feed sensations of experience: violence, pleasure, the monstrous, the curious. These filters are precisely created episodes of a world theatre, a continuous and totally involving soap opera. ‘CRASH: Homage to... [more]

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