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Slater Bradley

20131009072736-martin_boyce_installation_view Rupturing the Familiar   Pick-button-0f29c6c075c514ef3a12253f1d60018e
Michel Auder, Martin Boyce, Slater Bradley, Philip-Lorca diCorcia, John Menick, Enrique Metinides, Yelena Popova, Amie Siegel, Kelley Walker at CCA Wattis Institute September 10th, 2013 - December 14th, 2013
Posted 10/7/13

Enter City of Disappearances slowly; it will take a moment, but your eyes will begin to adjust to the dimness of your new environment and you’ll likely find yourself quizzically wandering toward Martin Boyce’s sculptures. In Our Love Is Like the Flowers, the Rain, the Sea, and the Hours, 2002, branching neons delicately tower over a bench one could not physically sit on, astride a misshapen trashcan through this park-like installation. Or so those are the associations I immediately ma... [more]

00520100715 Slater Bradley   Pick-button-0f29c6c075c514ef3a12253f1d60018e
Slater Bradley at PSM gallery June 10th, 2010 - July 24th, 2010
Posted 7/19/10

‘CLEAN SLATE marks the beginning of the end on my doppelganger saga. The exhibition’s central film 4-channel surround sound HD video installation “Boulevard of broken dreams” finds the doppelganger at the end of the long road of a parasitic search for the self. In this manic episode, he channels the mood of Hopper’s “Nighthawks” and the gravity of the economic downtown on an anxiety filled stroll up New York City’s glitzy 5th Avenue, aimlessly wandering upstream past the march of touri... [more]

Sb53 A Look at Slater Bradley   Pick-button-0f29c6c075c514ef3a12253f1d60018e
Slater Bradley at Blum & Poe November 3rd, 2007 - December 22nd, 2007
Posted 12/9/07

In itself, the defining conceptual thread behind Slater Bradley’s oeuvre—an interest in the fashioning and refashioning of selfhood through imagery-driven layers—is not news. One can readily invoke a number of art historical precedents, from Warhol to Cindy Sherman, and in the process trace the emergence of a stylized, at times obsessive self-reflexivity that has become one essential tenet of art after modernism. But what is notable about Bradley is his ability to manifest this interest so diffusive... [more]

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