Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
New York

Collier Schorr

20130709081203-schabahzi_shirana__komposition-46-2012_ A very very big show in a relatively small room   Pick-button-0f29c6c075c514ef3a12253f1d60018e
Lewis Baltz, Uta Barth, Lothar Baumgarten, Walead Beshty, Lucas Blalock, Mark Borthwick, Josh Brand, Jean-Marc Bustamante, Talia Chetrit, Anne Collier, Sarah Conaway, Luc Delahaye, Thomas Demand, Liz Deschenes, Rineke Dijkstra, Saul Fletcher, Lee Friedlander, Amy Granat, John Houck, Barbara Kasten, Annette Kelm, Josh Kolbo, Luisa Lambri, Elad Lassry, Leigh Ledare, Tim Lee, Jochen Lempert, Hanna Liden, Armin Linke, Sharon Lockhart, Jean-Luc Moulène, Catherine Opie, Eileen Quinlain, Alison Rossiter, Melanie Schiff, Collier Schorr, Bruno Serralongue, Shirana Shahbazi, Erin Shirreff, Stephen Shore, Alec Soth, Thomas Struth, Jeff Wall, James Welling, Chris Wiley at Galerie Marian Goodman - Paris June 28th, 2013 - August 2nd, 2013
Posted 7/9/13

I've become increasingly aware of how people find negative reviews so much more entertaining than positive reviews, and so I'm about to let everyone down. This is a really great show, and an unusual one, and interesting for lots of different reasons; but really one main one. It's also worth saying that the title/name of the exhibition really is fitting for the experience of seeing the show. The big main thing to say is it's a curated show, although Jens Hoffmann prefers the tag 'exhibition maker' t... [more]

Heineckencherryandmartin40 Enter the Frenzy, Groin First   Pick-button-0f29c6c075c514ef3a12253f1d60018e
Erik Frydenborg, Nicolás Guagnini, Wade Guyton, Robert Heinecken, Leigh Ledare, Amanda Ross-Ho, Collier Schorr at Cherry and Martin May 22nd, 2010 - July 17th, 2010
Posted 6/28/10

Despite his remarkable prescience and pioneering treatment of mass media imagery, Robert Heinecken (1931-2006) has been largely marginalized in the mainstream art historical record. Heinecken’s early experiments, beginning in the 1960s, with camera-less photographic cooption, alteration, and repurposing of magazine pages and commercial pornography anticipated by a decade the mass media appropriationist strategies that later launched the Pictures Generation and has since become utt... [more]

Is this your profile?
Click here to claim your profile
Main-addtags-e34eec31c32d9b3d6d0f704be2c1d8be add to mylistWarn16_1-74f74bcef3e4988600cddc35e070bc1e report abuseMain-help-a4a5bbe5ed1f90845e14fcde7ee9776a contact us for help

Copyright © 2006-2012 by ArtSlant, Inc. All images and content remain the © of their rightful owners.