RENA DE BEER IS USING IN HER WORKS A LEXICON OF ONLY SQUARES AND RECTANGLES TO EFFECTUALLY CONVEY THE CITY'S CROWED, SOARING VERTICALS. SHE VARIES THE DIMENSIONS OF THESE BASIC SHAPES. HER PRACTICE INTENT ON PROVING THE INFINITY DIVERSITY OF PURPOSEFUL LIMITATIONS. THE COLORS ARE FLAT, RESTRAINED BUT WHEN JUXTAPOSE, CREATE THERE OWN SCINTILLATION.
IN SOME OF THEM SHE USES A LIGHT AND PRECISE TOUCH TO DIVIDE BROAD AREAS OF ILLUMINATION FROM INKY SHADOWS, PARTING A LUSH SPECIFICITY OF ATMOSPHERE. CUBIST STYLIZATION ENTER INTO THE IMAGE. WHILE STILL LEAVING A BIT OF ROOM FOR HUMAN VAGARY; BRIDGE RAMPS WITH BUMPER-TO-BUMPER TRAFFIC AND ENDLESS WALLS OF WINDOWS BECOME THE STREAM OF ENERY TYING THIS COMPOSITIONS TOGETHER AND PLAYING THERE PART IN THESE PERSONABLE IMAGES OF URBAN FRENZY
RENA DE BEER'S ARTISTIC DEDICATION FOCUES ON DIGITAL METHODS TO ACHIEVE EFFECTS OF ABSTRACT PAINTING.