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Rosson Crow

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Buck_owen_s_trophy_room

Birthplace
Dallas, TX

Birth year
1982

Lives in
Los Angeles, CA

Works in
Los Angeles, CA

Schools
SVA (School of Visual Arts New York), 2004, BFA
Yale University

Representing galleries

Statement

 

 

 

 

Rosson Crow is celebrated for her exuberant large-scale depictions of nostalgia-laden interiors that blend historical allusion and theatrical illusion. The paintings evoke the good times of yesteryear, with lush interiors that are always deserted, yet speak eloquently — if obliquely — of recent use and inhabitation. The sense of loss is counterbalanced by the richness of textures, patterns, and references — and especially by vibrant, clashing colors, which display an irreverence to the subject-matter akin to the ‘80s soundtrack and Converse All-Stars of Sofia Coppola’s Marie Antoinette. The work also stands out for its hallucinogenic spaces, with interiors fracturing and distorting from realistic representation into abstraction and surrealism, and “teetering,” as she puts it, “between claustrophobic and agoraphobic.”

 

While Crow’s earlier work was often seeped in the decadent atmospheres of the faded aristocracy and absinthe bars of early modern Paris, taking from European styles such as Rococo, the recent work on show here takes as its basis the compressed, but equally rich history of the United States, and especially Los Angeles. The city’s heritage chimes with her interest in the American West, as well as in spectacle and illusion. Country music features in the show’s title piece, and film sets and the Wild West come together in The Widow Garret’s View of Deadwood. Crow also takes on the masculine spectacles and environments of rodeos, saloons, trophy rooms, boxing and the late Jason Rhoades’ Black Pussy soirées. Characteristically, she reimagines the interiors of the now demolished Ambassador Hotel, and flamboyantly embroiders on the truth in such pieces as Koenig House, adding a chandelier and bursts of pink and turquoise to the iconic modernist masterpiece.

 

Rosson Crow grew up in Texas, and studied at Yale and the School of Visual Arts in New York before serving a one-year residency at the Cité Internationale des Arts in Paris. Her work has been widely published, and exhibited in solo shows in New York (CANADA Gallery) and Paris (Galerie Nathalie Obadia) as well as in a number of group shows.

 

A new publication of Rosson Crow’s work, "Night at the Palomino," published by Honor Fraser, will be available at the gallery or from the website. It contains an essay by Norman Klein, who describes the work as “massively architectonic, very immersive, … like a Baroque castle inside a theme park, historical paintings inside a half-baked memory system, inside a desire that has been marketed, but never satisfied.”

 


 

EDUCATION

2006    MFA, Yale University, New Haven, CT

2004    BFA, School of Visual Arts, New York

 

SOLO EXHIBITIONS

2008    Night at the Palomino, Honor Fraser, Los Angeles, CA (forthcoming)

2006    Hotel and Lounge, CANADA, New York, NY

2005    Galerie Nathalie Obadia, Paris, France

2004    Estate Between, CANADA, NYC

 

GROUP EXHIBITIONS

2007    Cabinet of Curiosities, The Journal Gallery, Brooklyn, NY

            Distinctive Messengers, House of Campari, New York, NY

            Accidental Painting, Perry Rubenstein Gallery, New York, NY

2006    The Garden Party, Deitch Projects, New York, NY

2005    Little Odysseys, Marianne Boesky Gallery, New York, NY

The Third Peak, Art Concept Gallery, Paris, France

2004    Yearning for Yours, SVA Gallery, New York, NY

Familiar Haunts, The Happy Lion, Los Angeles, CA

Majority Whip, White Box, New York, NY

Poets of Miniature, Office Ops, Brooklyn, NY

Mira, Mira, Look, Look, Visual Arts Gallery, New York, NY

2003    K48 Klubhouse, Deitch Projects, Brooklyn, NY

 

AWARDS/RESIDENCIES

2006    Cite Internationale des Arts, Paris

 

BIBLIOGRAPHY

2007    T.D. Neil, Jonathan, “Twenty-five Artists To Look Out For In 2007”, Art Review, March, Issue 9, p. 83

2006    Mendelsohn, Adam, “Rosson Crow”, Time Out NY, Nov. 30,  Issue 583

Franck-Dumas, Elisabeth, “Making History,” Vogue, March, p. 407-408

Conner, Justin, "Rosson Crow, Though She Seems All Rainbows and Sunshine, The New Artist's Work Will Make You Shiver", Interview, February

Leydier, Richard, ”Paris Review”, ARTPRESS, January

“Top 10 2005 Art”, Technikart, January

2005    Bernard Geneies, “Une Revelation Americiane”, ParisObs, November

Henri-François Debeilleux, “Rosson Crow Frappe Fort”, Liberation, November

2004    LaVallee, Andrew, “Young Artists Get Personal”, NY Arts, December

Olivier Cena, “Marche de Dupes”, Artchronique, November

LaRocca, Ben, “Art Review: Rosson Crow”, The Brooklyn Rail, November

 

PUBLICATIONS

Klein, Norman. Night at the Palomino. Los Angeles: Honor Fraser Inc., 2007

Flores, Tatiana. More Is More – Maximalist Tendancies In Recent American Painting . Florida: Museum Of Fine Arts, Florida State University, 2007

Mullins, Charlotte. Painting People: Figure Painting Today. New York: D.A.P.,2006

Grayson, Kathy. Rosson Crow. Paris: Galerie Nathalie Obadia, 2006

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Recent Exhibits

Rosson Crow participated in these exhibits:

Sep, 2013 RECONSTRUCTION
Galerie Nathalie Obadia
 
Jul, 2013 And those who were seen dancing were thought to be insane by those who could not hear the music
Friedman Benda
 
Jul, 2013 And those who were seen dancing were thought to be insane by those who could not hear the music
Friedman Benda Gallery
 
Mar, 2013 Chicken or Beef
The Hole NYC
 
Nov, 2012 In Between
Galerie Nathalie Obadia - Bruxelles
 
Feb, 2012 Ballyhoo Hullabaloo Haboob
Honor Fraser
 
Click here to see all exhibits for Rosson Crow
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