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Ginger Wolfe-Suarez

20110118081013-wolfe-suarez-se The Corporeal Qualities of the Yarn   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Jaime Cortez, Ken Lo, Ginger Wolfe-Suarez at Southern Exposure January 7th, 2011 - February 19th, 2011
Posted 1/18/11

Because a faded Polaroid photograph of a Western American mountainous desert skyline could epitomize my distant memories and dreams…because I like Derrida, because of my grandmother’s tea…these might be the reasons I have always enjoyed the experience of Ginger Wolfe-Suarez’s work. “Both Are True” is a constructed landscape of memory and experience where viewers must step around rocks or walk under a structure, forcing a sort of indirect interaction with the works in the space. In the case of Looki... [more]

0885 Ginger Wolfe-Suarez: Theory of a Family   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Ginger Wolfe-Suarez at Jessica Silverman Gallery February 5th, 2010 - March 13th, 2010
Posted 5/19/10

“With these words I am going to take all the darkness away from you and store it in this hole within my body just below my heart. Don’t worry — it is not a big gaping wound- it is a slow seeping one — just small enough to cover with a sweater”[1] The gallery seemed sparse, as if it had been emptied out. Yet Ginger Wolfe-Suarez’s exhibition that demands time, and the more I gave it, the more the work began to fill up and out the space, and what at first seemed like an excess (of breat... [more]

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