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Iman Issa

20140529035308-bb8_zink_yi_david_installationview_300dpi Lost in the Berlin Biennale: A First Look   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Zarouhie Abdalian, Bani Abidi, Mathieu Kleyebe Abonnenc, Saadane Afif, David Chalmers Alesworth, Carlos Amorales, Andreas Angelidakis, Leonor Antunes, Julieta Aranda, Tarek Atoui, Nairy Baghramian, Bianca Baldi, Patrick Alan Banfield, Alberto Baraya, Rosa Barba, Gordon Bennett, Zachary Cahill, Mariana Castillo Deball, Carolina Caycedo, Tacita Dean, Mario García Torres, Beatriz González, Agatha Gothe-Snape, Shilpa Gupta, Cynthia Gutiérrez, Ganesh Haloi, Carsten Höller, Iman Issa, Irene Kopelman, Kemang Wa Lehulere, Matts Leiderstam, Glenn Ligon, Goshka Macuga, Santu Mofokeng, Shahryar Nashat, Olaf Nicolai, Otobong Nkanga, Christodoulos Panayiotou, Judy Radul, Center for Historical Reenactments, Jimmy Robert, Anri Sala, Michael Stevenson, Mariam Suhail, Vivan Sundaram, Gaganendranath Tagore, Slavs and Tatars, Wolfgang Tillmans, Tonel, Li Xiaofei, Danh Vo & Xiu Xiu, David Zink Yi, Carla Zaccagnini at Berlin Biennale for Contemporary Art May 29th, 2014 - August 3rd, 2014
Posted 5/29/14

Fifty artists is not so many for a biennial, and we were certainly looking forward to a concentrated and focussed set of exhibitions. Spread across three venues, this Biennale sprawls, conceptually and physically. Sonja Hornung: ‪We caught the train out to Dahlem, west of Berlin, and got rained on. Once we made it into the exhibition you seemed totally uneasy, Richard – why was that? Richard Pettifer: I couldn’t work out what was from the Biennale and what were pre-existing from the Et... [more]

20120331181655-hu-xiaoyuanwoodnewmuseum12xs The Overlooked and the Unmentionables   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Shaina Anand, Tuan Andrew, Minam Apang, Invisible Borders, CAMP, Julia Dault, Jonathas de Andrade, Rita Ponce de León, Abigail DeVille, House of Natural Fiber, The Propeller Group, Phunam Thúc Hà, Iman Issa, Hassan Khan, Kit Lee, Kemang Wa Lehulere, Matthew Lucero, José Antonio Vega Macotela, Cinthia Marcelle, Dave McKenzie, Public Movement, Nicolás Paris, Bona Park, Gary-Ross Pastrana, Pratchaya Phinthong, Amalia Pica, Adrián Villar Rojas, Gabriel Sierra, Mounira Al Solh, Ashok Sukumaran, Rayyane Tabet, Pilvi Takala, Slavs and Tatars, Mariana Telleria, Wu Tsang, Danh Võ, Hu Xiaoyuan, Dana Yahalomi, Lynette Yiadom-Boakye, Ala Younis at New Museum February 15th, 2012 - April 22nd, 2012
Posted 3/31/12

By now both the New Museum’s Triennial and the Whitney Museum’s biennial have been open long enough for the critical voices of the popular press and blogosphere to have weighed in on the virtues and shortcomings of these highly anticipated exhibitions. I’ve been to both, though rather than add another idiosyncratic opinion to the heavily populated mix I decided to take a cue from the nature of the exhibition itself, and survey the critics. The nature of my looking wasn’t qualitative; I wasn’t too co... [more]

20120220061817-newmuseum1 The Interventionists: A Triennial of the Active   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Shaina Anand, Tuan Andrew, Minam Apang, Invisible Borders, CAMP, Julia Dault, Jonathas de Andrade, Rita Ponce de León, Abigail DeVille, House of Natural Fiber, The Propeller Group, Phunam Thúc Hà, Iman Issa, Hassan Khan, Kit Lee, Kemang Wa Lehulere, Matthew Lucero, José Antonio Vega Macotela, Cinthia Marcelle, Dave McKenzie, Public Movement, Nicolás Paris, Bona Park, Gary-Ross Pastrana, Pratchaya Phinthong, Amalia Pica, Adrián Villar Rojas, Gabriel Sierra, Mounira Al Solh, Ashok Sukumaran, Rayyane Tabet, Pilvi Takala, Slavs and Tatars, Mariana Telleria, Wu Tsang, Danh Võ, Hu Xiaoyuan, Dana Yahalomi, Lynette Yiadom-Boakye, Ala Younis at New Museum February 15th, 2012 - April 22nd, 2012
Posted 2/20/12

Two gold chains hang on steely colored pins. They fall perpendicularly, intersecting to form a cross, a compositional reference that is further bolstered by the small golden crucifix linked to the bottom-most tip. A few feet away, a milky marble-like slab rests upon half an egg shell, which sits atop three similar stones, atop an ever-so-slightly warped poster-sized sheet of paper. Mere inches above the egg-stone composition, a family of six porcelain pitchers each hold the protruding twig of a... [more]

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