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Nevin Aladağ

20131002180247-o Germane Mission   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Adel Abidin, Nevin Aladağ, Halil Altindere, Fikret Atay, Maja Bajevic, Rosa Barba, Andrea Faciu & Florin Bobu, Claus Böhmler, Candice Breitz, Jae Eun Choi, Sunah Choi, Braco Dimitrijevic, Maria Eichhorn, Ayşe Erkmen, Johanna Adebäck & Merve Ertufan, Asta Gröting, Mona Hatoum, Pravdoliub Ivanov, Christian Jankowski, Annika Kahrs, Gulsun Karamustafa, Ali Kazma, Kimsooja, Jarosław Kozłowski, Alicja Kwade, Jonas Mekas, Olaf Metzel, Bjørn Nørgaard, Ahmet Ögüt, Sener Özmen, Dan Perjovschi, Sonja Rentsch, Mario Rizzi, Michael Sailstorfer, Anri Sala, Sarkis, Superflex, Cengiz Tekin, Hale Tenger, Rasa Todosijevic, Endre Tót, Thu Van Tran, Rosemarie Trockel, Nasan Tur, Lawrence Weiner, Maaria Wirkkala at Neuer Berliner Kunstverein September 8th, 2013 - November 3rd, 2013
Posted 10/2/13

An unanswered question a day keeps the doctor away or something on those terms. The apple, if you will, of art seems to be the never-ending meditations on its existence, value, and purpose in the form of the unanswered question: What is art? Curator René Block hits us up with this query once again with The Unanswered Question. İskele2, a cooperative exhibition between TANAS and n.b.k. in Berlin. The exhibition serves as a farewell gesture to TANAS, a non-commercial project space, as it clos... [more]

20101129230435-coralcolony-shahbazi Spatial Rendering   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Nevin Aladağ, Larissa Fassler, Annika Larsson, Johannes Paul Raether, Solmaz Shahbazi at Tensta Konsthall (Tensta Centre of Contemporary Art) October 23rd, 2010 - February 5th, 2011
Posted 11/29/10

Curated by Adnan Yildiz with the assistance of Kim Einarsson of Konsthall C, “The Collective Coral Colony” is inspired by Alfred Döblin's historical novel Berlin Alexanderplatz, initially published in 1929 then later made for television and directed by Rainer Werner Fassbinder; this work serves as a launch pad for contemporary analysis of five chosen artists' relationship with both their respective cities and the notion of a collective insight. For reference, Döblin's Berlin Alexand... [more]

Maurizio-cattelan-untitled-opera-per-la-xiv-biennale-internazionale-di-scultura-di-carrara-ph Another Biennale? This time in marble...   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Nevin Aladağ, Carl Andre, Libero Andreotti, Asymptote, Vanessa Beecroft, Huma Bhabha, Rossella Biscotti, Leonardo Bistolfi, Monica Bonvicini, Carlos Bunga, Aldo Buttini, Giorgio Andreotta Calò, Valentin Carron, Maurizio Cattelan, Marcelo Cidade, Nemanja Cvijanović, Arturo Dazzi, Sam Durant, Urs Fischer, Lucio Fontana, Norman Foster, Yona Friedman, Massimiliano Fuksas, Cyprien Gaillard, Frank Gehry, Antony Gormley, Cai Guo-Qiang, Zaha Hadid, Thomas Houseago, Liu Jianhua, Grigor Kepinov, Daniel Knorr, Terence Koh, Grzegorz Kowalski, Daniel Libeskind, Wu Maoquan, Arturo Martini, Paul McCarthy, Fausto Melotti, Ohad Meromi, Gustav Metzger, MVRDV, Deimantas Narkevicius, Kristina Norman, Jean Nouvel, Yerbossyn Meldibekov and Nurbossyn Oris, Damián Ortega, Santiago Sierra, Alina Szapocznikow, Dymitr Szwarc, Rirkrit Tiravanija, Kevin van Braak, Bogulov Veniamin, Ingal Vladimir, Yelena Vorobyeva and Viktor Vorobyev, Gillian Wearing, Adolfo Wildt, Artur Żmijewski, Zorka Wollny     at INTERNATIONAL SCULPTURE BIENNALE OF CARRARA July 26th, 2010 - October 31st, 2010
Posted 7/6/10

Monuments represent power and are generally speaking stand-ins for national identity; in a word, they are authoritarian. Monuments-as-objects have had their sense and meaning radically changed with an array of failure and crises across the modern historical and political panorama. We are presently plagued with the decay of monuments, a de-monumentalization of symbols and historical icons often replaced by other varieties, less governmental, more icon: TV personalities, general phemera and the omni... [more]

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