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Iris Häussler

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Iris Häussler Installation view of the ongoing assessment of discovered artifacts, temporarily housed in the historic Goldwin Smith Library of The Grange., 2008-2010 © Photo: Iakub Henschen	Iris Häussler He Named Her Amber / Installation view of the library of the historic Grange: preparation of artefacts for exhibition. The solid cast of beeswax encases fabric and dried plant material, 2008-2010 © Photo: Carlo Catenazzi/AGO 2008
Iris Häussler Installation view of the ongoing assessment of artefacts in. Stereo microscopy identifies handwriting on Object #24, a package of letters encased in beeswax., 2008-2010 © Photo: Carlo Catenazzi/AGO 2008	Iris Häussler Stereo microscopy identifies handwriting on Object 24, apparently a package of letters encased in beeswax © Iris Häussler
Iris Häussler He Named Her Amber, Installation view of the former historic kitchen of The Grange (1840), currently used as staging area for the archeological excavation, 2008-2010 © Photo: Iakub Henschen 2009	Iris Häussler Detail of Object #17 in its clay matrix beneath the basement floor, undergoing excavation. This solid cone of beeswax was cast on site in The Grange basement. It contains a deer's shoulder bone, a human braid and woven fabric. © Photo: Edward Burtynsky
Iris Häussler Installation view. (Left) Dr. Chantal Lee and coworkers of the Anthropological Services Ontario purportedly opening the concealed chamber in basement of the historical Grange. (Right) View into the chamber., 2008-2010 © Photo: Iakub Henschen	Iris Häussler Installation detail of the inside of a hidden chamber, concealed behind a plaster coat in the basement of the historic Grange. A significant amount of beeswax was found, together with artefacts and simple tools., 2008-2010 © Photo: Iakub Henschen
Iris Häussler X-ray and interpretative drawing of the brick-artifact © Iris Häussler	Iris Häussler 105 Robinson Street. The home of Joseph Wagenbach in downtown Toronto, 2006 © Photo: Iakub Henschen
Iris Häussler View of the kitchen., 2006 © Photo: Iakub Henschen	Iris Häussler View of the livingroom., 2006 © Photo: Iakub Henschen
Iris Häussler Wagenbach's bed on a sofa in the livingroom., 2006 © Photo: Iakub Henschen	Iris Häussler Assessment view of the "Hare" (JW06-#069) found in Wagenbach's White Cube room., 2006 © Photo: Iakub Henschen
Iris Häussler View from the study into the "White Cube", a space that Wagenbach used as a kind of gallery to store sculptures., 2006 © Photo: Iakub Henschen	Iris Häussler Detail of the "White Cube" in Wagenbach's house, 2006 © Photo: Iakub Henschen
Iris Häussler Detail of the "Chimera" in Wagenbach's White Cube room., 2006 © Photo: Iakub Henschen	Iris Häussler Ou Topos, vienna, 1989 © Iris Häussler
Iris Häussler Erste Hilfe - Ausstellung (First Aid - Exhibition) © Iris Häussler	Iris Häussler Stempelschublade (Stamp drawer) © Iris Häussler
Iris Häussler Photo aus der Sammlung (Photo from the collection) © Iris Häussler	Iris Häussler The nighttable (details) © Iris Häussler
Iris Häussler Candle © Iris Häussler	Iris Häussler Casts, 2003 © Iris Häussler
Iris Häussler Drei Schwestern (Three sisters) © Iris Häussler	Iris Häussler Mutter 2 (Mother 2) © Iris Häussler
Iris Häussler Ohne Titel (Untitled) © Iris Häussler	Iris Häussler Svalbard Sketches , 2010 © Iris Häussler
Iris Häussler Recalling the anecdote of the priest telling the girl's parents that she is obsessed by the devil, 2009 Pen and Watercolour © Iris Häussler	Iris Häussler Recalling the anecdote of the precious fur coat the girl cut, in order to make hand-puppets (part A), 2009 Pen and Watercolour © Iris Häussler

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