Cameron Jamie

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Enjoy_poverty_-_renzo_martens_-_video_work_at_the_biennale_xberg_site

Berlin Biennale: Real World Kreuzberg
by Mara Goldwyn
Ruti Sela & Maayan Amir, Bernard Bazile, Mark Boulos, Mohamed Bourouissa, Olga Chernysheva, Phil Collins, Minerva Cuevas, Shannon Ebner, Nir Evron, Nilbar Güres, Marcus Geiger, ION GRIGORESCU, Petrit Halilaj, Marlene Haring, Cameron Jamie, Sven-Åke Johansson, Thomas Judin, George Kuchar, Andrey Kuzkin, Thomas Locher, Adrian Lohmüller, Armando Lulaj, Renzo Martens, Adolf Menzel, Avi Mograbi, Henrik Olesen, Roman Ondák, Ferhat Ozgur, Pleurad Xhafa/Sokol Peci, Margaret Salmon, Hans Schabus, Michael Schmidt, Gedi Sibony, John Smith, Michael Stevenson, Sebastian Stumpf, Ron Tran, Danh Vo, Marie Voignier, Friedl vom Groller, Marion von Osten, Vincent Vulsma, Anna Witt at Berlin Biennale for Contemporary Art 2010-07-01

The name of the 6th Berlin Biennale is “What is Waiting Out There”. It is a meditation on reality. Reality, the press release says. I’ve lived in Berlin for four years. Now—as in those first months when I would spend myafternoons in Görlitzer Park after German class exhilarated, drinking 40-cent Sternberg beers flung out next to my GDR-era bike—there are, and were, people who have been here much longer than me. Some of those old-timers were even here through ’89 and the W... [more]

I can do that!

by laurie halsey brown
Johanna Billing, Jennifer Bornstein, Andrea Bowers, Phil Collins, Jeremy Deller, Harrell Fletcher, Josh Greene, Cameron Jamie, Alan Kane, Michele O'Marah, Yoshua Okon, Hirsch Perlman, Long March Project, Jim Shaw, Simon Starling, Javier Téllez, Jeffrey Vallance, Eric Wesley at CCA Wattis Institute April 23rd, 2008 - August 9th, 2008
Posted 5/30/08

The exhibition Amateurs begins with a statement by the exhibition curator Ralph Rugoff where he explains that the exhibition seeks to "[depart] from the hyperprofessionalization characterizing so much cultural production today." Amateurs marks a shift in the discussion of high-art versus low-art. Previous exhibitions that included works by Jim Shaw, for instance, always had the inherent hint of irony. Irony is less in the forefront here and therefore this exhibition informs the dialogue surrou... [more]