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Ron Laboray

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  • _7-_fred_in_bedrock_1_2003
  • _13_robin_over_batman_2006
  • _8_all_the_ihops_in_the_continental_usa_2003
  • _5_aquaman_in_the_sea_of_tranquility_2003
  • _15_kermits_over_piggy
  • _6_great_wall_of_aquamen_300pp
  • Laboray_pw_14_the_world_of_charlie_browns
  • 002_20jan10
  • 017__20apr
  • 20110531194051-02--5
  • 20120103180646-_1_ron_laboray_batman_and_robin_over_gotham_wisconsin
  • 20120103180852-_5_ron_laboray_all_the_general_lees_in_hazard_county
  • 20120103181046-_7_pocono_500sm
  • 20120103181235-_4_fantastic_four_meet_the_avengers_west_coast
 



Ron

Birthplace
St Louis

Birth year
1970

Lives in
Waynesville

Works in
Cullowhee

Website

Schools
Washington University, 2000, MFA Painting
University of Illinois at Urbana-Champaign, 1994, BFA Painting

Representing galleries
Peter Miller Gallery

Tags
abstract, digital, video-art, installation, pop, conceptual painting mixed-media, conceptual, sculpture

Statement

 

My studio practice is conceptually driven from my experiences as an artist and archaeologist. I make paintings which are maps or charts  following scientific rules to organize abstract data. Within archaeology, much of the important knowledge is gained through the detritus of past culture.  I focus on similar type of seemingly worthless material for subject matter; our pop culture, junk mail, and spectacle. My painting and drawing processes involve employing all technologies: high and low. I fashion jigs to repeat tasks, use the computer to design and inform, and digital platforms and projections for end user interactivity. 

 

The paintings are in the form of maps and charts and attempt to archive cultural effect. Popular culture disseminates information that leads us to believe Metropolis and Gotham are the homes of Superheroes. Through similar means, we come to see any town bearing the name of Springfield as a potential residence of The Simpsons. Many locations enjoy a simultaneous existence in both fiction and reality. Beliefs generated by invented identities influence our perception of “the real”. Imagined identity can also be imposed on place through reoccurring phenomena like the Super Bowl, World Fairs, or a papal visit. These events, though short lived and migrant, create an atmosphere of close connection and in this, the chosen locations will share in the legacy and identity that is lent through hosting these various spectacles. 

Shiny and plastic like their subject of pop culture, the materials used in the paintings are metaphorically linked to the subject. Plastic represents not only the nature of the ever changing pop phenomena but also product endorsement or corporate logo. The painted surface is aluminum panel sold commercially as sign board, teasing the notion that painting and science are connected as systems of signs.

 

These locations, events, and ideas will be the research ground for future social scientists. These innocuous aspects of pop culture are the fossilization of present beliefs and attitudes in respect to our time. My archive then will have future importance for both science and art by quantifying and measuring this time through an honest effort of translation.

 

 

 

Recent Exhibits

Ron Laboray participated in these exhibits:

Feb, 2013 Sanctified: Spirituality in Contemporary Art
Vincent Price Art Museum
 
Jul, 2011 Summer Group Show
Peter Miller Gallery Ltd.
 
May, 2011 ARCHETYPES
Peter Miller Gallery Ltd.
 
May, 2010 GROUP SHOW
Peter Miller Gallery Ltd.
 
Apr, 2010 Mechanistic
Peter Miller Gallery Ltd.
 
Jan, 2010 Ron Laboray — New Work
Peter Miller Gallery Ltd.
 
Click here to see all exhibits for Ron Laboray
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