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Joachim Koester

20120625200105-lightning1 Frame Within a Frame: Sylvère Lotringer at Haus der Kulturen der Welt   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Eric Baudelaire, Catherine David, Marguerite Duras, Jean Eustache, Antje Ehmann/Harun Farocki, David Goldblatt, Jean-Marie Straub/Danièle Huillet, Hassan Khan, Thierry Knauff, Joachim Koester, Sylvère Lotringer, Vincent Meessen, Christine Meisner, Rabih Mroué, Peter Nestler, Olaf Nicolai, Melik Ohanian, Volker Pantenburg, Christopher Pinney, Ben Russell, Eszter Salamon, Florian Schneider, Efrat Shvily, Eyal Sivan, Hito Steyerl, Ito Takashi, Eduardo Thomas, Matsumoto Toshio, Jeff Wall, Wim Wenders, Klaus Wildenhahn, Christopher Williams at Haus der Kulturen der Welt May 31st, 2012 - June 3rd, 2012
Posted 6/25/12

As part of Haus der Kulturen der Welt’s Berlin Documentary Forum last month, writer and theorist Sylvère Lotringer presented a three-part lecture series called Framing Death, examining changing representations of death in contemporary culture. In the third presentation, certainly the most ambitious and expansive of the series, Lotringer screened Wim Wenders and Nicholas Ray’s 1980 film Lightning Over Water. The screening was interspersed with recordings of interviews Lotringer did himself with the... [more]

20110721054636-van-ingelgem_2_ Through Expanding Clusters   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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John Baldessari, Pierre Bismuth, Allora & Calzadilla, Stefaan Dheedene, Masashi Echigo, Vincent Geyskens, Kees Goudzwaard, Suchan Kinoshita, Lee Kit, Joachim Koester, Adam Leech, Oliver Lutz, Mark Manders, Werner Mannaers, Peter De Meyer, Carsten Nicolai, Willem Oorebeek, Sarah Ortmeyer, Oksana Pasaiko, Wilfredo Prieto, Peter Rogiers, Wilhelm Sasnal, Nedko Solakov, Walter Swennen, Pascale Marthine Tayou, Ed Templeton, Ante Timmermans, Koen van den Broeck, Jan van Imschoot, Herman van Ingelgem, Henk Visch, Kelley Walker, Lois Weinberger, Johan De Wilde, Jordan Wolfson at S.M.A.K. June 21st, 2011 - February 26th, 2012
Posted 8/20/11

The collection is S.M.A.K.’s DNA and reflects the museum’s core identity as the pivot between recent art history and current trends. S.M.A.K.’s acquisition policy has developed organically over the years and has three distinct levels. Firstly, the museum strives to form an ensemble around the oeuvre of a select group of artists. Instead of representing an artist with just a single work, S.M.A.K. aims to collect an oeuvre in depth in order to present it in all its complexity. Secondly, there is a sub... [more]

Siblingtopics-112 A Dialogue in a Trecartian Tone   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Peter Campus, Joachim Koester, Sharon Lockhart, Ryan Trecartin at The Power Plant March 26th, 2010 - May 24th, 2010
Posted 5/4/10

      This dialogue, derived from texts by art critic Hal Foster and physicist Richard Feynman, among others, has been mediated by the internet personas of Hunter S. Thompson, Edgar Allan Poe and Raymond Chandler. In a post-humanistic stasis, and based on Ryan Trecartin's major exhibtion at the Power Plant in Toronto, the mode of dialogue gains a Trecartinian tone. Written and regurgitated with Mathew Timmons.   1: For the non- initiate public the situation is quite different (as opposed to trans... [more]

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