Growing up in a construction family, I connected with tools and materials at an early age. Following service in the navy and a period of years working as a surgical technologist, I became interested in art and architecture. My early experiences, alongside my preoccupation with the dynamic organism of the built environment, continue to inform my work and contribute to my own sense of place and identity.
Parallels between anatomical design and architectural convention are natural starting points for my experiments, often moving around themes of origin and decay within the urban landscape. My interpretations frequently result in quirky assemblages reminiscent of childhood forts or tree house iterations in miniature. While past projects have ranged anywhere from collage and drawing to large-scale kinetic sculpture and installation, my most current work presents as a collection of eccentric architectural models, wryly alluding to the seriousness of the many ominous societal issues on our collective horizon.
My materials are typically found, bartered or bargained for, in keeping with my inclination to repurpose when possible.