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Scott Benzel

20130922090801-public_fiction_-_the_stand_in__or_a_glass_of_milk_ Between Reality and Reverie   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Karen Adelman, Trisha Baga, Cara Benedetto, Scott Benzel, Gabriele Beveridge, Lucas Blalock, Nina Canell, Marieta Chirulescu, Isabelle Cornaro, Lili Reynaud-Dewar w/ Olivia Dunbar, Deanna Erdmann, Brendan Fowler, Erik Frydenborg, Amy Granat, Jibade-Khalil Huffman, Nathan Hylden, Barbara Kasten, Erik Lindman, Shana Lutker, Joseph Mosconi, Alex Olson, Taisha Paggett, Lindsay August Salazar, Rachell Sawatsky, Sara VanDerBeek, Erika Vogt, Flora Wiegmann, Rosha Yaghmai at Public Fiction September 6th, 2013 - November 27th, 2013
Posted 9/21/13

The basic structure of society is not amenable to surrealist states. Louis Aragon’s vision-soaked stroll through the passage de l’opera in his preeminently surrealist novel Paris Peasant reads like foggy brainspace turned inside out and made into poetry, coloring reality itself with its instability. Umbrellas dance, a lock of flaxen hair—seen only in a flash—mercilessly seduces. Instability is the reality of The Stand In (Or A Glass of Milk) Phase 1: An Unbiased Teal.... [more]

20100823144611-blumandpoe-endlessbummer Endless Picture Industry   Pick-button-0f29c6c075c514ef3a12253f1d60018e
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Justin Beal, Billy Al Bengston, Scott Benzel, Gil Blank, Jennifer Bornstein, Carol Bove, Cameron, Anne Collier, R. Crumb, Lucy Dodd, Sam Durant, Roe Ethridge, Amy Granat, Guyton\Walker, Drew Heitzler, Ed Kienholz, Margaret Kilgallen, Nate Lowman, John McCracken, Adam McEwen, Aleksandra Mir, Dave Muller, Catherine Opie, Raymond Pettibon, Richard Phillips, Amanda Ross-Ho, Sterling Ruby, Ed Ruscha, Reena Spaulings, Vincent Szarek, Christopher Williams at Blum & Poe July 3rd, 2010 - August 28th, 2010
Posted 8/23/10

Review also includes “Picture Industry (Goodbye to All That).” Organized by Walead Beshty at Regen Projects. Both of these artist-curated, large group shows gather an impressive all-my-cool-friends and heavy-hitters list of players and both claim, in their statements, to be in large part organized in response to an ambivalent experience or conflicted impression of Los Angeles as a formative urban, cultural context. Both shows are full of really good individual works. Couched in terms of Adorno... [more]

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