Rayyane Tabet

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The Overlooked and the Unmentionables

by Charlie Schultz
Shaina Anand, Tuan Andrew, Minam Apang, Invisible Borders, CAMP, JULIA DAULT, Jonathas de Andrade, Rita Ponce de León, Abigail DeVille, House of Natural Fiber, The Propeller Group, Phunam Thúc Hà, Iman Issa, Hassan Khan, Kit Lee, Kemang Wa Lehulere, Matthew Lucero, José Antonio Vega Macotela, Cinthia Marcelle, Dave McKenzie, Public Movement, Nicolás Paris, Bona Park, GARY-ROSS PASTRANA, Pratchaya Phinthong, Amalia Pica, Adrián Villar Rojas, Gabriel Sierra, Mounira Al Solh, Ashok Sukumaran, Rayyane Tabet, Pilvi Takala, Slavs and Tatars, Mariana Telleria, Wu Tsang, Danh Võ, Hu Xiaoyuan, Dana Yahalomi, Lynette Yiadom-Boakye, Ala Younis at New Museum February 15th, 2012 - April 22nd, 2012
Posted 3/31/12

By now both the New Museum’s Triennial and the Whitney Museum’s biennial have been open long enough for the critical voices of the popular press and blogosphere to have weighed in on the virtues and shortcomings of these highly anticipated exhibitions. I’ve been to both, though rather than add another idiosyncratic opinion to the heavily populated mix I decided to take a cue from the nature of the exhibition itself, and survey the critics. The nature of my looking wasn’t qualitative; I wasn... [more]

The Interventionists: A Triennial of the Active

by Hannah Daly
Shaina Anand, Tuan Andrew, Minam Apang, Invisible Borders, CAMP, JULIA DAULT, Jonathas de Andrade, Rita Ponce de León, Abigail DeVille, House of Natural Fiber, The Propeller Group, Phunam Thúc Hà, Iman Issa, Hassan Khan, Kit Lee, Kemang Wa Lehulere, Matthew Lucero, José Antonio Vega Macotela, Cinthia Marcelle, Dave McKenzie, Public Movement, Nicolás Paris, Bona Park, GARY-ROSS PASTRANA, Pratchaya Phinthong, Amalia Pica, Adrián Villar Rojas, Gabriel Sierra, Mounira Al Solh, Ashok Sukumaran, Rayyane Tabet, Pilvi Takala, Slavs and Tatars, Mariana Telleria, Wu Tsang, Danh Võ, Hu Xiaoyuan, Dana Yahalomi, Lynette Yiadom-Boakye, Ala Younis at New Museum February 15th, 2012 - April 22nd, 2012
Posted 2/20/12

Two gold chains hang on steely colored pins. They fall perpendicularly, intersecting to form a cross, a compositional reference that is further bolstered by the small golden crucifix linked to the bottom-most tip. A few feet away, a milky marble-like slab rests upon half an egg shell, which sits atop three similar stones, atop an ever-so-slightly warped poster-sized sheet of paper. Mere inches above the egg-stone composition, a family of six porcelain pitchers each hold the protruding twig of a... [more]