My visual lexicon of shapes evolved from my
fascination with everyday objects, even the simplest household
tools. Simultaneously ethereal and tangible, these
relativistic speeds, indicating a complex and invisible web of oppositional
forces. At times, in my work I expose them in an intimate form and others in a
They now form MY “vocabulary of images”.
too converse and disconnect, they grow and fight, attack, play and explode.
is about accumulation, psychological baggage, chaos. They grow out of my own
They encompass the world we see in that of their
relationships and narrative, and the world we don’t but that is just as real.
My compositions throughout my work are the evidence
of the differences between the parts and the whole. It is a game of the
perception of appearances, of how microscopic particles organized in a certain
way can be a corral reef and in another way a chair.
In the last series of paper scrolls and
drawings I have been working on affliction is deliberately chosen as the
topic, and how these shapes will react.
of this is ultimately my excuse to use color.