I create paintings, installations, and assemblages that investigate non-linearity, spatial ambiguity, and dislocated semiotic associations. It is through the play of these formal elements that I can ground and make visible my experience of an essentially fragmented contemporary existence. In my work I often employ varying strategies of negation, both physical and conceptual, to arrive at a more unpredictable image/object. Decollage, negative wood scraps, under-painting, unfinish, optical confusion, absurdity and impermanence are some of the ways I explore the territory of the negative within painting. One way this manifests itself is through the final stage of removing masked areas of a painting to reveal the initial raw fabric layer, bringing the background forward, conflating layers.These strategic approaches allow for the interruption of the sequence of production in my work and point to negative space as a location for play and the affirmation of subjectivity through form.
In the creation of my work, analogous to Freud’s theory of dream symbolism, every material and formal decision embodies a rich yet cryptic cathexis of reference points. Certain references are more transparent than others; while some are only legible to elements of my viewership, many are self-reflexive and appear absurd or nonsensical. Across a series of works the notion of humor may seem imperative and so I will draw out subtle comparisons and illustrations of terms like Irony, Cynicism, and the Pathetic. Some works appear extremely reduced and formal, yet an interpretation will yield a spiraling paratactical chain, much like the materials list in the description of one of my magnetic assemblages. The use of magnets and steel to construct assemblages points to Rauschenberg and minimalism, but also to the simple if not silly illusion afforded by magnetism. A steel chain may suggest bondage, pet ownership, and Internet “links” and still remain a readymade 2D mark in a quasi constructivist composition.
Bio:
Ron Ewert was born in the suburbs of Chicago, inspired by baseball, comic books, and his father’s vinyl sign-making business. He attended the Milwaukee Institute of Art and Design, graduating with a BFA in 2004, when he got his first computer. Ron received his MFA in Painting and Drawing from the School of the Art Institute of Chicago in 2012 and currently is co-director of The Hills Esthetic Center, an exhibition space he founded in 2010. This fall Ron will have work in exhibitions at Peregrine Program and Autumn Space in Chicago and Monya Rowe Gallery and Launch F18 in New York. Ron lives and works in Chicago.
www.thehillsestheticcenter.com
Ron Ewert
1982 b. Glendale Heights, Illinois
Lives and works in Chicago, Illinois
EDUCATION
2012 MFA School of the Art Institute of Chicago
2004 BFA, Milwaukee Institute of Art and Design
2002 Burren College of Art, Ballyvaughan, Ireland
SELECTED EXHIBITIONS
2012
Did You See Heaven: WYSIWYG, Peregrine Program, Chicago IL (Upcoming)
SAIC MFA Exhibition, Sullivan Galleries, Chicago, IL (Upcoming)
Civic & Arts Exhibition, Union League Club. Chicago, IL (Upcoming)
MONO//TON//POLY//CHROM, Freies Museum, Berlin
The Whitney Houston Biennial, Murdertown, Chicago IL
2011
Painted, curated by Tyson Reeder, Green Gallery, Milwaukee WI
Roger's Grocery: Mess Hall, Chicago, IL
Ghost Show, American Fantasy Classics, Milwaukee, WI
Wow and Flutter: Dynamic Range in Analog Art, Johalla Projects, Chicago, IL
Abeaiaa Sligrsr Vrgiimn, American Fantasy Classics, Milwaukee, WI
Next invitational at Art Chicago, Chicago, IL
The Hills Esthetic Center at MDW Fair, Chicago, IL
Small(er) Works, Manifest Exhibitions, Chicago, IL
2010
RePaired, curated by J. Gibran Villalobos and Katie Waddell, SAIC, Chicago, IL
There, Now It Will Last Forever, The Family Room, Chicago, IL
Tech-Noir, Co-Prosperity Sphere, Chicago, IL
Lumpy Trouser Demons Etc…, Northern Exposure, Chicago, IL
Get It Together Again, Chicago Cultural Center, Chicago, IL
2009
Harvest, Heaven Gallery, Chicago, IL
Money, Booze, History and The History of Booze Money, Plaines Projects, Chicago IL
2004
I know you are but what am I, MIAD, Milwaukee, WI
2002
Ironic Being, Burren College of Art, Ballyvaughan, Ireland
AWARDS
2012 Frederick Fursman Scholarship
2011 SAIC Student Leadership Award
2010 SAIC grant Illinois
Arts Council Grant
2009 Chicago CAAP Grant
2008 Chicago CAAP Grant
2000 MIAD Merit Scholarship
2000 Glenbard East High School “Best in Show”
RESIDENCIES
2010 Harold Arts Summer Residency Program
2009 Harold Arts Summer Residency Program
COMMISSIONS
2011 Miller Coors, Next Chicago Sculpture Commission
2010 Walgreens, “Creative Differences” Public Mural, 1372 North Milwaukee Avenue Chicago, IL