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Jeremy Bolen

20140809075139-stimac_santa_fe_billings Clouded Points of Access: Phantoms in the Dirt at the Museum of Contemporary Photography   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Jeremy Bolen, Matthew Brandt, Shannon Ebner, Assaf Evron, Anya Gallaccio, Jay Heikes, Joachim Koester, Harold Mendez, Richard Mosse, Eileen Mueller, Arthur Ou, Alison Rossiter, Adam Schreiber/US, Daniel Shea, Greg Stimac, Shane Ward at Museum of Contemporary Photography July 25th - October 5th
Posted 8/9/14

What first reads like an astral constellation is in fact a photograph whose blackness is broken only by the erratic swarm of dead insect bodies. Greg Stimac’s Santa Fe to Billings (2009) documents the choreography of the countless lives his windshield intersected on a drive between locales. The momentum of each smash is evident—guts smear and spray across the surface, recording innumerable tiny accidents. To create this piece, Stimac placed an 8 x 10 inch sheet of Plexiglass on the h... [more]

20120725084654-screen-shot-2012-03-13-at-8 The Dragon is the Frame   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
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Mark Aguhar, Claire Arctander, Nina Barnett, Jeremy Bolen, Elijah Burgher, Edie Fake, Pamela Fraser, Tiffany Funk, R.E.H. Gordon, Steve Hnilicka, Kasia Houlihan, Mark Kent, Young Joon Kwak, Andrew Mausert-Mooney, Marianna Milhorat, Tim Nickodemus, Juana Peralta, Aay Preston-Myint, Macon Reed, Colin Self, Michael Sirianni, Nathan Thomas, Neal Vandenbergh, Isaac Fosl-Van Wyke, Allison Yasukawa, Gwendolyn Zabicki, Latham Zearfoss at Gallery 400 June 29th, 2012 - August 11th, 2012
Posted 7/25/12

Mark Aguhar sits, with a sullen look on their face, draped in a pink sheet-come-dress and sitting in a patch of faux “snow” created out of scraps of what appears to be white paper. This image of Mark encapsulates, succinctly, so many theories about the performativity of (queer) affect. Mark’s look, which is funny, sad and moving all at once, is caught somewhere between despair and tantrum. This image reminds us how affects are contagious—how, as Sara Ahmed suggests, your feelings reproduce them... [more]

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