Andrew Berardini is a writer living in Los Angeles, who has worked for the Armory Center for the Arts and LAXART as a curator and at Semiotext(e) Press as an editor. He currently holds positions as Los Angeles Editor for the Milan-based bimonthly art magazine Mousse, Contributing Editor at Momus, and Deputy Editor for Artslant. He is also a co-founder and editor at the Art Book Review.
He has published articles and essays in Frieze, Mousse, Fillip, Artforum, X-TRA, Artnet, Paper Monument, Art Review, Rolling Stone, Public Fiction, Modern Painters,Afterall and regular contributes to the LA Weekly. Recent book projects include a collaboration with Brian Kennon published by 2nd Cannons titled Get In, a monograph on the work of Richard Jackson published by the Rennie Collection, and a contribution to the 2012 Whitney Biennial. His research focuses on the permeability of imagination and reality and cultivating the practice of art writing as an aspect of literature. He's aslo a faculty member at the Mountain School of Arts.
Andrew joined ArtSlant in 2009 as the West Coast Editor covering Los Angeles, San Francisco and the Pacific Northwest editions. In 2011 Andrew became the Deputy Editor of ArtSlant.