STREET now open! Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
New York

John Kelsey

20120326233937-michelson01 Herzog’s Whitney Biennial Piece Is Not Overrated but Under-Thought  
by
Kai Althoff, Thom Andersen, Charles Atlas, Lutz Bacher, Forrest Bess, Dennis Cooper, Cameron Crawford, Moyra Davey, Liz Deschenes, Nathaniel Dorsky, Nicole Eisenman, Kevin Jerome Everson, Vincent Fecteau, Andrea Fraser, LaToya Ruby Frazier, Vincent Gallo, K8 Hardy, Richard Hawkins, Werner Herzog, Jerome Hiler, Matt Hoyt, Dawn Kasper, Mike Kelley, John Kelsey, John Knight, Jutta Koether, The Red Krayola, George Kuchar, Laida Lertxundi, Kate Levant, Sam Lewitt, Joanna Malinowska, Andrew Masullo, Nick Mauss, Richard Maxwell, Sarah Michelson, Alicia Hall Moran and Jason Moran, Stephen O’Malley, Laura Poitras, Matt Porterfield, Luther Price, Lucy Raven, Peter Rehberg, Kelly Reichardt, Elaine Reichek, Michael Robinson, Georgia Sagri, Michael E. Smith, Tom Thayer, Wu Tsang, Oscar Tuazon, Gisèle Vienne, Frederick Wiseman at Whitney Museum of American Art March 1st, 2012 - May 27th, 2012
Posted 4/1/13

My response to Art Fag Cities' Paddy Johnshons review of the Werner Herzog work at the 2012 Whitney Biennial, also mentioned in CAPITAL magazine.  PARIS — In a recent article on AFC, Paddy Johnson argues that Werner Herzog’s piece in this year’s Whitney Biennial is essentially a throwaway. She sees Herzog’s contribution as a quick fix for inclusion that relies mainly on “bells and whistles” rather than substance. But her account is conspicuously reactionary and seems to be more of a response to... [more]

20121015163852-as_bcorp_web_20 Fodder for a New Capitalism   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
by
Bernadette Corporation, John Kelsey, Bernadette Van-Huy, Antek Walczak at Artists Space: Exhibitions September 9th, 2012 - December 16th, 2012
Posted 10/15/12

In their definitive sociological study of capitalism, The New Spirit of Capitalism, Luc Boltanski and Eve Chiapello argue that anti-capitalism may be "the most significant expression of capitalism in the eyes of history." The work of Bernadette Corporation is founded on a keen awareness of this new spirit, in which all critique becomes fodder that strengthens capitalism through being incorporated by it. Bernadette Corporation's awareness is an awareness of the all too easy subject-position of t... [more]

20120326175818-2012_biennial_lobby_01 GEOslant: Natalie Hegert at the Whitney Biennial   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
by
Kai Althoff, Thom Andersen, Charles Atlas, Lutz Bacher, Forrest Bess, Dennis Cooper, Cameron Crawford, Moyra Davey, Liz Deschenes, Nathaniel Dorsky, Nicole Eisenman, Kevin Jerome Everson, Vincent Fecteau, Andrea Fraser, LaToya Ruby Frazier, Vincent Gallo, K8 Hardy, Richard Hawkins, Werner Herzog, Jerome Hiler, Matt Hoyt, Dawn Kasper, Mike Kelley, John Kelsey, John Knight, Jutta Koether, The Red Krayola, George Kuchar, Laida Lertxundi, Kate Levant, Sam Lewitt, Joanna Malinowska, Andrew Masullo, Nick Mauss, Richard Maxwell, Sarah Michelson, Alicia Hall Moran and Jason Moran, Stephen O’Malley, Laura Poitras, Matt Porterfield, Luther Price, Lucy Raven, Peter Rehberg, Kelly Reichardt, Elaine Reichek, Michael Robinson, Georgia Sagri, Michael E. Smith, Tom Thayer, Wu Tsang, Oscar Tuazon, Gisèle Vienne, Frederick Wiseman at Whitney Museum of American Art March 1st, 2012 - May 27th, 2012
Posted 3/26/12

“Be advised that the fourth floor galleries will be closing in about fifteen minutes for Sarah Michelson’s performance,” I was told when I arrived at the Whitney ticket counter, “So you should probably begin your visit there.” Yeesh. Fifteen minutes for an entire floor? I’d better hurry, I thought, as I dashed to the elevator. On the fourth floor, one of Michelson’s dancers was warming up, stretching her limbs out with a couple quick pas-de-bourrées over the dance floor—a site-specific work in i... [more]

Slewitt_naturalhistor_13c2b Contemplating the Act of Rubbing   Pick-button-5bf6c1b36c3b74ec8f312c7c9f6f1ae3
by
Scorched Earth., Max Ernst, Melanie Gilligan, Richard Hawkins, John Kelsey, Sam Lewitt, Henri Michaux at Miguel Abreu Gallery Orchard St November 22nd, 2009 - January 10th, 2010
Posted 11/28/09

Frottage: “Who does it anymore? Who really did it ever?” These questions are posed in the press release for the exhibition simply titled, Frottage. Referring to the technique of creating marks through the rubbing of objects, frottage is a French term popularized by Max Ernst, and adopted by the surrealist movement. Beginning with Ernst, and moving into artists working today, this exhibition is an intelligent meditation on a process quite easily perceived as passé. The show is organized to function just a... [more]

20140228174412-mica_home_page_ad
Is this your profile?
Click here to claim your profile
Main-addtags-924c433b10d7fa1e798f459a6c516fec add to mylistWarn16_1-acea3e816f6ab6f7c1ff67db4fe34a36 report abuseMain-help-83f1644dca34c1af4fed1d49d175d955 contact us for help

Copyright © 2006-2012 by ArtSlant, Inc. All images and content remain the © of their rightful owners.