Another Biennale? This time in marble...
Nevin Aladağ, Carl Andre, Libero Andreotti, Asymptote, Vanessa Beecroft, Huma Bhabha, Rossella Biscotti, Leonardo Bistolfi, Monica Bonvicini, Carlos Bunga, Aldo Buttini, Giorgio Andreotta Calò, Valentin Carron, Maurizio Cattelan, Marcelo Cidade, Nemanja Cvijanović, Arturo Dazzi, Sam Durant, Urs Fischer, Lucio Fontana, Norman Foster, Yona Friedman, Massimiliano Fuksas, Cyprien Gaillard, Frank Gehry, Antony Gormley, Cai Guo-Qiang, Zaha Hadid, Thomas Houseago, Liu Jianhua, Grigor Kepinov, Daniel Knorr, Terence Koh, Grzegorz Kowalski, Daniel Libeskind, Wu Maoquan, Arturo Martini, Paul McCarthy, Fausto Melotti, Ohad Meromi, Gustav Metzger, MVRDV, Deimantas Narkevicius, Kristina Norman, Jean Nouvel, Yerbossyn Meldibekov and Nurbossyn Oris, Damián Ortega, Santiago Sierra, Alina Szapocznikow, Dymitr Szwarc, Rirkrit Tiravanija, Kevin van Braak, Bogulov Veniamin, Ingal Vladimir, Yelena Vorobyeva and Viktor Vorobyev, Gillian Wearing, Adolfo Wildt, Artur Żmijewski, Zorka Wollny at INTERNATIONAL SCULPTURE BIENNALE OF CARRARA
July 26th, 2010 - October 31st, 2010
Monuments represent power and are generally speaking stand-ins for national identity; in a word, they are authoritarian. Monuments-as-objects have had their sense and meaning radically changed with an array of failure and crises across the modern historical and political panorama. We are presently plagued with the decay of monuments, a de-monumentalization of symbols and historical icons often replaced by other varieties, less governmental, more icon: TV personalities, general phemera and the omni... [more]