" a   n     o t h e r ";  METHOT ;    O N  C R iTi Q U E  ing..  ART  W O R K S..

I think, the honest critic   will   b  e ;  i f I  s a y;  

" I think that  ,  ; I    did  t h e s e  W o r k s;   -o f  U'r  s-  ...  and  critic them as they  w e r e ,  m e;   -&  m i n e-..  (   -b r o t h e r ..-  )

F i r s t  of  all,  this improvisation   style  of    U' r s  ,    i s similar to      m y;  s t y l e;  o f   improvisation..  t o  o..( otherwise I wouldn't  make any   critic  o n. )..On m y  WAY;  I  made;  thousands  o f   these, improvisations,  s o  I can say,  I  have  experiance on  h o w   they  make " c r i t i c s  "       o  n them..

WHY I DO NOT GO TO ART HiSTORY CRiTiCS

1-  ( on this kind of impro,   w e DO not n e e d,  critics from, regular,,-or rational-   art critisism;  I  think..)  ( I prefer to go to my m i n d  Dr..to give me tactic o n my  feelings  to develop them in  any  W A Y;  m u l t i     w a y s-    ( because s h e has a  total mind that  rational professionals can not reach; she is totally a  " w i s e "  person).. as   " I  can  D O;  ANY THiNg "..and this will work b e t e r than  regular  art  c r i t i c s  of  the  " rationals  "  ..

2-   .and  I shall go to play a basketball match;  that is a  " martial a r t "  ,  with strategy and tactics to b e created on the f i e l d..

3-   .. o r  I  GO;  to the " ALPHABETH "  and w r i t e ;  it' s  letters to s e e; how these  " drawings "  find  n e w  WAYs  t o  m  y;   D  O; i n G s..   or  I go to  MOTHER P i A N O;  to listen to m y; HAND;  i f  there  o c c u r e s;  any;  s o l u t i o n s;  or n e w  WAYs; to  m y  feelings..(these all are art DOings; instad o f, DOings  i n L i f e.. -in daily  l i f e- ..) 

L  e t    m e;  explain,  m y  point  o f  wiev  ;    how I  " c r i t i c ";  t h  e s e,  Abstract eXpressionist   " i m p r o v i s a t i o n s "     ; with  the  P a i n t.. "  :

I n my  thinking,  i f  "  U  "    DO;  n o t     l o o s e; " U'  r  "    " conscious "    -U' r Ratio must b e shut-  ;  ( free feelings of the  BODy  &  thinking  , and the  quick HAND;  m u s t  take   the L e a d..  )  (just like in martial a r t s..)  ( U know these already because U' r   Work   has these improvisations, ..)  S O;  some t h i n g;  c a n;  escape  f r o m  the  control  o  f   the RATiO;   (that can be said a s;  RATiO can not catch m e ; or RATio will fallow  m  e;   only when my HAND;   r e a c h e s  at  n e w;  discovers  n e w   THingS ..)  ( but they still will b e   dressed  with the ratio.. after w a r d s..)  c  a  n    O C C U R..  i n  t h e PAiNTing..( PAiNT is real  m e  d i u m;  - b e d -   to the  ANGEL-L i k e  things  o f  ART;   s    ..,, to  swim i n..)

...b u t,  first  o f  all;  HAND; o f  the " T h i n k i n g "  with  " tHiNgs ";   i s  faster than RATiO can  a c t;  

..s o  RATiO;  o f   m a n;  can  b e;  apart   from;  his  DOiNGs...(the LABOR o f DOings & feelings, and thinkings , will produce art, first ;t h e n  RATiO; shall add; F O R M  to  these DOings; a f t e r w a r d s..)  (but in the Western Rational ARCHiTECTURAL; PLANED  thinking, RATiO  h a s  to  come  first, then some will find the w a y;  to  DOing art; i n  some  " ism' s "  ..  I am not against, this architectural approach;  b u t,  w  e  mediteranian  p e o p le;  a r e;  sensual,  - emotional, sentimental, affective, romantic, emotive, feeling, sensational, sensuous, soulful, susceptible, susceptive-  and  then w e can  not  g o, in these  regulatians;  o f  RATioanals.. t h e n, it  occures; a s  " w e can  not  M A K E  A R T " ...

.....but  o u r,  being  emotional; can include; m a n y;  " ism s "  naturally  i  n   US.  and  I  think;  there  is  a  DOOR;   that  OPENs   t o;  t h e  " CONTEMPORARy " ..p a i n t i n g..(and remember postModernism; they have confesed;  " the painting i s  DEAD " ..this w a s  because;  they could not  u  s  e;  contemporary  a c t s;  i n the  p a i n t i n g..SO; acting " martial " in painting;  is the way, to  paint i n " contemporary "  behaviorals..  & COMPUTER EDiT  programs;  w i l l   complate;  this  m a r t i a l ;  a c t;   with the  ;TRUE iNSTRUMENTing;  with  the geniune  MACHiNE; o f  " CONTEMPORARiANi s m.."

I  t h i n k.. 

T  h e   s e  ;  ABSTRACT  WORKs  are rich  -& fertile-  to b e ;   STUDiED;   i n  the computer, e d i t  Programs, b y  only arraging them...  No n e e d;  to a d d ; any line ,or any color to, t h e m.. these are basic to all arrangements..S  O;  t h e y  have;  " h i g h   V a l u e  "  ...

T h e i r   computer  arrangements,  M a k e   M O N E Y..I  guess..and this may produce " MONEY ", (the origins of money in fact goes to a  " picture ",  and money predicts the new e r a  of  the  visable knowladge)..

T h e;"  original PAiNT i N G "   produces  " sucsess "  acording to how many  contemporary WORK; has b e e n;  a c h i v e d ;   f r o m;   the   original..  The original painting is a DOOR; to  an  " UNDERWORLd  L A N D..( I may name i t; the L a n d  - s-    o f;    , the  IDEAL CAPiTALism..)

SO;  i  f   someone has to  " price "  the  , original PAiNTings;  then;  some " critics "    has to  WORK;  the arrangements, o f  the  original..  ( if U' r child has been  K i n g, then U are the,  MOTHER QUEEN..)

THE CRiTiCs  O F TODAY..

S  O;  SOME  CRitics   o r  COLLECTORs;    only  feel,  or  has,   intuition  a b o u t  -or on-  some original " a r t  H i s t o r y; -patented-   WORKs "  -     (paintings made by paint)   o f artists..T  h  e  y;  predict  that; there are  -or may be-  many    " edit arrangements "  that can produce; o r   i n c l u d e  ;      the many  charactors o f "UNDER WORLds "..  (but w e are in computer a g e, and computer e d i t programs can carry these o r i g i n a l s;  to  the  " a b s o l u t e  Volumes " to o p e n  them  to  t h e;   UNDER ATOMic  W O R L D s;  o f  the  MATTER..and capitalism says, U are MADE o f  A T O M s;f i r s t   ,     before  U  w e r e  made  o f  biological  c e l l s..  -from heaven..-  S O; ;  a r e  the   area f o r  ART;  of  M A N    ;too..LANDs   o f   the  UNDER MATTER  w o r l d s  o f   the capitalism' s..       i  f   U  DO  not  F  A  C E;   with  U'  r   ATOMiC  LAYERs;  t h e n   U  will always b e  a f r a i d     ; of  t h e;  DARK..

..Conficius of China says,    

" there is no bad thing like looking for a black cat in a dark room..-where there is not  ANY BLACK CAT..-   "  ..

...and  SOME;  s a y;      

"     art    ;  o f the man      ,has been  a weapon;  to  f i g h t  against  t h e  ;  DARK;LANDs  that come  f r o m, " the a r e a ,    " o u t   of   c o n s c i o u s  ness "      i  n   fact  ..(SO  art is not a  story o  f   L i g h t; -or  ; nature o f  L i g h t- ..)      Social life gives us light,, b u t;  e v e n P u b l i c  gives us the  feeling  o f  DARKness,  and the   u n known..(  that  in fact      is hidden     i n atoms..   and molecules      that w e are based  on;  -or  i n -  ..)

These   a  r  e;  some,  "  " a r r a n g e m e n t s "   " orchestrations "   ;  that  I made on your m e l o d i e s,,..(painting s)..C O N T E M P O R A R y;   arrangements, that shall  intoduce U' r  culture;     t o  m e ;   ,   S  O  , I  could;  s e e ;  the culture i n U' r  paintings  -from my wieving-..  n  o   w..  (because u n i v e r s a l;  art style;    "  abstract expressionism improvision "   i s  an universal c o v e r ;( a socialist method in universalism)  then   " contemporary "   ;  o p e n s  the undercover..to  t h e   I D E A L  L A N D s..   (that are  r e a l;  I think..)  ( what HAPPENs;  i n the   R E A L;   s  i  d  e;  I  g u  e s s..)

W h a t   I will  s a y,  i  s;   this , universal  " Abstract expressionism "  i s; a  DOOR;  t h a t;  r e a c h e s ;   to  the IDEAL CAPiTALism,L A N D s ..because, when U apply;  c o n t e m p o r a r y,  (from the basic computer  e d i t s),,i t  directly O P E N s;       to  b a s i c;  CONTEMPORARy Painting of,    the i D E A L  CAPiTALism..L A N D s..   (  who can not make " abstract expressionist impro. " they had to  i n v e n t, ; " CONTEMPORARy ART "  i n;  architectural;  m e t h o d s..     -of Today' s  CONTOMPERARy  ART   fields...-

 (my thesis is   ; if they could continue on modern painting and study painting in contemporary planes  and layers  ..(such as installation art, conceptual art, performance art,hapening, e.c.t.)  t h e n,  these  idiot-like works       -so brain itself  can act like a computer  to learn that brain is not a computer;   - that is brain can teach the brain-  -    o f  architecturally planed  contemporary a r t;  wouldn't  ;  o c c u r..      -although  M o d e r n i s m;  has been  applied  to  the painting,, o n l y.    -.in the theoric planes o f relativity i n quantum mechanics scientific lavels-..-that i s  ; including the methods o f the  quantum mechanicila  science that has a DOOR  o p e n i n g  to  the  L a n d;  o f  the  C o n t  e m p o RARy..-

 I  h o p e;  U  c a n;    s e e ;  what;  I   SAW;  i n U' r;   WORKs..

..because  U  M A D E;  them,  i n  fact.. I only  r e arrange  t h e m,   with  o n l y,   " m y  RATiO "..   they are all;  U' r  HAND has M A D E..(ratio is the property of capitalism i n fact..Muslims say this   a s ;    ALLAH;  o w n s;  every thing..and his IDEAL Capitalism will occur when RATiO i s  United..)   

M y critic  i s ;  :       there  a r e ;  some  valuable;   pieces  (these peaces are very high in value..)  and  abstraction is being made to reach to  these pieces..(these pieces are priceless,  b u t  art work can b e put into prices..)  ...abstract expression creates  a  fast  flow  and in that river U have to  c a t c h;  incredable  " f i s h e s "  ..  i f  they swim; in the   " a r t   work "      ; then this art work is  v a l u a b l e; too..

..these   T R U E;  WORK;  o f  " abstract  expressionist "  paintings  a r e ;  the most;  valuable things in  a r t ;  I  assume..