...t h e  Absolute  V o l u m e;       i n  ART..

a    s u r v e y  ;  2 the " T h i N g " ;of ART's;   is

  (..." MAKiNG t h e HAND; "   ;-H& -4A R T  . )

 ...some absolute V o l u m e;  P r o  v i d e r s..                                        

p.s. : all these pictures were provided from the media  ,that were   posted 2 the internet ..;   - in  Low resolution-   ; to b e used,     a s " disposables "     ; for    social u s e..s...

....s o, " A b s o l u t e  V o l u m e "  ; is maybe      ;t h e;  m o s t ;  Contemporary C O N C E P t;      of all; M e n ' s    ; H i s t o r y  M A  K E rs..

 How can  U;  rule; -or conduct-  -or govern-   h i s  "  A b s o l u t e ;  V o l u m e.."  ..&how they b e ; in that; Absolute V o l u m e,, -what DO they DO;  ;M A KE;  to be, in that A.VOLUME..        -mostly man are in their HEADs; in their; M i n d; & RATiO s..-

S  O;  W H A T;  D O E S;     an  ARTist;  D  O;      - to;  b e; in that A.Volume-  ; o r, HOW; to A C T;  with that; A.VOLUME.. A c t i o n  painting;      -the way J.Pollock; o p e n e d..- .............................. o r;  i s  it  only;   to  change the Location o f this ; A . V o l u m e..

L e t me; tell i t straight..i f  U; the ARTist;  c a n;     control & conduct  ; a basket ball;  - we can assume there is     -a presume a b l e y-; a n   A.VOLUME;  i n that; BALL..-  

S O; A b s o l u t e;  V O L U M E;       - that is being deplaced;  -conducted-    b y the HAND;-  is i n the HAND, t h e n..(I   presume that happens,..) SO; absoulte V o l u m e;  G a i n e d ;  by the work with basket ball;  i n t o   M Y;  B O D Y;;  i  s;  useful,  t o  PUT; it;  i n t o  the  P A i N T;  then when Painting.

S  O;  CONTROLi n g;  of  T H E;  A B S O L U T E; VOLUME; in ART;      is  the  WORK o f HAND, in the begining     -o f  t h e ART-..S O;then;  i t  may  b e;   " p r o c e s s e d ";  i  n  the   " READY-A.VOLUME " o f the ; COMPUTERs; provided; a s  much   ; needed.

S  O;  some say;  I am a weak artist;  because; I am a basketball player..    -What is the reliton between art; & basketball-  ..I should tell; this is not a basketball player; U' a r e ; watching..this is an artist; WORKing; as a LABOR; i n the fieLD; o f ; the " ABSOLUTE VOLUME ";  and ; it can eaisly b e fiound in a BALL..      -4dark; ,V O L U M E;  and; no t h i n G    ;can b e ; GO;   ; in there- ( -so women are not TRUE B a l l s; 4ARTs-)

  S  O,, TO;

(

)

  ;  t h e  A B S O L U TE;  V o l u m e;     " 4theARTs ;"

..some videos,  (I am in)  (to b e in or; to GAin A.Volume into the BODy; o r to G i V E;  to  a T H i N G..)        

; a b o u t;

 " the A B S O L U T E; Volume;  THECniques;"   " 4theHAND; o f ATiST' s.."

http://muratdanis.blogspot.com/2010/03/doing-basket-ball.html

http://muratdanis.blogspot.com/2010/04/my-spinning-h-e-d-to-o-p-e-n-roll-e-d-p.html

http://muratdanis.blogspot.com/2011/09/what-is-h-e-d-o-ing.html

http://muratdanis.blogspot.com/2012/01/blog-post.html

http://muratdanis.blogspot.com/2011/08/anchovy-aranju-e-z-i-n-m-r-o-o-m.html

http://www.youtube.com/watch?v=7SS1MVIBZLg&feature=BFa&list=UUoclApcUHJH_NyOZI_kqZ8Q

D  O;  not;  confuse "T h i N g s;"   ,,  that ;  , W h  e n   an artist;  D O E S..  other than A R T.."

..(because all these ;are to M A K E;   

;" the BASiC T H i n G;4ART ;

..and the name to that thing i s;    

; "the ARTiST's   ;Hé&; (-H AND-) .."

..I would    say;       WHo they are;   that  They  think; with  ;     " what they s e e  ";     - on the surface.-.    is..

-t h a t; i s-    ; multi- T a l e n t;  i s not a  " disadvantage "; 4AnARTist.   ; contrary; i t is some  "  new B R E T H;"   , to his ART..  (one talent     ;4 art; n e e d s;    "  RATiO KNOWLADGE   "; b e  a d d e d ;  t o; ART.. and who watch their ART Works; has to U s e;  their RATiO s;  to   " understand ";  a   r  t..)

...if an artist; i s  Playing basketball; that m a y not  m e a n;    "  the l a c k; o f Artistic T a l e n t; " ;  requires to D O; other  T  H  i  n g s..My m i n d  L e a r n s;  how  to; control-&conduct; " A b s o l u t e  Volume ";  -this is the main Artistic T a l e n t   in fact..-     and also; m y  HAND;  i s  becoming  " the T H i N G "  of ART' s..that means; A HAND; that is capable  t o  D O;  A R T; t h e n..    (first MAKE; the  " B A S i C; THiNG; 4ARTs " ; t h e n, U may; M A K E  A R T;  from that; " THiNG o f ART' s.)  D o  not  LOOK; that there is a wiev; a basketball Player Plays; b a s k e t BALL..F a c t; i s; H E; i s MAKiNG; the BASiC T h i n G; ;4ART..

..I am not a Piano Player ; e i t h e r..I Use; PiaNO;  to MAKE; M E; " the T H i n g; of ART..too..S a m e;  TO;    "  WHAT; I D O  "..

..w  h  i  l  e;  OTHERs; still think ART i s; in the Mind;orB R A i N& RATiO;  & SOUL..only..but where is the BODy; o f art. (or the BODY, adored to  t h e ART; and MADE; his/h e r BODy;  " t h e T H i N g; ;4ART " ..

" t h e ART " CAN ; B E   M A D E;    onlY USing;   the ; " the P u r e ;t h e T H i N g;   (Worked on be f o r e  -+4-; t o have art' s " t h eT H i N G.")   ; o f    ;t h e art' s " ....

...a n d; an OTh H E R   ; t h i n G..

ART HAS T O;  H A V E; " A F R E E  CHARACTER " (&only the multi -Talent use can give  t h i s  ;to art); L i k e;  " WOMEN  N A T U R E..

(Like every foot slides on a banana hull, o n l y..Ucan never change the o p a r a t i o n, of;    t h  e    Women N a t u r e..SO D O E S; ART;     has to  b e..) (but doughter OWNers; Leak into ARTs; t o o..u n fortunetelY.) :

...ARt; is a multi-DOing; thinG.(movie Making;i s the 7 th. art..-there are 7 art DOings,..)W h e n; U are;" a multi-Talented ", do U have to choose, ONE, ..CONTRARy; ARTist; has to ;DO; all seven-DOings..but there i s  a  D A N G E R;   h e r e..

T h a t ; will give to much oXsigen; -&Freedom- t o   ; ART..and that will make ; art; " t h e  A R T ", t h e n.. (that m e a n s; when art has it's FREEDOM; & indipendance;  i  t; m a y, b e  A W A Y;  from the ; control ; o f; the RATiO; and ; KNOWLADGE.. L e t ; a r t ;  b  e;   scientific; a b s o l u t e;  simetric; & F r e e; to ;itself; too..SECULAR i s m; (between artMaking -artDOing-  ; "&KNOWLADGE;U s e  ; -o f RATiO- in artMaking.."); shall b e ; a NEW; & C a r ry i n g;  B r i d g e ;  to Knowladge; & the TRUE; U S E; to " RATiO-WORKing s.."

" A b s o l u t e Volume;that HAPPENED; withSPATULA; USE; in   " t he HANDof THEPAiNT..."      

     ;   " A human Hand to Conduct; the Absolute V o l u m e.."

this is abstract..  

1-    

 (ATOM-under- ABSOLUTE space;  ; -ABSURDity BASED;-);;ABSTRACT..);

 .............o f     ;  J.  P  O  L  L  O  C K   '     s  ..

Although they say abstraction begins with W.kandinsky;    ; U.S.A.  " abstract eXpressionism " ;     begins with J.Pollock..Maybe art has came toUSA;     -from Paris-     because of J.POLLOCK..(of course this i s my looking to; art history..)

T h e y  tell; (may be; I am making i t;UP;)  a story about J.Pollock.H e is against image figuring -as made in Europian art- -draw what U see with U' r eyes-   ; H e   goes to a car cemetery.with a " sledgehammer " .Begins to smash; " car images, there ", (" & expressions i n  him;   will o c c u r;w i t h;  acting on -or to-  ;  a n ; OBJECT); SO; the images " c h a n g e;  into unknown shapes.From the well known to unknown..From r e a l; to abstract;-maybe-.  ......but interesting t h i n g; happens as a side product to that; a c t i on.A  g r e a t;  " SOUND " to the artist's E a r s..  A b s t r a c t i o n; GOES W i t h;  a highSOUND; to the E a r s..SO; the M a i n; perception; changes.. i t  comes mostly  t o  the  E a r..  -to the e a r center of the brain.-  ..S O  art is NOLonger;  with the main perception with the E Y E; ever s i n c e;  t h e n. &this is the main Concept;that art has changed the continent. I t has   c o m e; to USA.

SO; J.Pollock begins, t o  pour; WHAT HAS BEEN Located; -or accumulated-  i n  his E A R; -or hearing center in the brain..-  S  O;  these pouring-paint;  to a surface; i s  with the circles.(because sound goes with  -emits- with the enlarging   c i r c l e s..SO; endless t u r n; o f curcles in Pollock W o r k s; begin; -&he couldn't pass beyond that effect; in all his carrier...to brake dawn this circles; he was to hit his car; to a tree; by the road; with the high accelerating LADies; -the deep circle-generater sexy Ladies-..All the way to his bASiC start ;    i n car cemetry t o; t h e;  MANs  C E M i T R y..    b u t ; this time;he flew his car;  -and his statue i m a g e-  as a huge statue; has been made by him. car has crassed; to a FiXed   ;sladehammer HaNDLE; (a tree) .. but this time, h e had His   -C i r c l e; STATUEs-  C i r c l e  M a k e r s,  w i t h ;  him.  SO; HE DiD; H i s t o r y..from a p r i v a t e   h i s t o r y; (that was Iam interested; i n) & to a     ; national statue; O N E..   (I have a HollyWood  film; "POLLOCK"; by EDD H a r r i s..by the way..)

SO; J.POLLOCK;  has demaged the " EYE influence; i n a r t; "  ..w e could; express; w h a t  w e had; i n our; E A R s..which are more natural; " &genuin i t y; and natural f a c t;  can sleep i n the e a r section o f our brains; "  ..That m e a n s; natural; art pulp sleeps i n o u r ; B r a i n; c a n  b e ; spontaneousLy; b e  P O U R E D;  o n the C a n v a s..  (naturally; it is not real..i t can be described as abstract; because     " objects smashed into themselves; "  a  r  e;   -or can- b e defined as; " theABSTRACT"..

....D i d; POLLOCK; POURED;  t h i s  PULP; -untouched  PULP; this is PAiNT; from the can-   ;  to the; CANVAS.. o r  has he M a d e ; -added- C i r c l e s;   to; this Pouring;  attempt  .and call i t ;  a c t i o n; -not expression-  painting.. BASED; o n  the L i n e  M aking.. ACTiON;  m e a n s;  these turning lines w e r e ; the trace o f; an acting thing.. finaly this a c t i o n;  comes to the  " under atomic " electron a c t i o n s "  .... and  POLLOCK;  h a s  M A DE;  a b s t r a c t i o n ;  i n  the  ;  A T O M;  structures..  the drawings o f, abstracted ATOMic; i n s i d e s...should b e  POURED; i n t o;  the  ; PUBLic L i f e;  and this e l i t; social socieity. -because it was, too deluted; and corrupted of this delution.

.

POLLOCK; i s  in  T H E  ATOM;  N O W;     -in the P a i n t i n g-       ;m a k i n g; an ATOM; inner space;      as he fallows the path; o f a " black f l y ", in his studio; (supposing that little black fly is the " antimatterFORM " 4 a n ; " electron " obJect   turning ; in the " absolute volume; o f  t h e  ATOM; Architectural;  knowHow..

BUT; the MAiN GOAL; is,  to fallow the;  f l y;  and  " be able to      -get into AtomUnder Absolute SPACE; (not into the BLUE sky above)-   get into; &  A C T; with the  " ATOMiC-style ACTiONs " ; w i t h ;  H i s  OWN; B O D Y..   to    s e e;   himself; in the ABSOLUTE; VALUME;  ; how H E;   A C T s; inthere with his BODy-orSOUL..as he becomes an ATOM..  this is L i k e; asking;    "  ARE W E; ATOMs; too.?  "  ...

Tuval; -canvas- -fabric- in his mauth; (that is a cigarette) ; there is a  " smoke SOUL OBJECT "  -just MADE-  f l y ing; and standing; i n the a i r;..in front of his EYE; -just gave a LOOK at i t-  this smoke made ORBiTAL THiNG;   L i v e s; i n the ; canvas; -fabric-      ..

............ ; then;  knowing     " WHAT "   ;  L i v e s; i n  " underFABRiC-space-"      -shall come on the surface with the  " white paint;that has been put; o n the Fabric -  ;  HE iS THiNKiNG;  HOW  H E  COULD; P U T;  i t;  into  ;  t h e ; " Absolute; VOLUME; o f ATOM; UNDER;  space..                                               I think; UN EXPECTEDLY;  he discovers  ; that h i s  E G O;  and his BODy;   TAKEsPLACE;  as; they;  w   e   r    e;     that;  S M O K E;  MODEL; OBJECT; t h e m  S e L V E s..     SO;  he, d e c i v e d ; his;  " p u r e Natural; BODy; to L e a k into that SMOKEmadeOBjECT;  and SO;  H E COULD; g e t into the ATOM UNDER SPACE;  by the MEANS;  o f  this     ;         "  SMOKE-MADE;   - WHiTE-DRAWing;-  OBjeCT ;  D   O   O   R.. " ..

... 4 that to HAPPEN;  H  e  WAS;  to ; PUT;  his;  E Y E; pupillarries;  -Like the dark EAR WAY; s -   FiXED;     ;O N;   to  that;  timeLy;  and ACTiVE;  Live;    -but with NO; VOLUME; making.;as a statueOBJECT; d o e s...       -               ;    drop; o f  the;  "BLACK; L i n e;       that is POURing; "    or  PUMPing-   the  " a b s o l u t e; VOLUME;  4thisALL; to HAPPEN; i n.  WE can SAY;  H  E;   i s;  GETTiNG; i n T O;  the Absolute volume SPACE; as his Pupils are the place this black L u q i d; i s;  flowing ; i n t o;   h  i   s;    B    O   D Y;    in  fact..

I   W  i  S  H;  WE  H  A  D;      t   h   i   s;      P  r  i m  a  l;   -primitive-  ACTiON;  P  A  i N T i N G s;  of H i s;  -WHOLE;  BODies..-  -inthe PAinting;SPACE; as well as in the " Absolute;inner ATOMic ; VOLUME..-   (these W E R E; i m p r o v i s a t i ON s AT  O N CE;  STATE;  of his works; but HE; surpassed! them all;  -ERA; o f that should came , afterwards; H e must have thought..)

....t  h   e   n;   H  e   was ;  to;   C O V ER;  -these primitive acts- ; that his PERSONAL;  BODy;  A C T s; &THAT;  his PERSONAL ART H i S T O R Y     by  ; the  PUBLiC; MOVEMENTs; o r ACTs to BE; given to;  t h e  PUBLiC; L i f e..  H  E; MADE;  SCULPTERES;   o u  t; o f;  ;-from-  his Paintings.   H  E;  added  C O L O R S;  -Colored L i n e s-   ;  .......

.........HE  M A D E;    CAOS L i k e;  PAiNTiNG-SCULPTURES;  that  were the miXture o f; indivi D U A L;  & the PUBLiC; Hybrids..   (I think; H e  WAS to<; PUT;  some HUGE-C A O S ROCs;      (MADE; o f ATOM, PLASMA; SO; ATOMs of our BODies; can not b e;  DRAGGED A WAY; by the PUBLiC; PRESSUREs; o n the indivi D U A L i t y..)   ; to  MAKE; a DEAD; E N D;  that;  H u m a n;  BODy;  should  b e ; cought; there;  from; these DRAGGiNG; F o r c e s ;  o f ;  "theCapiTal is M "  ..

p.s.  (as I am to; b e 4 the OFFER; same thing; in r e a l; picturing F o r m s; 4 BEinGs; to L i v e ; in the WALLs; L i k e; Pets L i v e; in our Apartments; -but they a r e ; still;  statues; o r; Sculptural ; V o l u m e; using; Creatures; L i k e  US..H u m a n..Human has to be able to STOP; 4RATiO; to begin toM O V E;,,)

...but  ;  h e r e;   o n that;P i e c e ;      ...   COLOR;  addded;  L i n e s;   t o;  the " ABSOLUTE;  VOLUME;  SPACE  A C T s;"    

   ..Colors hasn't  HAD MADE; CaOS;  y e t;       only, Black L i n e s; has changed;  c o l o r.    .-the nature o f the Absolute Volume; has changed a Little-      , w e can say..

H e; left; this;    ; in the     -Primitive; a c t  of-;       " impro at O N C E ";  stage..    HE; did not; the WHOLe; " PUBLiC' s   ACTiON s " on that  p i e c e ...   an OBJECT; o r    a  T H İ N G;  - from the WORLD;-     has J u s t;  G O T;  i  n  the  " underAtomic  Absolute space.."  -primitive   y e t..-      ..b u t;   UNFORTUNETely; ; this state o f naked; ABSOLUTEness;  -  this -     MAKEs;  i t  ;   " ABSURDLy-A B S T R A C T E D; "   (ABSOLUTE; VOLUME; makes the thing  ; b e abstracted;    -Language of the figure is ,SO-     , i n ABSURD; manner..)  ..

... b u t ; s t i l l ; POLLOCK;  tries; to;  s h a p e,   a      ;    B L U E;   " F a C E ";  there..  as  it should;  turn ; into;  t h e  REAL;  in the Future.                          ........(AS I try; to FORM; these  REALated; T  h  i n  g s;  HAPPEN;  a s I  PROViDE;  M i n d;  SOUL;  and;  RATiO;   to   t h e m..  -of course all these are provided b y  M  e;  but;  I am not owner o f; these universal intellect;  m a t e r i a l s,  t h o u g h ..   i   n  the  SPACE; o f  underatomic ABSOLUTE; c o m p u t e r ; spaces; and w i t h ; the universal ;   " e d i t Program " ;  a c t i o> N s..  ) 

M  y     W A Y;  ; to  that;  " ABSOLUTE;  V O L U M E; "  " BLACK L i n e;  A  C   T  i     O   N; "     P  a  i  n  t  i  n  g   s. is differed; in   s o m e;  W A Y..

I    U  S E;  A   B i G;  and LONG;  SPATULA..   I  POUR;  BLACK PAiNT; from the can ;ONTO this; Spatula METAL; when it is horizental..T h e r is a Bristol Carton Paper, on the graund; and I stand still, o n it..  T h e n,  black-Paint; begin D r i p p i n g;  with;  M ulti;  L i n e s,  flowing out o f The ,Spatula; " n i e  a g a r a  n e g r o;   falls " ..

...this  is  " s i m u l t a n e o u s;  parallel; black-L i n e s;    falling on; the   w h i t e; S u r f a c e;  (with a sound o f S i L A N C E;(   that is very interesting;U can h e a r;   the V O i C E; o f  the things  o f   ART' s  ; PASSiNG; AWAY; into   -&inthrough-   ;  the Absolute Volume..  -of Atoms..)   as simultaneous  ; Lines   ;    B e e i n g; driwen;..     or L i k e;        someone with TEN-HANDs; & ten Bra i n s;  D r a w i n g; simultane o u s.L y.  or Painting ABSOLUTE; VOLUME..to its PULP..)

S  O;  D O U B L E;  V i S i O N;   becomes;  M u L T i- V i S i O N..   and;  " the

 " D  U  A  L  i T y;  BORDER; -or ThREShold; -  has been;  o v e r whelmed.. e i t h e r..  now;  artist; c a n,  b e;  in the ABSOLUTE;  V O L U M E;  with his REAL  BODy;  and ; ..     these  a r e ; ADDed,  to,   the A C T i ON;  painting; because;  i t is ;   w   i  t   h;      the   " impro AT  O N C E;  STEP " included.. TOO.

...Some; eXamples..

2008  

finally;   " J.POLLOCK;CLimb i n g,    in Action P ai n t i n g.."  ; B e l o w..

..

SO; J.POOOLOCK too; has Commited; -devoted;- , himself; t o ; t  h e ;  s e r v e;  of; ;  REGULAR; ART HiSTORy; teaching; processes..2..  w h e r e ; is; his;  private; -primitive-  acts o f;   "  indiviDUAL; based; personal h i s TORY..  should w e digg i n to find o u t, his  " primitive black -paint, private a  c  t    i      O N;     s..  by  scraping h i s,  P a i n t i n g s..  NO;   ;  shall answer REgular PUBLiC-LAYER; PAiNTs;   SHEET;   o n the surFACE; o f these     ; WORK s..

2-   ..........an other SURVEY;  o n;  

J. POLLOCK.  "dripping t h e P a i nT  s"..

.(..from the W i n d o w  ;o f ;    " M y ";       H i S TO R Y  -the science-;      ;o f TH Eart..)

...clever  ma n,  wouldn't  t o u c h;     - that    i s -        ;  the   paint   M a k e r' s;     P A i N T  ..

....S  O;  i f   U  are to;       o r   U     ,     " H a v e  ;  t o..  "    t   h  e    n;

...first I would; pour it;      o u t, o f  it' s  CAN..  still; I didn' t make anything to that; " naked paint "  ;  laying on a canvas.. it is still untouched..L i k e  a  pool of paint..

...then; I should;  Make the ; reverse ;  PUT the   "  Poured; ;"  back to t h e empty  c a n..  ;     ;    - that is;  I must pour it back; to it' s   C A N.-

..there i s an other thing that I can DO;       to that;     "  naked;  PAiNT  "  ;  laying on the canvas ;   - untouched-; .. I wil  take a Spatula;     to take all this PAiNT; from the S u r f a c e;        &;  " L  E T;  t h i s;  NAKED; PAint;        F  L  Y;   i  n  the   S K Y..      ( if it has, some place ;or some w h e r e; to  GO , t o..)      .. but; if it can not find any place to fly;  -even it is more; t i n,than the whole paint-    ..T h e n,  there OCCURES;  t  h  e;  L i n e s; of paint;  where; t h e y ;  L a n d..  o n canvas ;  a g a i n..

HERE; there is  an other kind of; D r i p p i n g.. (oher than J.Pollck; d i d ).. T O;  D r i p p;  WHAT HAS; BEEN;  POURED; ALready;     ; dawn on the GRAUND..     D r i p p i n g;  U P; into  sky; first; then ;   l  e  t;   i t   ; fall  DAWN..A g a i n..  (L i k e  a ball , trown to a basketball circle..touched dawn f i r s t,  t h e n  flew up & then; Landed a s    a L i n e..  where can these  f l y i n g;  -once fly e d; L i n e s; in the ARTs, that  t i m e.)

LOOK; Jackson;P. drips it; b y  a  brush..  b u  t;  I  POUR ; i t all;    dawn; on the GRoUND;     then; L e t it BECOME;   ; flat;  (take the shapes;   of  t h e;   living things in  undergound.. -in the Graound-  t h e n;    ;   L e t it; Drip;      in TWO ways;      UP; & dawn.      L i k e  a Sinus WAVE; in all; the natural L i f e. )  then TAKE i t; from the ground;  o n the spatula; t h e n; i t may fall again; but; d r i p p i n g;  this t i m e..

This m e a n s..DO; not Dripp your brain from U' r  head   ..(like an oil dripping motor on a car); (L i k e; J.Pollck; has D O N E..)     F  i  r  s  t.    POUR; U' r BRAiN;        o n the Canvas;Complately;  -totally, originally-     ;  t h e n,  g i v e  that   " melted b r a i n   ";      " a  hight  ";        ;    4itCAN  u s e;  t h e  V o l u m e;      in the  a i r;       to  d r a w;     ;          "  WHATis iN T H E MiND;  " ;  - "t h e M i n d; "-       T O;  the Space;   a n d;       ; than  i  t  might  b e reduced  to  the  SURFACE;  (plane)  L a y i n g;  b e L o  W.              (that means U'r    3D M i n d; will  b e , DROPPED;  D A W N; o n the C a n v a s.

.but i t should turn where it w a s;  P O U R E D..  that i s ;  i f  U  did'nt  PUT; -pour- U' r BRAiN; o n; a PLANE;  ; then U can not;   neighter fly i t;    nor L a n d; it;    FROM   & to  the   " same surface.."  ..f l y i  n g; things can L a n d..things can TAKE off;  b u t.. they might be different things.. W e; h e r e..Need;  t h a t  " SAME THiNG "  ; to take o f than; L a n d  where it has take off;  ...

PUT THE PAint; on the Graund; then IT MAY gain H i g h t; and  than; FALL dawn..this i s; 3D M i n d.in the same brain.(Brain shouldn't;  b e 3D;   w  h   i   l    e;     falling dawn from the h e a d..PUT i t  dawn; then ; STRETCH;  i t; UP & dawn..                                           this w a s ; n o t; W H A T;      J. POLLOCK;  d i d..

...S o m e  samples;      to the L i n e s  ;       that has " take off,"     from the ;     white paper surface,    -with the power of SPATULA;-         & flew 4 a w h i l e      than;    LANDED; o n,   t  h   e     PAPERs;        ;  Ground.

SAMPLE  1  :

1980                                                 100X70 cm.OiLColor on Paper ..by Murat Danis..

..White, &BLUE;  are poured;PURE;  on the surface.. T h e n;  Spatula;  SCRAPs; the PAiNT; o f f; from the Surface; BUT; U P..  S O; time o f the F l i g h t; begins;  a s;  scraped paint; begins to fall dawn; " with m u l t i &  RANDOM-dripping "  ...

...importanT thing h e r e ;  i s;   Artist; DRAWs;  -with the Dripping L i ne s-    ; a   r    e;       " WHAT WAS T O; BE; in THE; PAiNT-POOL  " ..( " from the EAR; & additional e y e  ; d e e d s; that w e r e ; sleeping in the m i n d; of the Bra i n;    - if not used i n the DREAMs..- )..

...T h i s ; is  a r t ;  came o u t , of, the    " BODy'  ; of the artist;.    .(that may m e a n;      PAiNT; i s the   " m e L Ted;BRAiN ";       o f  the;  a r t i s t,  t o;       ; "  t h e M i N D...    "          -M i n d of; the; U N i C   Universe.-

..then i f w e,  TAKE;  this work o f  art;  to  the; inner; " A b s o l u t e space " o f  ; the COMPUTER-Machine;  (computer i s a Absolute Volume provider; to the i n d i v i d u a l.)             ; W E; tra-w-vel  to t h e Knowladge o f the REAL..

e     é.c.t.  ..

....these may b e ;  "   r e a l ities;2  "   ; to;  the    social-S C i E N c e  - tific-  MATH s  2; KNOWLADGE;   (Diagrams; and mathematical  maps to the Knowladge..)  -or facts; o r phoNOmenon s.-

..i n the Compuer, absolute volume    ;

....to   t h e REAL;  with;  DUALities;  &DOUBLE visiO Ns..

 ...i f, I w e r e; J.Pollock.. I would; pour all the PAiNT; on canvas; first..(if U are to pour the paint;    -i n the e n d- on the canvas;     why ; drip, i t;     -to make it; L i n e s; instead of painting..-  POUR the; PAiNT; all;  f i r s t;  then l e t;  that the ART; WorKing; begins..(this is not t h e    t  h  i  n  g;   aWay  from; brush-painting,  U think first;      than; provide; some paint;    for the    " thinking ;-or thought- "  ..       T h i n g s  must H a p p e n; OVERALL..L y..Provide the Paint all..T h e n;  c r e a t e  the ART-Work; " at ; O N C E "  ...  Painting is not writing;   - disconnected-l e t t e r s -like;  diconnected;THOUGHTs;  -paint providing, i n betw e e n..)

W h y;  i  s   J.Pollock;  t r y ing; i n B e t w e e n;   POURing; & Dripping; .. the PAiNT..

i f  U;  POUR ALL; t h e  P A i N T;    on canvas;  " AT; O N C E; "..    ..than I should say; this is   ; U' r MELTED-B r a i N;(THEPAiNT)   - with U'r m i n d;  L A N D S; &U'r DREAMs &all the material in the mind-..   u n broken;   (l i k e L e t t e r s..  o r  Like in brush-painting; every time U load the b r u s h; away from the canvas..out&in s to the canvas..and the brain..) )

J.Pollock,  i  s  trying to  " W r i t e ";  -when dripping-     or,  trying to PASS; to the AREA; o f  the R E A L;  ; that w e ; can MAKE; this  "STAGE";    i n the computer; as i s ; s h o w n   pictures  ; u p;   a b o v e..

SAMPLE 2  :

1991

140X100 cm OiL ;ON Paper.

..if  U;r  Hands; w r i s t;            i  s,     s t r o n g;  and centle;   WiTH  the  S P A T U L A;            ;t h e n,  U  D O; not HAVE TO; F l y;   -take off-   the  P a i n t; by   scraping ; it     ;  UP    ;  i n  t o ;   the   a i r..

... t h e n  U  MAKE;  PAiNT; -s k i;   i n U'r;  B R A i n..   -and M i n d..-                                    (surely U are to meet,  w i t h ;  U' r  WRiTTEN  L e t t e r s;    &   the   s t o r i e s; & thoughts; ; W r i T T E N;  too..)

H e r e ;  w e  DO  not; have ;  L i n e  s  DRAW;   h e  r  e.      ; W  E;   w i l l    find     a continious L a n d;  (in absolute Volume of course)  o  f;  DREAMs.. -in a very transparent m e d i u m; of; the melted; atoms as   " the plasma phase ".-. ..   -the L a n d;  and  space; defined a s  "  the L A N D;  o f     t  h  e    R E A L;    may b e..-

..3P2_é-OrBital;of ;      ;" O2;,& the2  "..

http://www.youtube.com/watch?v=VfBcfYR1VQo this is effective in social -public- l i f e , 2..

..SOME doubleViSiONs;  ;&or  D U A L i t i e s.. i n  ART..             (thatİS;SAME;&theSAME..)

http://en.wikipedia.org/wiki/Duality#Mathematics 

..my;ThRESHOLDS :

.." SAME;&theSAME "  samples..

SAME                                        &theSAME

                                                   MALE                          FEMALE

theSPANiARD                                theINDIAN

MALE                                             FEMALE

4SiDED;  " S P H A R E; O R B i Tals "  ..  4theART's CHE Mistery.. (4ART 's GLOBALisation.. )   :

..to eleminate; -or f iX-  the;  "                                 "

WE; n e e d; TO; reach; the LAVEL; o f;  " D U A L i T y  "  in the ART; ;   -to be able to FiX;Lucifer..-)

J o h n ; Lenon has come; t o;  that  " BORDER "  ;-THRESHOLD in his ART-;      -inthe PUBLiC-  ;    andhis lastAlbumWas " DOUBLE-ViSiON " ..but he recognised that if Uare A;" STATUE ".. then ; " StatueHASto; FALLdaWn "; ..soDidhe, hisCiRCLE- eye glassesWereONthefloor; still..inNY.(thatHasPUTmeİnAdepressionWhenIwasMY26..)Tribute2hisMemory..

http://www.youtube.com/watch?v=8dHUfy_YBps

http://www.youtube.com/watch?v=-Ny42Mdg5qo

http://www.youtube.com/watch?v=W9009SeXV_4

http://www.youtube.com/watch?v=OJ9wuLorn5M

http://www.youtube.com/watch?v=dZzXEFDznoA  ..JOHNeltON =JOHNlennON Duality..ON..

http://www.youtube.com/watch?v=3Uefmy5nvSo

http://www.youtube.com/watch?v=k1oh3lXR5PE

...this DoubleViSiON&theDUALityS;İnARTs;İS;Ahigh;THRESHOLD;toMEN..

THE M O N K; &theWOMEN

PARiS "cancan "

TiBET MONKs..

p.s.

..what is thethe USE; to DUAL;   F O R Ming;  -Figuring..-   :

 ...this means, TibetMonks &cancanGirls;can be in the same Topic; but they are the same thing in fact..(so memory is helf..itcan b e  reduced to %5 of the total memory  of; the classical painting..  -by using this technique-    then art needs NO intellect; b u t RATiO;   -is essential-   ..Painting that requires RATiO o f man; SO; o c c u e s..      do U think that will change something in the world of art.  the BASE; of a r t;  should b e RATiO then, not intellect..after intellectual structure is made by art; then it shal b e carried to the " RATiO "  STEP..I g u e s s..)

S  O;  e  v  e  r  y: O N E;  C A N;  HAVE; H i s  " RATiO" ;  t h e n..

Socialism of capitalism; or   " equalRATiO " ownership; to     ;any ONE..

I ,think.

  f  r  o  m;   AbstraCt;  to  the " knowladge o f   RATiO "   ...   :

this picture ALL  has been MADE;  only by using; the original; t h i n g;  b e l o w;THE ABSTRACT.  -base-

We may say; both 2 has approximately the same memory(GB,MBite,ect..)  .. but..

the first one has a big amount of RATiO; M E M O R Y;     or    -Knowladge-;     w  h  e  n ;  s e c o n d ; one can be described a s; " A b s t r a c t.. "  ..(4an intellectual..)

......from  "   the a b s t r a c t;"          . . . . . . ....   b a c k;  t  o  ;               "  t  h   e ;   R E A L..  "..

G r e a t,  A B  S O L U T E; V O L U M E;  BUiLDiNGs;  & reflections on t h e m; a r e ; being " b e n d " from the i n side s, t h e r e; with these, -computer i n n e r  S p a c e  L i k e;-    SQUARE; structures..

 
murat danis

GREAT; GRAFFiTTi;  o  f  the;      " DARK BLACK  ;UNDER-ATOMic ;O R B i T;  C L O U D.."  of   then e w  yorks.. 

                                                                                                                                    .......great Graffiti   Murat !!  =  -great graffiti ART..     ;  M U R A Tthe K i n G-Kong..the  2 217.-

...if u DO; not, p u t,    "  i d e a l, C a p i t a l i s m ' s;"      " underatomic Global; s  P r i n t e ds  " o f ;  M i n e.. to every " DEAD E N D WALL "   o f  N e w york;  Companies,     then,  "UNDER ATOMiC " P O W E R; o f;  t h e  employed p e o p l e;Working   will accumulate & a p p e a r;    a s ;  a  " BLACK CLOUDED;  O R B i T a L;  ";   (the atomic soul of the K i n g- KONG versus;   the  fear of HONG -KONG..)  higher than the most beautifull ,TOP E D;     TRUE structure;         i n the O P E N sky o f ;     the  N E W; Y o r k 's.

...there are NO intellectuals i n New York; I g u e s s; to create the  i d e a;  that.." T H E;  DEAD  E N D; o f  the Capitalism; h a s to have ; underatomic Global; PAinTings;  to the   " DEAD E N D; WALLs; "      ,w h e r e;    - capitalist-m a d e -       ;  workers;    shoud;  h a v e;   "   the brave  "  to hope; &confidance;    -to work f i t-,       i n    t h e s e ;  TopL o c a t i o n s;      and  they   , have to see; t h e s e ;  other side creatures; o r B E i n g s;       in  the POWER of  UN L E A K able   ; -CONCRETE  inner-LANDs;-        o  f     ; these WALLs..(we can n o t  live o r   b E;    in these concrete w a l l s;  b u t;    they are the best LAND; t o,  t h e s e ;    " other world  B E i n G s..    "     Remember, in Egypt Pramid Tombs; there are big Paintings     on the whole; Walls;      - sleeping under the DEEP DARK; f o r  the LAND; o f the DEATH;-       or theL a n d,  o f the TRUE S O U L;     i n the   underAtomic; l y defined      ,otherworlds..   -in Pyramids.

S  O;  t h e y      ;discover,      - i n v e n t-    that    ; t h er e ; i s  a    ;      F i n a n c i a l;  " c r i s e s "  .. i n the Capitalism..but they DO; not put; the TRUE; t h i n g; as mantioned; a b o v e.   S O;  that is the GREAT  GRAFFiTi;  u  p,  T H E . r e.   I  t h i n k.  

..photos are t a k e n;  b y ; ME.

.(these all are waiting to b e conquered; i f they can not  turn , i n t o,  the iDEAL; CAPiTAL i  s m..     -WALLs with; underatomic Worlds; BEings a s GUESts..i n and on that " DEAD END WALLs "..-          I  un willingly; suppose..)

PAiNTings has to h a v e ; the ABiLiT y;  T  O;  SUCK i n;      that; "  DARK ,BLACK  C L O U D; orbit  "; o f  the WORKERs;   -LABOR  P E O P L E-;  BODy - A T O M s..          ........... this art galleries; c a n not,  g e n e r e t e..

..they are not after; the suck o f that; dark black MASS  O r b i t;  ;  m e l t,    that has ;to B E;    " RE G A i n e d.   and added to;  t h e  BUiLDing' s;    specified;     " DEAD  E N D s.."  WALL s..     ,  -as they   will  have to; b e c o m e;   t h e;  capitalism' s  " CAPiTAL "-.   .

I  s e  e;      "  Galleries  a r e;  the " lesbian of the so-called; social eLits "  ... "   ..but BUiLDings   ,and; Atoms;    o f the    BOD i e s& minds;   ; h a s to be ;POWERED; b y;  " these BLACK; DARK O R B i T; c l o u d;    o f  the;  diluted; m e l t  -M A T T E R..(that DARK ORBit; would'nt; b  e, w a s t e d,   i n the ;  BlackWater; o f t h e ; P u b l i c., or they would' n t;  be ; the   "  POLiCE; BLACK-stick  "..i ns t e d..or black bullits, i n the streets..)

murat danis	MARK i n g;  " T H E     M A R K "  ;  -as a transparent; Move; or an act; as making a"  transparent trace " is   ,contemporary;  a c t,  -       "   AT    O N C E  "..   ....___________"  2X (improvisatiON A T; O N C E); "     ; i s   to;       4- é;             ,MAKE;    in;  the A R T..__I ...improvisatiON; a t  O N C E;   :..H a n d ; has t o;  B E;  f a s t e r  than   ; the BRAiN; and ;"the  RATiO;     -that i s UNDERSTANDing- "     1-   SO; every    ;copy,paste, cut, turn, strectch, L i k e,  acts;   ( of edit computer program a c t i o n s );  c a n  be taken as; " w r i t i n g ";   ; too..(SO; w e can write our transparent a c t s;    in  a n y; a r t ;    w o r k..  -;that is;  every edit act; i s; "   a   l e t t e r   "    ; i n making    ,a r t..-  ) 2- I call it;  " improvisataiON AT   ; O N C E " .Pour different color paints on a paper; f i r s t;  t h e n, take a spatula and make " l e t t e r s;  L i k e "  Moves, on and i n the  PAint.(there will not be a second paint add, ..a g a i n..Paint adding i s at once ; ,too.)  .. S O;  M A K E;  your  M A R K s;  ; " Letters "; o r " M O V E s "..  a t;  Once..they will b  e;  RAW ; ART; a t  O N C E..  if it happens sudden; and spontaneous; then it has to b e contemporary; t o o.   then, o n the Computer, w e can, p r o c e s s; the R A W;  to furher; CONTEMPORARy  M A K i n g s;  (this time; with the Architecture o f; the ; M i n d ' s  RATiO..F i r s t,natural  improvisation, i s an " socialistic a c t "; -with the socialist values- like a living c e l l; then , second architectural improvisation o f ratio, a c t s;     -that leave no trace, moves of ratio; must b e , transparent; like; copy and paste do not change the n a t u r e; o f the work, no colors or no lines; a d d e d ..-  that can b e; defined a s enriching i n the C a p i t a l i s t; V a l u e s..L i k e;  A t o m;  d o e s; with it' s  architecture.. S  O;  original art with P a i n t, has to  b  e;    all; "  improvisations  a t  O N C E  "..   then ARchitectural Ratio design shall take place;   -b u t  at  O N C E-   ; too;, u s i n g     a  " contemporary making "   tool;  -that is the computer-  ..(ratio of man ; in art should take place; only;    i  n the c o m p u t e r .space.)..SO;    RATiO; a c t,    and   HAND; a c t;   must b e ; PUT; apart, i n  ; M a k i n g; a r t.. (they make art a s a mixture o f H a n d; and ratio,  ;an ARABESque attitude,(Ratio first then h a n d will fill i n )   i n art is ; Dominant;  4 they could classify; this i s s u e; by the m e a n s; o f;  ; the     ART- h i s t o r y...s t o R  y. J o h n, very similar, b u t, Totally; t h e  same,  t h i N g;  w e are telling;  -talking about-  ; I  feel ..   2-     ... improvisation at O N C E;  in the RATiO..         .....of the M i n d.  ..                        -to i n v e n t; computers..I guess..-  1-   (pHoto s  :    e X p r e s s i o n;   i s m   ; &  i m pression,i s m ;  OF  " t h e  L i G H T ";  i  n  the  a r t  of    t h e   N  a  t  u r  e..) ..photos taken in m y window; and in my G a r d en..ANKARA -Turkey.. ...i m  p r o visatiON;  a t ; o nc e;     in the  " N A T U R E " ..  (SO; D O E S;    ;  A R T;  has   t o;  b  e  ;  L  i  K  E......)     murat danis ....." G R E A T " ;  GRAFFiTi e s;  ..i n   m  y;      ; M E mor    y. W h a t;  D O  e s ;  this;  recall;  m  e;   -UnderCover-   -UNDERNEATH-  ; additionally.. ..:  (4an additional alternative ,eXcessM E M O R y..   "  K   O N   G;"       ; o f the    ; K i N G s..   (my favorite) Hayko Cepkin Demedim mi - YouTube KiNG-KONG L i t e r a t u r e : Kogan - Brahms & Hungarian Dance N 17 - YouTube martha argerich - scarlatti, sonata k. 141 - YouTube pogorelichScarlatti-Sonatas K1 http://www.youtube.com/watch?v=aQSaoPX08pw Lara Fabian - Adagio (English-Italian) - YouTube Yngwie Malmsteen - Adagio (Leningrad) - YouTube Michel Petrucciani - Round m BB King - I'm a bluesman - North Sea Jazz - YouTube DIANA KRALL "Just The Way You Are" - YouTubeidnight - YouTube Buddha Bar Sen Gelmez Oldun - YouTube I Güzel Bir Göz Beni Attı (Şevval Sam) - YouTube Nuray HAFİFTAŞ-Ah bir ataş ver cigaramı yakayım-Klip - YouTube Zara - İki Keklik { Karanfil } - YouTube   Edit Delete Posted by: murat danis on 09/01/12 08:42 AM   murat danis ..s o m e  of; m y,  NEW Y O R K;  GRAFFiTi es.. ..Man h a t t a n;  i s TRUELy  a  " GRAFFiTi  L  A  N  D  "  .. .... " Transparent  T R A C E; GRAFFiTi   w i t H;      "         -transparent  t r a c e-    o   f;  the ,   ;a c t i o n   s.." CONTEMPORARY W A Y; toGRAFFiTi; ;writing..   Edit Delete

...." no resistance  "  ; to the FLOW;    -in the absolute VALUME-     ;   (..to  m y  M i n d, &Ratio; and;  &S O U L.. )

.. " i f my Primitive " ; M i n D;     W A S;                     at O N C E;        ...  "  PUT ;   i n to   ;The;              P A i N T;  ing"             ,too.)

S O;       ; " M i Rr O R; i M A G E "    

 OPENs  T H A T;   " W i N D O W "  ;  - or  D O O R;-  

;to these;    ;OTHER S i D E; " B  E  i   N  g "   ; L A N D s..(under atomiC..the inner space of atoms are ; " absoulte Volume ")

L e t   me, begin with thefirst thing that I recall. J o h n.

A b s t r a c t,   expression  improvison   ; with the paint; is like a " bomb exploding "  ; t o  m e. W i t h  this energy of explosion; I think I can go to the primitive phases of t h e  creation..o r at least I belive that something n e w ; happen in this  r e creation o f  the ART..(when I begin to destroy every thing;     - I think a state that -  GOD; must try to    re n e w  them, imidiately.  that means a sudden creation)..M y abstracting include, is  " the d e s t  r o y "  state; (so art can begin from the thing, that has b e e n; " nothing "..so art has to begin from nothing..i d a principle in art I guess..) S  O;  w h i l e   all; these " destruction based  "    work happen  ; that creation; can not reach a t; the simetrical nature of the; N a t u r e..  I can find; o r define a  "  half F A C E "; in the improvised; painting,  ..forexample. then, i t is  "  a half " but  ;  SO; G o d had  enough t i m e; to  w o r k  ; O N ;  i  t..      -b  u  t;  i t is  " a  H A L F "..-

T h e r e is  a N e w kind,  o f  N a t u r e  ;that has occured ,in the improvised; P a i n t i n g;  but as a matter of fact; i t is; made o f  pieces, and pieces are, scattered; and m i X e d.. (this is the bill to be paid; to produce a    "n e w kind o f n a t u r e"  ; i n  a r t, I guess..)

..this; " new nature; i n art " has to be produced; while I am; destructing e v e r y thing; with i n the P a i n t..S O, there is me "the  destructer "  ; not the " unifier "; or as they say architecturally creator; with the RATiO..(when destroying I can not establish an architectural building..      -but God must have DOing that; I guess- )  ...SO God must take the responsibility ; o f    the  n e w ly-creation;  and the  RATiO;  B a l a n c e; 4 this,  " C r e a t u r e.. "  -or  a   " BE i n g, nature  "   that has occured, i n the conditions o f the e a r t h.   

S  O;  " creatiONs; h a s   to  b e ;  Unified;  to the  creatures ..  (HALF' s has to b e; " miror imaged "  to gain " the S y m e t r y; o f ;  L i F E "  ..)

S e c o n d l y; i f  t h e s e;   c r e a t i o n s;  -or the n e w nature-    can not L i v e ; on the  e a r t h;  then; they must b e P u t; in  the; ,    s h a p e,     - figure., FORM..  (at least l e t them; b e  visable; t o  U  s..  w i t h  their; F i g u r e s; or F O R M s )..  W h e n  I ;  take  " miror images "  ; and  think that they exist;  - o r as my e y e s  can  r e a l l y;  s e e ;  t h e m..- m y;  RATiO;  b e c o m e; a c t i v e;   a n d,  M  y  " S O U L ";  D O e s;, too.(B E i N g s; really; activate m y; Mind; M y ; RATiO; & m y;  S  O  U  L..& so, they can flow;  w i t h  the n e w creation; and ; they can b e added;  t o  the creation p r o c  e ss;  t h e n;   inthe; computer space..

WHEN " MiRrOR i M A G i N G  BEGiN; my M i n d; my RATiO; m y S O U L;  begin to be activated..(U have to be  " c l e v e r " ;  O N L y;  to; d e s t r o y; -or destruct-;  in abstract expression; improvisation..)  (but when unify ing the destructed s  ; and establishing p i e a c e; U need; Ratio, m i n d; and the SOUL..)  ( Ratio ,mind and soul are ; l e s s  V a l u e s; then a N a t u r a l;  THiNG..S  O; we have things in the WORLD; and ;... ratio,mind,soul; o n  the  OTHER S i D E; -in absoulue v o l u m e-  )

S  O;  because;  a r t ; h a s to b  e;  e s t a b l i s h e d;  -envisioned-   -estimated-   ; TRUELy;  From the begining  ; T h e r e has to  b e;  " WAVE   m o v e  "   ;     in the     " n a t u r e "   ,o f  art.

1-     n e w  created; n a t u r e;  will  b  e  less,    t h e n;  L i f e..  -and less with the nature o f  the T H i N G s-

2-    s o m e;  o f  the   n e w   creat i o n s;     m a y;  not   have  enough energy   -but they  s t i ll   may  have s o m e  N  e W;  C r e a t i o n;  L a y e r s..-   to  b e ; presented; a s;they a r e;   THiNGs;     then they will b e  comprehanded;  i  n  the  computers; " absolute volume space can be reached with   -m i r R o r imageing - "  ;  SO;    ; o u r  m i n d s ; c a n  b e ; V i s a b l e..   a s  they  a r e ;  R E A L;  to our  e y e s..               - but may be REALity i s something; j u s t L i k e;  t h a t..or just i t  ; i s..-

Original; P a i n t ing;    ; A b s t r a c t  expression ; i m p r o v i s  e d..

Then I TAKE; M y;  " imaginary "  M i Rr O R;(edit program provides..) ,       ; t h e n;  GO;    ....i n through;   the original..PAiNT..

...i  f   i T;  WEREN'  t;   the " M i Rr O R   R   i m a g e ing "   o f  COMPUTER Edit programs;    ; I W o u l d n ^t  h a v e;  r e a c h e d ;  that " A b s o l u t e ; V o l u m e "   A  R  E  A.. ;  (I define as  ,under atomic, B E i n g 's;  L A N D;     " in the   ;other S i d e "..)  and;  B  E;   A  B  L  E;    to  w o r k;    "  t h e  F  O  R  M s ";  that  c a  n;   B   E;    only  ; in that space;   ; i  n  there..(where my mind,my ratio, my SOUL; can a c t ; with ; " 0 "  -z e r o -   resistance..) 

( SO ; t h e y  can  c o m e ; to our WOLD;   within  o u r ; m i n d s.. s o u l s; and by theRATiO  W o r k,  w e  Know; them; and, b y picturing t h e m; w e can  even;  s  e   e; and b e l i v e ; that ;  they; M i g h T, ; B E;   R E A L..

NO n e e d;   NASA;  s h o u l d; catch & bring them; into o u r; L i v e s;  as   " REAL; L i V E;  BEings "..)

....c r e a t i o n;   i n L i f e;  or in the W o r l d;    sometimes; STUCK..(  ratio user plan makers; o r architects of the public; p e o p l e; are the reason to that  " s t u c k " of L i f e;      codes..)

..and there must;  b e  ;    "  creat e d;   S u b; L a y e r s "  ;  in the creation of ATOMs;   .. t o o , that are parallel; to L i f e..     ...and   e v e n  a r t ; has to be supported; by the means o f; computing..A Computer i s  a secular THiNG;      ; t h e n;  a  PLAN ; m a k e r; RATiO;  m a n' s;  computations..and there are many o f those; i n  A R T;  f i e l d.

.

..it is F r e e    ;  to M A K E;  M A G i C;      in A R T s;        ;  b u t; L e t   M E,  ;  P R O V E;  that; F O R M s; as they can b e  visable; to  o u r;  K N O W i n g s.  -and understandings-   ..b y;  a n      i n e r t;  WALKER;'  s  transparent T R A C E s..   -that is ,a computer  machine....-

.. to feed                                 the Computer;   w i t h ;  t h e     A R T; W o r k;        o r;

...to F e e d;                           a r t ; with a  C o m p u t  e r.       o r;

...to  c l e a n,  -less e n-       a  r  t;  - from; the Ratio; o f   theHUMAN-;     ;    " from the   magician' s; B i r t h d a y party " ;..  ..

....when I feed  ;computer    ;   in art;      

   o n l y,  the  " absolute R a t i o "  that could  L E A K;  i n  to ;  the P a i n t;                              w i l l;  F  L  Y; -& f l o w -    ;   my  S O U L; and my M i n d;  and my RATiO  ...to  the  M O O N..   (..then others c a n; fly; to the MOON;..  t o o..with these works..)

I  , t h i n k..  

I h o p e ;    there is  ; t h e answer,,      i n all these ,     "  d e f i n i t i o n s  "   ..  J o h n.

....LOOKing4ART.....  

-with a  " telescope,"  -  

;  i n  to;  the  M i N D..

" C H U R C H;s t a t e;       ;E     G    G    s  "  ; -made of GREEN-

...then I should go ON;  w i t h  a  " T H i N G "; that   i s in L O U V R E;    Paris.

I am LOOKing4;  a r t;   i   n;  l o u v r e..

in NYC; 5th Ave. NO 1000..M e t r o p o l i t a n; M u s e u m; gave m e; a TOTAL; -overall- ; LOOK;  -scene- with all kind of civilisation's a r t S.Greek art, w a s  the; weakest  L i n k;  as   approach  to a r t; exhibited there.A f r i c a n;  M A S K; and TOTEM; a r t, w a s; the   " r e a l "    "  t H i N g ";  4ART.Flat-HEAD; M a s k s;  -no mind BLowing s in  there-      flesh has g o n e  a  w a y;  ;  and t h e; " tHing w i t h it' s NOTHiNG n e s s  ";  t h e n  should begin  to;  T a l k.       -o r  SOUL; M i n d; & R a t i o;  c o u l d   F  l  o  W; by then.-

...then i n Louvre; better ancient Greek a  r t; was telling; ancient; Greek art;  i s fundemental; i n, the W E S T E R N; i s m.As I -&my family- t o u r e d; 15 countries in Europa  -with our V a n-   I recognised that; o n l y   iTaLians; has worked; o n ; a U n i c; Europa N a t i o n; i D E A L..and that is beeing represented in V a t i c a n; -center has to " shrink " to be, the c e n t e r.-  " T h e  C H U R C H  " .. Vatican State..was very interesting, t o see.. " a state only; a country " .. -that means; State i s not; fat; there..a shrinked state; L i k e on a star..small a s; it can   b e..

S  O;  w e  a r e ; to;  accept;  GREEN  M A N; A B O V E;     (theMEN;AMEN); i s  the; EGG; STRUCTURE; W e  have to;  B E;  i  n..4PrecautiON; I, Agree, i f we a r e ; H u m a n;  then;  STAY; i n the Borders;  o f;  t h e,  SHAPE; -or the BRAND-  ...T h a n; every thing; should have to b e ; PUT; i n; " the MAN-AMEN..a  n  d, e v e n; evil; should L i v e ;  i n;   the M E N; " F  O  R  M ".                              -that i s " M A D E  GREEN " ; by M e n th o l ; or Copper in Bronze has been oxidated; b u t M A N; i s M A D E; o f  BRONZE, at the beginning..  m a t e r i a l; meaning i n  a r T s..-

S  O;  i  f   this  " GREEN-M A N ";  i  s   ARTistiC;  D O I have to read; all these  artHistory; CRAP; w h y ; and h o w; this is , art M A D E; a thing;  although; I will b e put; i n t o that; BRONZE;  FANCE-Prision; ( o f theMAN; AMEN )   ; t o o;  with m y;  a  r t, c u r i osity;  W i S  H e s;     -of m y; OWN flesh..to b e OWNED-   (now there are m o r e; ROOM; g i v i n g; SYSTEMs; a s CAPiTALism; 4that.. "individual A  MEN-Like ATOM the real Architectural..t h i n g, as an iDOL..to b u i l d;A   M E N.. ")

M y  POiNT;  i  s,  I now have;  "  MiRrOR-instruments "; and an  " Absolute Volume "  producer;    -the Computer-   ; w i t h;  M  e..       -then my intellect wouldn' t b e corropted;    -or collapse-      under the heavy-BRONZE-..   S  O;  I  can ..  dig  i n; this;  BRONZE; GREEN;M E N;  i n  L o u v r e..S O;  what did the artist  s e e ;  -that normal avarage people, missed t o see-  ;    a s  h e ; put;      -hyb r i d   a t e d  with the Model Structure of   theA M e n- ..    WHAT H E; SAW;     i n t o; that;  S t a t u e..o f     ;theART' s.

...t h e n; WALKiNG; i n through; ART-STATUE;  w i t h;   " transparent; WALKing; S T E P s; with N O;  SHOEs;  -all naked; and bare foot; L i k e HOBBits - ...b e g i n..s   

...f  i  R  s T;  o f;  all...  t h e r e ;    i  s;   a   " B i O L O G i C  F   O   R   M ";   "  m i t o  s i s "  ;   -naturally- i n this; HUMAN   (GREEN M E N)  A R t.        S O;    W  E;    h a v e  to  fallow; a     "  DNA-GEN-establishment-Movement-sturucture=MiTOSiS;( Just L i k e  MiTHOLOGy i n thr Culture.. )  "        ;  by  t h e    " M i r r o r  iMAGEing "  w e can Walk;    inthrough  t h a t;     with " transparent trace s" o f our foot.-by computer enstrument-

...second, that m a y  B E,      a  " telescope "   -the computer-    ; process;  i n t o,  O U R;     M   i N  D   s..

S  O;  W H O;  is  ;  t h i  s  M A N..    that w e saw ; i n the  E n d;  a b o v e.

i  f,  I  had;  a c c e p t e d;   to  PLAY;  " P a r a N O i ac "; i n the ART;  o f  the ART-History, patern.. t  h e n..

I should paint L i k e; Francis BACON.. (one of my icon s..)

   the Head. byF r a n cis Bacon..

..t h e s e ; a r e,  teaching  m a t e r i a l;  4ARThistory.. v e r y; usefull o n e s.  but not,; a s REAL; a s;  " computer telescope machine "  o f Capitalism; c a n; o f f e r.   -and w e can not; s t a y;  at the  a g e ; of; chilHOOD; o f  M a n..  thta L o n g..-

..this detail; i s  more  artistic ; & a e s    t h e  t i c   s.

POUL KLEE; " CONTEMPORARy CONCEPT "  ; T H E O R y; - an application i n    abstract.  a r t.-

"____4-for é WorD  .. "

"WALKiNG; i n through; t h e ART-WORK;"  (with the  " transparent STEP traces "  o f the Computers; o n l y;  t  o find  OUT;  -or see-  ; that; " if the c r e a t o r  of this ART-WORK; h a s ; "WALKED; i n t h r o u g h ; ART; -or that artwork- ;  as a pioneer " MOON WALKER "  ,on that L a n d  ,,o f;  A R T ' s..(U can describe some thing or a land scape, b u t, did U b e; there;  4 a WALK..)  (Ican w e a r; " MOON CLOTHEs &SHOEs,              -if I can b e ; in ART; i n M E; & in  t h e;  COMPUTER-         that are transparent to the l a n d,  to find out,  " the MAN; o n the MOON;" .. " t h e  M E N "; I shall c a l l ; it ,there.

I take it serious, " THE READing " ;  S  O,

i  f  I      r e a d;      that  W O R K;   o f,

Alexander Konovalov'   s

I shall READ; this WORK;  by miror i m a g e s  o f the,  Computer program..

...this is an essay, o n, READing i t..(ONLY 1 ESSAY..)

...ABSTRACTion;         ; h a s   a   " natural " -original STORY-   b e f o r e..    ABSTRACTiOn    

  ;t h e n   ;  i t     has been;  "  broken; i n t o  p i e c e s   "   ..- t o r n  into pieces-..      t  o   OPEN; a SPACE;  " i  n  t h  r o u g h " ;  t h e;  TRADiTional  S T O R Y .. ( S O;  it is possible  w  h  e  n  STORY is  ; A  b  s  t r  a  c t e d.  (the original classic story;  i s  abstracted..)

L E T ' S;  " i N S T A L L "   a;  " MODEL S T O R Y "  ; i n that;

(if installation i n  ART;     i s UNiversaL..)

MY STORY;   " M O D EL "  ;  to this ABSTRACTiON;  i s

-theN   A  M  E; of the story- :

"  THE REVERSiDE;  " district "; in the C i t y.." ..

S O; M A N;  has Abstracted;    (as an Abstract-aRT W o r k)..

..and t h e n; W E;  can  LOOK4 ;& f i n d,  " the M E N ";  i n the ; abstractARtWORK..

SO  " d i d ";  PAUL KLEE;  has written a BOOK about; " CONTEMPORARy ART ;CONCEPT THEORY " ..(something like that was the tittle,I guess..)

PouL KLEE; paintings,  a r  e;  L i k e;  the  last step; Painting A b o v e..

Poul Klee;  recommanded; " t h a t;  S T E P "   ; has had to b e;  WORKED;    - AT O N C E-      ; a s an ART-WORK..(  b u  t;    h e  has passed; these steps  A B O V E;..  b u t; the TRUE-W A Y;  -geniune PATH-  i s;

... " first TRUELY ABSTRACT; i t   - TOTALLy i n t o   TORN p i e c e s;-     t h e n,  

F i n d  O U T;    "   the M E N   " ;    that  has " L E A K E D "     -and  has been  installed i n  the  art medium-       ;   while ;  this; TORNiNG  apart;( & d e l u t e d, ; extracted, crunch e d, grind e d,) Abstraction process     ;    -w  h  i l  e;   artist;         w a s  ABSTRACTing-      . ( in fact; a r t i s t  extracts himself; and then it  c a n  appear i n the  a r t M E D i U M;    a s     " the M E N "   ;if worked reverse, by a computer' s inert JOB.. ..)   (ARTist ABSTRACTs; b u t;  while this process, h e has  s o u l  has  LEAK e d ; i n t o;  yhe   ART;  r i v e r  ..a.nd there appears;     "the M  e  n "   ; i n the ART;  M E D i A.. -from this l e a k e d- ..spontaneously.      .i f  WORKED    ; r e v e r s e;     -by a computer-.. so computer is a  inert catalyst; here; that d o e s not chance; any thing     -only with; copy-cut paste-turn-       ; what has been o c c u r e d;    spontaneously     -in artist' s hands-           i n  the    a r t ; m e d i u m..  )

...and " the "  Computer i s; capable,  o  f,    D O ing ;  this; r e v e r se    action, i n the art w o  r k... S O; D O ;   M A K E; these  "  STEPs using  a COMPUTER ";..There are artists telling; that  THEY M A K E; all these STEPs; i n their M i N D s..They exist as an artist because they used their brains as computers, b u t; these days;  w e have computers;  and acting like a computer, i s not making ART.a n y  m o r e.

....first;  TRUELy;  & TOTALLy,  " make U' r P U R E AbstractiON "  ; -a s  a  true Worker-..  t h e n;  COMPUTER; h a s to  M AK E;  t h e  R E S T..(and we can see the STEPs; that ART i s WALKing..) (do not put U' r selves; in the p l a c e ; o f ;  computers.b u t use computers  w h e n  T h i n k i n g;  A R T; only..) (when computers TAKE; their PLACE; i  n ART M a k i n g; ;  a  r  t;  & atists    ; will   B E;  M O R E;  F R E E.and with the TRUE STEPs o f  M a k i n g, genuine a r t..i n the future..)..USE COMPUTERS; B U T DO NOT BECOME A COMPUTER  (U' r Brain become ); WHEN  M A K i N G;  A R T..b e c a u s e; i f U ' r brain has transFormed to a computer then; this " corrapted alien; "  can b e ; recognised a s   a ; fantastic   ; a r t  creation.. but computr work l e t us s e e ; all and every STEP; o f  ART..(then a r t ; can  b e  ;  true ,  .and genuine art creations can b e recognizaable.

SO; this i s   a TRUE; a b s t r a c t,  W O R K;  Alexander Konovalov'   S..

Poul KLEE;  " to the CONTEMPORARy;   PASSAGE;  from A B S T R A C T iO N;"   ;     -THEORy i n CONCEPTUAL METHOD-   ;            ; approves T h i s;  I     ;G  U  ESS..

P.S.  " the M E N "  ; o c c u r e d;  i n,

" CONTEMPORARY ;K L E E CONCEPT "  ; a r t; 

;  " the MEN "  PORTRATEs..  :

-" CONTEMPORARized "; i n The Computer.. -    " ; Abstracted images.."

PAiNT  STRETCH i n g;   " versus "  ;digital equal VAKUM window ; " the     "  piX e l i n g.. "  ..

John,

I think;      partial  " stretching  "     the ;    original  PAiNT i n g,    -till there o c c u r e s;  a  figure;-    ; is  more creative ,  and goes with the conscious;  -better for the artisttic aesthe tics-   .

.u p in the KLEE L i k e,  work; there are pixels; because; resolution; of the source photo of Konovalov' s; w a s  low..

..oil  paint   -especially-    i s; an    elastic and flexable ; d o u g h;     and if Artist' s SOUL; -or BODy- has  b e en  installed  ; into i t;  ; .W h e n   s t r e c tc h e d;     t h e y;  become visible ;    but; as they were in an  " other world "  -like in a dream-  their material i s  an    "  under-matter  "    ;   -non atomic-    ; one..      SO paint, has to be stretched;     with a computer; e d i t..   (and paint has to b e Poured on a canvas; so  when  your spatula Moves in the paint  colours can s w i m ; in the PAiNT;  to  make stretchable l i n e s  & , surfaces..   - three dimensionally- ..

..these l i n e s; and surFACEs can , achieve;       FACEs     or F i g u r e s;      when stretched;      with the conscioUS  -of pure RATiO use in computer programs-     .. i n the computer' s      ; " o t h e r  under   -space."

I think..

I should put paintings; 4 eXample; a s I  DO; al way s..  and a T i t l e..      to this writing..

..this i s one of my    ; O R i G i N A L   painting' s;     detail..

..SO  " SPATULA "  ; c a n;  " SPRAY ";  " STRETCH"  ; and (    {V} collect, save, accumulate, amass, gather, keep back, lay aside, lay by, put aside, put away, put by, roll up, salt, set apart, set by, set aside, treasure up )  t h e P A i N T.. (as above in the original paint work..)

....T h i s  means; all these ACTings; has b e g u n;  simultaneously, in the ; PainT- w o r k; o f  ART.w i t h the HAND;&ARM; (so spatula installs U' r BODy into the art-work..) and "SPATULA" ..t  h  e  n;  they can  GO ON; with the  -spatula like inert acting- computer programs..  1-  with the paint;& spatula& U' r hand; U are socialist laboror, 4 the sake of the OBJECT; ..2- with the computer; U are Capitalist with U' r RATiO; & ConscioUS ; 4  thePUBLic.

ALPHABETH L E T T E R; w i t h ;        BOTH; 2 WAYs.   (SO A PAiNTiNG; b e g i n s  with a WRiTiNG; first..)

I think; I   m a k e;  m y;   "  digitalizatiON s   "   ;  i n  m y;  w r i t i n g s..(4 every l e t t e r  of Alphabeth; i s   a  " P i X e l "; as w e l l.  .. a n  Alphabeth  l e t t e  r;  work in two ways.both; express a feeling; and ;o p e n an  "   e m p t y   "      ; " digital square window; PiXEL i n g ";       to this   e X p r e s s e d;  DEED..

E M P T Y;  " SPACE " ; i n THROUGH;  A R T- W O R K..:

...so digital computer is a  digitalizor;  " there is an    e m p t y  H O L E;    -passing inthrough-    ;  in the computer " ; too.   -Reverse and parallel thinking-,    ART WORK; has to  H A V E;   t h i s; " EMPTY; P A S S A G E;  "  i n   i t;  SO  W E; can " instaLL -or locate- "  ; computer WORK; (stretching, spraying, seting aside;    -a s copy paste cut turn miror image-)  i  n   A R T.    O T H E R;  w i s e;  " " transFormed Human "  ; (as is in the art area Today..too..), w i l l  b e installed; i n the work;as a computer -being;   &   as i f ;   " computerized Human i s ;     " the ART  "..   (b u t  N O W; computer has been pulled o u t;  f r o m  Human Brain & p u t; outside;  the H U M A N..i t has to pass through ART; L i k e  a " SPATULA "   ; D O E S;  i n  through;       t h e  PAiNT..)

I think;  t h i s  " SPRAYing " ; i s to F i l l   i n;  the  " EMPTy  E D;  SPACE; P i X E L s.. "  ..  or;

TO; E M P T Y;  and      TORN  a  P  a  r  t;      and  ERASE;          w h a t; has BEEN;  the     "    m u l t i UNiTED  " ..ONE s ..i n the World..