|
murat danis
|
POUL KLEE; " CONTEMPORARy CONCEPT " ; T H E O R y; - an application i n abstract. a r t.-
"____4-for é WorD .. "
"WALKiNG; i n through; t h e ART-WORK;" (with the " transparent STEP traces " o f the Computers; o n l y; t o find OUT; -or see- ; that; " if the c r e a t o r of this ART-WORK; h a s ; "WALKED; i n t h r o u g h ; ART; -or that artwork- ; as a pioneer " MOON WALKER " ,on that L a n d ,,o f; A R T ' s..(U can describe some thing or a land scape, b u t, did U b e; there; 4 a WALK..) (Ican w e a r; " MOON CLOTHEs &SHOEs, -if I can b e ; in ART; i n M E; & in t h e; COMPUTER- that are transparent to the l a n d, to find out, " the MAN; o n the MOON;" .. " t h e M E N "; I shall c a l l ; it ,there.
I take it serious, " THE READing " ; S O,
i f I r e a d; that W O R K; o f,
Alexander Konovalov' s
I shall READ; this WORK; by miror i m a g e s o f the, Computer program..
...this is an essay, o n, READing i t..(ONLY 1 ESSAY..)
...ABSTRACTion; ; h a s a " natural " -original STORY- b e f o r e.. ABSTRACTiOn
;t h e n ; i t has been; " broken; i n t o p i e c e s " ..- t o r n into pieces-.. t o OPEN; a SPACE; " i n t h r o u g h " ; t h e; TRADiTional S T O R Y .. ( S O; it is possible w h e n STORY is ; A b s t r a c t e d. (the original classic story; i s abstracted..)
L E T ' S; " i N S T A L L " a; " MODEL S T O R Y " ; i n that;
(if installation i n ART; i s UNiversaL..)
MY STORY; " M O D EL " ; to this ABSTRACTiON; i s
-theN A M E; of the story- :
" THE REVERSiDE; " district "; in the C i t y.." ..
S O; M A N; has Abstracted; (as an Abstract-aRT W o r k)..
..and t h e n; W E; can LOOK4 ;& f i n d, " the M E N "; i n the ; abstractARtWORK..
SO " d i d "; PAUL KLEE; has written a BOOK about; " CONTEMPORARy ART ;CONCEPT THEORY " ..(something like that was the tittle,I guess..)
PouL KLEE; paintings, a r e; L i k e; the last step; Painting A b o v e..
Poul Klee; recommanded; " t h a t; S T E P " ; has had to b e; WORKED; - AT O N C E- ; a s an ART-WORK..( b u t; h e has passed; these steps A B O V E;.. b u t; the TRUE-W A Y; -geniune PATH- i s;
... " first TRUELY ABSTRACT; i t - TOTALLy i n t o TORN p i e c e s;- t h e n,
F i n d O U T; " the M E N " ; that has " L E A K E D " -and has been installed i n the art medium- ; while ; this; TORNiNG apart;( & d e l u t e d, ; extracted, crunch e d, grind e d,) Abstraction process ; -w h i l e; artist; w a s ABSTRACTing- . ( in fact; a r t i s t extracts himself; and then it c a n appear i n the a r t M E D i U M; a s " the M E N " ;if worked reverse, by a computer' s inert JOB.. ..) (ARTist ABSTRACTs; b u t; while this process, h e has s o u l has LEAK e d ; i n t o; yhe ART; r i v e r ..a.nd there appears; "the M e n " ; i n the ART; M E D i A.. -from this l e a k e d- ..spontaneously. .i f WORKED ; r e v e r s e; -by a computer-.. so computer is a inert catalyst; here; that d o e s not chance; any thing -only with; copy-cut paste-turn- ; what has been o c c u r e d; spontaneously -in artist' s hands- i n the a r t ; m e d i u m.. )
...and " the " Computer i s; capable, o f, D O ing ; this; r e v e r se action, i n the art w o r k... S O; D O ; M A K E; these " STEPs using a COMPUTER ";..There are artists telling; that THEY M A K E; all these STEPs; i n their M i N D s..They exist as an artist because they used their brains as computers, b u t; these days; w e have computers; and acting like a computer, i s not making ART.a n y m o r e.
....first; TRUELy; & TOTALLy, " make U' r P U R E AbstractiON " ; -a s a true Worker-.. t h e n; COMPUTER; h a s to M AK E; t h e R E S T..(and we can see the STEPs; that ART i s WALKing..) (do not put U' r selves; in the p l a c e ; o f ; computers.b u t use computers w h e n T h i n k i n g; A R T; only..) (when computers TAKE; their PLACE; i n ART M a k i n g; ; a r t; & atists ; will B E; M O R E; F R E E.and with the TRUE STEPs o f M a k i n g, genuine a r t..i n the future..)..USE COMPUTERS; B U T DO NOT BECOME A COMPUTER (U' r Brain become ); WHEN M A K i N G; A R T..b e c a u s e; i f U ' r brain has transFormed to a computer then; this " corrapted alien; " can b e ; recognised a s a ; fantastic ; a r t creation.. but computr work l e t us s e e ; all and every STEP; o f ART..(then a r t ; can b e ; true , .and genuine art creations can b e recognizaable.
SO; this i s a TRUE; a b s t r a c t, W O R K; Alexander Konovalov' S..
Poul KLEE; " to the CONTEMPORARy; PASSAGE; from A B S T R A C T iO N;" ; -THEORy i n CONCEPTUAL METHOD- ; ; approves T h i s; I ;G U ESS..
P.S. " the M E N " ; o c c u r e d; i n,
" CONTEMPORARY ;K L E E CONCEPT " ; a r t;
; " the MEN " PORTRATEs.. :
  
  
   
  
-" CONTEMPORARized "; i n The Computer.. - " ; Abstracted images.."
|
|
|
|
John Dunn
|
well that is an interesting approach...to take Paul Klee further through embracing technological advancement and reincorporate it into art.
|
|
|
|
murat danis
|
PAiNT STRETCH i n g; " versus " ;digital equal VAKUM window ; " the " piX e l i n g.. " ..
John,
I think; partial " stretching " the ; original PAiNT i n g, -till there o c c u r e s; a figure;- ; is more creative , and goes with the conscious; -better for the artisttic aesthe tics- .
.u p in the KLEE L i k e, work; there are pixels; because; resolution; of the source photo of Konovalov' s; w a s low..
..oil paint -especially- i s; an elastic and flexable ; d o u g h; and if Artist' s SOUL; -or BODy- has b e en installed ; into i t; ; .W h e n s t r e c tc h e d; t h e y; become visible ; but; as they were in an " other world " -like in a dream- their material i s an " under-matter " ; -non atomic- ; one.. SO paint, has to be stretched; with a computer; e d i t.. (and paint has to b e Poured on a canvas; so when your spatula Moves in the paint colours can s w i m ; in the PAiNT; to make stretchable l i n e s & , surfaces.. - three dimensionally- ..
..these l i n e s; and surFACEs can , achieve; FACEs or F i g u r e s; when stretched; with the conscioUS -of pure RATiO use in computer programs- .. i n the computer' s ; " o t h e r under -space."
I think..
I should put paintings; 4 eXample; a s I DO; al way s.. and a T i t l e.. to this writing..
..this i s one of my ; O R i G i N A L painting' s; detail..
  
..SO " SPATULA " ; c a n; " SPRAY "; " STRETCH" ; and ( {V} collect, save, accumulate, amass, gather, keep back, lay aside, lay by, put aside, put away, put by, roll up, salt, set apart, set by, set aside, treasure up ) t h e P A i N T.. (as above in the original paint work..)
....T h i s means; all these ACTings; has b e g u n; simultaneously, in the ; PainT- w o r k; o f ART.w i t h the HAND;&ARM; (so spatula installs U' r BODy into the art-work..) and "SPATULA" ..t h e n; they can GO ON; with the -spatula like inert acting- computer programs.. 1- with the paint;& spatula& U' r hand; U are socialist laboror, 4 the sake of the OBJECT; ..2- with the computer; U are Capitalist with U' r RATiO; & ConscioUS ; 4 thePUBLic.
ALPHABETH L E T T E R; w i t h ; BOTH; 2 WAYs. (SO A PAiNTiNG; b e g i n s with a WRiTiNG; first..)
I think; I m a k e; m y; " digitalizatiON s " ; i n m y; w r i t i n g s..(4 every l e t t e r of Alphabeth; i s a " P i X e l "; as w e l l. .. a n Alphabeth l e t t e r; work in two ways.both; express a feeling; and ;o p e n an " e m p t y " ; " digital square window; PiXEL i n g "; to this e X p r e s s e d; DEED..
E M P T Y; " SPACE " ; i n THROUGH; A R T- W O R K..:
...so digital computer is a digitalizor; " there is an e m p t y H O L E; -passing inthrough- ; in the computer " ; too. -Reverse and parallel thinking-, ART WORK; has to H A V E; t h i s; " EMPTY; P A S S A G E; " i n i t; SO W E; can " instaLL -or locate- " ; computer WORK; (stretching, spraying, seting aside; -a s copy paste cut turn miror image-) i n A R T. O T H E R; w i s e; " " transFormed Human " ; (as is in the art area Today..too..), w i l l b e installed; i n the work;as a computer -being; & as i f ; " computerized Human i s ; " the ART ".. (b u t N O W; computer has been pulled o u t; f r o m Human Brain & p u t; outside; the H U M A N..i t has to pass through ART; L i k e a " SPATULA " ; D O E S; i n through; t h e PAiNT..)
I think; t h i s " SPRAYing " ; i s to F i l l i n; the " EMPTy E D; SPACE; P i X E L s.. " .. or;
TO; E M P T Y; and TORN a P a r t; and ERASE; w h a t; has BEEN; the " m u l t i UNiTED " ..ONE s ..i n the World..
|
|
|
|
John Dunn
|
you write without conclusion...I find that interesting,,,dammit I dont hve any bloody words to describe about this!!
|
|
|
|
murat danis
|
" é 4-N O W ";s t r e t c h.. ...i n the F i E L d; -court- o f, " the Uncertainty PRiNCiPLE " ...I H O P E.
..when I think I am n e a r a " conclussioON " ; I magnify ; " the L A T T E R s.."
....t h e n, I have to tell, s o m e t h i n g..(4 I am the o n e,who m a k e ; i t..)
..it is " OPEN S Y S T E M " ; -open continuoUS, s y s t e m- ..(in chemicial engineering,they call i t SO..) S O; art can b e; designed a s an open system, a c t.Conditions r e a c h e d, stay the s a m e; in every point; as t i m e, goes by..and brain learns thissytem; t h e n , l e a r n e d; will COME; to the s u r f a c e; somehow, somewhere, sometime, in some shape; a n d; that takes t i m e; a s we call i t art o c c u r e s; b y it' s own w a y.It TAKEs t i m e; 4 a TRUE; ART i s t..
S O, I find this effect very natural.".The T h i n g; " i s.. " eXpress the thing in U; " N O W " ; " ;what ever i t is, -what Ucan K NOW; 4-N O W..- because, then an other principle o f science WORK; Werner heisenberg' s " t h e Uncertainty principle " ..Problem i n the ART W o r l d, i s, they think, they can KNOW; every thing..not only nature in the world, n a t u r e o f art; r e l y o n ; " the uncertainty principle ", I guess.
m y writing style establishes, s o m e uncertainties, - I h o p e; SO;- ; t h e n, process leasts -take some time-, ( this is the t i m e; I give to the SYSTEM; to M A K E ; i t ; " O P E N " -& uncertain- ; because I give this t i m e, reader has to give it to his/her b r a i n, ) to comprehend , b u t every m i n d, can catch ; " an other kind of fish; i n it' s WATERs.." w h i l e overcoming this ; uncertainty..
I think.. 4 -NOW. ..
so conclussions will come to every other individual afterwards, as every m i n d;h a v e; other o w n- process s; on going..4-NOW.
..immediate -sudden- expressions are very TRUTHfull; and honest; I t h i n k. (to be able to b e ; i n OUTSiDE.)
.." bloody W O R D s" i s, interesting..I think a r t has b e e n ; installed i n t o, m y; BLOOD.. NO -C U R E. i t is, i n m e.SO, I have to throw i t O U T ; A W A Y; too, F A R ; ahead ; .. -even to b e ; u n t h i n k able , & 4- getable..-
p.s.
4-the "blood" of the; F r e n c h..http://www.youtube.com/watch?v=T-eTAkMC2nw&list=FLoclApcUHJH_NyOZI_kqZ8Q&index=56&feature=plpp_video
|
|
|
|
John Dunn
|
great Graffiti Murat !!
|
|
|
|
murat danis
|
1.....lines cominG; i n through; the c o l o r s; -paint- (from WRiTTEN l e t t er s..)
2......while paint -&color s- a r e; freed by ; the strong feelings..
__" 2 "; BOTH;_ ;a r e; n e e d e d..in theART..
http://www.artslant.com/ny/works/show/579407
...is this great graffiti..
...I think expression of the feelings in the acts o f, colors; i s not enough ; 4 t h e ART..m y opinion, is :
...the human face; or Body of an object has to appear (occur) i n the color, too..lines has to come from in t h r o u g h the colors..(some first put lines than paint inbetween..s o m e, let colors i n f r e e action; b u t; t h e n i f ; there d o e s not c o m e; t h e lines; inthrough the paint and colors.; then these colors; has no RATiO...ONE; has to write, first, then l i n e s; can come from inthrough the paint -from the letters written by the painter, b e f o r e..- ,,one thing more, l i n e s &shapes ; has to be effected, b y the nature of the c o l o r s. and reverse.)
I think; this ONE; i s f i n e .to m e. (my opinion, of course; ...)
better ;image; " p a r t "..
p.s. ...note:
(4, I need, a story,and imaginable figures) ..
of course, t h e s e, a r e; valid 4 ; -as a help to my sayings; - , & I am not a consultant; -expert- o n criticing ..
 ..
SO MY CONCLUSiON s ; H E R E; are :
1 - L i n e s to a PAiNTiNG; h a s to C O M E; from written L E T T E R s; of the painTer. (intrough; t h e paint; into a painting..
2- nature o f colors ; -in a painting- has to b e ; in an " interactive " relation ; -and reaction-; w i t h; the L i n e s ; - that are occuring from " letters from writings " ; and shaping object s;in as n e w forms..- (this means a l e t t e r can change a color; -&flow of the color- or a color can change a line occuring to h a v e a shape, in the painting.. i n t e r a c t i v e l y.)
|
|
|
|
|
|
|
