" B R U S H  or THE SPATULA "  ; 4  the  W O R K;  o f  A R T;      -as is beingCONTEMPORARiAN..-

NAME TO THE PHOTO:       THE PAiNTiNG " SPATULA "  i n   the W A T E R..

Think that the tail of the fish w a s;  " a  brush "  ;  could fish , go  ANY WHERE..

E v e n  " N A T U R E ";    h a s   to  b e ;  " TRUE "   with,  t h e;   " WHAT  T O    D O "  ...SO; a r t has to b e, with the  b a s e s  o f  the   n a t u r e ; first  ( WHEN D O i n g;  i n  ART)   t h e n  carry   t   h    e    creation , a h e a d..

W h e n  USEing  a BRUSH;   i  n   the  painting,

 U  tend to  u s e U' r  RATiO;  in  ART   MAKings.. ( U do not behave a  s  U   DO; n a t u r e;        -but U imitate nature  a s a  " support " to U' r  M i n d not to fall apart  o u t   o f nature-  )

N  o  w    W E;  have " computers ";  t o  a d d ;  o u r   RATiOs,        to  our  ; naturally DONE; original   a r t  WORKs..

S O;  CONCEPT is:  

1-  Original  PAiNT   ART      HAS TO B E  MADE;  b y   " SPATULA "                 ..(because spatula can not say l i e s.. -but it can make charm &magic as the expression of the clever -

2- i f U WANT to;    A D D UP;     U' r  " RATiO "  ;     to U' r  original ART DOiNG WORKS; t h e n;  U  have  to;   U  S  E;  COMPUTER EDiT  PROGRAMS;   t h a t  can only act  a s  a  SPATULA  ;  t o o..

S o;  A R T' s  B A S E;  has  to  B E;  " with the n a t u r a l D O i n g"..w  i  t  h     "  t h e  S P A T U L A "..

(if U act with a spatula;  -or U walk by U' r foot, or done by U' r HAND; these D O; as a SPATULA  DOES, too- U can only act n a t u r a l l y..i n  f a c t..) (U have to act with all U' r  BODy; so spatula can d o, m a n y  things   a s U'r BODy c a n..)

A   " B R U S H ";  i s  for ;   to  g o   into  U ' r    S O U L..when painting..   b u t,  after  " a scientific E R A "  and  the thecnology a g e ;  w  e   have t o  carry  the bases o f  o u r  SOUL DOings;  i  n  ART;  to  an  uper lavel.. S O;  OUR  S O U L s  have to act i n the nature o f the computer..(as a nature base to our souls..)

" COMPUTER  E D i T  PROGRAM;  A S   A    " S P A T U L A  "..  tool..

   WHEN I  U S E;  M Y;  " imaginary SPTULA;( i n EDiT PROGRAM DOingsof the computer);    t h e r e   O C C U R E S;  the n e w; image;  (that image i n  m y  soul ) (when that image i s installed i n t o  m y; s o u l..)

and, i f  I  should  u s e  " b r u s h ";    L i b e r a t i o n  of my  RATiO;  shoul invade into m y  HANDs  D O i n g   s..  (and that is  a  minus factor i n art' s   ,  b e ing  totally   TRUE....

...computers  t r u e   nature;   gave m e the chance,   :     SO I did not  change any color, or any  DOings  (any lines ,  -but only bent the original-)    in the original work..S  O   this  SOUL BASED  ART MAKiNG;  is   true  too..(although soul is not dependable) (art ,has to make the SOUL;  dependable, i f contemporary i s  a fact,  -o r ,   r e a l-)

 ..i n    the       ; " O   N   E     L  i   N   E  ;       i  n t e r v a L  " ..

B r u s h;  adds;  turning Lines  S O; can U tell;  " i d e n t i f y ",  the lines  that;  (where did they begin and where they end..U lose the identities o f the l i n e s..in the e n d..that m e a n s;  U' r  SOUL has taken the control o f;  t h e use of these  " l i n e s "..S  O;  U can not  b e ; -stay- OBJECTiVE; with these , deplacing  L i n e s of the  b r u s h.(the PROBLEM i s; colour on every line of brush changes too; so two variables; can not b e controlled  OBJECTiVELy; that  m e a n s;  U are totally i n  S O U L;  A R E A...)

W H E N; it is    " the SPATULA "   ; there is a n  " interval "..  and  two lines; that determine ;-or define- the left and right borders..of the interval..    -that means this positioning o f  left and right ,does not change..-    and in the i n t e r v a l; SPACE...c o l o r s,  deplace;  without the ORDER OF;"  L i n e; directions "  from the object.s.(l e t  colors, a c t  i n their  lineless,  s p a c e ..)  (a color is f  r e e;  i f  there is not a L i n e, walking around..because c o l o r s  have the TRUE; n a t u r e of  DREAMs& the SOUL;  a r e a s..)

S  O;  a  S P A T U L A;        gives  COLORs;     " an  i n t e r v a l  o f  SPACE"   to the colors  ,,   ;SO  COLOR s      -the object made of  light-     to  b e able to  a  c  t;  F R E E;  to carry  o u r   SOUL o r  senses  &feelings..;       ;   not under the constractions, b y ;   " the WORLD  OBJECT  NATURED;     RATio   L   i  n  e  s.."  .

.DOiNG ORiGiNAL PAiNT  A R T;   has our feelings and senses,,  t  o;  b e  carried;             b y the c o l o r s..

...can U begin improvising;with  COLORs;       - without the  g u i d e L i n e s-   ;  ;   to  D  O;  ART    in the free nature  o f  the  P A i N T      i n g..        S O;  U  have to improvise;  with a spatule;     " i n  O N E  L i n e "   O N L y...  (that is apatula draws a L a r g e L i n e;  that colors can b e, & behave  free; i n that; ,,,,,,,,                  " O N E  L i N E;  i N T E R V A L.."

S O;   W E;      EXPECT;  THAT;            OUR FEELiNGs; and our Senses;     -and the ratio " crack "  of our brain-                can l e a d;   to  these freeated  colors;      4 colors c a n; -be able to-   carry   t h e  OBJECTs;   -installed into our feelings and senses,   (s o m e H O W)     .        t   o;                a  p  p  e  a   r;   i  n    A R T   F i E L D;  (on a canvas)   ,  A S     " R E A L "    ;   O   B  J  E  C  T  s;  (that can b e , definable b y;  o u r   RATiO  s..)..   

i  f  this  happens,   S  O;  w e can tell;  w e  have  a   TRUE;  ART;  R i v e r;  that can FLOW;  UNTOUCHED;   and  i t is  PARALLEL;  t o  the  N a t u r e  o f    the  M A N..

 " A SPATULA  T O U C H "   to  the   "  ANDY WARHOL  ;  D  O  i n g.."

........WRiTing; w i T H;  a      P E N    is;      a    Spatula work..   t  o  o..     (that  it MAKES;   ONLy    " O N E  L i N E "; -as  a DRAKNESS - E D-..interval-.. A PEN;    has, a HANDLE; -to the H A N D-;    a n D;   only  " one narrow -but- ; " cracked "  "    L i n e;  i n t e r v a l..  (Just L i k e  a  silent V a g i n a;  D O E s..)

..(.a barKing DOG; won' t  B i T E..)

...I   h o p e;  ALL;     t h e    B r u s h e s;         in " VAG i n A s "         d  i s a p p e a r;      a n D;

.S  O;         ." T h e  TRUE;  SPATULA;  -that is the VAG in A-     ;     can   G A i N;  it's;     "   H A N D L E   "     -that is the PEN is- ..

.....can this   W  i  S  H;  be     T  A  K  E  N;    a  s;    

  ...CAN     ART; F i E L D  HAVE;     A   NATURAL  B  A  S  E;    so  every thing there can     ;b  e  M E A S U R E D  clearly..   (if there is  a  " BRUSH"   h i d d e n   -i n somwhere-   ; then every thing is b l u r r y... and slippery  ;not OBJECTiVE..)

p.s.  

Television m i x e s ;  the  "TRUE COLORs "; -and words &sounds   ; to the colors t,oo.colors to the sounds...-   J u s t   L i k e;  a  BRUSH;  D O E S;  i n the acting  ;  when m o v e   i  n  g....                                    (can a film;     reverse the process;   of TV   - that TV D O E S-    ;  to  c r e a t e;  " P U R E; C O L O R;   i m a g e s "   ;  -as colors may  " be   n e w " -      n e w ; as;    " the brain;  can give b i r t h  "    ;to those Colors o f,     the White L i g h t;                 - o  f  the,  MATTER;-                          from inside ;   o  f     the  HUMAN..  (that means, TRUE colors  can  ; be BORN from the   , MATTTER nature    o f our barain s.  -cinema can be a tool 4 that..- MOViEs can M O V E; all the process of TV nestings  b a c k  to the TRUE &silent COLORs;    -just l i k e;  PAiNTing  ;  D O E S-.     .but cinema is like a  " vaccine "  4 brain to   form " antikor s "  ;   -a s TRUE COLORs. -   )

(ART of cinema;   has to D O;  this,      I can  say..  otherwise; w e are to b e bored -or alienated -  w i t h;   using   the  given lights     and colors   to  U S;   from    t h e ;      out s i d e..)

CONTEMPORARY  =   "  S P A T U L A  i s M  "  .       .............but      ; U  U S E;      a  SPATULA  ;   i n   T H E   P A i N T      i n G...

.....from GENC Sanat Magazine;     ", "The Time That Remains: How to Repeat the Avant-Garde"  by    ;Sotiridis Bahtsetzis..

(Matthew Barney,The Cremaster Cycle 2004)                                            ( Andy Warhol Coveted TV Stardom.)

CONTEMPORARY;  A R T;   has,"  TRUE  " SPATULA "  STROKES; ";   t o o..

.....when U; put;   a n   O B J E C T;   to  T A L K;  in Your  W O R K;     " i t is  a  SPATULA  STROKE " - not a BRUSH TOUCH-  (it is not blurry, in fact;  sharp a s reality..)  (if someone has made   it by painting with a brush; -this one upper left-; w e couldn' t  look at images from every angle; with the same sharpness, but, a little changed due to the other objects has changed, too..  -always  geniunely  c l e a r  with the   f a c t....) 

(these  a r e   photographs; o f  course..but they catch the time and situation;  and the installation o f  the Objects..S O; this can b e ; r e p e a t e d..in somewhere some place ,some t i m e ..)

S O   W E     C    A    N;     S A Y;    the   S T Y L E;   o  f       " CONTEMPORARY  A R T  iNSTALLATiON s "  ;  perform  " S P A T U L A ";  METHOD..

T H E N;  THERE   C O M E S   ;  T H E  unasKed; QUESTiON;    

  " WHERE  i S  T H E  SPATULA  W O R K;       i  n   the    PAiNTiNG.. "  (How can w e  "install" SPATULA;  M e t h o d;  i n t o  PAiNTiNG..) (it is easy way out  t o;  s a y;   this has been DONE Be4;  or;  " Painting i s DEAD ";  ..be a PostModern; then tell every body that U found a N  e w ;  WAY;  F o r,  ART..)  

A r e   they  i n the;  " Brush  STROKEs  o f MODERiST; WAN  G O G H..paintings, when being expressionist, simultaneously ;   meantime..

H O W  CAN;   PAiNTinG;   B  E;   A        ; " CONTEMPORARy   A  R  T  "..

FROM; "  the CONTEMPORARY  W O M A N ";    ;  B  a  c K    TO;   theM O D E R N    WOMAN..          -by the S P A T U L A  STROKEs  ; O  N  L  y..-

D O E S;   T H i S      " F E M A L E "   ;     H   A   S;                      A          "   M    A     L     E "   ..."

............L        E         T;     g o   ;   BACk t o;  MODERNism;   -with the TOOL o f     ; "  S P A T U L A  "-

.... g   i   v    e      ;       U      S;         the ,    a n s w e r..

1-  TRADiTiONAL - C O N T E M P O R A R y  :                               W   O   R   K..  i  s

2-     M U L T i - CONTEMPORARY;   W   O   R  K   S;              a   r    e     :

" WOMAN  SiTTiNG O N;       E G G s.."

"    M A L E;        as an  ABSOLUTE  iNTERVAL K i N G.  ."

    " t h e   M A L E;     i n t e r v a l  i  n    ; the  Mitosis  division "

" WOMAN W i T H   ; t h e      DNA    K i N G  "

" FEMALE  FACE;  i n   DNA; MODERN "

"  H i D E- &- SEEK ;  4 DNA s "

                                                                       MODERN  WOMAN " FACE MASK "      ;  i   n   the   S e  X..

....o f   course  ,I am  e x agger a t  i n g.

Traditional  CONTEMPORARy;  :   to    the     ; theM  O  D  E R N ;                                                M U L T i  -   C O N T E M P O RARy  ..

i f  U  have a  creative opinion..first U h a v e  to write  a  " thesis "..  o  n    the  p a p e r..(WHAT  U  A R E  THiNKiNG  o f...)

...then Y o u;  MODELize;  the  CONCEPT.. (mathematically..-i n   a n  equation-..)

....(.t h e n;  U have to know  that;  " T h i n k i n g  has MANY T h i n G s "  i  n;  i t..That means t h e r e is     ;    a " B R U S H " in  U' r  m i n d;     S O all these  THiNGs;     are m i x e d;     and  N E S T E D;     i  n   each  o t h e r..   (SO; thinking   is a creative ;   i ll u s iO N ..   -every object are nested    in the thinking-..)

  (SO THERE iS A   " B R U S H "   ;  i n  U ' r  BRAiN..)...    -when U THiNK..SOME  T H i N G- )

T O   C O N V E R T;  this    " BRUSH "   ;  to;   t   h  e   "  S P A T U L A "   :                 (AS A  CONTEMPORARiAN  A  C  T; )

U   M U S T;   F i n D;   READY-M A D E;  (still working and stabile OBJECTS..i n society  ; these can TALK; TRUE;        J U S T  L i k e  a " SPATULA "  CAN TALK;       -or  A C T-;        w h e n  i t is  i n  t h e  ;     PAiNT..)

...for e X ample;   i f  I will e x p r e s s;  a  state o f  " sleeping "  t h e n ;  t h e r e  will   b  e;     a     B E D;  presenting SOME THiNG; i n the  sleeping concept..T  h  e  n;  e x p r e s s i n g   I D E A;    with the  O B J E C T s        ( -OBJECTs should  a c t  L i k e  SPATULAs  t o  M O V E; i n the e x p r e s s i o n-  )   will not  b e;  B L U R R Y;    i t  will b e;    a  very cristal  C L E A R;  and  SiMPLE; & n e t;     s t a t e  o f;  e X p r e s s i ON..(that will b e related    - CALLing-    to ; the    logic and    the  R A T i O;     t o   behave      t o; solve     "    WHAT HAS B E E N  ;  TOLD;  "         T  h  e  r  e..)                               T H A N   T H i s;   P R O C E SS;   (the PROCESS OF;   p u t t i n g;      " SPATULA L i K E;   -working-  O B J E C T S; "  i  n;  will  b  e  ; described  a s ;  " t h e  CONTEMPORARY "  ..

SO;   M a k i n g  a  Concept; b e  ; CONTEMPORARY  A R T ;  has   a   mathematical  MODELisation..(arranging an equation where = ; p r o v i d e;  the c u r c u i t.. of thinking..on the work..)  T  h  i  s  ;  first  STATE;  determines  and defines;  the   b a s i C s..  S O;  THiS i s  a  TRADiTiONAL;  C O N T E M P O R A R y;      S    T    A    G     E..

4a     " CONTEMPORARy  A R T  ";  M A D E;   .....

    p i e c e..

T h a n;    if   U  s a y;     JOB    CONTEMPRARy  M A K i N G;   h a s;    " f i n i s h e d ";   t  h  e  n    U  will;  M A K E; an   o t h e r;  O N E.  and  begin  a g a i n ;  to   t h e    P R O C E SS;    A   B   O   V  E..    but this will  b e  a  Tradition   -like a fashion-  ; to M A K E; Every thing;  CONTEMPORARY..SO CONTEPORARY   T H i N G S;   H   A   P  P    E   N;    around..   -as   a tradition;    or E R A  of  the  Contemporary  MADE;  T H i N G s..-

I

......TRADiTiONAL   C O N T E M P O RARY;  APPEARS;  TOTALLy     i  n   the   M i N D;   -inthe RATiO; they are realized-      o  f,   the  A R T i s t;        -i n mathematical BASES;-                (that is we can not  s e e;   t h e    S T E P s;   W  e  want to s e e; i n DOing..all  has been DONE by the RATiO; and  w e will   travel b a c t;  to  find out the d e e d s;  artist h a s  l i v e d;  t o   M A K E;   this  STATE..)

....i   f     SOMETHiNG;   i  s     a           "     C O N T E M P O R A R Y;     T    H    i   N    G;  "  

(they say artists has to MAKE t h e m  Contemporary; o r  if  w e ; find something  contemporary i n the N a t u r e; t h e n;  GOD must have acted; ARTiSTiC  , t h e r e..      SO GOD has b e e n artist;  t h e r e..)

...t h e n;  c a n   U   a c t;   O N  i T;        (ON A CONTEMPORARY THiNG)      STiLL.. (With U' r  M i n d; and RATio..-that means U put this contemporary thing i n U' r  M i n d;  and process i t by  U' r  RATiO-     ; with      ;O N T H E   OBJECTive  BASES;      O F    (that means provided b y the computer..)  the   C O M P U T E R..  

S  O;  WORKing O N  a  CONTEMPORARY  T H i N G;   w i l l   b e ;  ON   A        C  O   M P U T E R;   S O;  i t    c a n;   B  E;   M U L T i- CONTEMPORARY;   e  v  e  n    U                

    ;A D D;   U' r   S  O  U  L;  (a  very  BRUSHy   T H i N g)                            -and the things  from U' r  M i n d-  ,   d r e a m s   from  U' r   s l e e p i n g s;  or every kind o f thing that a r e   in  U;  that can b e called as  " flowing i n the   river o f     ;art   things..-

.....and  t h i s      can   b   e;   DEFiNED;  A S;   A R T;   D O i n g;  because every STEP;  i s  RECORDED;  O  N  the COMPUTER  M E D i U M.. -as images  M A D E..or WORKED..-   M O R E;  THAN  

TRADiTiONAL;        MAKiNG  ;  CONTEMPORARY;        A R T..

T h e r e   happens    ; a     " V A K U U M "   ;  or    a   " fatness"      -a    b a l l o o n-       ;   in      "  traditiONaLCONTEMPORARY A R T; o f   T O D A Y ' s "  ...  i  t   can   not  proceed  O N;       to       the  ; " M U L T i;  C O N T E M PORARY;"     ;   o r   it  can   not  G O;  B A C;  to   A  P   P   L   Y;      b a s i C s   o f;                " the CONTEMPORARY  M A K i N G "     to   the   PAiNTiNG;    that has b e e n  declared  a s ;  D E A D..(PAiNTiNG i s  DEAD;    ;by Post Moderns..)

S   O;  I   T H i N K;    " SPATULA "  O B J E C T;    i t self;  has to  B  E;  -or PUT -   i n   the   ;  PAiNTiNG;  to  MAKE  i t  SOULLESS;  first..(where brush u s e ; had carried painting to a silent death)..(SPATULA; can      -is  to-     MAKE  PAiNTiNG;  CONCEPTUAL; & CONTEMPORARily M A D E..)    T  h  e  n;  these;  PAiNTings  c a n;  b e;  Worked;   to the  " MULTi CONTEMPORARy  STATES;  T OO..(to A D D;  t h e  S  O  U  L;  T O  THEM;  too..)

BRUSH;  has  worked to  c h a n g e  PAiNTiNGS;  t o  ;  " PHOTOGRAPHs "  ...  NOWDAYS reverse is happening; WE TAKE PHOTOGRAPHS; o f  contemporary STAGE;   a r r a n g e d ;  OBJECTs  a s; b e ing..  CONTEMPORARY  A R T s.

I    A  M;     G L A D;  this  WORK; i s  CONTEMPORARY;  Ly  "   M  A  D  E  "..-and then photographed-..

i  f;  a  PAiNTer  h a s  had; painted  i  t;      - a s  a  Painting-;      ; h i s/her  S O U L;         -and senses or feelings-       ;  s h o l u l d   B E;      o n  -&in-      ;   i t..

(then I would' nt   put my soul, senses and feelings  PURELy  o n -or in-  i t..  and  my perceptions w o u l d n t  b e OPEN;  than these  REAL OBJECTs, h e r e  ; CAN  O P E N;  my perceptions....)

...that  i  s;     i f  SOMETHiNg;  H A S  BEEN   M  A   D  E;  " CONTEMPORARY ";   (that is    ;" SPATULA- T E D "    ;  -by the OBJECTs ;    a s objects a r e multiSPATULAS-   ,

 t h e n;  O N T h e  COMPUTER  B A S E D; (edit programs has " imaginary " Spatulas, t o use; -like, cut, copy, paste, stretch, rotate, e.c.t-.)MEDiUM;  

  -when    ;going ON;    with t h e  W O R K;  with the SPATULAs to multi CONTEMPORARy  A C T s;-  

I  could;   a   d  d ;   m  y     S  O  U  L;  - my senses, m y feelings;-   a  s  I  wish;  and  there a r e  ; plenty o f  PLACE;    -ROOM-  f o r   m y;  FREE;  A D D s;  to the;  

REAL CONTEMPORARy;  T H i N G.-that can C  H  A  N   G   E    ;., t o o ...(that is still c l e a r, i n transparent computer medium..)( CONTEMPORARy  S T A T E;  i s  very  S O L i D..i n fact.. i t   has  been  STOPED;  A B S O L U T E L y;      -frozen i n ice-  and  can  ne v e r  b e ; CHANGED..and  shouldn't b e changed, i f  it is A b s o l u t e..     -but computer  and Spatula WORK can keep this  " absolute "  s t a t e;  alive,  even when changing the object..-

F i n a l l y;  there a r e 2  W A Y s;  to   G O;  4  the Traditional C O N T E M P O RARy..

1-  go B A C K   to BE;  AVANT-Garde;   to  the   PAiNTiNG  M E D i U M..  P U T; " SPATULA " ;  i n t o;  the Painting.  (.instead o f putting OBJECTs; into work o f ART;  a s they would act like  -or present- SPATULA..for thet will b e the CONTEMPORARy A R T..M A K i N G..)

2-  go AHEAD  -forward-;     to put contemporary  THiNG;     i n t o,  COMPUTER;  then  PUT  U' r  S E L F;  i n t o  that  thing;  and  WATCH;  h o w   D O E S;  this CONTEMPORARY; T H i N G  A C T;  with  U' r soul; and  LOOKfor;         A R T;  D E E D s;       i n  these  D Oings..

multi SPATULA ated;           in the absolute COMPUTER; M E D i U M..

o  r;  

" SPATULATED CONTEMPORARY OBJECTiVism  to

the       multiCONTEMPORARY..