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murat danis
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.." A F O R U M "; w i t h; " LEONAR DO "..
" LEONARDO DA ViNCi S P i R i T "; -i S b e i n g; WAiTED-; t o; C O M E; .. T O; S P E A K; ; ........... i n ; " A F O R U M " ,h e r e ..
..
I w a s; in LOUVRE M U S E U M; last summer.. I saw, M O N A Lisa; with a glass o n it, and I couldn't even go ,n e a r it.. sH e gazed at m e; from a distance & I LOOK at i t.. I t w a s; miysterious, enigmatically r o m a n t i c.. from this distance; & ,may b e; this presentation i s; the TRUE; - CONTEMPORARY-; O N E; to ,t o u cH..& to b e t o u c h e d... (glas o n t h e painting..& a far distance in between..)
In MOMA; Wan GoGhs STARy N i g h t, and DALi' s melting C h e es e; T i m e; Picasso's Womans o f AViGNiON ; paintings w e r e touchable t o my both e y e s and M y H a n d s..(4 W e all w e r e, b o t h; WORKERs..with our eyes and HANDs..can combine w i t h them..)
..... b u t, w h e n ; i t comes t o; MONA L i S A; they DO not L e t U; T O U C H..(or they do not let ,THis LA JA KONT; t o touch U.. -4 Artists s u i c i d e; HAPPEN E D- ; b e c a u s e; t h e y had b e e n; t o u c h e d; b y this; " L A D Y T H i N G... ".. w i t h a m i s t i Q u e; S M i L E..(in the song)
....GLASS; i n B e t w e e n; complates t h e; " m y s t e r y " ; and reflects i t t o A L o n g distance; L i ke a ; SEA -LANTERn.. -o r L i k e a M y s t e r y o f; a ; " W H A L E 's biology i n b e ing ".. W e know that, L e o n a r d o; w a s; v e r y serious; o n M a t e r i a l s h e used especially.. because ;w e are to; P U T; GLASS o n his w o r k, t h e s e days.. ,H e m u s t have i n s t a l l e d ; something in his w o r k ; then w e find O U T; that there have to b e these a d d i t i o n al; M a t e r i a l s; ADDED t o it.. S O; i t is s t i l l, an O P E N; ART W O R K; ; s t i l l SAiLing, o n; -with US; &- and w i t h ; the MATERiAL..V O L U M E & T i M E,,.. & e . c . t.
ps. " F i n a n c e; EMPERORs; h i g h Council," .. i f they had to chose ,ONE PAiNTiNG; MADE O N E A R T H, ; T h e y should TAKE; MONA L i S A; w i t them..
I , G u e s s..
 
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murat danis
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.....W H Y; " M O D E L ARTiST "; ....i s to;B E;; ...... " LEON A R-e-' D O "..
My, p o i n t i s; L e o n a r d o, w a s; a " m u l t i T a l e n t e d ". &a M u l t i; proffecional.. .. a Scientist,an Engineer, an ARTist, a continuos WRiTTER i n the Miror.., , a M u s i c M a k e r ,,a P a i n t e r, e.c.t...
QUESTiON; i s, " DOES A R T; n e e d; all t h i s, " ; ; " HAS BEEN D O N E. ". b y t h e ART i s t..
(not " THiS THiNG has been done , b e f o r e "..-of post Modernism..'s)
N O W; w e have 7 arts.Cinema is the 7 th.Painting, music, dance, litriture, Theater, Architecture, e.c.t.
.........if U want to b e an ART i s t,, U begin with; O N E; o f these..T h e n; U may p r o d u c e all arts i n U' r work then U b e a MASTER.. & then U can M A K E; MASTER PiECEs..(U may be a talented musician; b u t are; U an ARTist..U may b e a talented; painter; o r Litriture writer; b u t; a r e U an ARTist.. I T; N E E D s; U M A K E; all t h e s e " s e v e n ARTs " ; i n O N E; F i E L d..
..........i f it is a M A S T E R PiECE; PAiNTiNG; t h e n there m u s t; b e; t h e s e 7 ART' s i n T H E R E; OCCURiNg, every s e c o n d,, i n it.. and U can choose, any o f them to look a t ; i n ANY; S e c o n d; o f U' r 's..
PAiNTiiNG; i s the P E A K; to these, 7 ART F O R M s..because, i t doesn' t cover; s p a c e ; and T i m e..(U have to give block time ; to listen to a music, and U can not look where e v e r U like, at the moment..)
T h e r e, a r e ; too m u c h; can b e said; o n how PAiNTing; is the PEAK; i n ART's.. (but postmoderns has declared that i t -Painting- ; w a s D e a d..J u s t; after, ; a r c h i t e c t u r e; w a s; the dominand a r t; to create all these " contemporarian things " ; i n t h e M i N D , -not i n th e aesthetic -HAND; o f an ARTist..- but this Contemporarianism; i s, not, b e a u t i f u l; a n d; O P E N S; F i E L D; to " UNDER ATOMiC W O R L D; CREATiONs.." (my O p i n i O N.. I T h i n K..) & Capitalism, n e e d s to DEPEND; o n; CREATiONs inATOMiC THECNOLOGy; and it m u s t d e l i v e r; a n other; W O R L D; OTHER T h a n, C H u r ch; or Naturel l i f e ; D O E S..
Capitalism m i g H t; say; p e o p l e ; " the R E A L; R i c h n e s s; o f B E i n g; i s OVER; T h e; BORDERS; o f the M A T T E R; -the a t o m s..- ( ; although; a t o m ic stutucture i s a n ,ARCHitecturel O N E.. , ;e v e n PAiNTiNG; H A S to; P A S S ; i n t o; t h e s e; BOR D E R S; o f ATOMiC ARCHitecture..)
...artist o f TODAYs; a r e not TRUE; ARTists; L i k e; LEONARDO.. (or Rambrant, DALi, WanGogh, e.c.t. Literature ly..).. b u t they a r e TRUE; A R C H i T E C T s..
..contemporarrians, put it in " A T H i N g " i n their m i n d; ; they have t h i s " M a t h e m a t i c Talent; to m a k e; ART a ThinG..; t h e n; they get their MONEY; t o L i v e a s they L i k e..T h e y do not need t o, D O; e v e r y DECiPLiNE; L i k e; LEONARDO; D i D; t h e m all; w i t h; h i s OWN HANDs.. s(o a contemprarian artist; a r e , architects; i n F a c t; ONLy..)
..WHAT; I am; saying is; PAiNTiNG; h a s to B E; CARRied; i n t o; ATOMunder WORLD; (nominee to b e SO; because it w a s declared -b y the postmodern tales- ,that they t o l d; PAiNTiNG; d i e d first,, w h e n architects attacked.. w i t h the Contemporar i a n i s M..)
.....b u t; t h i s REQURES; a TRUE; A R T i s t; L i K E; LEONARDO; (in our; Post Engineering; POST- Thecnology; AGE; -21th. Century- an artist has t o ; b e ; " H A V EOVERWHELMED "; t h e s e; ALL..)
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Adrian Setterfield
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learn from the old and while history does repeat itself it does not duplicate. Leonardo from the village of Vinci in Tuscany is a unique piece of history. To use him as a model would be to step out of this very moment intellectually
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Adrian Setterfield
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I never been to the Louve...so am surprised that the Mona is behind glass. I did hear that another Mona Lisa was found last year in Spain..painted at the same time as the original, by probably one of Leonardo's lover/students.
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murat danis
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LE ON AR T ' D O; ;S TYLE ; i n U S i N G; " T H E
" P A i N T.......................................
murat danis
LE ON ARt DO; S T Y L E; SPATULA; U s i n g; & P a i n t M E D i U M; choosing;..
 
This is my painting .. 2010 (this i s a ; Leonardo Da Vinci drawing.)
(.. -Acrilic 4 ; expressionism; and &ABSTRACTion-; ; -O i L; 4 impressionism; and Modernism-..)
I u s e d o i l p a i n t; for years.. then I w a s to USE; ACRiLic; b e c a u s e; my ART DEALER; t o l d m e to do so.. (i f I am a ABSTRACter..acrilic i s the P a in t.. 4 it..)
What I think ,t o d a y. Oil i s like rubber.. i t is e l a s t i c, viscous, & resists to a " QUiCK " -fast- , -frequent- A C T ing - i o n s-.. o f ,the ARTist' s.. W h e n; spontaneous; & automatic ; f e a r less & c a r e less , a c t has to b e M A D E; F O R " TRUE " A B S T R A C T i o ns.., Y O U M u s t , b e able to a c t F A S T; with t h e SPATULA.. micro seconds a r e important, to pass o v e r; ABSOLUTE; V O L U M E; and touch & bring a T h i n g , f r o m there i n to U' r ; W O R K..(still U need t i m e 4 it to OCCUR; originally, i n U' r canvas , t o o. not only; take it from ABSOLUTE; put it in the paint; t h e n in the paint; i t shows; i t s e l f,, a s a M A D E; T h i n g..)
I call; a c r i l i c a s a " B i r d shit.. " because i t is w a t e r based, i t has t o b e ; immediately,, b y a SPATULA; t o C L E N; i t.. of course, t h e r e r e m a i n s; a TRACE; a n d this THiNG; i s, " ABSOLUTE; B E i n g; " ,a f t e r ; ABSTRACT i n g..or abstuction..because abstuction h a s the a c t; o f, e r a s e i n g; -just l i k e sport acts e r a s e; U s a L i t t l e. b u t gives U S a SPEED...- the e a r t h l y L i v i n g things..)
.... b u t, w h e n USED; ACRiLiC COLOR; U' r S O U L; has b e e n transported, t o " the OTHER S i D E " and İ t wont come back; i t is Lo s t i n there..because U threw U' r self; fast and fearlessly; 4 the miror image o f U' s to; b e PRESENT; o n U ' r WORK; i n REVERSE..
... b u t; i f I paint, w i t h, OiL COLOR; i t; h o l d s m e ; Warm; & TANDERLy; (oil i s a rubber to hold U tight) as H E A V E N; would..or c o u l d.. I can L i v e with; A N G E L s , t o o; when I paint; with O i L COLOR..
eXample; This is a f a s t; a c r i l i c; Expression; and Abstraction..i t does no t need t o b e ; L i v e; -or a living thing o n e a r t h- because i t is a reverse " miror i m a g e " from " the OTHER S i d e " (SPATULA' s bright M E T A L; i s A M i r o r ) -that is under Atomic side, with Absolute volume..- THiS i s N O T; M E; -myself- I have b e e n a Musician;-a pianist-, t h e r e as an abstracted,expression..
 
H e r e, I am still m e; t h e P a i n t e r.. - impression o f m e- ; in H E A V E N L Y; elastic PAiNT; M e d i u m.. - of o i l painting..-
W H E N I ; DRiVE, t h e S A M E; SPATULA; o n; the, canvas...
water based; Oil Color, i s in b e t w e e n.. (My l a s t 3 years choice..)
  
..and t h e n O n c e again; a c r i li c..
..... t h i s is m y; closest f r i e n d; eXpressed & Abstracted.. ( b u t not m e;..)
W H E N; i t is OiL COlor, I h a v e time to, g e t a n " impressiON " a b o u t m e too; ; ; t o o; -elastic oil ; h o l d s me 4 a time b e ing..- - than I have t i m e to; install m e a s a n impressiO N-.. in the paint..
p.s. Oil Color solvent; i s poison..it melts the c el l; m e m b r a n e s.(that means brain cells d i e..) SO; there must b e USED; GAS-M A S K.. l i k e i n the w a r.
murat danis
..."a SPATULA; STR O K E ";
... i s to open a ; ;" w i n d o w "; ;into the P A i N T; .....to s e e ; W h a T " B E i n G; -Entity-" i s Living i n ; T h e r e.. (in the paint; a s it L i v e s ; in the Brain..)
......, one additional thing,, -i f U w r i t e, just like a writer every d a y;- then there comes ,b e i n g s into U' r Paintings t o o; ; t h e y appear inbetween; U' r spatula s t r o k e s.. (I am telling this becouse I saw; some o f them, i n U ' r works on U' r profile..) S O; t h e s e " b e ings" a r e v a l u a b l e; -and painting should b e full o f them,- ,my goal i s this, I t h i n k..
(When " U "; w r i t e, they will b e put into; w r i t i n g,,(letters) t h e n they will try to; b e f r e e; i n the painting, &s t r o k e s..will LOOK FOR them i n the p a i n t.. untouched transformation, o f these b e i n g s; from the writing. to the paintnig..t h a t is , what I intend to DO.. )
..Pollocks a c t i o n painting; w a s just like ; expressing every THiN G; i n to the " A T O M i c O r b i t a l s " of the MATTER MASS..... (I originally s a w them in MOMA..)but there w e r e -nearly- ; NO B E i n g s; i n them.... W e can U s e ; ACTion; o f Spatula STROKEs; b u t fill these a c t i o n s; w i t h beings o f -o r from- ANGELs.. (very p u r e; when they w a l k in paint; by a SPATULA; a c t i o n; and & f r o m a " WRiTiNG B A S E.."(a written writing..)
..of course control i s ; b a s i c.. but; this control must i n c l u d e,; ( -b e i n g s OCCURing; i n, the paint must b e controled..- ) b e i n g s; to b e p u t i n the Paint ; -or come o u t of t h e paint.-. while stroke ing ... I think.
p.s.
J.Pollocs, dripping circles; w e r e orbitals;to ATOMs ; and addition to that; they w e r e; c a r r y i n g; f i g u r e s ; f r o m E Y E; to ABSOLUTE E A R..( this w a s to b e name d a s ; A b s t r a c t i o n, t h e n..)(carrying painting from Europa t o U.S.A.) b e c a u s e; E y e see with straight l i g h t s &; E A R; can h e a r with only; with " SOUND ; i n C i r c l e s "..
murat danis I think, problem is to fill, i n everything, i n to the brain -a s d e e d s-; t h e n; Spatula; is to open, the paint to see what has been p u t ; into that PAiNT..(Paint itself; is our brain, and w e shall c u t it a s - a M a r b l e- ;-with a spatula- t o be able to s e e; " thin b e ing," , h i d d e n , in t h e r e..l i k e a sculpturer..Does.w i t h fast moves that can reach ; to the ABSOLUTE; SPACE. .t o take them from, & then , p u t into the canvas.. or paper) . .I t h i n k.
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murat danis
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" WHERE & WHEN; M O D E L L i N g " ; ..i n .BETWEEN " T W O T A B L E ' s," , ; ( I i M A G i N A R y; STAND; I T h i n k.. )... when i n F r a n c e.. in the L O U V R E..
W h y; d i d; F r e n c h, p u t; t h i s TABLE; i n front o f the; " PAiNTiNG; P O O L ". i n L O U V R E.. ... and this s e m i, C i r c l e.. -made of wood; l i k e a r o u n d; T a b l e- -and thin T a b l e..-
I n my i m a g i n a t i o n, I w i l l ; U S E; this " table i m a g e "; inbetween; " TWO TABLEs "..( there is a space for SOMEONE; inbetween, two T a b l e s; .... ONE is SQUARE;T A B L E; and the other one is,a ROUND TABLE..I am going to M O D E L; this a s;
"PAiNTiNG; w a s SQUARE; i n E U R O P e; then it w a s; circular i n USA. ".(J.Pollock has p u t it into " dripping paint M A D E; O r b i t a l s,," and i n t o; "the E A R ; ; STYL; ABSTACTion.. "-SOUND i s ABSTRACTED; to the E Y E "..- ...ABSTRACTiON; h a s 2 sides..Natural A b s t r a c t i o n; i s very U n i c , what U' r E y e s e e; is, Vision..but when; U say it i n the SOUND; i t becomes, Abstracted i n the thinking..(from the straight lines o f l i g h t; to the; c i r c l i n g L i n e s; o f the SOUND..) ...the o t h e r is; M A K i N G; i t A B S U R D.. I call this; clean u p; all that can b e ; in the " t h o u g ht " -or is in the think a b l e ;t h i n k i n g "- t h i s kindo f ABSTRACTion to A B S U R D; w i l l T a k e U s; i n t o; the UNDER ATOMiC; LANDs; P i c t u r i n g s; what I call; a s the L A N D; of t h e.." R E A L " ..(like in my computer manuplated; paintings..) ""
...there i s a s too r y; once somebody h a s told m e.J. Pollock g o e s to a C A R; C E M E TRy.. with a " SLADGE HAMMER " i n his HANDs..(there are c a r s ,that has been left there for a silent w a i t i n g..) H e chooses O N E; -that ,still i s i n his M i n d a s a thinkable vision;- t h e n; begins to u s e; h i s ; Sladge HAMMER.. b i g n o i s e ; comes out o f; the C A R; from the " O w n e r of the thinkable i mm a J e; " ; w h i l e this i m a g e; C R A S H s; and changes;t h e i m a g e ;to the smashed; c a r.. T h i s is the f i l m of; a ABTRACTion... a n abstraction; f r o m f i g u r e of a car; to a ABSTRACT; SCULPTURE; i n m e t a l..i m p o r t a n t thing i s; When F i g u r e; c r a s h e s; -a very fast image changing; different image occuring- ;;there O C C U R U S; the S O U N D; o f this HAPPENiNg.. -a very high and -DOLBY DiGiTAL S O U N D; THX included;- f i l l s i n to; the E A R o f; ARTiST' s..-J.Pollock; h e r e..-
...S O; they s a y; this is t h e, M o v e ment; h e M a d e; t o TAKE; PAiNTing; a n d also; A R T; to; United; STATES..to b e new center..
.....t h e r e is; "PER F O R M a n c e "; steps..OCCURing i n this HAPPENing..iMprovisation; C h a n g e ing, and; metamorphosis, - o r transfiguration-..
...this i s a " POST C i N E M A " ; ACtion; too; Perf o r m e d ; b y a PAiNTER..Camera was his eyes (3D) ; SOUND recorder w a s; h i s E A R s. ( i n ThX, Format)
...E u r o p e; w a s LOOKing a t; " MOD ERnism; " -the s u r r e a l abstraction o f the V is i o n. i n 4 Sides o f a P a i n t i n g..- )Modern P a i n t i n g ;in the f i e l d of; ( Quantum Psysics ; the PHilosophy o f S c i e n c e;) MATTER SEARCH..(atom MODE L i n g.) that w a s; l e a d i n g them; t o the; A B S U R D i s m; o f ; " DADA MOVEMENT.." (when J. Pollock; w a s naturalizing; t h e ABSTRACTiON; i n t h e SOUND; -as a naturally abstracted improvisation i n art D O i n g....-
...that s; w h a t; " L E ON ART; ' D O; " whispered in m y EA R, to write h e r e; to b e heard, b u t not in t h e original E A R s.. -o f H u m a n.-
...I may; M A D E; it UP; this STORY; h e r e..(because I knw; J. Pollock has b e e n; died; i n a car..with a eXtra v e l o City, near him ; with g i r l s; o t h e r than his; the ONLy; W O M A N ;wife..)
..p.s.
I must mention; DEKOONing.. I think h e is; the natural stuructural abstracter o f the T H i N G; & the W O M A N..(for .Pollock; h a s; eXpressed; all T H i N G s; i n the STATE; o f ; ATOM ORBiTAL i n g s.. -yet an other; ABSURDism)
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murat danis
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WHAT IS ART OPiNiON; H E R E...
T h e r e a r e, some q u e s t io n s; that w e c a n ; a s k; NOW..
1- W h y, F r e c h; h a s put, the most known &famous; E u r o p e a n; painting, into that ; " g r e e n ish; GLASS; B O X ".. (just like "M i s t i c a l ; 10 order" i n a chest..)
2- I s i t ,; this " Mona L i s a "; Painting, the L a s t - REAL-; T hi n g , that Europe still c a n H O L D; i n HAND..A s a; " O r i g i n " ; to N E W ;ART.. ( t h e y -e v e n- have made the Modernist; M o v m e n t s i n P a r i s..)
3- W a s; GREEN; L i b e r t y STATUe; i n N.Y. ... - W A S IT; a - ; TRUE A TROJAN; H O R S E,, t o Turn PARiS being an ART c e n t e r; t o; E u r o p e, again; w i t h ; t h e; OPAK GREENish ; MONA L i S A B O X; i s the r e a l MAGNET C E N T E R.. -or every thing will start; FROM; i t again..-
PS.
P O i N T is; : Glass i s a matter O p a q u e ; ..S O does; PR i n T i n k s;.. -they are opaque, when looked at a painting paint..-
.....S O, because Leonardo i s; o n t h e OTHER S i D E; (underatomic romantic L a n d s) (the Land o f R E A L; Money; L i k e MEDiCi; family h a d,),, t h i s F r e n c h " i n s t a l l a t i o n;" m i g h t ; h a v e ; a TRUE; o p i n i o n..
......WE A R E; protecting U f ro m t h e ( R E A L; W O R L D ; i m a g e s) (it is REAL; that many artist has suicided; 4 they touched these natural paintings o f; Mona L i s a..) W E; OWNED; t h e B e a u t i f u l; LOUVRE; P A L A C E; o f the N A T U R A L;..T h e n W e are; awere o f; that; all; i m a g e s; that come from t h e REAL; a r e to b e PRiNTED;..-n o t painted..-
I am ; c o r i o u s; i f, F r e n c h; c a n OWN; R e a l Atom under L a n d art; i n E u rope, only i n B i G PRiNT FORM;s ;J u s t C A M E; O U T of this ;LOUVRE; G R E E N OPAQUE; B O X..
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murat danis
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...i f I Th i n K; (& T a L k) ;A B S U R D; from -in &or under- t h e G R E E N G l a SS..
C a n; " U "; i m a g i n e, W o r l d i s one..(J.Lenon)..
ExCHANGE o f; 2 LADiES; between FRANCE &USA..the "installation " o f the n e w ;A G E..
French h a s given t h i s; Green L A D Y; L i b e r t y STATUE; t o t h e N e w Y o r k C i t y..(to USA)..S O; USA; h a s produced; m a n y " F r e n c h girls"; as dacades , p a s se d ON..(I saw t h e m in New Y o r k; t he y a r e not E n g l i s h G i r l s; t h e y are ALL; F r e n c h , G i r l s.. -talking a different E n g L i s h ; t h a n E N G L i s h G i r l s in L o n d o n..a typic small small m a u t h T a l k ; o n the teeths..& L i p s..- )GREEN L A D Y; I C O N; h a s D O N E; t h e Mi s s i O N.. (if U ,D O not h a v e U' r W O M A N; L i b e r a L; t h e n;; COUNTRY w o u l d n ' t b e a L i b e r a l ; PLACE..I suppose..)
O n the o t h e r HAND; W e can say; ( I guess)); ART has been TAKEN; f r o m P a r i s; & PUT i n New York.. t h e n F r e n c h have sent this GREEN; T r o j a n HORSE; t o M a k e; All U' r L a d i e s; F r e n c h; (of cource t h e y all, wanted to b e F r e n c h L a d i e s..or girls..USA L a d i e s are not, E n g L i s h; although they Talk English..so w h o are they L i k e..a r e they like, G e r m a n g i r l s..)). S O; USA has t a k e n ART; to USA..&; they have taken the " F r e n c h G i r l i m a g i n g " from; F r a n c e ' s gift; GREEN L i b e r t y; L A D Y; STATUE..in M a n h a t t a n..(Manhattan i s; m a d e b y; t h e D u c h..e i t h e r..)
GREEN L A D Y of L i B E R T Y; has b e e n;an ICON; a ; FORM WORK; or a MOLD; t o CREATE; & produce, " F r e n c h Dressed; USA; L a d i e s..(M y projective thinking i n A b s u r d A r e a; i s still; i m a g i n g; the imagination..)
S O; this " F r e n c H i z a t i o n i n g"; o f U S A ; (this I , e s t i ma t e)
w a s; a " middle-f l o o r; S T E P ". ( b u t, m o d e r n i s m; d o e s not m e a n; " MODERNiTE " M o d e r n i t y; all t h e time..so some b a s i c; modernity s t e p s w e r e disappered &vanished; i n b e t w e e n..French i z a t i o n & M o d e r n i s M.. -m o d e r n i t y tradition w a s ; genuine , i n F r a n c e.. )SO; ART C E N T E R; OF THE W O R L D; USA; & N E W YORK; NEED; the forgatten; -or m i s s e d ; or h a s e n t ; b e e n DONE S T E P s;- o f M O D E R N i T Y; i n the M e a n s; of; A ITALiAN; GENiOUS; ; " L E O N A R D O; DA V i N C i..' s ...B A S E " ... &M A S T E R; W O R K; the M O N A L iSA..(this was " Sad L i s a" in Cat Stavens song.. or the work o f ART; i n; the song; by NOT.King; C O L E..'s..) (it is t i m e; " Ital i a n RENAiSSANCE " ; of LEONARDO DA ViNCi based, b e BASE; t o ; A R T; o f ALL; t i m e s..(contemporrary included..) (I saw the art; i n; Chelsea G a l l e r i e s; i n N.Y.I can say they all a r e crap; without; L e o n a r d o; b e BASE; to them ; all.. this i s m y LOOKing of course, o r what I s e e, t h e r e..ART; ; i s i n C r i s e s ; as it w a s s a i d; Painting i s d e a d; -and it i s t r u e-.. contemporary; tries to; r e b i r t h; 4 painting c a n; H A P P E N; a gain.. - m y projection..- )
S o; m y Propsal; OPPiNi O N; : 2 both; French; a n d; USA G o v e r n m e n t s; i s; to eX C H A N G E; MONA L i S A; G r e en i s h; B O X; & the GREEN L i b e r t y L A D y..between 2 countries..i t is the b e s t ; t i m e -4 t h a T-. T O D O..
(F r e n c h; girls h a s a regression; (I guess) t h e s e; d a y s; -4 USA girls a r e " favorite " i n their F r e n c h STYLe s;- a n d i t; would b e, B ETTER; i f GREEN; L i b e r t y, L ady STATUE; shoul; B E P U T; a L i t t l e; distance a w a y; f r o n ; E i f FEL T O W e r..
p.s.
L e o n a r d o;Da V i n c i; i s the most; multi Talented; ARTist; i n; the WORLD' s; A R T..additionally; h e was a writter ; S c i e n t i s t; & an ENGineer; ..-all these w e r e; b a s i c and " B A S E "; to 20 th C e n t u r y; industrialization..T h i s; 21th. century, i s a Post;ENGiNEERing ; & postSCiENCE; - a thecNO L o g y - C E N T u r y..
S O; i t must b e ; POST; " L E O N A R D O; DA V i N C i;" E R A; in the WOLD A R T CONCEPT.. I think..
...if w e come to who I am..in this perspective..I w a s; in my early 20 i e s; w h e nI wached this documantry; about L e o n a t d o D A V i n c i..(an eye glaased tall speaker w a s; telling the story, talking from; t o d a y..documents i n his hands..that Leonardo has touched; t o o.. )on TV; black&white ..I had m y w a y; t o it.. my father went Italy 4 a year, (as office sent him to, educate..)t h e n; I w a s o n the W A Y; o f LEONARDO' s..I w a s to finish; engineering school; Iwas in ANKARA RADiO childreen chorus; 14 OPERAs; (first w a sTOSCA of Puccini' s),Iplayed basketball ,small, and young categories;4 ; 4 years;on the T e a m; Turkish Telecom (P.T.T.); & I w a s educated, i n a H i g h School; based on a Project; " MODERN SCiENCE " a comission Project to; produce SCientist..s.. i n all; of a sudden; mixture; sorrounded m e; w h e n a child; t h e n; I w a s to; l e a n O N; " L e o n a r d o ; M O D E L "..that d o e s not m a k e; m e; the n e w ; L e o n a r d o.. 4 this; n o t to HAPPEN; m y plan w a s; to; PAiNT; O N L Y; " MONA L i S A "; paintings..my all paintings can b e described a s; MONA L i S A s.. (if I am; painting all kind of ; MONA LiSAs; t h e n I w a s to B E; a w e r e of that; LEONARDO; t h e Original; h a s DONE that; b e f o r e, S O; I am ONLy; e s t i m a t i n g, GUESS i n g; that; " MONA LiSA M O D E L " -or Mould- to m y painting; s a s ; " a B A S E "; a M i r o R; to ; m y; i n t e l l e c t ; 4 COMPUTEAL; W O R K s; should G O ON; w i t h these; Mona L i s a; besed; P a i n t i n g s..(CONTEMPORARy d o e s not own ANY T h i n g from t h e N a t u r e; e v e n it is Leonardo; o r; a Mountain or a w a l l e y; where a small; river -or stream- makes Uturns; i n.(as present in Mona Lisa painting..)
 Liberty H e a d; i n the C i t y o f PARi s; b u t w h e r e i s the " B O D Y; "
 " T h e BODy o f L i b e r y of; A R T ".. f o u n d in P a r i s; n o t i n NEW Y O R K..
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murat danis
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..w h i c h ;i s ; " L i B E R A L "; PROBLEM..
T h i s; i s a " L i b e r a l L A D y " ....
-&L i b e r a l i s m , i s a L a d y; to m e ; too.. A LADY; with a sword under hand but carried b y the floor.. a n a k e d LADY; but has too much curtain h e caries o n the shoulder.. to cover all t h e wiev; so every t h i n g is U N D E R.. the " CURTAiN; , m a d e of M ATTER.."-
- s h e knows the w a y; but i f she D o e s n ' t; t h e n SWORD may h a v e; find t h e W A Y..in t h e F U T U R E..-
-on the other h a n d she holds a peace; crown made o f leaves..S h e w e a r a Halmet; b u t HOLDs a peace crown i n HAND..
L i b e r a t i o n ; reduces e v e r y T h i n g; to the B A S E S; o f the R A T i O.. i t is a Minimalism, to W i d o m; and RATiO..
 T h e b L U E; s e a; - OCEAN - i s L i b e r a L..T h e n WHAT ; a r e t h e s e; SHARP; Pointed; IRON; arrow H e a d s are; 4..Pointed at the s e e .. DO they collect; L i b e r a l i s m; i n t o; L i b e r a l; R O O M S; u p ; i n there..
...o r are there; REPUBLiC a n s; " Hiding i n SQuare Liberal ROOMs " to, s t i c k; t h e i r; clever suggestions, i n t o the the d e e p; S E A; w h e r ; W H A L E s ; S w i m..
 
W h a t ; a r e t h e s e; A R R O W; H E A D s; Spreading OUT; o f; A L a d y.. (it is obvous; t h e y are not; O l i v e; L e a f s..) T h e BOOK; s h e is carrying; i s a trick,, it might b e the "REPUBLiCAN; n o t e s..o n how to b e free; Not to be reduced to the U n i t e d; W i s d o m.."
 I could a c c e p t; A FOOT; w o u l d be the, L i b e r a l; f i g u r e; ON the FLOOR; or STREET; or on the F l o o r; or o n E A R T H; too; b u t; NO BODY LOOKs at the FOOT; w h e n there i s a ARROW H E A D; U P T h e r e, carrying a G O L D E N ; FLAME.. (this foot is not on the graund..on on any B A S E; it is, just to " STAND U P "; there, " STOOD STiLL.".
I W O U L D 'nt A C C E P T; the saying; " L i B E R A T i O N; to the F r e e D o m.. " ..
........or; " L i b e r a t i o n; TO; t h e REPUBLiCANs.. "...
...REPUBLiCANs; d e f e n d the r i g h t s o f F R E E D O M..
..L i B E R A L s; defend the Rights; o f; B E i n g; " WiSE; & RATiONAL.. "
(and rationalism d o e s not u s e arrows; i t ' s only m e t h o t; i s to " REDUCE; to the R A T i O. " .-to b e W i s e..-)
......" c l a v e r n ess "; i s with the republicans; and socilaists..(& with Cristianism, I guess)
..." r e a s o n & RATiO "; i s with the L i b e r a l s and CAPitalists &DemoCracy..
...GOD S A V E U S; from the M i X; T H i n G s; -n e s t e d i n; MiXtures..-
L e T; L i b e r a l s & republicans b e; T R U E as NATURE; ; and ; P U R E..A S the R E A L..
T h i s statue i s a M i X t u r e ; o f; L i b e r a l ; & Republican; ICONs.. S O " GOD SAVE; U.S.A." I am to say; that; ,,t o o.
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murat danis
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" L e O N A rt ' D O "; (Leonardo Da Vinci) ; " O P E N; A R T; S C H O O L;"
;4 S o c i a L ; S c i e n c e ; SPORTiVE ;S O C i A L ist i n t e l l e c T U V A L s; "the; SURREAL i s t S c i e n c e.. E N G i NE E R s.."
I w a s " the f i r s t v o l a n t a r y; S T U D E N T; " to that O P E N;S c h o o l; i n m y s p e c i a l; e X p r i e n c e..
p.s. to the w r i t i n g MODE..
J.P. RAMEAU; the F r e n c h, Compositor; (( I p r e f e r the; B e s t; (+Luli) ; ) French P a l a c e; B a r o k; m u s i c.. F R A N C E; i s a beautiful country; w i t h the " W i d e s t; O P E N ; SKY ",, a very F l a t C o u n t r y;; i t gives U the feeling; o f very; W i d e; e n l a r g e n i n g; b i g and OPEN SKYED; A r e a..Plenty o f S P A C E; 4 every t h i n g..C l e a n , U n i c; g e n uine, beautiful ,full o f light, C U L T U R E;; c o u n t r y..of course village l i f e; nature and bright light o f sun; k e e p every thing i n F r a n c e ; C L E A N.. S o i l; fertilitiy is; h i g h; s o, n a t u rr e of human a r e; n a t u r a l, t h e r e..((man i s what h e e a t s.) F a r m e r c u l t u r e; i s P u r e; & c u l t u r e of FRANCE; is a TRUE; a c t of; C i t y F a r m e r s..(these w e r e; base i n P a l a c e; to create C u l t u r e &ART; i n F ra n c.e. T h e s e are my imprssions, i n F r a n c e basically..(W e had a 36 day t o ur in Europe, 15 countries, i n our M e r c e d e s; V i t o;M i n i b u s.. with m y family; a year a g o..( 5 days i n Paris..)
J.P.Rameau; Operas;h a s; the M o s t SURREAL; t h i Ng s, I ' ve e v e r s e e n..BAROQUE; O P E N S; i n to SURREALis..m..i n this e a r ly cencuries..I knew surrealism h a s been invented; by surrealists ,i n M o d e r n ; A g e..
I am listening RAMEAU; n o w; w h e n writing; t h i s.piece...this m e a n s; I am i n " France Opera P a l a c e "; P a r i s Opera House.. n o w..
www.youtube.com/watch?v=NHgHz3ejp6E
www.youtube.com/watch?v=5xDDhjjxmVY
" G e n i U S; " is a religious, c o n c e p t; when they tell; a person " U a r e a G e n i S.. " ,they a r e talking i n religion. I t h i n k.. GOD M A Y; M A K E; U a G e n i US; so if u are a genius; t h e n, U should thank GOD; o r ; if u a r e not hapy being a genius, t h e n; U could a s k.. W h y; m e; GOD..
When U are " determined " as -to b e- a geniUS; i n the PUBLiC; t h e n ;(It is a relion based PubLic..there) U a r e to b e a s k e d ; too m u c h; -W a n t e d F R O M-;.. because, U a r e " the G O D has talented "; ; on the e a r t h; and every o n e shall w a n t; e v e r y thing; that ; G O D should h a v e ; G i V E N.. -but did not give- to, t h e m..
...." G e n i US; is a POSiTi O N; " : ... (L i k e; 0, 10, 100, 1000, 10000, .........numbers; that have z e r o; , i n it..) TABLE; CHAiR; SCHOOL, BUS, HOME, LADy; M A N, CAT; ROAD; PENCiL; & e.c..t. T h e s e a r e all; ," position i n g STATEs " ...W h e n U establish o n e o f those; i t will w o r k; although GOD; hasn' t c r e a t e d them.. ( S O ,they are G e n i U S;because t h e y, a r e ; v e r y U S E F U L L.. ) G e n i US; i s , just L i k e; T AB L E; i f U e s t a b l i s h; O N E; M A K E; a T A B L E; t h e n it will ,W o r K.. (and i t is very usefull..)
S O; to b e G e n i US; i s to b e very USEFULL; (basically; & simply.) i n m a n y many W A Y s.. U may D O; many; t h i n g s; i n very Usefull m a n ne r.. s. o r,;U may b e, "a genetically; Genius" ; and U will b e ;a very UN u s e f u l l, P e r s o n;...i f I DO; 7 ARTs; i n USEFULL W A Y s;,, as a TRUE FARMER; works to m u c h.. t h a t should T A K E; m e; to the; " GENius; POSiTiON; " ; that i s the SOCiALism;' s " GENi U S "..i n F a c t.. I would' t; prove that; if I w a s a; Genetically;G e n i US; p e r s o n..by AiG;a f e w; MASER-PiECES; all m y L i f e..(L i k e LeonarDO; h a s DONE S O; too..M o d e r n A g e ; S u r r e a l Sociali s m; h a s to give; t h e s e; MASTER_PiECEs t o ; m e; a s gifts o f the GOD' s HAND; -n o t m in e-..S c i e n c e ; h a s; defined Statistics; a s a science..and; i f U ; work h a r d and DO; 200 pieces of ART' s ;i n 10 days; t h e n, o n e or t w o; m a y have b e e n; an UNTOUCHED; M A S T E R; P i e c e; with the L i b e r t y o f; P r o b a b l i t y.. o f course U can ot paint 200 ; p a i n t i n g s, i n 10 days i f U a r e not ;" a PERFORMANCE; SPORT M A N..".. L e o n ARDO; w a s not a SPORT M A N; w i t h his o w n; B O D Y; S O; h e did nt have; this chance; to paint; 200 Tuvals; in 10 days..(U can not bath twice in a the same river; that means; i f U make tha same thing; 200 times; they wouldn' t b e; t h e same.. U' r intellect; will make i t 's; " b i o l o g i c a l; N a t u r e ; al; M O V E S...-very slightly- " .. M Y GOAL; i n T H i S; " 200 PAiNTings ALL T H E S A M E; " i s not; to d e s c r i b e; an SUBJECT;,, b u t ; USiNG a Subject o r; TOPiC; c a n I TOUCH; M Y B i O L O G i C A L; and HEAVENLY; B R A İ N; -& MY; M i n d..- and c a n my B r a i n or my B i O L o g i c M i nd; appear a s a ; "OBJECT " i n my PAiNTiNG.. (M y Brain&My M i n d w a s to picture; t h e S u b l e c t; b u t; science o f statistics g i v e me to g e t ; the r e v e r s e; p r o c e s s; that i s; Picturing ; " M y L i v e ; -& heavenly-; -M i n d; " ... ; b e P i c t u r e d; o n -in- A C T i O N..- i f U can m a k e a 200 paintings perFORM ance; t h e n ; e v e r y thing; (& t h e T i m e ) will g o, r e v e r s e.( .a b l e)...( w e have c o m e from, h e a v e n; i n -and along- the t i m e; b u t n o w w e can travel; back r e v e r s e; t h e t i m e; w h e r e i t w a s originally; c r e a t e d; -i n h e a v e n-; ( " this i s all t h e t i m e; w e; n e e d; w a s created i n H E A V E N; -was i n h e a vv en ,once- f i r s t.. " ,description..) .WHAT; m e nt i o n e d; h e r e w a s; a contemporary a c t; ACTiON..W E W E R E; P i C T U R i N G; t h e; " B i O L O G i c al;Ly L i v e; M i n D; " that w a s; P i c t u r i n g ; a SOSiOLOGiCAL; S U BB J E C T..(SO, L e o n a r D O; w a s to c u t human biological -dead- BODY; to s e e ; w h a t ; w a s i n; t h e BiOLOGCAL; O B J E C T ;; that w a s; MA K inG; the P A i N T i G S..(or all acts o f the Human.. -picture t h e " P i c t u r i n g , OBJECT " ..- this i s the L e o n a r d o;DA V i NC i ; P a i n t i n g<, that w a s ; influenced o n m e, m a y be , t h e M o s t..
..........a f t e r ; t h e influence o n m e; I a s a S o c i a l i s t; BAROQUE; S c i e n t i f i C SUR R E A L i s t; SPORT M A K E R; ; I eXpressed; this painting ;S O;from m y E A R;- where i t STOOD-.
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" T H E " B L A C K; S H O E.. " .."
" M E; & M y L a D y; o n the " E D G E; of the C L iF' s " ; ;i n ; to " t h e CANOE s o f the DEATH R i V E R." . " 1984.
1 2  3. 4.
5. 6.
7.
I
....h e r e, is :
1. " THE H U G " ; -Me &My L o v e r -g i r l -.
2. ....the " white N A K E D B O D y"; -Just Jumped out of bed, and-, J u m p i n g; o v e r; " a C L i ff; " to the ; LAND S i d e..
3. M E& White escaper - from the c l i f f- girl - that is a bird's-eye view- ..
4. M E..
5. " CAN O E 1 " ..
6. " C A N O E 2 " ; ( the canoe -in fact ;" the death river "- - 4 ; " the d e a d " -.) (that is " THE BALACK S H O E " ; in daily l i f e.. ) ..
7. " t h e Yellow W i F E; BODy " ,; Sitting.. - &a w i f e, LOOK -as a black bowknot as a looking e y e - ; to what happens, " n e a r the cliff "..
( Mona L i s a ; i s not; a L A D Y; that w a s pictured ONLy; ; i t is L e o n a r D O; himself , LOOKing intrough this L A D Y; Pictured ; -toWards ;LOOKing t o U S-; ...-W h i l e; W e are looking a t; theL A D Y;- b u t LEONARDO; i s Looking a t US; P i c t u r i n g U S; ,-that w e a r e looking to the P i c t u r e d; as a LADy..( v e l aq u e z, has tried o o ; s o, b u t; L e o n a r d o D o e s ; t h i s; very basic ,parallel , & witth a hidden R E A L VOLUME; -a H i d d e n abste Volume; ;that i s hidden , b l a c k D E A T H-, i n the Painting; & " m i r i c l e o u s l y S i M P L E ; y " ...
LEONARDO; W A S A; SPORTiVE; i N T E L L E C T..: but he could not reached a t; the SPORTing BODiES; C e n t u r y..
L e o n a r DO; h a s DONE M a n y diffeent things; that w i l l M a k e, his L i f e; SPORTi V E; b u t that w a s not e n o u g h ; 4 him to; b e a SPORTs M A N; w i t h his OWN;; B O D Y.. h e w a s a TUE; INTELLCT; and; i N T E L L E C T U A L;; that i s a TRUE SPORT A CT ; b u t, he didn' t h a v e this chance t o ; m a k e; s p o r t even on a PiANO; with his fast fingers a s a BODy; H e w a s only; a L E O N; -L E O N AR DO- scraching -or c l a w ing;- his H A R P; w i t h his gentle & P o e t S o u l..
T h e r e are; m a n y; G e n i u s; i n the H i s t o r y; -thatH i s t o r y ; h a s r e c o r d e d-.. Mozart; w a s ; a unic O N E.. H e w a s cought; b y his father; a n d so w e know all a b o u t; h i m, TODAY.. S O, there a r e many, i n M u s i c; i n L i t r i t u r e; and ;i n the n e w professionalities; NOW A DAYs..
T h e r e are; m a n y; G e n i u s; i n the H i s t o r y; -that the H i s t o r y ;of a genius h a s been r e c o r d e d-.. Mozart; w a s ; a unic O N E.. H e w a s cought; b y his father; a n d so w e know all a b o u t; h i m, TODAY.. S O, there a r e many, i n M u s i c; i n L i t r i t u r e; and ;i n the n e w professionalities; NOW A DAYs..
WHAT; i S a; G E N i U S..
W e M A D E; S H O E; s f r o m ; O r i g i n a l ; L e a t h e r;...f i r s t.. T h e n TODAY; w e have; materials a c t ;J u s t L i k e ; L e a t h e r.. -and my Adidas S h o e is, m a d e o f it , now;- -and, I use, o n e; a year.- .(because m o d e l; and design progress i n one year. .s o; I wouldnt u s e; an original leather s h o e; 4 y e a r s.. (the original c o w; s m e l l is missing, & I am not willing t o s me l l; that original leather, s c e n t.. e i t h e r..) S O; o r i g i n a l G E N i u s; S M E L L; i s not necessary; to m e; t o o..
S O; w e have t o " M A K E; g e i u s " L i k e ma k i n g a T A B L E; ; p e o p l e; OURSELVES; ............ o r the S O C i A L L i f e ; ..if I t is all; lays i n; -perfect; conditioning-; a n d; positioning.. i n social l i f e..t h e n. S o c i a l POOL o f; L i f e ; c an m a k e; E v e r y BODy; t o a G e n i US..
ps.
" T u r K i s h REPUBLic " ; w a s established -i n 1923-; by ATATURK; i n the S T Y L E; o f; FRENCH REVALUTiON; B A S E.. STATE..S O ,there i s a ; " FRANCE c o r r i d o r " ; to U..S..A; from; T U R K E Y..
...m a k i n G A M a st e r P i e c e ; (of ART' s) i n 2 0 0; D a y s; -or 200 years) ;
...or; Ma k i n g; 200 paintings, i n " ONE DAY; ( as improvisations w i t h colors ) " S O; master piece is " s t a t i s t i c a l ly "; & EXi D E N T L y ; P R O B A B L..E.. (M a y O C C U R; i n; S c i e n t i f i c M O D E s..-may b e in biological f o r m s-); I G U E S S..
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