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New Art Center

EVENT
Exhibition Detail
Decidedly Ambivalent
61 Washington Park
Newtonville, MA 02460


September 14th, 2009 - October 25th, 2009
Opening: 
September 25th, 2009 6:00 PM - 8:00 PM
 
Landscaping II Part 3,Rob CarterRob Carter, Landscaping II Part 3,
2008, Digital C-print, 40 x 71.25"
© Rob Carter
Landscape No. 48,Carin MincemoyerCarin Mincemoyer, Landscape No. 48,
2007, Mixed media, 4.5 x 3.5 x 3.5"
© Carin Mincemoyer
Plan (Family Compound),Carin MincemoyerCarin Mincemoyer, Plan (Family Compound),
2004, Paper, 32 x 40"
© Carin Mincemoyer
Traditions,Lisa di DonatoLisa di Donato, Traditions,
2008, Mixed media, Variable
© Lisa di Donato
Traditions, detail ,Lisa di DonatoLisa di Donato, Traditions, detail ,
2008, Mixed media, Variable
© Lisa di Donato
Dark Cloud,Sonjie Feliciano-SolomonSonjie Feliciano-Solomon, Dark Cloud,
2007, Polyester organza, 4.5 x 3 x 1'
© Sonjie Feliciano-Solomon
Gongshi Mountain,Patrick J CampbellPatrick J Campbell, Gongshi Mountain,
2007-2008, Acrylic, pearls, semi-precious stones on wood panel with poplar wood frame, 53.5 x 36.5 x 2.75"
© Patrick J Campbell
Level 2: Arctic Townscape,Patrick J CampbellPatrick J Campbell, Level 2: Arctic Townscape,
2008, Acrylic, pearls, semi-precious stones on wood panel with poplar wood frame, 43 x 29 x 2.75"
© Patrick J Campbell
Enclave,Steven MillarSteven Millar, Enclave,
2009, Wood, laminate, 56 x 85 x 187"
© Steven Millar
Enclave, drawing,Steven MillarSteven Millar, Enclave, drawing,
2009, Paper, 11 x 17"
© Steven Millar
Interlocking Worlds,Anna MogilevskyAnna Mogilevsky, Interlocking Worlds,
2006, Acrylic, ink, graphite, gouache on paper, 34 x 54"
© Anna Mogilevsky
Intervention,Anna MogilevskyAnna Mogilevsky, Intervention,
2005, Acrylic, ink, graphite, gouache on paper, 60 x 28"
© Anna Mogilevsky
Monitoring the Architecture of Science 02 Seventeen Radio Telescopes,Leah BeefermanLeah Beeferman,
Monitoring the Architecture of Science 02 Seventeen Radio Telescopes,
2009, Graphite on paper, 9 x 12"
© Leah Beeferman
Monitoring the Architecture of Science 03  The National Ignition Facility (NIF),Leah BeefermanLeah Beeferman,
Monitoring the Architecture of Science 03 The National Ignition Facility (NIF),
2009, Graphite on paper, 9 x 12"
© Leah Beeferman
Landscaping II Part 6,Rob CarterRob Carter, Landscaping II Part 6,
2008, Digital C-Print, 40 x 64"
© Rob Carter
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WEBSITE:  
http://www.newartcenter.org
COUNTRY:  
United States
PHONE:  
617 964 3424
OPEN HOURS:  
Mon- Fri 9 to 5pm Sat and Sun 1 to 5pm
TAGS:  
sculpture, landscape, painting, drawing, conceptual, installation, digital, photography, mixed-media
COST:  
Free
> DESCRIPTION

A majority of the world‘s population lives in urban or suburban areas.  This long-running and accelerating process is inextricably changing our relationship to nature.  Nature is becoming more limited and circumscribed as our towns and cities encroach upon formerly rural areas.  As architecture comes to dominate the landscape, nature can become a distant abstraction, an idealized memory, the beacon to a primal longing, and at times, a surprising and even destructive imposition on our urban lifestyle.

Decidedly Ambivalent explores our ambivalence towards nature as reflected through architecture.  Architecture is the most visible and unavoidable demarcation between society and the natural world.  At once a necessary shelter from the elements, this edifice of society is shown as a porous boundary with the broader world. We see the inevitable tensions of our urban expansion, with architecture encroaching upon nature, and nature in turn exploiting opportunities to persist and flourish wherever possible. In modern times, it is difficult to envision a future for landscape outside an architectural context.

Following a tradition of landscape art, Decidedly Ambivalent presents the work of artists working or living in urban or suburban locations.  Landscape art offers us the opportunity to consider how we relate to the places in which we dwell and the impressions we leave on the land.  The artists exhibited here commingle ubiquitous signs of urbanity with landscape, and examine the dynamics of the conjunction between the two.  We see relationships between them that are at times sympathetic, exploitational, explorative, and mutually inspirational.  Neither clear judgments nor utopian solutions are offered, but rather an engagement is presented that remains unresolved.


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