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UNIT/PITT Projects

Exhibition Detail
What Future
Curated by: K Higgins, Cease Wyss
236 East Pender Street
Vancouver, BC V6A 1T7
Canada


January 25th, 2013 - May 4th, 2013
 
A Perfect Day, Susanna BrowneSusanna Browne, A Perfect Day,
2013, audio, book, radio transmission
© Susanna Browne
Atlantean Timepiece, Kevin MurphyKevin Murphy, Atlantean Timepiece, 2013
© Kevin Murphy
Before I\'m Done, John Walkus-Greene, PJS Collective Paul Lang, Skylar StockJohn Walkus-Greene, PJS Collective Paul Lang, Skylar Stock,
Before I'm Done,
2013, video, carving, photography
Traditional Road Warriors, Kelly RouletteKelly Roulette, Traditional Road Warriors,
2013
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> ARTISTS
> QUICK FACTS
WEBSITE:  
http://www.unitpitt.ca
COUNTRY:  
Canada
EMAIL:  
info@helenpittgallery.org
PHONE:  
604 681 6740
OPEN HOURS:  
noon-5, Wednesday-Saturday
TAGS:  
conceptual, video-art, installation, digital, photography
> DESCRIPTION

Works on the subject of “the future” commissioned by Unit/Pitt from: Susanna Browne, Kevin Murphy, PJS Artist Collective (John Walkus-Greene, Skylar Stock, and Paul Lang), and Kelly Roulette.

What Future is a sequel to UNIT/PITT’s 2011-12 commissioning project Ill Repute. In 2011 we asked five emerging artists to create works drawing on the “wrong side of history”, including the various radical and pseudo-radical tendencies that intersected with the Pitt as an institution, resulting in the diverse array of performances, publications, installations and web-based projects that made up Ill Repute. In What Future, we are asking another group of artists to undertake similar commissions, but to look forward to the future, possibly the deep future, of the practices and communities.

The destructive power of capitalism, environmental devastation, millennial religious beliefs, and the generational and stylistic schisms that occur within contemporary culture all conspire to reduce the span of our collective and individual view of the future to five-year plans rather than generations, centuries and millennia. The evolution of the art object from an enduring treasure into an instrument of trade over the past five hundred years, followed by its dematerialization in the contemporary era, can provoke speculation about what cultural legacies we are leaving behind, and how those legacies will be conveyed and preserved.

However, solidity and endurance of objects is not the main issue that we hope artists will address. There are many ways to address a message to the future, or to plan and speculate about what that future should be or might be. The point is to create work that begins from a consideration of the future as something that is in fact all around us now; the future that will be contains a series of moments distinct from the present that we find ourselves in, but which are made from elements of the now. It is therefore not separate from us, but something that we are part of.

In the face of external forces that seem determined to reduce the future to unavoidable catastrophes or to the inevitable progress of powerful machinery, consideration of the deep future from alternative cultural positions is an entirely symbolic, but potentially radical, step toward shaping that future.


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