STREET now open! Chicago | Los Angeles | Miami | New York | San Francisco | Santa Fe
Amsterdam | Berlin | Brussels | London | Paris | São Paulo | Toronto | China | India | Worldwide
 
Worldwide

Kunsthalle der Hypo-Kulturstiftung

Exhibition Detail
Life and Work
Theatinerstraße 8
Munich 80333


February 3rd, 2012 - May 13th, 2012
Opening: 
February 3rd, 2012 10:00 AM - 8:00 PM
 
Summer Days, Georgia O\'KeeffeGeorgia O'Keeffe, Summer Days,
1936 , Oil on canvas, , 91,4 x 76,2 cm
© Courtesy of Whitney Museum of American Art, New York
> QUICK FACTS
WEBSITE:  
http://www.hypo-kunsthalle.de
COUNTRY:  
United States
EMAIL:  
kontakt@hypo-kunsthalle.de
PHONE:  
+ 49 (0) 89 / 22 44 12
OPEN HOURS:  
During the run of an exhibition, the Kunsthalle is open daily from 10 am to 8 pm.
TAGS:  
works on paper, sculpture
> DESCRIPTION

The Kunsthalle of the Hypo Cultural Foundation is presenting for the first time in Germany a comprehensive retrospective by the American artist Georgia O'Keeffe (1887–1986). Around 75 paintings, sculptures and works on paper provide an overview of her oeuvre. Accompanied by 50 photographs, some by Alfred Stieglitz, Arnold Newman, Paul Strand and Ansel Adams, the artist comes to life as a person, together with the landscapes that so profoundly influenced her.

Surprisingly, the works of this pioneer of American art are rarely shown in Europe. As a result of the cooperation with the Georgia O'Keeffe Museum in Santa Fe, this extraordinary exhibition has been made possible, which is due to run in three European countries. Following the first venue in Rome at the Fondazione Roma/Palazzo Cipolla, the retrospective will be presented in Munich, before moving on to the Helsinki City Art Museum.

Barbara Buhler Lynes, curator of the Georgia O'Keeffe Museum and publisher of the catalogue raisonné of the artist's works, has prepared this retrospective over a number of years. Using incisive examples, her selection presents every stage of O'Keeffe's work from her first abstractions dating from 1910 onwards, paintings of flowers and natural formations from the 1920s to the famous cityscapes of New York and the pictures of Lake George. One highlight of the show is the group of works depicting the vast landscapes of New Mexico, its distinctive architecture and still lifes with animal skulls, yet the exhibition also features her later large-scale works. The life and work of this extraordinary woman is vividly presented through a dialogue with photographs and films, as well as the artist's working materials, here shown for the first time outside the O'Keeffe Museum.

In the 1920s, O'Keeffe revolutionised the tradition of flower painting with her large-format works of blossoms, presenting them close up as if viewed through a magnifying glass. Her paintings of buildings in New York, most of which date from the same period, are considered the epitome of American cityscapes. In 1929 she first began spending part of the year in Northern New Mexico. From then on, her work depicts motifs typical of the area: bones and rocks found in the desert, unique geological formations or the distinctive adobe architecture of the native American Indians. From 1949 until her death at the age of 98, she remained in this landscape. Even today, her paintings are the embodiment of the American West.

Georgia O'Keeffe is one of the most important and outstanding American woman painters of the 20th century. Her work serves to demonstrate in vivid fashion the detachment of American art from the traditions of Europe. However, her life also illustrates the emancipation of women artists and had a decisive impact on subsequent generations. A contributing factor to her unique position in American art history was her relationship with and later marriage to Alfred Stieglitz (1864–1946). His dedication and his function as her gallerist promoted her career from the very beginning. As a photographer, Alfred Stieglitz held the young Georgia O'Keeffe in high esteem, both as an artist and as a model.

We would like to extend our thanks to the Arthemisia Group and the Helsinki City Art Museum for their cooperation.

Hirmer Verlag in Munich is publishing a German edition of the catalogue with illustrations of all the works shown at all three venues, together with texts by Barbara Buhler Lynes, Walter Grasskamp, Sarah Greenough, Karin Koschkar, Christiane Lange and Carol Troyen.


Copyright © 2006-2013 by ArtSlant, Inc. All images and content remain the © of their rightful owners.