BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION: DTEND:20140803 DTSTAMP:20140724T082950 DTSTART:20140713 GEO:43.393823;-79.7084768 LOCATION:Trias Gallery\,11 Bronte Road Unit 29\nOakville\, Ontario L6L 0E1 SEQUENCE:0 SUMMARY:Summer Exhibition\, Maureen Bradshaw\, Ernestine Tahedl\, Jodi Whee ler\, Frank Vondrejs\, Katya Trischuk\, David Peacock\, Hanna Ruminski\, Ew a Stryjnik\, Kirsten Muenzberg\, Charles Gibbons\, Donald Liardi\, Anne-Mar ie Kornachuk\, Lynn Huntley-Wyczolkowski\, Jennifer Hornyak\, Joanne Helman \, Pat Fairhead\, Telford Fenton\, Hugo Frones\, Yeon-Tak Chang\, Ruth Dwye r\, Douglas Edwards UID:347769 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140809 DTSTAMP:20140724T082950 DTSTART:20140715 GEO:-27.6364405;-48.4727 LOCATION:Myrine Vlavianos Arte Contemporânea\,Rod. Dr. Antonio Luiz Moura G onzaga\, 383 / 24 \nFlorianópolis\, Santa Catarina SEQUENCE:0 SUMMARY:Anônimos\, Susana Bianchini UID:347766 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140830 DTSTAMP:20140724T082950 DTSTART:20140722 GEO:-22.9829395;-43.2262573 LOCATION:Mul.ti.plo Espaço Arte\,Rua Dias Ferreira 417/206 Leblon\nRio de J aneiro\, 22431-050 SEQUENCE:0 SUMMARY:Solo Exhibition\, Renata Tassinari UID:347765 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Michael Janssen Singapore is pleased to present its first so lo exhibition with Filipino artist \;Jaime Roque. Feat uring a series of abstract works\, \;&ldquo\;UNTITLED&rdquo\; \;is the artist&rsquo\;s first solo exhibition outside of his n ative Philippines and showcases a progression of Roque&rsquo\;s artistic pr actice towards Abstraction / Optical Art.

Originally starting ou t as a realist painter\, Roque was a key proponent of the &ldquo\;Magic Rea list&rdquo\; Movement in the Philippines in the 1970s. Sharing a deep admir ation for the realist style of American artist Andrew Wyeth\, he\, together with several prominent artists such as Nestor Leynes\, Emmanuel Llado\, Li to Barcelona and Ger Viterbo eventually founded the Manila Wyeth school. Tu rning a fresh eye onto everyday life\, these artists focused on depicting f amiliar scenes in minute detail\, and in retaining their distinct qualities of texture and colour\, gave even the humblest of objects a semblance of d ignity and worth. Although initially inspired by Wyeth\, the works of these artists soon greatly diverged from their American counterpart eventually g iving rise to the development of a uniquely Filipino style of Magic Realism - one that was shaped by their own historical experiences\, their temperame nt as a people and their own cultural and artistic traditions. Art\, for Ro que\, is created not just with talent alone but with the expression and ins piration that comes from an artist&rsquo\;s heart and mind.

A re action to the development of Modern architecture\, Roque&rsquo\;s painterly style transition from realist to abstractionist is in essence an explorati on of the expressive capacity of abstraction. Reminiscent of the &ldquo\;fo rm follow function&rdquo\; principle that is associated with Modernist Arch itecture and Design\, the absence of representation in these works on view allow them to stand independently on their own. Roque&rsquo\;s works\, like so many modern architectural works\, are therefore able to relate entirely to themselves\, without any distraction or detraction from even their own functions and features.
Utilising simple elements and principles of de sign to communicate his thoughts and feelings\, Roque&rsquo\;s abstract wor ks are composed entirely using geometric shapes\, which are typical motifs of abstraction. In &ldquo\;Untitled&rdquo\;\, highly textured\, vibrantly c oloured and rigorously mathematically oriented works that pay homage to the Op-Art Movement of the late 1960s to 1970s are presented alongside works t hat feature rounded\, wavy interlocking abstract forms and harmoniously pai red colours and tones. These works\, soothing\, figurative allusions to the natural environment lend a stark contrast to the riotous effect of the for mer.

Drawing heavily on a mix of styles that he combines with a distinctly Filipino flavour to create art that is new and original\, Roque& rsquo\;s practice is both dynamic and relevant\, characteristics typical of a contemporary Filipino artist to say the least. It is this recent redisco very of Roque and his works that speaks volumes not only about the pluralit y of expression that has come to characterize the Philippine art world but also points towards the depth and richness of its visual art landscape.

Jaime Roque (b.1947) lives and works in Manila\, The Philippines. DTEND:20140822 DTSTAMP:20140724T082950 DTSTART:20140712 GEO:1.278398;103.804586 LOCATION:Michael Janssen Singapore\, 9 Lock Road \nSingapore \, 108973 SEQUENCE:0 SUMMARY:Untitled\, Jaime Roque UID:347764 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140728 DTSTAMP:20140724T082950 DTSTART:20140711 GEO:-22.9769499;-43.2357499 LOCATION:Mercedes Viegas Arte Contemporânea\,Rua João Borges\, 86 \nRio de Janeiro\, 22451-100 SEQUENCE:0 SUMMARY:Atravessamentos \, Raphael Couto UID:347763 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Nazareno addresses in his works aspects of memory\, childhoo d\, fairy tales\, narratives\, as well as the fragility of the contemporary subject faced with the impossibility of transcendence. Performed in variou s mediums\, such as drawing\, sculpture\, installations\, video\, engraving s\, among others\, his works enhance the viewer&rsquo\;s attention through the appeal of miniaturization\, revealing other realities and eventually le ading the adult/viewer to a strange experience through a debasement to an i nfantile condition.

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Nazareno&rsquo\;s career has national and inter national exhibitions over the last sixteen years\, as well as awards and pu blications in magazines\, catalogues and art books\, such as &ldquo\;S&atil de\;o as coisas que você\; nã\;o vê\; que nos separam [It&r squo\;s the things you don&rsquo\;t see that tear us apart]&rdquo\;\, in 20 04\, and &ldquo\;Num lugar nã\;o longe de você\; [In a place not far from you]&rdquo\;\, in 2013.

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His works are featured in collect ions such as Yolanda Penteado e Ciccillo Matarazzo &ndash\; MAC/USP\, Gilbe rto Chateaubriand &ndash\; MAM/RIO\, MAR &ndash\; Museu de Arte do Rio\, MA M Recife\, among others.

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His main exhibitions include: &ldquo\;Abre -se a Floresta [The forest is opened]&rdquo\; at Luciana Caravello Arte Con temporâ\;nea and &ldquo\;Ningué\;m Sabe Até\; Acontecer [N obody knows until it happens]&rdquo\; at Emma Thomas Gallery\, Sã\;o Paulo\, 18th Ví\;deoBrasil\, SESC Pompé\;ia\, &ldquo\;Da Pr&oac ute\;xima Vez Fazia Tudo diferente [Next time I would do everything differe nt]&rdquo\;\, PIVÔ\; / Ví\;deo Brasil 2013\, OI FUTURO Ipanema.< br />In April 2014\, the artist held the solo exhibition &ldquo\;Somos Igua is [We are equal]&rdquo\;\, at Oi Futuro Flamengo\, Rio de Janeiro.

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Lives and works in Sã\;o Paulo.

DTEND:20140823 DTSTAMP:20140724T082950 DTSTART:20140725 GEO:-22.9811773;-43.2122857 LOCATION:Luciana Caravello Arte Contemporânea\,R. Barão de Jaguaripe \nRio de Janeiro\, 387 22421-000 SEQUENCE:0 SUMMARY: Here on the inside!\, Nazareno UID:347761 END:VEVENT BEGIN:VEVENT DTEND:20140724T220000 DTSTAMP:20140724T082950 DTSTART:20140724T190000 GEO:-22.9811773;-43.2122857 LOCATION:Luciana Caravello Arte Contemporânea\,R. Barão de Jaguaripe \nRio de Janeiro\, 387 22421-000 SEQUENCE:0 SUMMARY: Here on the inside!\, Nazareno UID:347762 END:VEVENT BEGIN:VEVENT DESCRIPTION:

アジアの経典、版本や古裂などを額や掛軸にしたユニークな表装作品を作り続ける吉橋玄雄。「表装とは日本ならではの[包む文化] です。そこにひとつの命をみとめてきたのだと思います。美術品を見るというより、そのひとつの命を感じていただけたらと思います。」と彼は語ります。
今回一穂堂では、吉橋玄雄の表装の世界を紹介します。期間中 作者在廊。

DTEND:20140802 DTSTAMP:20140724T082950 DTSTART:20140723 GEO:35.6740806;139.7683587 LOCATION:Ippodo Gallery\, Tokyo\,1-8-17\, Ginza \nTokyo\, 104-0061 SEQUENCE:0 SUMMARY:の表装展\, 吉橋玄雄 UID:347760 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Tree years after her last solo exhibition\, Maria Klabin get s 12 new works together in &ldquo\;for the day was over\, when it all began &rdquo\;. The paintings will be on exhibition from the 24th of July until t he 23rd August\, at the Silvia Cintra + Box 4 Gallery\, in Rio de Janeiro\, presenting diptychs and polyptychs in small sizes\, between 20x25 and 50x4 0cm. Unlike 2011\, when she used to refer to the beaches as main subject of reflection\, analyzing time and movement\, this new phase is based on a lo ng story telling where characters appears inside\, in intimate situations o r socializing\, inside business spaces.
&ldquo\;I felt like I had star ted to write a short telling\; a story I could only tell through painting\, not thinking like a painter\, but like a story teller. Maybe that&rsquo\;s why the boards needed to be smaller\, to look like books\, not paintings. The size also helped creating this intimate atmosphere&rdquo\;\, says the a rtist.
According to Maria\, the universe of the exhibition refers to a world of mazes and reverberation\, glances and repetitions\, where public spaces and intimacy are concepts that may lose their senses\, leading to a reflection about the representation and the actual reality\, also about the individual process of painting and shared experience.
Maria Klabin (R io de Janeiro\, 1978)
Maria Klabin&rsquo\;s work is centered in landsc apes and ordinary objects at their most privileged views. Born in Rio de Ja neiro\, the artist graduated in 1999 in Painting and Art History at Brandei s University\, United States\, where she won the &ldquo\;Susan May Green Aw ard for Painting&rdquo\;. Tree years later\, in 2002\, she got her master&r squo\;s degree at the Central Saint Martin\, in London. In 2014 she does he r fourth solo exhibition at the Silvia Cintra + Box 4 Gallery\, after 2005\ , 2007 and 2011.
Among the group shows that Maria took part\, some of the most important were &ldquo\;Arquivo Geral&rdquo\; at the Botanical Gard en\, Rio de Janeiro\, 2004\; Transit at Centro Cultural Recoleta\, Buenos A ires\, 2004\; &ldquo\;Alé\;m da Imagem&rdquo\; at Centro Cultural Tel emar\, Rio de Janeiro\, 2005\; 30th SESC&rsquo\;s Contemporary Art Festival Videobrasil at SESC Pompeia\, Sã\;o Paulo\, 2013. The artist&rsquo\; s work is also part of the Museum of Modern Art of Rio de Janeiro and Ita&u acute\; Cultural (Sã\;o Paulo) collections.

DTEND:20140823 DTSTAMP:20140724T082950 DTSTART:20140724 GEO:-22.9752959;-43.2293341 LOCATION:Galeria Silvia Cintra + Box 4\,Rua das Acácias\, 104 Rio de Janeir o 22451-060 SEQUENCE:0 SUMMARY: E O DIA HAVIA ACABADO\, QUANDO COMEÇOU (for the day was over\, whe n it all began)\, Maria Klabin UID:347755 END:VEVENT BEGIN:VEVENT DTEND:20140724T220000 DTSTAMP:20140724T082950 DTSTART:20140724T190000 GEO:-22.9752959;-43.2293341 LOCATION:Galeria Silvia Cintra + Box 4\,Rua das Acácias\, 104 Rio de Janeir o 22451-060 SEQUENCE:0 SUMMARY: E O DIA HAVIA ACABADO\, QUANDO COMEÇOU (for the day was over\, whe n it all began)\, Maria Klabin UID:347789 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140816 DTSTAMP:20140724T082950 DTSTART:20140724 GEO:-22.9844111;-43.1892952 LOCATION:Galeria Inox\,Av. Atlântica\, 4240 - subsolo 101 \nRio de Janeiro\ , 22070-002 SEQUENCE:0 SUMMARY:Dinheiro Sexo & Guerra\, Franklin Cassaro UID:347752 END:VEVENT BEGIN:VEVENT DESCRIPTION:

A Feast with King Midas \;on kokeelline n lyhytelokuva\, joka kä\;sittelee kuolevaisuutta\, luonnon liikakä \;yttö\;ä\; ja ihmisten pö\;yhkeyttä\;. \;
Teos on uudenlainen tulkinta Vanitas-aiheesta\, ihmisten kuolevaisuuden kuvauksest a. Siististi mutta eleettö\;mä\;sti pukeutunut mies istuu pö\;y dä\;n ä\;ä\;rellä\; kohti katsojaa. \;
Pö\;yt& auml\; on kukkuroillaan ruokaa &ndash\; kokonaisia kalkkunoita\, vadillisia hedelmiä\;\, lautasittain vihanneksia\, lihoja\, kaloja\, leivoksia. M iehen edessä\; on tyhjä\; lautanen. Mies istuu ja katsoo kohti kame raa. Ruoka hä\;nen ympä\;rillä\;ä\;n rupeaa mä\;tä\ ;nemä\;ä\;n ja tuhoutumaan. \;
Ensin tulevat kä\;rp&au ml\;set\, sitten toukat. Kosteat ruuat mä\;dä\;ntyvä\;t\, kuiva t homehtuvat. Lopulta ruoka muuttuu iljettä\;vä\;ksi sotkuksi. Mies istuu edelleen ilmeettö\;mä\;nä\;. \;
Teos kuvastaa i hmisen tarvetta haalia itselleen kaikki\, vaikka kaikki tarvittava hä\; nellä\; jo on. \;
Emme nä\;e sitä\;\, mitä\; edess ä\;mme on\, mitä\; oikeasti tarvitsemme\, sitä\; mikä\; on tä\;rkeä\;ä\;. Teoksen mies on kuin kuningas Midas\, hä\;ne llä\; on kaikki mutta hä\;n ei pysty siitä\; nauttimaan. \;
Nö\;yryyden puute tekee hä\;nestä\;\, kuten meistä\;k in\, sokean. \;

DTEND:20140831 DTSTAMP:20140724T082950 DTSTART:20140808 GEO:60.1620735;24.9242003 LOCATION:Forum Box - Space for Art\,Ruoholahdenranta 3a \nHelsinki\, 00180 SEQUENCE:0 SUMMARY: A FEAST WITH KING MIDAS\, Timo Wright UID:347748 END:VEVENT BEGIN:VEVENT DESCRIPTION:

"Tä\;mä\; nä\;yttely on omistettu surullisille\, vihaisille\, petetyille ja pettyneille\, jokapä\;ivä\;isyyden keve ydestä\; sivuun sysä\;tyille. Jos ahdistus on tuntematta jä\;&a uml\;neitä\; tunteita\, emme me siihen ansaan jä\;ä\;.

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Kuvataiteilija Ilona Valkonen (s. 1980) tunnetaan sekä\; kä\;sittee llisistä\; installaatioista että\; perinteisemmistä\; maalauksi sta. Hä\;n on teoksillaan usein ehdottanut hienovireisesti rinnakkaisia tapoja katsoa todellisuutta. Viimeaikaisissa maalauksissaan hä\;n on k uitenkin valinnut ankaramman volyymin."

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Kirjailija Marjo Niemi (s.1978) on kirjoittanut nä\;yttelyn teoksista nä\;in:

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Minut on helppo ohittaa\, lö\;yhkä\;ä\;n\, en ole kaiken aikaa sä\;yse&aum l\; kuten ennen\, teen huomioita\, syljenkin\, mutta vasta kun opin ett&aum l\; se on kanssakä\;ymisen muoto siinä\; missä\; pieni puhe.

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Ehkä\; myrskysä\;ä\;llä\;\, kun tuuli keinuttaa minua tä\;ssä\;\, maailma natisee\, ehkä\; silloin minusta pö\;l ä\;htä\;ä\; jokin mä\;ä\;rä\; itiö\;itä\;. Sitten se onkin vain meteorologinen toteamus. Tai jos olet oikein altis sam astumaan ja katselet siinä\; sitten minua aikasi niin en tiedä\;.\n

P.s. Minulla on sinulle yksi juttu\, siltä\; varalta että\; joskus herä\;ä\;t tä\;stä\;: \;
Se minkä\; luu let olevan elä\;mä\;ssä\; kaikista yksityisintä\;\, se joho n liittyy suurin kauhun mä\;ä\;rä\; (kts.viite 1)\, on kuitenki n juuri sitä\; mikä\; on monenkin mahdollista ymmä\;rtä\;&a uml\;. Paljon helpompi kuin vaikka sitä\; miltä\; tumma kahvi juuri sinusta maistuu\, kun juot sen paahteisella laiturilla ja alkaakin sataa.< /p>\n

Viite 1: ero/mielisairaus/sairaus/menetys/raiskaus/vä\;kivalta/ nö\;yryytys/ulkopuolelle sulkeminen/mustamaalaaminen/yksin vanheneminen /petos/petetyksi tuleminen/amputaatio/alkoholismi/kö\;yhyys/kiusaaminen /vaino/kyvyttö\;myys saada lasta/potkut/työ\;ttö\;myys/pelko et tä\; menettä\;ä\;/pelko ettei koskaan enä\;ä\; pä\; ä\;se pois/pelko ettei koskaan enä\;ä\; pä\;ä\;se sis&a uml\;ä\;ä\;n/pelko että\; tä\;mä\;n kaikki nä\;kee/ että\; kaikki nä\;kee eikä\; kukaan enä\;ä\; halua/ette i koskaan enä\;ä\; ole jä\;ljellä\; mitä\;ä\;n sinu sta/että\; tä\;mä\; merkitsee sinut ikuisesti/pelko ettet koska an lö\;ydä\; sanoja/pelko ettet koskaan enä\;ä\; pysty ty&o uml\;skentelemä\;ä\;n/ettet koskaan enä\;ä\; kykene iloitse maan/ettet koskaan enä\;ä\; pysty luottamaan/ettet koskaan enä\ ;ä\; pysty rakastamaan/hä\;peä\;.

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Kö\;ysitaiteilija Tintt u Henttonen (s.1978) on opiskellut Japanissa samuraisidontatekniikoita suor aan perinteen mestareilta. Hä\;n laajentaa työ\;llä\;ä\;n k ä\;sitystä\; sidonnan kä\;yttö\;aloista ja -tavoista. Vaikk a samuraihistoriassa sidonta on toiminut erä\;ä\;nlaisena hä\;p eä\;paaluna\, kuuluu perinteeseen myö\;s luostareissa vaalittu henk inen puoli sekä\; eroottinen alakulttuuri. Yksinkertaisimmillaan sidont a voi olla erä\;ä\;nlainen tiukka ja pitkä\; halaus.

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N& auml\;yttelyn toteutumista ja työ\;skentelyä\; ovat tukeneet Koneen sä\;ä\;tiö\;\, Taike\, Vä\;inö\; Tannerin sä\;&aum l\;tiö\; residenssiajalla sekä\; lä\;heiset ja avustajat arvokk aalla tuella. Kiitos!

DTEND:20140831 DTSTAMP:20140724T082950 DTSTART:20140808 GEO:60.1620735;24.9242003 LOCATION:Forum Box - Space for Art\,Ruoholahdenranta 3a \nHelsinki\, 00180 SEQUENCE:0 SUMMARY:MAALAUKSIA JA SIDONTAA\, Ilona Valkonen\, Tinttu Henttonen UID:347747 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The Contemporary Arts Center is pleased to present the work of 12 award-winning emerging artists who received the esteemed Outstanding Student Achievement in Contemporary Sculpture Award in 2013.

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The In ternational Sculpture Center (ISC) established the Outstanding Student Achi evement in Contemporary Sculpture Award program in 1994 to recognize deserv ing sculpture students and to encourage their continued commitment to the f ield of sculpture. This year&rsquo\;s winners were selected from a pool of over 414 student nominees from 159 universities in eight countries across t he globe. \;

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The Student Awards program is organized by the ISC and is sponsored in part by Gertrud and Heinz Aeschlimann\, Doris and Dona ld Fisher\, Grounds For Sculpture\, the Johnson Art and Education Foundatio n\, the Jon and Mary Shirley Foundation\, and the New Jersey State Council on the Arts.

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A panel of jurors made up of Drew Goerlitz\, Sculptor and Associate Professor of Sculpture at SUNY Plattsburgh\, Elizabeth Neilso n\, Director\, Zabludowicz Collection\, London\, and Rein Triefeldt\, Sculp tor\, NJ selected 12 recipients and 5 honorable mentions.

DTEND:20141004 DTSTAMP:20140724T082950 DTSTART:20140802 GEO:29.9434379;-90.0707692 LOCATION:Contemporary Arts Center New Orleans\,900 Camp St. \nNew Orleans\, LA 70130 SEQUENCE:0 SUMMARY:Outstanding Student Achievement in Contemporary Sculpture Awards\, Shay Arick\, Kevin Bauer\, Nicholas Carroll\, Brian Booth Craig\, Shaun de Rooy\, Daniel Feinberg\, Cody Henrichs\, Aaron Meyers\, Adam Murray\, Nara Park\, Nick Roudebush\, Angie Seykora UID:347743 END:VEVENT BEGIN:VEVENT DTEND:20140802T230000 DTSTAMP:20140724T082950 DTSTART:20140802T180000 GEO:29.9434379;-90.0707692 LOCATION:Contemporary Arts Center New Orleans\,900 Camp St. \nNew Orleans\, LA 70130 SEQUENCE:0 SUMMARY:Outstanding Student Achievement in Contemporary Sculpture Awards\, Shay Arick\, Kevin Bauer\, Nicholas Carroll\, Brian Booth Craig\, Shaun de Rooy\, Daniel Feinberg\, Cody Henrichs\, Aaron Meyers\, Adam Murray\, Nara Park\, Nick Roudebush\, Angie Seykora UID:347744 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Curator Regine Basha&rsquo\;s \;Mark of the Feminine \;is the first in a series of exhibitions to be produced by the CAC focusing on the remarkable community of artists working in New Orleans. The 2014 exhibition\, on view in the CAC&rsquo\;s Lupin Fo undation Gallery from August 2 &ndash\; October 4\, 2014\, features works b y a selection of multigenerational female and female-identifying contempora ry artists working in a variety of mediums.

DTEND:20141004 DTSTAMP:20140724T082950 DTSTART:20140802 GEO:29.9434379;-90.0707692 LOCATION:Contemporary Arts Center New Orleans\,900 Camp St. \nNew Orleans\, LA 70130 SEQUENCE:0 SUMMARY: Mark of the Feminine\, Boyfriend\, Jane Cassidy\, Amanda Cassingha m-Bardwell\, Vanessa Centeno\, Valerie Corradetti\, Karen Edmunds\, Alisha Feldman\, Gabrielle Gaspard\, Sharin Glasser\, Ronna Harris\, Cherice Harri son-Nelson\, Lauren Hind\, Local Honey\, Susan Ireland\, Hannah Joyce\, Edn a Lanieri\, Kathleen Loe\, Ariya Martin\, Natalie McLaurin\, Kristin Meyers \, Cristina Molina\, Armina Mussa\, Nikki Rosato\, Nina Schwanse\, Sophie T . Lvoff\, Jennifer Shaw\, Connie Shea\, Maxx Sizeler\, Sarah Sole\, Meg Tur ner\, Mary Lou Uttermohlen\, Carla Williams\, Monica Zeringue UID:347737 END:VEVENT BEGIN:VEVENT DTEND:20140802T230000 DTSTAMP:20140724T082950 DTSTART:20140802T180000 GEO:29.9434379;-90.0707692 LOCATION:Contemporary Arts Center New Orleans\,900 Camp St. \nNew Orleans\, LA 70130 SEQUENCE:0 SUMMARY: Mark of the Feminine\, Boyfriend\, Jane Cassidy\, Amanda Cassingha m-Bardwell\, Vanessa Centeno\, Valerie Corradetti\, Karen Edmunds\, Alisha Feldman\, Gabrielle Gaspard\, Sharin Glasser\, Ronna Harris\, Cherice Harri son-Nelson\, Lauren Hind\, Local Honey\, Susan Ireland\, Hannah Joyce\, Edn a Lanieri\, Kathleen Loe\, Sophie T. Lvoff\, Ariya Martin\, Natalie McLauri n\, Kristin Meyers\, Cristina Molina\, Armina Mussa\, Nikki Rosato\, Nina S chwanse\, Jennifer Shaw\, Connie Shea\, Maxx Sizeler\, Sarah Sole\, Meg Tur ner\, Mary Lou Uttermohlen\, Carla Williams\, Monica Zeringue UID:347738 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140809 DTSTAMP:20140724T082950 DTSTART:20140720 GEO:49.2585083;-123.1389054 LOCATION:Bau-Xi Gallery - Vancouver\,3045 Granville Street \nVancouver\, BC V6H 3J9 SEQUENCE:0 SUMMARY:Solo Exhibition\, Casey McGlynn UID:347735 END:VEVENT BEGIN:VEVENT DTEND:20140726T160000 DTSTAMP:20140724T082950 DTSTART:20140726T140000 GEO:49.2585083;-123.1389054 LOCATION:Bau-Xi Gallery - Vancouver\,3045 Granville Street \nVancouver\, BC V6H 3J9 SEQUENCE:0 SUMMARY:Solo Exhibition\, Casey McGlynn UID:347736 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140831 DTSTAMP:20140724T082950 DTSTART:20140723 GEO:52.6283804;1.2894715 LOCATION:ART 18/21\,The Old Skating Rink Gallery 34 - 36 Bethel Street\nNor wich\, Norfolk NR2 1NR SEQUENCE:0 SUMMARY:Summer Collection 2014 UID:347734 END:VEVENT BEGIN:VEVENT DESCRIPTION:

아라리오갤러리는 한국 아방가르드 예술의 선두주자 김구림의 대형 개인전을 천안(7/29-10/5)과 서울(7/ 17-8/24)에서 동시에 개최한다. 이번 전시는 아시아 실험예술을 대변하는 개척자 중 한 명으로 인정받는 김구림 작가가 지난 60여 년 간 제작해온 작품들을 시대의 변화에 따라 작가의 관심사가 어떻게 변화하는지를 연대기적으로 조망하고(천안)\, 동시에 서울과 미국을 부유하듯 떠다니던 작가가 2000년 다시 귀국하면서 지금까지 가장 관심사를 가지고 제작해온 작품들(서울)을 총 망라하고 있다. 무엇보다 이번 전시는 한국의 현대미술뿐 아니라 사회문화 전반에 걸쳐 제도 속에 함몰되어버린 실험정신의 주요 족적을 시대별로 살펴본다는 것에 의 의가 있다. 김구림 작가가 비록 한국 실험 미술의 아버지로써\, 아시아 아방가르드의 대표주자라 인정되어 오지만\, 실험적 측면\, &l squo\;최초의&rsquo\;라는 단어에만 초점을 맞춘 전시와 기록의 역사는 그의 작품 전반이 지닌 다양성과 동시에 개념적 연속성을 조명하지는 못하였다. 이에 아라리오갤러리 천안과 서울(지하 1F)\, 두 전시 공간에서 동시에 이루어지는 이번 김구림 작가의 개인전은 그의 1950년대부터 지금에 이르는 그의 작품들 전반을 살펴보면서 한작가의 과거와 현재\, 그리고 그것을 통한 한국 사회와 예술계의 변 화와 현재를 함께 살펴보는 기회가 될 것 이다.

DTEND:20141005 DTSTAMP:20140724T082950 DTSTART:20140729 GEO:0.0;0.0 LOCATION:ARARIO GALLERY (Cheonan)\,354-1 Shinbu-dong\, Dongnam-gu \nCheonan -si\, SEQUENCE:0 SUMMARY:Part 1: Works from 1960's to 1980's \, Kulim Kim UID:347733 END:VEVENT END:VCALENDAR