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Heather Gaudio Fine Art is pleased to annou nce its upcoming exhibition &ldquo\;Martin Kline: Paintings and Sculpture&r dquo\; featuring a selection Kline&rsquo\;s new series of white paintings a long with other encaustic work and sculpture. This is the artist&rsquo\;s f irst solo exhibition at the gallery which will run from September 17th to November 5th. \; The public is invited to attend a n opening for the artist on Saturday\, September 24th\, from 5-7 pm. \;

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Classically trained\, Kline&rsquo\;s practice went from the figurative to abstraction\, evoking natural and man-made motifs infusin g cultural and historical notions. \; As Kline developed his ideas he b egan to explore with encaustic -- mixing pigment with beeswax. \; With this malleable material\, his paintings were able to take on an exaggerated three-dimensionality not normally found in painting. \; His earlier wo rks in the show are vibrant feasts of color that make for visually engaging paintings referencing nature.  \;They are so heavily textured they bec ome sculptural and tease the viewer&rsquo\;s senses with their tactile qual ities.  \;

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Kline&rsquo\;s explorations between two and three di mensional forms took him to cast a selection paintings and other objects in to metal. \; \; At what point do the works stop being paintings and become sculptures is a question he keeps posing. \; The exhibition wil l include sculptures in bronze and steel that reflect this preoccupation an d blur the line of distinction between the two mediums.

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Also on vie w is a selection of his most recent body of work\, the all-white paintings entitled Tabula Rasa\, or &ldquo\;blank slate.&rdquo\; Created on linen\, Kline approaches the encaustic differently from his works on panel\ , allowing it to seep through the canvas on the reverse. \; While more serene than the earlier structured paintings\, these newly orchestrated wor ks rely\, to a greater extent\, on randomness and chance. Kline&rsquo\;s on going interest in the physical properties of the encaustic material led him to these fluid and intricate surfaces where the hand of the artist is less evident. \;

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Martin Kline has had a prolific career having been the subject of numerous solo and group exhibitions. \; His work is in many notable private and public collections including The Metropolitan Muse um of Art\, The Whitney Museum of Art and the Houston Museum of Fine Arts.< /p>\n

Heather Gaudio Fine Art specializes in emerging an d established artists\, offering painting\, works on paper\, photography an d sculpture. The gallery provides a full-range of art advisory services\, f rom forming and maintaining a collection\, to securing secondary market mat erial\, to assisting with framing and installation. The focus is on each in dividual client\, selecting art that best serves his or her vision\, space\ , and resources. The six exhibitions offered every year are designed to pre sent important talent and provide artwork appealing to a broad range of int erests. Gallery hours are Monday through Saturday\; 10:30am to 5:30pm\; and by appointment. \;

DTEND:20161105 DTSTAMP:20160730T002534 DTSTART:20160917 GEO:41.1461135;-73.4933388 LOCATION:Heather Gaudio Fine Art\,21 South Avenue \nNew Canaan\, CT 06840 SEQUENCE:0 SUMMARY:"Martin Kline: Painting and Sculpture"\, Martin Kline UID:424375 END:VEVENT BEGIN:VEVENT DTEND:20160917T190000 DTSTAMP:20160730T002534 DTSTART:20160917T170000 GEO:41.1461135;-73.4933388 LOCATION:Heather Gaudio Fine Art\,21 South Avenue \nNew Canaan\, CT 06840 SEQUENCE:0 SUMMARY:"Martin Kline: Painting and Sculpture"\, Martin Kline UID:424376 END:VEVENT BEGIN:VEVENT DESCRIPTION:

A photographic exhibition by Adam Nadel with scholar ship by Jessica Cattelino

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October 26\, 2016 &ndash\; Febru ary 4\, 2017

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Lec ture and Opening Reception: Wednesday\, October 26\, 6:00 &ndash\; 8 :00 p.m.
Join us for a lecture and discussion with photograph er Adam Nadel and UCLA Anthropologist Jessica Cattelino. Opening reception with light refreshments to follow.

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&ldquo\;Getting the Water Right& rdquo\; is the motto and goal of Everglades restoration. The development of South Florida&rsquo\;s coastal communities and agriculture has reduced the Everglades in size by half. Now\, the ecosystem is at risk\, threatening t he region&rsquo\;s water supply\, scientifically - and internationally - re cognized subtropical wetlands\, and the water rights and ways of life of in digenous and nonindigenous peoples. This exhibition follows water to show h ow the world&rsquo\;s costliest ecosystems restoration initiative is as muc h a social and cultural project as a scientific one.

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Museum Hours: T\,Th\,F: 11-5 pm\, W: 11-7 pm\, Sat: 1-5 pm. Clos ed Sundays &\; Mondays.

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The Southeast Museum of Photogr aphy is a service of Daytona State College\, 1200 W. International Speedway Blvd.\, Daytona Beach\, FL\, 32114\, (386) 506-4475

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DTEND:20170204 DTSTAMP:20160730T002534 DTSTART:20161026 GEO:29.201418;-81.047031 LOCATION:Southeast Museum of Photography\,1200 International Speedway Blvd. \, Bld. 1200 Daytona State College\nDaytona Beach\, FL 32114 SEQUENCE:0 SUMMARY:GETTING THE WATER RIGHT: The culture and politics of water in the E verglades\, Adam Nadel with scholarship by Jessica Cattelino UID:424208 END:VEVENT BEGIN:VEVENT DTEND:20161026T200000 DTSTAMP:20160730T002534 DTSTART:20161026T180000 GEO:29.201418;-81.047031 LOCATION:Southeast Museum of Photography\,1200 International Speedway Blvd. \, Bld. 1200 Daytona State College\nDaytona Beach\, FL 32114 SEQUENCE:0 SUMMARY:GETTING THE WATER RIGHT: The culture and politics of water in the E verglades\, Adam Nadel with scholarship by Jessica Cattelino UID:424209 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Chromati c splendor and spatial ambiguity on view in Dallas

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DALLAS--The Muse um of Geometric and MADI Art is proud to present Mokha Laget&rsquo\;s exhib ition titled\, Color into Space. This new\, solo exhibit will be com posed of over 20 breathtaking works. Laget&rsquo\;s signature shaped painti ng\, and lithographs\, though firmly rooted in an art historical context\, have been inspired by her life experiences in locations such as Southwester n America\, Japan and North Africa. \; \;

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Her recent s haped\, abstract\, geometric canvases are resolutely illusionistic yet inte llectually playful\, filled with ambiguous spaces suggesting an expansive a erial landscape\, an architectural interior or an urban skyline\, while wra pped in highly improvisational and intuitive\, lush and sensual color. &nbs p\;

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Mokha Laget was bo rn in North Africa. As a graduate of Corcoran School of Art\, she met Washi ngton Color School painter Gene Davis. Although inspired by Davis\, Laget&r squo\;s unique techniques have successfully showcased her artistic excellen ce. Her ability to pristinely intertwine colors and shape has been influenc ed by her expertise in clay pigments.  \;

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The opening reception of Color into Space will take place on Friday\, July 29\, 2016 at 6:00 p.m. The event is free o f charge. Following the opening reception\, Laget&rsquo\;s artwork will be displayed at the museum through October 30\, 2016.

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The Arcadia Lecture series will feature the artist speaking a bout her work on September 22nd\, at 6 pm at the Museum.

DTEND:20161030 DTSTAMP:20160730T002534 DTSTART:20160729 GEO:32.80407;-96.8029959 LOCATION:Museum of Geometric and MADI Art\,3109 Carlisle Street \nDallas\, Texas 75204 SEQUENCE:0 SUMMARY:Color into Space\, Mokha Laget UID:424090 END:VEVENT BEGIN:VEVENT DTEND:20160729T200000 DTSTAMP:20160730T002534 DTSTART:20160729T180000 GEO:32.80407;-96.8029959 LOCATION:Museum of Geometric and MADI Art\,3109 Carlisle Street \nDallas\, Texas 75204 SEQUENCE:0 SUMMARY:Color into Space\, Mokha Laget UID:424091 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The Busan Biennale is a biannu al international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale\, the first bienn ale of Korea that was voluntarily organized by local artists in 1981\; the Sea Art Festival\, an environmental art festival launched in 1987 with the sea serving as a backdrop\; and the Busan International Outdoor Sculpture S ymposium that was first held in 1991. The biennale was previously called th e Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists&rsquo\; will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale&rsquo\;s identity.

T his biennale is the only one like it in the world that was established thro ugh an integration of three types of art events such as a Contemporary Art Exhibition\, Sculpture Symposium\, and Sea Art Festival. The Sculpture Symp osium in particular was deemed to be a successful public art event\, the re sults of which were installed throughout the city and dedicated to revitali zing cultural communication with citizens. \;

The networks f ormed through the event have assumed a crucial role in introducing and expa nding domestic art overseas and leading the development of local culture fo r globalized cultural communication. Founded 36 years ago\, the biennale ai ms to popularize contemporary art and achieve art in everyday life by provi ding a platform for interchanging experimental contemporary art.

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DTEND:20161130 DTSTAMP:20160730T002534 DTSTART:20160903 GEO:0.0;0.0 LOCATION:Busan Museum of Art\,40 APEC-RO\, Haeundae-gu \nBusan\, SEQUENCE:0 SUMMARY:Busan Biennale 2016: Hybridizing Earth\, Discussing Multitude UID:423917 END:VEVENT END:VCALENDAR