BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION:

20 artists from 9 cou ntries \;inspired by the journeys of 8 million birds

\n

The Flyway Print Exchange is an international environmental art project featuring 20 artists from 9 dif ferent countries\, linked by the East-Asian Australasian Flyway. \;The Flyway describes the route flown twice-annually by Australia&rsquo\;s migra tory shorebirds\, to and from their breeding grounds above the Arctic Circl e.

\n

The artists\, from New Zealand\, A ustralia\, Indonesia\, Singapore\, India\, China\, Japan\, South Korea and the USA\, have all created an edition of original prints to exchange\, exhi bit and sell. Techniques include woodblock printing\, silkscreen\, digital\ , etching\, linocutting\, stencilling and more. The artists are donating al l proceeds from print sales to BirdLife Australia&rsquo\;s shorebird resear ch programs.

\n

The Flyway Print Exchang e exhibition in Melbourne will feature two sets of prints: one pristine and framed\, the other one worn and weathered\, which has been posted without protection along the Flyway from New Zealand to Alaska and back to echo the birds&rsquo\; journeys.

\n

Aust ralia: Alexis Beckett\; Kate Gorringe-Smith\; Helen Kocis Edwards\ ; \;Amanda O&rsquo\;Sullivan\; Vida Pearson
New Zealand:< /strong> Celia Walker
Indonesia: Syahrizal Pahlevi Singapore: Tham Pui San
India: Radhika Gupta\; Kavita Shah
South Korea: Hyun Tae L ee
Japan: Kyoko Imazu
China: Cui Xiao Hua\; Ni Jianming\; Feng Jiaming
USA (Alaska): Garry Kaulitz\; Edwin Mighell

\n

Aft er the inaugural exhibition which will be held in Melbourne\, Australia in the second half of 2014\, we hope to exhibit in and outside Australia to ex hibit the Flyway Print Exchange.

\n

Sponsored by Melbourne Water

DTEND:20140928 DTSTAMP:20140829T072736 DTSTART:20140908 GEO:-37.8179788;144.9690577 LOCATION:No Vacancy Fed Square: Project Space\,Tenancy 32 The Atrium\, Fede ration Square\nMelbourne\, 3000 SEQUENCE:0 SUMMARY:The Flyway Print Exchange\, Alexis Beckett\, Kate Gorringe-Smith\, Helen Kocis Edwards\, Amanda O’Sullivan\, Vida Pearson\, Celia Walker\, Sya hrizal Pahlevi\, Tham Pui San\, Radhika Gupta\, Kavita Shah\, Hyun Tae Lee\ , Kyoko Imazu\, Cui Xiao Hua\, Ni Jianming\, Feng Jiaming\, Garry Kaulitz\, Edwin Mighell UID:353466 END:VEVENT BEGIN:VEVENT DTEND:20140911T200000 DTSTAMP:20140829T072736 DTSTART:20140911T180000 GEO:-37.8179788;144.9690577 LOCATION:No Vacancy Fed Square: Project Space\,Tenancy 32 The Atrium\, Fede ration Square\nMelbourne\, 3000 SEQUENCE:0 SUMMARY:The Flyway Print Exchange\, Alexis Beckett\, Helen Kocis Edwards\, Kate Gorringe-Smith\, Radhika Gupta\, Cui Xiao Hua\, Kyoko Imazu\, Feng Jia ming\, Ni Jianming\, Garry Kaulitz\, Hyun Tae Lee\, Edwin Mighell\, Amanda O’Sullivan\, Syahrizal Pahlevi\, Vida Pearson\, Tham Pui San\, Kavita Shah\ , Celia Walker UID:353467 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Friday\, September 19\n

 \;

\n

11:15 am \;| \;The Contemporary Founda tion

\n

Elizabeth Smith\, Joel Wachs a nd Christy MacLear In Conversation

\n

Executiv e Director of the \;Helen Frankenthaler Foundation \;Elizab eth \;Smith\, President of the Warhol Foundation \;Joel Wachs \;and Executive Director of the Rauschenberg Found ation \;Christy MacLear \;join together to discuss each of their respective foundations&rsquo\; initiatives within their cont emporary practice in order to increase public engagement. The talk will foc us on various tactics used by each foundation &mdash\; bestowing grants to other institutions and artists\, legacy programs and holding talks througho ut the year to educate the public on various cultural concerns.

\n

 \;

\n

12:45 am \;< /strong>| \;The State of the Midwest Museum

\n

Christopher Atkins\, Rose Bouthillier and Tricia Paik In Conversation

\n

This discu ssion will present three curators working in prominent Midwestern instituti ons\, highlighting their focus on the forward-thinking programming that oft en surpasses more well-known institutions in bravado and ground-breaking co ncepts. Participants include Coordinator of the Minnesota Artists Exhibitio n Program at the Minneapolis Institute of Arts \;Christopher At kins\, Associate Curator and Publications Manager at MOCA Clevelan d \;Rose Bouthillier \;and Curator at the Indianap olis Museum of Art \;Tricia Paik.

\n

 \;

\n

2:00 pm \;| /Dialogues Highlight

\n

Ryan Gander In Conversation with Hamza Walker

\n

Associate Curator and Director of Education at The Renaissanc e Society at the University of Chicago \;Hamza Walker& nbsp\;will speak with internationally noted conceptual artist \;Ryan Gander \;(Lisson Gallery) about his extraordinary practi ce\, including his &ldquo\;Per/Form&rdquo\; installation at CA2M in Madrid and his upcoming exhibition at the prestigious Mostyn Gallery in Wales.

\n

 \;

\n

4:00 pm& nbsp\;| \;Collecting: Challenges in a New World

\n

Sandra Guthman\, R. Hugh Magill\, Canice Prendergast and Dorsey Waxter\, \;moderated b y Brook S. Mason.
S
ponsored by Northern Trust

\n

This panel discussion will present diverse viewpoints from a prominent collector\, a gallerist\, an academic\, a lawyer and a journal ist examining the challenges of art collecting and new shifts in the market and how to access the market in a fast paced world. Moderated by the U.S. Correspondent for &ldquo\;The Art Newspaper\,&rdquo\; and many other public ations \;Brook S. Mason\, panelists will include Colle ctor and Chair of the Board of Directors of the Polk Bros. Foundation \ ;Sandra Guthman\; Executive Vice President at The Northern Trust\, Chicago \;R. \;Hugh Magill\; Professor of Economics\, Booth School\, University of Chicago \;Canice Prendergast\; and Principal\, Dorsey Van Waxter Galle ry and President of the Art Dealers Association of America \;Do rsey Waxter.

\n

 \;

\n

5:30 pm \;| \;In Conversation: French Curator Exchange

\n

Naomi Beckwith\, Guillaume Dé\;sanges and Matthieu Poirier\, mode rated by Forrest Nash

\n

Moderated by Founder of &ldquo\;Contemporary Art Daily&rdquo\; \;Forrest Nash\, this conversation will include Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago \;Naomi Beckwith\; Independent Curator and WriterGuillaume Dé\;sanges\ ; and Curator of Exhibitions\, Reunion des Musé\;es Nationaux \;< strong>Matthieu Poirier \;discussing a unique curatorial and c ultural exchange between Chicago and France happening over the next year\, which will culminate with a Special Exhibition at EXPO CHICAGO/2015.

\n< p class="rtejustify">With support from the Cultural Services of the Fre nch Embassy in the United States in collaboration with the Institut fran&cc edil\;ais.

\n

 \;

\n
\n

Saturday\, September 20

\n

 \;

\n

11:15 am \;| \;What Do Your Politics Get From Being In My A rt?

\n

Jim Duignan\, Michael Rakowitz and Abigail Satinsky\, moderated by Duncan MacKenzie

\n

Moderated by Bad at Sports founder and host \;Duncan MacKenzie\, this panel discussion examines what our contemporary a rt world offers to creative activists by looking at what conditions grow th e appetite for political engagement within the art world\, and what the art world can do for the causes it portrays. Panelists include Associate Direc tor of Threewalls \;Abigail Satinsky\; artist \;Michael Rakowitz \;(Rhona Hoffman Gallery)\; and artist& nbsp\;Jim Duignan.

\n

 \;

\ n

12:45 am \;| In Convers ation: \;The Network as Form

\n

Pablo Helguera and Christian Viveros-Faune In Conversation w ith Bad at Sports

\n

Bad at Sports \;will speak with artist \;Pablo Helguera&nb sp\;and widely published writer and critic \;Christian Viveros- Faune. This panel will discuss Pablo Helguera&rsquo\;s connections between the different regions of the Americas and his infamous project\, & ldquo\;The School of Panamerican Unrest\,&rdquo\; in conjunction with his w ork in the School of the Art Institute&rsquo\;s Sullivan Gallery&rsquo\;s e xhibition entitled &ldquo\;A Proximity of Consciousness: Art and Social Act ion\,&rdquo\; curated by Mary Jane Jacob.

\n

 \ ;

\n

2:00 pm \;| \ ;In Conversation: (Im)possible Matters

\n

Franklin Sirmans In Conversation with Tavares Strachan

\n

Curator of Contemporary Art at the Los Ang eles County Museum of Art \;Franklin Sirmans \;dis cusses artist \;Tavares Strachan&rsquo\;s (Kavi Gupta CHICAGO | BERLIN) conceptual installations that investigate science\, techn ology\, mythology\, history and exploration. Strachan&rsquo\;s work represe nted the Bahamas in the 55th Venice Biennale.

\n

&n bsp\;

\n

3:30 pm \;| / Dialogues \;Highlight: The Physical Importance of Perf ormance Art

\n

Eric Shiner In Conversa tion with RoseLee Goldberg

\n

Performa Founder and Director \;RoseLee Goldberg \;will speak with the Director of The Andy Warhol Museum \;Eric Shinera bout the literal and figurative impact of performance art within the contem porary art world.

\n

 \;

\n

5:00 pm | In Conversation: ART21 &ndash\; Season 7

\n

James Cohan and Arlene Shechet In Conversation with Bad at Sports

\n

Bad at Sports&n bsp\;will speak with Owner of James Cohan Gallery and &ldquo\;Art2 1&rdquo\; Board member \;James Cohan \;and &ldquo\ ;Art in the Twenty-First Century\,&rdquo\; Season 7 artist \;Ar lene Shechet.

\n

Providing unique access t o some of the most compelling artists of our time\, the new season of &ldqu o\;ART21&rdquo\;&mdash\;premiering October 2014&mdash\;features a dozen art ists from the United States\, Europe and Latin America\, and transports vie wers to artistic projects across the country and around the world.

\n

 \;

\n
\n

Sund ay\, September 21

\n

 \;

\n

11:30 am \;| /Dialogues \;< /strong>Highlight: The Open Road

\n

Justine Kurland and Alec Soth In Conversation with Denise Wolff< br />Presented by the Aperture Foundation

\n

Artists \;Justine Kurland \;and \;A lec Soth \;(Weinstein Gallery) will speak with &ldquo\;Apertur e&rdquo\; Photobook Editor \;Denise Wolffabout &ldquo\ ;The \;Open Road: Photography and the American Road Trip\,&rdquo\; the first survey book to consider the American road trip as a photographic genr e. The book presents some of the best-loved photography\, and the story of the open road as photographer&rsquo\;s muse. \;

\n

 \;

\n

1:00 pm \;| \;Sculpture/Culture

\n

Orly Genger and Hank Willis Thomas In Conversation with Marilu K node

\n

Artists \;Orly Genger  \;(Rhona Hoffman Gallery) and \;Hank Willis Thomas \;(moniquemeloche) will engage in a conversation with Laumeier Sc ulpture Center Executive Director \;Marilu Knode \;focusing on the unique role that public sculpture and collaborative projec ts play in popular culture.

\n

 \;

DTEND:20140921 DTSTAMP:20140829T072736 DTSTART:20140919 GEO:41.8917374;-87.5998759 LOCATION:EXPO CHICAGO\,Navy Pier 600 E. Grand Avenue\nChicago\, Illinois 60 611 SEQUENCE:0 SUMMARY: Expo Chicago 2014 - Dialogues UID:353427 END:VEVENT BEGIN:VEVENT DTEND:20140828T200000 DTSTAMP:20140829T072736 DTSTART:20140828T180000 GEO:41.8917374;-87.5998759 LOCATION:EXPO CHICAGO\,Navy Pier 600 E. Grand Avenue\nChicago\, Illinois 60 611 SEQUENCE:0 SUMMARY: Expo Chicago 2014 - Dialogues UID:353428 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Hours &\; Admission

\n

VERNISSAGE
Thursday\, September 18 | 6:00pm&ndash\;9:00pm

HOU RS
Friday\, September 19 | 11:00am&ndash\;7:00pm
Saturda y\, September 20 | 11:00am&ndash\;7:00pm
Sunday\, September 21 | 11:00 am&ndash\;6:00pm

\n

TICKETS

\n\n\n\n\n\n\n \n\n\n\n\n\n

Exhibitors

\n
    \n
  • Galeria Alvaro Alcazar \;| Madrid< /li>\n
  • Ameringer | McEnery | Yohe \;| New York
  • \n
  • Anthony Mei er Fine Arts \;| San Francisco
  • \n
\n

 \;

\n
\n

 \;

\n
    \n
  • BASE GALLERY \;| Tokyo
  • \n
  • Galerie de Bellefeuille \;| Montreal\n
  • John Berggruen Gallery \;| San Francisco
  • \n
  • Blackston \;| New York
  • \n
  • Blain|Southern \;| Londo n\, Berlin
  • \n
  • Marianne Boesky Gallery \;| New York
  • \n
  • Jon athan Boos \;| New York
  • \n
  • Bortolami \;| New York
  • \n
  • Galerie Isabella Bortolozzi \;| Berlin
  • \n
  • BORZO modern and conte mporary art \;| Amsterdam
  • \n
  • Bourouina  \;| Berlin
  • \n
  • Russell Bowman Art Advisory \;| Chicago
  • \n
  • Brand New Gallery \;| Milan
  • \n
  • Rena Branste n Projects \;| San Francisco
  • \n
\n

 \;

\n
\n

 \;

\n
    \n
  • CABINE T \;| London
  • \n
  • Callicoon Fine Arts \;| New York
  • \n
  • Valerie Carberry Gallery \;| Chicago
  • \n
  • Carroll / Fletcher \;| London
  • \n
  • David Castillo Gallery \;| Miami
  • \n
  • Cernuda Arte \;| Coral Gables
  • \nChambers Fine Art \;| New York | Beijing\n
  • James Cohan Galler y \;| New York | Shanghai
  • \n
  • Lisa Cooley&nb sp\;| New York
  • \n
  • Corbett vs. Dempsey \;| Chicago
  • \n
  • CRG Gallery \;| New York
  • \n
  • Ana Cristea Gallery  \;| New York
  • \n
\n

 \;

\n
\n

 \;

\n
    \n
  • Stephen Daiter Galler y \;| Chicago
  • \n
  • Maxwell Davidson Gallery \;| New York
  • \ n
  • Douglas Dawson \;| Chicago
  • \n
  • DC Moore Gallery \;| New York
  • \n
  • MASSIMO DE CARLO \;| Milan | London
  • \n
  • Debra Forc e Fine Art\, Inc. \;| New York
  • \n
  • Elizabeth Dee \;| New York
  • \n
\n

 \;

\n
\n

 \;

\n
    \n
  • Catherine Edelman Gallery \;| Chic ago
  • \n
  • Eleven Rivington \;| New York
  • \n
\n

 \;

\n
\n

& nbsp\;

\n
    \n
  • Galerie Forsblom \;| Helsinki
  • \n
  • F orum Gallery \;| New York
  • \n
  • Marc Foxx \;| Los Angeles
  • \ n
  • Honor Fraser \;| Los Angeles
  • \n
  • Fredericks &\; Freiser&n bsp\;| New York
  • \n
  • Friedman Benda \;| New York
  • \n
  • James Fuentes \;| New York
  • \n
\n

 \;

\n< hr />\n

 \;

\n
    \n
  • Galerie Karsten Greve AG \;| St. Moritz | Paris | Cologne
  • \n< li>Galeria Hilario Galguera \;| Mexico City | Berlin\n
  • Gitterma n Gallery \;| New York
  • \n
  • James Goodman Gallery \;| New York
  • \n
  • Goya Contemporary \;| Baltimore
  • \n
  • Garth Greenan Gall ery \;| New York
  • \n
  • Greene Exhibitions  \;| Los Angeles
  • \n
  • Kavi Gupta CHICAGO | BERLIN \;| Chicago | Ber lin
  • \n
\n

 \;

\n
\n

 \;

\n
    \n
  • Hackett | Mill \;| San Francisc o
  • \n
  • Haines Gallery \;| San Francisco
  • \n
  • Hales Gallery&nb sp\;| London
  • \n
  • Carl Hammer Gallery \;| Chicago
  • \n
  • Richar d Heller Gallery \;| Los Angeles
  • \n
  • Galerie Ernst Hilger/Hilger NEXT \;| Vienna
  • \n
  • Hill Gallery \;| Birmingham | Detroit
  • \n
  • Nancy Hoffman Gallery \;| New York
  • \n
  • Rhona Hoffman Galle ry \;| Chicago
  • \n
  • Hannah Hoffman Gallery&nb sp\;| Los Angeles
  • \n
  • Vivian Horan Fine Art \;| New York
  • \nEdwynn Houk Gallery \;| New York\n
\n

 \;

\n
\ n

 \;

\n
    \n
  • Charlie James Gallery \;| Los Angeles
  • \n
  • Ga lerie Michael Janssen \;| Berlin | Singapore
  • \n
  • Jenkins Johnson Gallery \;| San Francisco
  • \n
\n

 \;

\n
\n

 \;

\n
    \n
  • Robert Ko ch Gallery \;| San Francisco
  • \n
  • Tristian Ko enig \;| Melbourne
  • \n
  • Alan Koppel Gallery \;| Chicago
  • \n
\n

 \;

\n
\n

& nbsp\;

\n
    \n
  • Josh Lilley \;| Lond on
  • \n
  • Lisson Gallery \;| London
  • \n
  • L onghouse Projects \;| New York
  • \n
  • Diana Lowenstein Gallery \ ;| Miami
  • \n
  • Luce Gallery \;| Torino
  • \n< li class="exposureItem">Luis De Jesus Los Angeles \;| Los Angeles\ n
\n

 \;

\n
\n

 \;

\n
    \n
  • Lawrence Markey \;| San Antonio
  • \nMatthew Marks Gallery \;| New York | Los Angeles\n
  • Marlborough Chelsea \;| New York
  • \n
  • Marlborough Galle ry \;| New York | London | Madrid | Monaco | Barcelona
  • \n
  • Barbar a Mathes Gallery \;| New York
  • \n
  • The Mayor Gallery \;| Londo n
  • \n
  • McCormick Gallery \;| Chicago
  • \n
  • Meessen De Clercq&n bsp\;| Brussels
  • \n
  • Andrea Meislin Gallery \;| New York
  • \n
  • Jerald Melberg Gallery \;| Charlotte
  • \n
  • Nicholas Metivier Galle ry \;| Toronto
  • \n
  • Laurence Miller Gallery \;| New York
  • \ n
  • Robert Miller Gallery \;| New York
  • \n
  • THE MISSION \;| C hicago | Houston
  • \n
  • moniquemeloche \;| Chicago
  • \n
  • Anne Mo sseri-Marlio Galerie \;| Basel
  • \n
\n

 \;

\n
\n

 \;

\n
    \n
  • Mihai Nicodim Gallery \;| Los Angeles | Bucharest | Ro mania
  • \n
  • Carolina Nitsch \;| New York
  • \n
  • David Nolan Gall ery \;| New York
  • \n
  • Gallery Wendi Norris \;| San Francisco\n
  • Richard Norton Gallery \;| Chicago
  • \n
\n

 \;

\n
\n

 \;

\n< ul>\n
  • Claire Oliver Gallery \;| New York
  • \n
  • On Stellar Rays \;| New York
  • \n
  • One and J. Gallery \;| S eoul
  • \n\n

     \;

    \n
    \n

     \;

    \n
      \n
    • P.P.O.W \;| New York
    • \n
    • Gerald Peters \;| New York | Santa Fe
    • \n
    \n

     \;

    \n
    \n

     \;

    \n
      \n
    • Andrew Rafacz \;| Chicago
    • \n
    • Richard Gray Gallery \;| Ch icago | New York
    • \n
    • Romer Young Gallery \;| San Francisco
    • \n
    • Michael Rosenfeld Gallery \;| New York
    • \n< /ul>\n

       \;

      \n
      \n

      &n bsp\;

      \n
        \n
      • Salon 94 \;| New York
      • \n
      • Julie Saul Gallery \;| New York
      • \n
      • Galerie Thomas Schulte \;| Berlin\n
      • Carrie Secrist Gallery \;| Chicago
      • \n
      • Marc Selwyn Fine Art \;| Beverly Hills
      • \n
      • William Shearburn Gallery \;| St. L ouis
      • \n
      • SHOICHIRO \;| Tokyo\, Hong Kong
      • \n
      • Sicardi Galler y \;| Houston
      • \n
      • TIF SIGFRIDS \;| Los A ngeles
      • \n
      • Jessica Silverman Gallery \;| San Francisco
      • \n
      • Manny Silverman Gallery \;| Los Angeles
      • \n
      • André\; Simoens Gallery \;| Knokke-Zoute
      • \n
      • Fredric Snitzer Gallery \;| Mia mi
      • \n
      • MARC STRAUS \;| New York
      • \n
      • SUSAN INGLETT GALLERY&n bsp\;| New York
      • \n
      \n

       \;

      \n
      \n

       \;

      \n
        \n
      • Hollis Taggart Gallerie s \;| New York
      • \n
      • Tandem Press \;| Madison
      • \n
      • Paul Th iebaud Gallery \;| San Francisco
      • \n
      • Cristin Tierney Gallery  \;| New York
      • \n
      • Leslie Tonkonow Artworks + Projects \;| New York
      • \n
      \n

       \;

      \n
      \n

       \;

      \n
        \n
      • Vincent Vallarino \;| New York
      • \n
      • Van Doren Waxter \;| New York
      • \n
      • VAN HORN \;| Dusseldorf
      • \n
      • Susanne Vielmetter Los Angeles Projects& nbsp\;| Los Angeles
      • \n
      \n

       \;

      \n
      \n

       \;

      \n
        \n
      • Linda Warren Projec ts \;| Chicago
      • \n
      • Weinstein Gallery \;| Minneapolis
      • \nWhitestone Gallery \;| Tokyo\n
      • Max Wigram Gallery \;| Lon don
      • \n
      \n

       \;

      \n
      \n

       \;

      \n
        \n
      • Y Gallery  \;| New York
      • \n
      \n

       \;

      \n
      \n

       \;

      \n
        \n
      • Ziehe r Smith &\; Horton \;| New York
      • \n
      • Zolla/Lieberman Gallery&nb sp\;| Chicago
      • \n
      • Pavel Zoubok Gallery \;| New York
      • \n
      • Zur cher \;| New York | Paris
      • \n
      • David Zwirner Gallery \;| New Y ork | London
      • \n
      DTEND:20140921 DTSTAMP:20140829T072736 DTSTART:20140918 GEO:41.8917374;-87.5998759 LOCATION:EXPO CHICAGO\,Navy Pier 600 E. Grand Avenue\nChicago\, Illinois 60 611 SEQUENCE:0 SUMMARY: Expo Chicago 2014 - Exhibitors UID:353425 END:VEVENT BEGIN:VEVENT DTEND:20140918T200000 DTSTAMP:20140829T072736 DTSTART:20140918T180000 GEO:41.8917374;-87.5998759 LOCATION:EXPO CHICAGO\,Navy Pier 600 E. Grand Avenue\nChicago\, Illinois 60 611 SEQUENCE:0 SUMMARY: Expo Chicago 2014 - Exhibitors UID:353426 END:VEVENT BEGIN:VEVENT DESCRIPTION:

      Hours &\; Admission

      \n

      HOURS

      \ n

      26 September Friday \;12.00 &ndash\; 20.00
      27 September Saturd ay \;12.00 &ndash\; 20.00
      28 September Sunday \;12.00 &ndash\; 18.00

      \n

      TICKETS

      \n

      Adult/day | 30 TL
      Adul t/3 day ticket | 60 TL
      Student/3 days pass | 15 TL

      \n

      Exhibitors

      \n

      adn galeria\, Barcelona\n

      Akinci\, Amsterdam

      \n

      Louise Alexander Gallery\, \;Sardinia

      \n

      Galleri Andersson/Sandströ\;m\, Stockholm

      \n

      Andipa Galle ry\, London

      \n

      .artSü\;mer\, Istanbul

      \n

      Assar Art Gallery\, Tehran

      \n

      Athr Gallery\, Jeddah

      \n

      Helene Bailly Gallery\, Paris

      \n

      Barbarian Art Gallery\,&nbs p\;Zü\;rich

      \n

      Berloni\, London

      \n

      Boccanera\, Trento

      \n

      Charim Galerie\, Vienna

      \n

      Cir cle Culture Gallery\, \;Berlin

      \n

      Erika Deak Gallery\, Budapest

      \n

      Deweer Gallery\, Otegem

      \n< p>Dirimart\, Istanbul

      \n

      Galerie Dix9 Helene Lacharmoise\, Paris

      \n

      Ex Elettrofonica\, Rome

      \n

      G alerie Dominique Fiat\, Paris

      \n< p>Galleria Marie-Laure Fleisch\, Rome

      \n

      Galerie Forsblom\, Helsinki\n

      Gazelli Art House\, London/Baku

      \n

      Giacomo Guidi Contemporanea\, Rome &\; Milan

      \n

      HADA Con temporary\, \;London

      \n

      Lei la Heller Gallery\, \;New York

      \n

      Cecilia Hillströ\;m Gallery\ , Stockholm

      \n

      Eva Hober\, Paris

      \n

      Hosfelt Gallery\, San Francis co

      \n

      Pippy Houldsworth Gallery\, London

      \n

      Paul Kasmin Gallery\,  \;New York

      \n

      Kerlin Galle ry\, Dublin

      \n

      Tina Kim\, New York

      \n

      Galerie Kornfeld\, Berlin\n

      Galerie Krinzinger\, Vienna

      \n

      Kuckei + Kuckei\, Berlin

      \n

      Kukje Gallery\, Seoul

      \n

      Pearl Lam Galleries\, Hong Kong\, Shanghai &\; Singapore

      \n

      In Situ Fabi enne Leclerc\, Paris

      \n

      Galerie Lelong\, Paris

      \n

      Lisabird Contem porary\, Vienna

      \n

      Lisson Gallery\, London\, Milan &\; New York

      \n

      Galerí\;a Javier Ló\;pez\, Madrid

      \n

      Galleri Charlott e Lund\, Stockholm

      \n

      Edouard Malingue Gallery\, Hong Kong

      \n

      Galeri Manâ\;\, Istanbul

      \n

      G alerie Gabrielle Maubrie\, Paris

      \n

      Lehmann Maupin\, New York &\; H ong Kong

      \n

      Mario Mauroner Contemporary Art\, \;Salzburg \;&am p\; Vienna

      \n

      Robert Miller Gallery\, New York

      \n

      Galeri Nev\, Ankara

      \n

      Galeri Non\, \;Ista nbul

      \n

      Officine dell&rsquo\;Immagine\ , Milan

      \n

      Pace\, \;New Yor k\, London\, Beijing &\; Hong Kong

      \n

      Paradise Row\, London< /p>\n

      Galerie Paris-Beijing\, Paris\, Brussels &\; Beijing

      \n

      Pi Artworks\, Istanbul &\; London

      \n

      PİLOT\, \;Istanbul

      \n

      ro senfeld porcini\, London

      \n

      Galerie Jé\;rô\;me Poggi\,  \;Paris

      \n

      RAMPA\, \;Istanbul

      \n

      Repetto\, London

      \n

      Raum mit Licht\, Vienna

      \n

      Rodeo\, Istanbul

      \n

      Studio SALES di Norberto Ruggeri\, Rome

      \n

      Sanatorium\, Istanbul

      \n

      Sariev Contempo rary\, \;Plovdiv

      \n

      Scheublein + Bak\, Zü\;rich

      \n

      Specta \, Copenhagen

      \n

      Tornabuoni Art\, Flor ence\, Milan &\; Paris

      \n

      Galerie UN-SPACED\, Paris

      \n

      Galerija Vartai\, Vilnius

      \n

      Galerie Nadja Vilenne\, Liege

      \n

      waterside contemporary\, London

      \ n

      Weingrü\;ll\, Karlsruhe

      \n

      x-ist\, Istanbul

      \n

      Galeri Zilberman\, Istanbul

      \n

      418 Contemporary Art Gallery\, Bucharest

      DTEND:20140928 DTSTAMP:20140829T072736 DTSTART:20140926 GEO:41.0382864;28.9703304 LOCATION:ArtInternational Istanbul\,The Haliç Congress Center Beyoglu\nIst anbul\, SEQUENCE:0 SUMMARY: ArtInternational 2014 UID:353401 END:VEVENT BEGIN:VEVENT DTEND:20140926T200000 DTSTAMP:20140829T072736 DTSTART:20140926T180000 GEO:41.0382864;28.9703304 LOCATION:ArtInternational Istanbul\,The Haliç Congress Center Beyoglu\nIst anbul\, SEQUENCE:0 SUMMARY: ArtInternational 2014 UID:353402 END:VEVENT BEGIN:VEVENT DESCRIPTION:

      Hours:
      Thu\, Sept 25\, 2014: 17:00 &nd ash\; 21:00 (Vernissage)
      Fri\, Sept 26\, 2014: 12:00 &ndash\; 20:00
      Sat\, Sept 27\, 2014: 12:00 &ndash\; 20:00
      Sun\, Sept 28\, 2014: 12 :00 &ndash\; 18:00

      \n

      Admission: \;FREE

      DTEND:20140928 DTSTAMP:20140829T072736 DTSTART:20140925 GEO:41.0382864;28.9703304 LOCATION:Moving Image Istanbul\,Kuleli Building\, Haliç Congress Center\, S ütlüce Mah. Karaagaç Cad. No.19\, Beyoglu\n Istanbul\, 34445 SEQUENCE:0 SUMMARY: Moving Image Istanbul 2014 UID:353394 END:VEVENT BEGIN:VEVENT DTEND:20140925T210000 DTSTAMP:20140829T072736 DTSTART:20140925T170000 GEO:41.0382864;28.9703304 LOCATION:Moving Image Istanbul\,Kuleli Building\, Haliç Congress Center\, S ütlüce Mah. Karaagaç Cad. No.19\, Beyoglu\n Istanbul\, 34445 SEQUENCE:0 SUMMARY: Moving Image Istanbul 2014 UID:353395 END:VEVENT BEGIN:VEVENT DESCRIPTION:

      Dates &\; Opening Hours

      \n
        \n
      • \nProfessional viewing\n
          \n
        • Thursday 18th\, Noon to 9 pm
        • \n< li>Friday \;19th \;\, \;noon \;to \;1pm h\n
        \n
      • \n
      • \n

        Open to the public

        \n
          \n
        • Friday \;19th\,&nbs p\;from \;1pm \;to \;9 pm
        • \n
        • Saturday \;20th\, \ ;Noon \;to \;9 pm
        • \n
        • Sunday 21st\, 11am to 8pm
        • \n
        \n
      • \n
      • \n

        Opening

        \n
          \n
        • Thursday \;18th\, \;Noon\n
        \n
      • \n
      \n
      \n

      Ticket prices

      \n
        \n
      • 20 &euro\; \;General Admission
      • \n
      • 12 &euro\; \;Students/Seniors with valid ID
      • \n
      \n
      DTEND:20140921 DTSTAMP:20140829T072736 DTSTART:20140918 GEO:40.3923508;-3.6972432 LOCATION:Summa Art Fair\,Matadero Madrid Paseo de la Chopera 14 \nMadrid\, 28045 SEQUENCE:0 SUMMARY: Summa Art Fair 2014 UID:353390 END:VEVENT BEGIN:VEVENT DTEND:20140918T210000 DTSTAMP:20140829T072736 DTSTART:20140918T120000 GEO:40.3923508;-3.6972432 LOCATION:Summa Art Fair\,Matadero Madrid Paseo de la Chopera 14 \nMadrid\, 28045 SEQUENCE:0 SUMMARY: Summa Art Fair 2014 UID:353391 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20140904T220000 DTSTAMP:20140829T072736 DTSTART:20140904T200000 GEO:18.4647581;-66.0950288 LOCATION:Walter Otero Contemporary Art\,402 Ave. Constitucion \n San Juan\, 00906 SEQUENCE:0 SUMMARY:LANDVIEW \, Gamaliel Rodriguez UID:353375 END:VEVENT BEGIN:VEVENT DESCRIPTION:

      In our room for emergent practices\, we present the debut at the gallery of \;Poncili Creació\;n\, a multidi sciplinary artist collective led by twins Pablo &\; Efraí\;n del H ierro (USA\, 1990)\, Zuleyka Alejandro (Puerto Rico\, 1988)\, Jimena Llored a (Puerto Rico\, 1986) and Jean-Michael Vissepó\; (Puerto Rico 1988). About his multifaceted creations\, conceived as performing experiences\, P oncili says: "our work is visual\, auditory and non-verbal. We combine perf ormance\, music\, visual arts\, poetry and puppetry to create an ominous an d interactive experience."
       \;
      Since its inception in 2012 in the house/studio of artist Chemi Rosado Seijo (known as \;Chemi&rs quo\;s Room) in Santurce\, Poncili has strengthened its presence with two tours throughout the United States and Puerto Rico as well as presentat ions in the theatre\, perfomance and visual arts circuits in a wide number of cities. Using as primary means foam and their bodies (in motion)\,Poncili Creació\;n \;will engage the public that night with a performance in which "they seek to inspire/create/instigate creativ ity as a method to solve practical/personal/social enigmas\, in this and ot her worlds."

      DTEND:20140928 DTSTAMP:20140829T072736 DTSTART:20140821 GEO:18.4508537;-66.0747818 LOCATION:Roberto Paradise\,1204 Ponce de León Avenue \nSan Juan\, 00907 SEQUENCE:0 SUMMARY:Poncili Creación: MIRA\, Pablo del Hierro\, Efraín del Hierro\, Zul eyka Alejandro\, Jimena Lloreda\, Jean-Michael Vissepó UID:353372 END:VEVENT BEGIN:VEVENT DESCRIPTION:

      Abstracció\;n de cartó\;n y carnaval&nb sp\;is \;Jesú\;s 'Bubu' Negró\;n&rsquo\;s second solo exhibition at the gallery. With his characteristic predilection for everyday materials ("povera")\, on this occasion Negró\;n threw himself to the streets to collect the cardboard boxes in which beers are tr ansported from the factory to the \;different points of sale. On these boxes\, and as part of the series \;Pintar por pintar\, Negr&o acute\;n decided to work a group of abstract paintings that evoke french&nb sp\;Pointillism \;of the late nineteenth century. The artist c ommnents that his mark-making technique mimics that of the craftsmen who pr oduce Puerto Rico&rsquo\;s typical and exuberant masks (created mostly in t he towns of Loí\;za and Ponce). Negró\;n's \;cardborad piec es conjure \;the humble spirit and innate poetry of the traditional fes tivities celebrated in the island&rsquo\;s towns while commenting on the cu rrent state of contemporary abstraction.

      \n

      In addition\, as part of t he exhibition\, the artist will present two sculptural pieces that are also interactive. Titled \;Banco \;marí\;mbula (azul ) and Banco Marí\;mbula (amarillo) \;these two pieces are a new breed of musical instrument that assumes the shape of a public square b ench. The artist created these pieces by using the keys of an old Victrola from 1957\, inspired by the sound and homemade esthetics of an old Caribbea n musical instrument (now in disuse\, called the \;marí\;mbul a). Negró\;n conceived the piece as a communal instrument\, not to be played solo. At the same time\, as if you were in a Museum\, Negr&oac ute\;n sculptures serve as literal benches to sit and contemplate his cardb oard abstractions.

      Key artist of the generation that broke out w ith force at the beginning of the century and with an extensive curriculum\ , Negró\;n&rsquo\;s practice is characterized by minimal intervention s\, the re-contextualization of everyday objects and a relational approxima tion to artistic production as a revealing act of historical\, social and e conomic proportions. \;Jesú\;s &lsquo\;Bubu&rsquo\; Negr& oacute\;n \;(Puerto Rico\, 1975) has participated in prestigio us international exhibitions such as the Sharjah Biennial (United Arab Emir ates\, 2007)\, Whitney Biennial\, Day for Night\, curated by Chrissie Iles and Philippe Vergne (New York\, 2006)\, Torino Triennale Tremusei curated b y Franceso Bonami and Carolyn Christov-Bakargiev (Torino\, 2005)\, among ot hers. Next year\, Negró\;n will be participating in the Havanna Bienn ial (Cuba\, 2015).

      DTEND:20140927 DTSTAMP:20140829T072736 DTSTART:20140821 GEO:18.4508537;-66.0747818 LOCATION:Roberto Paradise\,1204 Ponce de León Avenue \nSan Juan\, 00907 SEQUENCE:0 SUMMARY: Abstracción de cartón y carnaval\, Jesús 'Bubu' Negrón UID:353368 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141018 DTSTAMP:20140829T072736 DTSTART:20140905 GEO:50.9341167;6.9341342 LOCATION:Natalia Hug Gallery\,Jülicher Straße 14 \nCologne\, 50674 SEQUENCE:0 SUMMARY:PAINTING IS NO BUSINESS \, Jan Pleitner UID:353367 END:VEVENT BEGIN:VEVENT DESCRIPTION:

      McCabe Fine Art is proud to present the British artist Damie n Hirst&rsquo\;s (b. 1965) first solo exhibition in Sweden. In the twenty-s ix years since he emerged as a leading member of the Young British Artists (YBA) movement\, Hirst has risen to international fame with iconic works th at explore the relationships between art\, science\, religion\, death and b eauty. \;In 2008\, the artist created a series of 150 &lsquo\;Psalm&rsq uo\; paintings\, each titled after an Old Testament prayer and made up of v ibrantly colored\, exquisite arrangements of butterfly wings. The visually stunning paintings evoke a universal sense of spirituality\, as well as the natural metamorphosis of the butterfly. Alluding to Christian iconography and stained glass windows\, they also seem to possess the meditative abstra ct qualities of Hindu and Buddhist mandalas. The works on display at McCabe Fine Art will be the most significant selection of &lsquo\;Psalms&rsquo\; ever to have been shown together.

      DTEND:20141022 DTSTAMP:20140829T072736 DTSTART:20140829 GEO:59.3362193;18.0828453 LOCATION:McCabe Fine Art\,Artillerigatan 40 \nStockholm\, 114 45 SEQUENCE:0 SUMMARY: THE PSALMS \, Damien Hirst UID:353365 END:VEVENT BEGIN:VEVENT DESCRIPTION:

      Com a exposiç\;ã\;o Costumes\, Daniel Lannes ret oma e avanç\;a com um tipo de procedimento semelhante ao utilizado na serie &ldquo\;safe sex&ldquo\;\, de 2007. O processo criativo do conjunto que mostramos aqui\, assim como o do grupo de trabalhos anterior\, é\ ; fundamentado na criaç\;ã\;o de pinturas com intenso apre&cced il\;o formal e que apresentam cenas insó\;litas que narram pervers&ot ilde\;es a normatividades. Se antes\, a referê\;ncia formal erao pinto r Albert Eckhout\, agora as manchas de cor de John Singer Sargent e Edouard Manet foram base para o desenvolvimento da sé\;rie. Ao interesse con stante pela figura humana\, somaram-se o olhar e a prá\;tica construt iva da abstraç\;ã\;o.

      \n

      Com um posicionamento que se apro xima ao do cronista\, Lannes utiliza estraté\;gias de humor para fala r da relaç\;ã\;o entre imagem e cultura: mais especificamente\, trata da relaç\;ã\;o entre a produç\;ã\;o cultural de imagens e a estrutura social dos gê\;neros\, do prazer\, e da fam& iacute\;lia.

      \n

      Dessa vez\, Lannes se dedicou a uma pesquisa obsessiva sobre o vestuá\;rio e a indumentá\;ria feminina desenhada\, pr oduzida e utilizada entre o sé\;culo XVIII e o começ\;o do s&ea cute\;culo XX. Nesse processo\, voltou maior parte de sua investigaç\ ;ã\;o para livros de costura e referê\;ncia estilí\;stica desse perí\;odo. Algumas imagens lhe despertaram mais o interesse\, e a razã\;o pra isso\, em geral\, era a maneira peculiar pela qual a f igura feminina era representada e\, muitas vezes\, por como esses croquis e videnciavam dados importantes da cultura\, especialmente no que tangencia a divisã\;o social entre os gê\;neros.

      \n

      Nessas imagens\, a s mulheres sã\;o absolutamente objetificadas apresentando gestos\, po ses e roupas deformantes que reverberam um desejo de alienaç\;ã \;o da subjetividade.Para assinalar isso\, Daniel convidou homens (talvez s eja importante dizer que quase todos heterossexuais e quase todos com compo rtamento entendido como masculino) para terem seus rostos retratados em pin turas que os apresentam vestindo as roupas e apresentando os gestos dos tai s livros e revistas de croquis de costura. O humor gerado por ver um homem vestido de mulher deve nos fazer refletir sobre o que seriacaracterí\ ;stico a esse papel de mulher que poderia tornar tã\;o hilá\;ri o um homem nesse lugar.

      \n

      Travestismo Fetichista é\; uma classi ficaç\;ã\;o na Psicologia para fetiches sexuais e parafilias em que o individuo dirige seu impulso sexual para um objeto\, utilizando pelo menos uma peç\;a de roupa do gê\;nero oposto com intensã\ ;o de trazer para si algum sí\;mbolo caracterí\;stico do outro gê\;nero para viver\, durante a atuaç\;ã\;o ritual\, algum a situaç\;ã\;o de determinada maneira que lhe gere prazer narc& iacute\;sico e excitaç\;ã\;o sexual. Nã\;o deve ser confu ndido com disforia de gê\;nero nem com cross-dressing. Uma caracter&ia cute\;stica importante à\; dinâ\;mica do travestismo fetichista de um individuo do sexo masculino com peç\;as de roupa feminina &eacu te\; exatamente a vontade de objetificaç\;ã\;o desse individuo e do subsequente apagamento do sujeito travestido. Parte do humor ao ver um homem vestido de mulher é\; pelo ridí\;culo de algué\;m que ostenta a perda do poder.

      \n

      Com o mesmo posicionamento\, Daniel p roduziu\, ainda\, uma serie de trabalhos em que aponta criticamente pra car acterí\;sticas da estrutura familiar e em que prossegue sua pesquisa sobre desejo. Criando cenas plenas em crueza e crueldade\, Lannes afirma\, ao retomar e avanç\;ar com a pesquisa de 2007\, que há\; como c onstruir um trabalho sé\;rio\,també\;m\, por estraté\;gia s de humor.

      \n

      Bernardo Mosqueira

      DTEND:20141004 DTSTAMP:20140829T072736 DTSTART:20140904 GEO:-22.9811773;-43.2122857 LOCATION:Luciana Caravello Arte Contemporânea\,R. Barão de Jaguaripe \nRio de Janeiro\, 387 22421-000 SEQUENCE:0 SUMMARY:Costumes\, Daniel Lannes UID:353363 END:VEVENT BEGIN:VEVENT DTEND:20140903T220000 DTSTAMP:20140829T072736 DTSTART:20140903T190000 GEO:-22.9811773;-43.2122857 LOCATION:Luciana Caravello Arte Contemporânea\,R. Barão de Jaguaripe \nRio de Janeiro\, 387 22421-000 SEQUENCE:0 SUMMARY:Costumes\, Daniel Lannes UID:353364 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141022 DTSTAMP:20140829T072736 DTSTART:20140902 GEO:53.5978318;9.9781763 LOCATION:LEVY\,Osterfeldstrasse 6 \nHamburg\, 22529 SEQUENCE:0 SUMMARY:New works\, Johannes Hüppi UID:353361 END:VEVENT BEGIN:VEVENT DTEND:20140901T210000 DTSTAMP:20140829T072736 DTSTART:20140901T190000 GEO:53.5978318;9.9781763 LOCATION:LEVY\,Osterfeldstrasse 6 \nHamburg\, 22529 SEQUENCE:0 SUMMARY:New works\, Johannes Hüppi UID:353362 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141025 DTSTAMP:20140829T072737 DTSTART:20140905 GEO:51.2277802;6.8068417 LOCATION:Konrad Fischer Galerie Düsseldorf\,Platanemstrasse 7 \nDüsseldorf\ , 40233 SEQUENCE:0 SUMMARY: Lebensfries - Frieze of Life\, Wolfgang Laib UID:353359 END:VEVENT BEGIN:VEVENT DTEND:20140905T220000 DTSTAMP:20140829T072737 DTSTART:20140905T180000 GEO:51.2277802;6.8068417 LOCATION:Konrad Fischer Galerie Düsseldorf\,Platanemstrasse 7 \nDüsseldorf\ , 40233 SEQUENCE:0 SUMMARY: Lebensfries - Frieze of Life\, Wolfgang Laib UID:353360 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20141025 DTSTAMP:20140829T072737 DTSTART:20140905 GEO:51.2277802;6.8068417 LOCATION:Konrad Fischer Galerie Düsseldorf\,Platanemstrasse 7 \nDüsseldorf\ , 40233 SEQUENCE:0 SUMMARY:Fotografie aus fünf Jahrzehnten\, Bernd Becher\, Hilla Becher UID:353357 END:VEVENT BEGIN:VEVENT DTEND:20140905T220000 DTSTAMP:20140829T072737 DTSTART:20140905T180000 GEO:51.2277802;6.8068417 LOCATION:Konrad Fischer Galerie Düsseldorf\,Platanemstrasse 7 \nDüsseldorf\ , 40233 SEQUENCE:0 SUMMARY:Fotografie aus fünf Jahrzehnten\, Bernd Becher\, Hilla Becher UID:353358 END:VEVENT BEGIN:VEVENT DESCRIPTION:

      Galleri Nicolai Wallner is pleased to present a solo exhibit ion of new works by Chris Johanson. Focusing on the city of Los Angeles\, J ohanson explores the landscape from the point of view of his own personal l ife experiences. Taking his own self as the starting point\, issues of his and others lives\, problems and interactions are dealt with in a direct and honest manner. As such\, the issues are seen selfishly through Johanson&rs quo\;s own lens. Johanson does not necessarily play the critic\, but rather explores these phenomena as he sees them playing out within the physical c ity of Los Angeles.

      Creating a physically immersive portrayal of the city\, an exciting use of materials\, colors\, abstract and figurative elements come together\, ultimately underlining what makes the city divers e as well as what brings it together. Working with unexpected surfaces\, Jo hanson seamlessly incorporates these elements through paintings on found wo od and installations&mdash\;painting directly onto these surfaces. Cut out and layered one on top of the other\, the materials combine to create a thr ee-dimensional experience. A large installation runs throughout the entiret y of the exhibition&mdash\;a representation of the energy that pulsates thr ough the city throughout night and day&mdash\;creating a flowing dynamic th at also physically links the works together.

      The eclectic nature of this work makes evident the chaotic nature of the city of Los Angeles a nd its inhabitants\, but it equally demonstrates a more serious underpinnin g. Johanson&rsquo\;s choice to use recycled materials is a decidedly politi cal one\, albeit with an aesthetic component. The commitment is one of cons ervation\, and as such determines much of what Johanson does\, further tyin g himself with his own immediate environment.

      This direct manner through which Johanson addresses his subject matter is indicative of his p ractice. Coming from a group of artists to emerge out of San Francisco in t he mid-1990s\, Johanson has eschewed a more academic approach to painting\, instead focusing on the feelings and experiences around him. Painting is u nderstood a means of expression\, and as such is an explosion of energy and excitement. As such\, painting functions for Johanson as not only a means of communication\, but equally an outlet.



      Chris Joha nson (b. 1968\, San Jose) has become one of America&rsquo\;s most important painters\, with recent solo presentations at LA MOCA Pacific Design Center (Los Angeles)\, and Malmö\; Konsthall (Malmö\;)\, as well as group presentations at Louisiana Museum of Modern Art (Humlebæ\;k)\, SFMOMA (San Francisco)\, Museum of Contemporary Art (Chicago)\, CCA Wattis Instit ute for Contemporary (San Francisco)\, MCA Chicago (Chicago)\, and the Whit ney Biennial (New York)\, Istanbul Biennial (Istanbul) and the Berlin Bienn ale (Berlin).

      \n

       \;

      DTEND:20141011 DTSTAMP:20140829T072737 DTSTART:20140827 GEO:55.666607;12.5385291 LOCATION:GALLERI NICOLAI WALLNER\,Ny Carlsberg Vej 68 OG\nCopenhagen V\, 17 60 SEQUENCE:0 SUMMARY:CONTINUITY ESCAPES ME (MY SELFISHNESS IN LOS ANGELES)\, Chris Johan son UID:353354 END:VEVENT END:VCALENDAR
    EXPO One Day Pass$ 20.00
    EXPO 3-Day Weekend Pass$ 30.00