BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION: DTEND:20160607 DTSTAMP:20160506T011135 DTSTART:20160430 GEO:25.2145565;55.3032906 LOCATION:XVA Gallery Al Fahidi\,Al Fahidi Neighborhood \nBur Dubai\, SEQUENCE:0 SUMMARY:Watching and Caring\, Alikhaan Abdollahi\, Mohammad Ariyaei UID:417646 END:VEVENT BEGIN:VEVENT DTEND:20160430T210000 DTSTAMP:20160506T011135 DTSTART:20160430T180000 GEO:25.2145565;55.3032906 LOCATION:XVA Gallery Al Fahidi\,Al Fahidi Neighborhood \nBur Dubai\, SEQUENCE:0 SUMMARY:Watching and Caring\, Alikhaan Abdollahi\, Mohammad Ariyaei UID:417647 END:VEVENT BEGIN:VEVENT DESCRIPTION:

In his upcoming solo exhibitio n \;Toy Story 2 \;Morteza Zahedicontinues the exploration of materials and themes introduced in his 2012 exhibition \;Toy Sto ry 1. \;The exhibition comprises a variety of mediums including a large number of works on paper\, bronze and acrylic sculptures and installa tions using neon and found objects. \;

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Morteza Zahedi evokes memories of our early childhood by repurposing the items fromthat period of our lives. Upcycling the surplus\, the rubbish and the forgotten\, and transforming them into raw material for artwork th at is both conceptual and beautiful.

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Although many of the objects may not immediately be recognizable to the vie wer they do have a reminiscent quality which helps us to identify how those objects mayhave affected us at a certain point in our past. The thing that gives a child hope is something that brings joy\, such as toys\, this is p articularly poignant now\, during a time where thousands of children are be ing displaced.

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Being an award winning children&rsquo\;s illustrator Zahedi understands that the most complex iss ues can be communicated through such simplicity. His work\, which one could describe as extremely quirky\, delivers a straightforward message. It touc hes our most innocent\, childish selves.

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Toy Story 2 will open on the 13th of March 2016 and will coincide with the Sikka Art fair. \;The exhibition will run until the 27th \;of A pril 2016.

DTEND:20160427 DTSTAMP:20160506T011135 DTSTART:20160313 GEO:25.2145565;55.3032906 LOCATION:XVA Gallery Al Fahidi\,Al Fahidi Neighborhood \nBur Dubai\, SEQUENCE:0 SUMMARY:Toy Story 2\, Morteza Zahedi UID:417645 END:VEVENT BEGIN:VEVENT DESCRIPTION:

MP5 is one of the most promisi ng and versatile artists of the moment. Born in Naples\, she studied theatr ical scenography in Bologna and animation at the Wimbledon School of Art in London. Very active in the European underground and counterculture scene\, MP5 has closely linked her work during the last decade to the queer and fe minist movement. From her scenography studies comes a close and lasting rel ationship with the experimental theater\, mostly evident in her audio/video installations\, and which continues to influence undoubtedly also her outd oor interventions. Her images in black and white give shape to contemporary myths that underlie a critical and politically engaged vision of reality. She works either on posters\, illustrations for newspapers\, drawings\, vid eo animations or creating public mural works. Her artworks have been exhibi ted in relevant national and international festivals and art institutions\, such as the XII Biennal of European and Mediterranean Young Artist s\, the Triennale di Milano and the MACRO . She has collaborated in the UK with Lazarides&n bsp\;gallery and in France with the designer and gallerist Agn&egra ve\;s B. She was one of the Italian artists invited to the  \;La Tour 13 project \;in Paris. Her works have been appe ared in numerous international publications including Le Monde Dipl omatique\, Vogue\, Wooster Collective\, Juxtapoz.

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The solo exhibition Of Changes will be an exploration of the concepts of randomness and c haos. As psychiatrist and theorist C.G. Jung underlines\, Western Scie nce is based on the concept of causality considered as axiomatic truth: eve rything has an explanation and a cause according to consolidated Natural La ws. This vision is however opposed to the Eastern philosophy\, that conceiv es the whole as an accumulation of the single components\, and where random ness and exceptions are taken in consideration. One of the pillars of Easte rn thought is the I-Ching\, also known as the Book of Changes\, on e of the oldest Chinese texts dating back to 2000 years B.C. Method of divi nation and basis of the philosophy of Chaos\, the book is meant to represen t all possible states of change in the cosmos and human life. The Book of C hanges represents for MP5 a starting point for a new interpretation of real ity\, that becomes in her artworks a reflection on the political crisis in the cultural and psychological spheres of the Western world. \;  \;

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MP5&rsquo\;s project will consist in an exhibition\, an outdoor intervention\, an audio-video performance and a publication. At Wunderkammern\, MP5 will present new artworks produced spe cifically for the show Of Changes: works on wood\, works on paper and installations. The artist will do an outdoor intervention in the Torpig nattara neighborhood in Rome. An audio-video performance will be held durin g the opening event\, and the new book Changes will be presented i n preview on this occasion.

DTEND:20160324 DTSTAMP:20160506T011135 DTSTART:20160220 GEO:41.8772027;12.5407292 LOCATION:Wunderkammern\,124\, Via Gabrio Serbelloni \nRoma\, Lazio 00176 SEQUENCE:0 SUMMARY:Of Changes\, MP5 UID:417642 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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Wunderkammern is pleased to present Crossing the Line \, first show in Italy by Polish artist Robert Proch.

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Robert Proch (born in 1986 in Bydgoszcz\, Poland) is undou btedly one the most promising talents of the emerging Polish contemporary a rt scene. With a degree from the Academy of Fine Arts in Poznan\, city wher e he lives and works\, he has already exhibited with solo shows in key art galleries such as Lazarides (London\, 2014)\, Openspace (Paris\, 2013 and i n 2015 at the Bastille Design Center) and The Outsiders (Newcastle\, 2012). Proch has also participated in group shows at the Puteaux City Hall galler y (Puteaux\, France\, 2014)\, Whitewalls (San Francisco\, 2013)\, and Think space (Los Angeles\, 2012).

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The art o f Robert Proch is an experiment of the imagination. He creates impressive v isions\, half-way between abstraction and figuration. The artist draws insp iration from daily life events and the urban environment that he reduces to their essential elements to create a geometric vision in which the human f igure is suspended in a complex and fragmented world. Like in a deconstruct ed and metaphorical architecture\, the final visual appearance of his image s is characterized by an inspiring unpredictability and a controlled chaos. Inside these fictional landscapes he creates imaginary narratives: often i solated figures\, or estranged from each other\, in a precarious balance be tween what could or would never happen.

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Despite their technological and instantaneous aspect\, Robert Proch does n&rsquo\;t use photography or digital production to create his images. He t akes inspiration from direct life experiences\, which he then reassembles t hrough his memories and combines with free and spontaneous creation on the canvas or wall. This spontaneity is\, as the artist states\, what makes the process of creating so interesting. Time is an important aspect in Proch&r squo\;s work. Nevertheless\, in spite of the great aesthetic dynamism\, Pro ch&rsquo\;s figures seem paralyzed\, suspended in an uncertain moment and s pace.

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Modern human condition\, inacti on and freedom are the concepts that will be explored in Robert Proch&rsquo \;s exhibition at Wunderkammern\, &ldquo\;Crossing the Line&rdquo\;. Accord ing to the artist\, people are influenced by numerous factors that conditio n their lives and actions: everyday needs\, repeated daily gestures or pres sures of the majority. Freedom seems an utopian ideal\, still we always see k for it. But sometimes a breaking point happens in which we are able to se e clearly and take a free action\, take a step further\; we cross the line. However not taking this step can lead to a frustration that can degenerate in destructive tendencies. The artist portrays imagined personalities in t his critical state of mind\, on the thin line that separates the two condit ions.

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For &ldquo\;Crossing the Line&r dquo\; Robert Proch will present new artworks on canvas and drawings\, all created specifically for the show at Wunderkammern. The artist will be pres ent at the opening.

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DTEND:20160611 DTSTAMP:20160506T011135 DTSTART:20160416 GEO:41.8772027;12.5407292 LOCATION:Wunderkammern\,124\, Via Gabrio Serbelloni \nRoma\, Lazio 00176 SEQUENCE:0 SUMMARY:Crossing the Line\, Robert Proch UID:417639 END:VEVENT BEGIN:VEVENT DTEND:20160416T210000 DTSTAMP:20160506T011135 DTSTART:20160416T190000 GEO:41.8772027;12.5407292 LOCATION:Wunderkammern\,124\, Via Gabrio Serbelloni \nRoma\, Lazio 00176 SEQUENCE:0 SUMMARY:Crossing the Line\, Robert Proch UID:417640 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20160703 DTSTAMP:20160506T011135 DTSTART:20160531 GEO:45.5242594;-122.6798072 LOCATION:Waterstone Gallery\,124 NW 9th Ave. \nPortland\, OR 97209 SEQUENCE:0 SUMMARY:Obscured Realm\, Francesca Berrini\, Kamala Dolphin-Kingsley UID:417638 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20160529 DTSTAMP:20160506T011135 DTSTART:20160503 GEO:45.5242594;-122.6798072 LOCATION:Waterstone Gallery\,124 NW 9th Ave. \nPortland\, OR 97209 SEQUENCE:0 SUMMARY:Coalesce\; Above & Beneath\, Ann Lindsay\, Joseph Conrad UID:417636 END:VEVENT BEGIN:VEVENT DTEND:20160505T200000 DTSTAMP:20160506T011135 DTSTART:20160505T173000 GEO:45.5242594;-122.6798072 LOCATION:Waterstone Gallery\,124 NW 9th Ave. \nPortland\, OR 97209 SEQUENCE:0 SUMMARY:Coalesce\; Above & Beneath\, Joseph Conrad\, Ann Lindsay UID:417637 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20160501 DTSTAMP:20160506T011135 DTSTART:20160405 GEO:45.5242594;-122.6798072 LOCATION:Waterstone Gallery\,124 NW 9th Ave. \nPortland\, OR 97209 SEQUENCE:0 SUMMARY:Spontaneous Spark\, Scott C. Johnson UID:417635 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Walter Otero Contemporary Art is pleased to announce the exhibition All Things New by José\; Julio Martí\;nez and Ricardo Morales Hern& aacute\;ndez opening on Thursday\, April 14th at 7:00pm in the contemporary art space located in #402 Ave. Constitució\;n Puerta de Tierra\, San Juan.  \;

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All Th ings New\, a double solo shows presents the works of José\; Julio Mar tí\;nez and Ricardo Morales-­\;‐Herná\;ndez. For this exhibi tion\, in their own formal language each artist develops the concept of con templation\, representation and perception of the landscape that surrounds us. Martí\;nez with his plein air practice retires to rural areas in order to choose the desired landscape to depict on canvas. As he visits dif ferent forests in Puerto Rico\, the artist approaches his surroundings with empathy\, focusing on the life and energy that inhabits the selected space . Through loose brushstrokes and thick layers of oil paint\, Martí\;n ez work is a testimony to his experiences with nature. On the other hand\, Ricardo Morales-Herná\;ndez in diverse formats creates drawings and p aintings where paradisiac imagery is transcribed evoking musical notations\ , real and imagined flora that reminisce their tropical surroundings. Throu ghout his work the artist is able to solve with simplicity the relationship of life and biodiversity overcoming his worldview of infinite complexities .

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José\; Julio Martí\;nez\, emerging Puerto Rican artist graduated from the universi ty of Puerto Rico\, Rio Piedras campus with a bachelor&rsquo\;s degree in p ainting. Martí\;nez work mainly focuses on landscapes as the main sub ject matter. In these he references the work of the impressionist and posti mpressionists as well as current tendencies in painting. Selected as one of the artists to exhibit in Artejangueo in the Museo de Arte de Puerto Rico\ , 2016. He participated in the XVI edition of the Muestra Nacional\, exhibi tion by the Instituto de Cultura de Puerto Rico\, 2015. \;

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The work of Ricardo Morales-Hern& aacute\;ndez depicts a personal\, political and cosmic story by means of an alogue\, digital and biological processes. Morales-Herná\;ndez work o n occasions is developed by collaborative efforts of volunteers throughout the Internet and traveling workshops in Europe and Latin America. He has be en recipient of multiple awards\, grants and residencies\, among them: Cent er of Photography CPW\,NY-Andy Warhol Foundation\, National Endowment for t he Arts y Center for Image Science en Austria\, entre otros. \;

DTEND:20160530 DTSTAMP:20160506T011135 DTSTART:20160414 GEO:18.4647581;-66.0950288 LOCATION:Walter Otero Contemporary Art\,402 Ave. Constitucion \n San Juan\, 00906 SEQUENCE:0 SUMMARY:All Things New\, José Julio Martínez\, Ricardo Morales-Hernández UID:417633 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Ofer Rotem&rsquo\;s graphite-o n-paper drawings exist in two parallel worlds. The general appearance seems purely realistic\; on closer inspection\, however\, his viewers are about to be surprised: some of the drawings reveal a whole underground world of d warves\, demons and strange monsters hiding among the bushes and grass. Con currently\, Rotem explores scribbles\, lines and stains\, and feverishly ex amines reflections in glass (in shop windows and train stations).

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ציוריו של עפר רותם\, בעיפרון&ndash\;גרפי ט על נייר\, מתקיימים בשני עולמות מקבילים. הדימוי הכללי נראה\, לכאורה\, ריאל יסטי טהור. אבל מבט מעמיק יותר\, מקרוב\, מגלה במקצת הציורים עולם שלם\, תת&nd ash\;קרקעי\, של גמדים\, שדים ומפלצות מוזרות הנחבאים\, כביכול\, בין השיחים ו העשבים ובמקומות אחרים.
בד בבד\, חוקר רותם את עולם השרבוט\, הקו והכתם. הוא מרבה להתבונן\, מתוך עמלנות כמעט קדחתנית\, בהשתקפויות בזכוכית (בחלונות ראווה\, בתחנות רכבת וכדומה). למתבונן בציוריו מצפות הפתעות.

DTEND:20161029 DTSTAMP:20160506T011135 DTSTART:20160623 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:The 2015 Haim Shiff Prize for Figurative-Realist Art\, Ofer Rotem UID:417630 END:VEVENT BEGIN:VEVENT DTEND:20160623T220000 DTSTAMP:20160506T011135 DTSTART:20160623T100000 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:The 2015 Haim Shiff Prize for Figurative-Realist Art\, Ofer Rotem UID:417631 END:VEVENT BEGIN:VEVENT DESCRIPTION:

David Tartakover (b. 1944\, Is rael Prize for Design\, 2002) has been collecting images and texts from all junctions of Israeli culture and current affairs for decades\, harnessing them to constructing gaping reality images that are swept away into the 196 7 watershed. The exhibition presents posters made in response to cultural p rocesses and current affairs alongside drawings and work diaries revealing thoughts\, frames of reference\, formulation of images and ideas at work.\n


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זה ארבעה עשורים אוסף דוד טרטקובר (נ' חיפה\, 1944\; חתן פרס ישראל\, 2002) דימויים וטקסטים מכל פינות התרבות ו האקטואליה הישראלית. את חומריו אלה הוא רותם להערות פרשניות\, תמונות מציאות פ עורות הנגרפות בכל ממדיהן אל קו פרשת המים של 1967. התערוכה המקיפה מתמקדת בכר זות שיצר בתגובה לאירועי אקטואליה ובהתייחס לתהליכים בתרבות המקומית. לצדן מוצ גים רישומים ומבחר מתוך "הספרים השחורים" &mdash\; יומנים החושפים הלכי רוח וח שיבה\, מסגרות התייחסות ותהליכי גיבוש של דימויים ורעיונות ביצירתו משנות השבע ים ואילך.

DTEND:20161008 DTSTAMP:20160506T011135 DTSTART:20160603 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:The Exhibition\, David Tartakover UID:417628 END:VEVENT BEGIN:VEVENT DTEND:20160603T140000 DTSTAMP:20160506T011135 DTSTART:20160603T100000 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:The Exhibition\, David Tartakover UID:417629 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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Nir Evron focuses on historical events an d locations\, on processes of recollection and questions of representation. The exhibition presents a trilogy of video and film surveying sites on the West Bank: one seemingly frozen in time\; another&mdash\;deserted in the m idst of construction\; and the third offering hope for a utopic regional fu ture. Also screened are two films made in former detention facilities: a Ge rman sanatorium\, locations in French Guiana and Devil&rsquo\;s Island.

The exhibition was sponsored by the Israel Lottery Council for Cu lture &\; Arts

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עבודתו של האמן ניר עברון מתמקדת בחקר אתרים ואירועים היסטור יים\, בתהליכי היזכרות ובשאלות של ייצוג. בתערוכה מוצגת טרילוגיה של עבודות וי דאו ופילם מהשנים 2014-2009 הסוקרת אתרים בנויים בגדה המערבית &mdash\; האחד כ מעט מושבת לחלוטין\, כאילו קפא בזמן\; השני ננטש באמצע הבנייה והשלישי\, נושא הבטחה לעתיד אזורי אוטופי. כמו כן מוצגים שני סרטים מהזמן האחרון שצולמו באתרי ם מחוץ לישראל ששימשו בעבר מתקני כליאה. האחד\, בסנטוריום בגרמניה והשני\, בגי אנה הצרפתית ובמושבת העונשין אי השדים.

התערוכה בחסות מועצת הפיס לתרבות ולאמנות

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DTEND:20161024 DTSTAMP:20160506T011135 DTSTART:20160622 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:Masad: Video\, Film and Photography\, 2009—2016\, Nir Evron UID:417626 END:VEVENT BEGIN:VEVENT DTEND:20160622T160000 DTSTAMP:20160506T011135 DTSTART:20160622T100000 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:Masad: Video\, Film and Photography\, 2009—2016\, Nir Evron UID:417627 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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In her exhi bition-making and artistic practice\, German-born Canadian artist-curator Y dessa Hendeles has often explored notions of difference and diversity\, and the way representation and distortion\, appropriation and assimilation can filter group and individual identities. From her wooden sleep...\, first m ounted at London&rsquo\;s Institute of Contemporary Arts in 2015 but now ex panded in a site-specific installation for Israel\, continues this explorat ion using art\, artefacts\, found objects and audio to create a unique\, mu lti-gallery tableau vivant.

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The exhi bition was made possible thanks to support from the Sam Gorovoy Foundation\ , Wendy Fisher and the Kirsh Family Foundation

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Additional thanks to Barbara Edwards Contemporary\, Toront o and Calgary
Audio recording by TACET Musikproduktion\, Stuttgart

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בתערוכותיה ובעשייתה האמנותית מרבה האמנית&ndash\;אוצרת הקנדית ילידת גרמניה אידסה הנדלס לבחון כיצד שוני וגיוון \, ייצוג וסילוף\, אישור והטמעה יכולים למיין זהויות אם של קבוצה ואם של יחידי ם. התערוכה &mdash\; שב&ndash\;2015 הוצגה בפעם הראשונה במכון לאמנות בת זמננו \, לונדון &mdash\; ממשיכה בחקר זה מתוך שימוש באמנות\, בחפצי אמנות\, בחפצים מצויים ובאודיו\, כדי ליצור בישראל "תמונה חיה" תלוית מקום המתפרשת על פני גלר יות הביתן.

התערוכה התאפשרה הודות לתמיכתה
של קרן סם גורו בוי\, ונדי פישר וקרן
משפחת קירש ותודות לברברה אדוארדס קונטמפוררי\, טו רונטו וקלגרי
הקלטת האודיו\, tacet Musikproduction\, שטוטגרט
&nb sp\;

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DTEND:20161024 DTSTAMP:20160506T011135 DTSTART:20160526 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:From her wooden sleep...\, Ydessa Hendeles UID:417624 END:VEVENT BEGIN:VEVENT DTEND:20160526T220000 DTSTAMP:20160506T011135 DTSTART:20160526T100000 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:From her wooden sleep...\, Ydessa Hendeles UID:417625 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The exhibition\, marking the 1 00th anniversary of Dada\, presents 60 works from public and private collec tions from Israel and abroad of Dada and Lettrist artworks\, sound poems an d video clips\, and works associated with the medieval mystic Abraham Abula fia\, who served as inspiration to the Lettrist leader Isidore Isou and the Dada-affiliated poet Yvan Goll.

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CREDITS:
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The exhibition and catalogue were made possible through the suppor t of the David Berg Foundation\, New York

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תערוכה לציון יובל המאה להיווסדה של תנועת הדאדא. 60 עבודות &mdash\; מאוספים ציבוריים ופרטיים\, מהארץ ומחוץ לה &mdash\; של אמ ני דאדא ולטריזם\, שירה פונטית\, וידאו קליפים ויצירות בעלות זיקה למקובל הימי &ndash\;ביניימי אברהם אבולעפיה ששימש מקור השראה למייסד הלטריזם\, איזידור אי זו\, ולמשורר איוון גול המקורב לדאדא.

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DTEND:20161114 DTSTAMP:20160506T011135 DTSTART:20160617 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:Alchemy of Words: Abraham Abulafia\, Dada\, Lettrism UID:417622 END:VEVENT BEGIN:VEVENT DTEND:20160617T140000 DTSTAMP:20160506T011135 DTSTART:20160617T100000 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:Alchemy of Words: Abraham Abulafia\, Dada\, Lettrism UID:417623 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Eli Gur Arie&rsquo\;s exhibiti on relates to the possibility of an apocalyptic event and its ecological an d biological consequences. Gur Arie builds survival surroundings with bio-m echanic elements to sustain the catastrophe&rsquo\;s surviving hybrid creat ures. He employs the aesthetic of a consumer society\, similar to that of t he advertising industry\, both obsessed with the superficial\, in order to formulate a critique of contemporary society.

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בתערוכתו של אלי גור אריה\, העוסקת בסיכוי להתרחשותו של אירוע אפוקליפטי ובתוצאותיו האקולוגיות והביולוגיות\, הוא בונה מרחב הישרדותי שיסודו ת ביו מכניים משמרים בו את חיי היצורים בני הכלאיים ששרדו לאחר האסון. גור ארי ה &mdash\; כדי לנסח את ביקורתו על החברה בת זמננו &mdash\; נוקט אסתטיקה של ת רבות הצריכה\, שכמו תעשיית הפרסום כפייתית בעיסוקה בשטחי.

DTEND:20160820 DTSTAMP:20160506T011135 DTSTART:20160518 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:Growth Engines\, Eli Gur Arie UID:417618 END:VEVENT BEGIN:VEVENT DTEND:20160518T160000 DTSTAMP:20160506T011135 DTSTART:20160518T100000 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:Growth Engines\, Eli Gur Arie UID:417619 END:VEVENT BEGIN:VEVENT DESCRIPTION:

American photographer W. Eugene Smith (1918&ndash\;1978) dev eloped and perfected the concept of &rdquo\;photo essay&ldquo\; and created the model for &rdquo\;humanistic photojournalism.&ldquo\; Smith regarded t he photograph as the last word and believed photography could lead to socia l change. His photo essays\, published mostly in Life\, documented forsaken and ill-fated locations in the USA and worldwide. The exhibition focuses o n single images from his major documentary series\, which epitomize his soc ial and artistic commitment.

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ו' יוג'ין סמית (1978-1918)\, מבכירי הצלמים האמריקנים\, פיתח ושכלל את המושג "כ תבה מצולמת" ויצר את המודל ל"צילום עיתונות הומניסטי" מתוך אמונה שהתמונה היא המילה האחרונה\, והצילום יכול להביא לידי שינוי חברתי. כתבותיו המצולמות\, שהת פרסמו בעיקר בעיתון "לייף"\, תיעדו מקומות שכוחי אל ומוכי גורל בארצות הברית ו בעולם. התערוכה מתמקדת בדימויים בודדים\, מהסדרות התיעודיות המרכזיות שלו\, המ בליטים את מסירותו החברתית והאמנותית.

DTEND:20161029 DTSTAMP:20160506T011135 DTSTART:20160607 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:W. Eugene Smith: A Selection of Works from the Museum Collection\, W. Eugene Smith UID:417616 END:VEVENT BEGIN:VEVENT DTEND:20160607T220000 DTSTAMP:20160506T011135 DTSTART:20160607T100000 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:W. Eugene Smith: A Selection of Works from the Museum Collection\, W. Eugene Smith UID:417617 END:VEVENT BEGIN:VEVENT DESCRIPTION:

The works of Zik Group\, activ e in Israel since the 1980s\, range between giant installations\, burning p erformances\, dance and movement\, sculpture and paintings\, music and soun d. Minaret of Defence\, a site-specific 25-meter tower designed especially for the Museum&rsquo\;s Lightfall\, represents the dramatic changes&mdash\; physical-architectural as well as demographic and security ones&mdash\;unde rgone by Tel Aviv\, a city where the guarding/threatening towers of the IDF Rabin Camp stand alongside office towers and minarets.

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עבודותיה של קבוצת זיק\, קבוצת האמנים הוותיקה ביותר בארץ הפועלת מאז שנות השמונים\, נעות בין מיצבי ענק\, מיצגים בוערים\, מחול ו תנועה\, פיסול וציור\, מוזיקה וסאונד. "מסגד הביטחון" הוא מגדל של 25 מטרים שע וצב והורכב במיוחד למפל האור של מוזיאון תל אביב לאמנות ומייצג את השינוי הדרמ טי &mdash\; הן האדריכלי&ndash\;פיזי והן הדמוגרפי והביטחוני &mdash\; שחל בתל אביב\, עיר של מגדלי הקריה השומרים/מאיימים\, לצד בנייני המשרדים הרמים וצריח י המסגדים.

DTEND:20161105 DTSTAMP:20160506T011135 DTSTART:20160513 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:Minaret of Defense\, Zik Group UID:417614 END:VEVENT BEGIN:VEVENT DTEND:20160513T140000 DTSTAMP:20160506T011135 DTSTART:20160513T100000 GEO:32.0765663;34.7874508 LOCATION:Tel-Aviv Museum of Art\,27 Shaul Hamelech Blvd \nTel Aviv\, 61332 SEQUENCE:0 SUMMARY:Minaret of Defense\, Zik Group UID:417615 END:VEVENT END:VCALENDAR