BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION:

Still Movie \;is the sec ond feature of \;Txema Novelo&rsquo\; s film pentalogy \;The Anagram Movie Series. The film will hav e its solo opening at the Museo de Arte Carrillo Gil in Mexico City on Apri l 11th 2014. \;&ldquo\;..kno what you want\, be your own boss\, do what you hav to\, and take nothing for granted.&rdquo\; (sic) - \;Thee Temp le of Psychick Youth

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Divided in five complex chapters&nb sp\;Still Movie \;is a union of many themes.  \;Exemplary of the contemporary way in which we access information through the internet &ndash\; think time travel and infinite research possibilities\, webs of r elationships between subjects\, etc.  \;It juxtaposes references rangin g from very early paintings depicting paradise to modern paintings of indus trial times\, references Nietzsche as well as Bob Dylan\, and shows the str iking similarities of symbols found in Mitla Oaxacan pyramids with that Ata ri video game icons.  \;Besides the myriad of thematic allusions\,  \;Still Movie \;also becomes a new way to see painting. Its sc enes are pictorial\, sometimes imitating paintings themselves\, and at time s digital versions of old paintings become video and change colors\, fading and coming back to life.

DTEND:20140611 DTSTAMP:20140730T034414 DTSTART:20140411 GEO:19.3491869;-99.190796 LOCATION:Museo de Arte Carrillo Gil\,Av. Revolución 1608\, San Angel \nMexi co\, DF 01000 SEQUENCE:0 SUMMARY:CINCO DE LA SERIE DE PELÍCULAS ANAGRAMA\, Txema Novelo UID:348489 END:VEVENT BEGIN:VEVENT DTEND:20140411T200000 DTSTAMP:20140730T034414 DTSTART:20140411T180000 GEO:19.3491869;-99.190796 LOCATION:Museo de Arte Carrillo Gil\,Av. Revolución 1608\, San Angel \nMexi co\, DF 01000 SEQUENCE:0 SUMMARY:CINCO DE LA SERIE DE PELÍCULAS ANAGRAMA\, Txema Novelo UID:348490 END:VEVENT BEGIN:VEVENT DESCRIPTION:

On May 21\, 2014\, the Winter Palace welcomed the grand open ing of the exhibition &ldquo\;Claude Monet. Three Scenes from the Beyeler F oundation&rdquo\; from the series &ldquo\;World Museum Masterpieces at the Hermitage\,&rdquo\; prepared by the State Hermitage and the Beyeler Foundat ion\, Switzerland.

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The exposition is on display in the impressionis t halls\, exquisitely complementing the paintings by Claude Monet from the State Hermitage collection\, which includes a fine range of Monet&rsquo\;s early work\, beginning with the celebrated \;Women in the Garden \;and two oversized Montgeron canvasses. These &ldquo\;garden&rdquo\ ; scenes\, painted in Sainte-Adresse and Montgeron\, cry out for comparison with the later views of Giverny.

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The artistry of Claude Monet (184 0&ndash\;1926) can be nominally divided into three periods. The early perio d stretches from his first landscape sketches (1856) to his first personal exhibition at the Durand-Ruel Gallery in 1883. It was then that the artist settled in Giverny\, a place he chose as the cornerstone for the rest of hi s life. The next\, central period is striking first and foremost for his se ries of landscapes\, variations on a single motif: \;Haystacks \, \;Poppy Field\, \;Poplars. The final and most extended period begins in 1892 \;with his rendering of the Rouen Cathed ral and continues with the large group \;Views of the River Thames in London \;and more definitively by the series of depictions of t he sprawling Giverny garden created by Monet himself: \; \;In t he Meadow\, \;Japanese Footbridge\, \;Water Lilie s.

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The Beyeler Foundation\, founded in 1997 in Riehen\, Switze rland by one of the best gallerists of the 20th Century\, won acclaim for i ts featured works by impressionists and the contemporary masters whose name s continue to define the path of world art. The exposition showcases three paintings by Claude Monet that beautifully illustrate the facets of his art that are missing from the Hermitage collection. They are all part of the G iverny period &ndash\; even \;Rouen Cathedral\, begun in Rouen (1892)\, continued there (1893) but finished within the confines of his Gi verny studio (1894)\, when his artistic mastery was no longer in need of an y hints from nature.

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The general problem of the \;Rouen Cat hedral \;series\, comprising a total of 30 canvases\, was not only the consistent rendering of the transitory state of the cathedral&rsquo\;s lighting\, but also in the pictorial transfiguration of visual effects in &ldquo\;symphonic&rdquo\; arrangement. Each and every nuance is striking. T he morning rays are already streaming into the upper floors of Alban Tower\ , yet the cathedral&rsquo\;s foundation continues to slumber in deep shadow \, the gothic stones tamed by the air enshrouding them.

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All of Mone t&rsquo\;s later work is associated with Giverny. He planted gardens there that were at once an amazing feat of gardening skill and a fertile environm ent for painting. The Big Pond is magnificent\, landscaped in the Eastern t radition\, complete with the wooden footbridge above it and the lush vegeta tion dotting its banks. \;Japanese Footbridge \;from the B eyeler Foundation (1918&ndash\;1924) was painted following a series of dram atic event&rsquo\;s in the artist&rsquo\;s life: the death of his wife\, hi s eldest son&rsquo\;s heart attack\, his deteriorating vision. But in the s ummer of 1914\, despite all of his misfortunes\, he took up the brush once again\, finding the best medicine and solace in his work. His connection wi th nature is becoming too fragile. It&rsquo\;s no longer a landscape in the common sense of the word or even a flight of fancy on a conventional theme \, but an expression of sheer awe in the face of the eternal green elements . The rhythmics of this awe becomes the meaning of his work.  \;

\n< p>The main theme of the older artist&rsquo\;s paintings &ndash\; \; Water Lilies. He paints them over and over again\, without thinking ab out the purpose of his canvases. Over time\, the idea came about to put the m in the Orangerie Building at Tuileries Garden. Not all of them were &ldqu o\;well-suited\,&rdquo\; and the ones that didn&rsquo\;t make the cut remai ned unknown until the mid-20th Century. The generality of the color splashe s in the later \;Water Lilies \;(1914-17) is striking: blu e water and a green blotch of leaves\, nothing more. But it&rsquo\;s import ant to remember that Monet&rsquo\;s generalizations were inspired by his pa ntheistic attitude towards the eternal green of nature\, his homage to the vitality of the water element and world of vegetation.

DTEND:20140913 DTSTAMP:20140730T034414 DTSTART:20140521 GEO:59.9311986;30.3035311 LOCATION:State Hermitage Museum\, St. Petersburg (Winter Palace of Peter th e Great)\,Dvortsovaya Naberezhnaya (Embankment)\, 32 \nSt Petersburg\, 1900 00 SEQUENCE:0 SUMMARY:Three Scenes From the Beyeler Foundation. From the series “World Mu seum Masterpieces at the Hermitage” \, Claude Monet UID:348488 END:VEVENT BEGIN:VEVENT DESCRIPTION:

On June 10\, 2014\, room number 307 (the Blue Bedroom) of th e Winter Palace saw the opening of the "Monologue in Praise of the Seashell " exhibition. The exhibition features more than 150 objects of arts and cra fts covering the period from antiquity (4000 BC) to the present day from th e State Hermitage collection.

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Since ancient times\, shells have pla yed an important role in human life &ndash\; at home\, in religion\, during ceremonies. With the development of religious ideas\, they became endowed with a certain symbolic meaning\, somehow uniting different nations and rel igions\, while at the same time somehow significantly differentiating them. The unity comes from the habitat and shape of the shells &ndash\; a symbol of the water element\, of femininity. Also\, at different times and in dif ferent nations\, shells have been used as a form of currency\, for example\ , in Africa "shell money" was in circulation almost until the 20th century.

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The exhibition aims to show how attractive this wonderful creation of nature is to man\, and how it can be turned into a work of art in the h ands of a skilled craftsman. The Hermitage collection allows you to see the shell in its various guises &ndash\; as a talisman\, amulet\, table decora tion and as a valuable material for jewellers and cameo engravers.

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Since the 16th century\, \;Nautiluses \;and \;turb o shells \;imported from the South Seas have been purified into mo ther-of-pearl\, and jewellers have placed them in precious settings. These highly valued products have adorned kings&rsquo\; and tsars&rsquo\; treasur ies\, cabinets and collections of curiosity lovers.

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Cowries\, t ridacnas \;and \;turbo shells \;have attracted je wellers with their wealth and elegance of colours and pleasing tactile qual ities. They used them to create snuff containers\, powder flasks and a vari ety of boxes. \;Triton&rsquo\;s trumpet \;and \;Tu rbinella rapa \;shells have been used in many countries as ritual musical instruments\, bugles and hunting horns. The beautiful\, graceful sh ape of shells has offered plenty of opportunity to transform them into cups \, fountains\, table decorations\, etc.

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The exposition opens with e xhibits from the first half of the 4th millennium BC &ndash\; shells found during archaeological excavations of different settlements in Eurasia. They served as ornaments of status and amulets\, carrying specific symbolic mea ning.

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Eventually\, shells began to be used as a material for gem ca rvers. On display at the exhibition are luxury items made by goldsmiths and silversmiths of the 16th and 17th centuries where shells are complemented by images related to water and sea elements. These include Aphrodite who wa s &lsquo\;born from the foaming waves&rsquo\;\, the ruler of the seas Posei don\, the Tritons\, Nereides and hippocampi\, dolphins and turtles.

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During the Rococo period\, master craftsmen made elegant snuff boxes\, cas kets\, bottles in the shape of shells from various materials &ndash\; porce lain\, ornamental stone\, gold and silver\, decorating them with carvings\, bright enamel and paintings.

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The shell theme and its shape have at tracted artists from different disciplines over the centuries. Rocaille swi rls\, based on the shell shape\, have become one of the main decorative mot ifs of the Rococo style of the mid-18th century\, whose ideas were actively developed by artists in the 19th century\, who created the so-called &lsqu o\;marine Rococo style&rsquo\;. It was the main decorative motif of the neo -Rococo style.

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Modern masters are also turning to the shell for ins piration\, seeing it as a refined material for creating works of art\, or r endering it in different materials.

DTEND:20150111 DTSTAMP:20140730T034414 DTSTART:20140610 GEO:59.9311986;30.3035311 LOCATION:State Hermitage Museum\, St. Petersburg (Winter Palace of Peter th e Great)\,Dvortsovaya Naberezhnaya (Embankment)\, 32 \nSt Petersburg\, 1900 00 SEQUENCE:0 SUMMARY:Monologue in Praise of the Seashell UID:348486 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Juried exhibition of art by Louisiana artists held at the Ca pitol Park Museum (formerly Louisiana State Museum). Jurors- Ben Thompson\, Curator at the Museum of Contemporary Art Jacksonville\; Katie Pfohl\, Cur ator at LSU Museum of Art\; and Eric Robert Dallimore\, co-owner of the Leo n Gallery\, Denver\, Colorado

DTEND:20140828 DTSTAMP:20140730T034414 DTSTART:20140719 GEO:30.4531558;-91.1871983 LOCATION:Louisiana State Museum\,660 North 4th Street \nBaton Rouge\, LA 70 802 SEQUENCE:0 SUMMARY:2014 Art Melt\, Amy Guidry\, Group Exhibition UID:348411 END:VEVENT BEGIN:VEVENT DTEND:20140719T220000 DTSTAMP:20140730T034414 DTSTART:20140719T050000 GEO:30.4531558;-91.1871983 LOCATION:Louisiana State Museum\,660 North 4th Street \nBaton Rouge\, LA 70 802 SEQUENCE:0 SUMMARY:2014 Art Melt\, Group Exhibition\, Amy Guidry UID:348412 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Fino al 15 giugno è\; in corso la mostra Nati nei &rsq uo\;30. Milano e la generazione di Piero Manzoni.

In concomitanz a con l&rsquo\;antologica di Piero Manzoni a Palazzo Reale\, la rassegna\, che partecipa al palinsesto della &ldquo\;Primavera di Milano&ldquo\;\, pro pone una ricognizione della generazione di artisti milanesi di nascita o di adozione\, nati fra il 1930 e il 1939\, e quindi appartenenti alla generaz ione di Manzoni.

Si tratta di una generazione nata tutta durante il fascismo\; che conosce da vicino la guerra e la guerra civile\, anche s e non vi partecipa direttamente\; che sente come patria l&rsquo\;Europa e l &rsquo\;America\, non l&rsquo\;Italia sconfitta\, ma trova i maestri pi&ugr ave\; condivisi in Lucio Fontana e\, in misura minore\, in Munari\; che viv e sia le durezze del dopoguerra\, sia gli anni del boom economico. E&rsquo\ ; una generazione per cui gli studi all&rsquo\;accademia (a Brera\, dove in segnavano Funi\, Carrà\;\, Carpi\, Marino Marini) rappresentavano anc ora un&rsquo\;esperienza decisiva di formazione\; che operava in un sistema dell&rsquo\;arte ancora incentrato sull&rsquo\;artista più\; che sul critico\; che aveva possibilità\; di esporre o di vendere ancora rel ativamente limitate (la qual cosa favoriva complicità\; e aggregazion i ben più\; di ora)\; che &ndash\; al di là\; di nostalgie e le ggende &ndash\; viveva ancora momenti di incontro\, confronto\, scontro\, d iscussione quotidiani\, imparagonabili a quanto accade oggi.

Ses santa artisti e sessanta opere documentano l&rsquo\;effervescente clima mil anese degli anni Sessanta-Settanta\, la stagione artistica successiva al re alismo\, all&rsquo\;informale\, al realismo esistenziale. La mostra prosegu e poi addentrandosi nel clima postinformale dei primi anni Sessanta\, attra verso esponenti di &ldquo\;Azimuth&rdquo\;\, dell&rsquo\;arte cinetica e pr ogrammata\, del gruppo del Cenobio. Documenta quindi le ricerche degli espo nenti della figurazione vicina alla Pop Art e della pittura analitica\, sof fermandosi infine sulle ricerche concettuali e sulla poesia visiva. Grande attenzione è\; dedicata alla scultura\, rappresentata dai principali artisti nati fra il 1930 e il 1939 e attivi a Milano. La mostra però\ ; non vuole essere una ricognizione per &ldquo\;gruppi&rdquo\; ma per indiv idualità\; e vasto spazio è\; dedicato anche a figure che si mu ovono individualmente nel panorama del periodo.

Accompagna l&rsq uo\;iniziativa un catalogo Skira con testi delle curatrici\, biografie ragi onate a cura di Lorella Giudici e Luca Cavallini e dichiarazioni di poetica degli artisti a cura di Elisabetta Staudacher.

Il progetto alle stitivo della mostra è\; realizzato da Massimo Negri dello studio DNP R.

In concomitanza alla mostra e a corollario della stessa si te rrà\; una serie di incontri di approfondimento sul fermento culturale milanese tra gli anni Sessanta e gli anni Ottanta e sull&rsquo\;influenza di quel periodo sul clima artistico di oggi.

Il prossimo appunta mento è\; MARTEDI&rsquo\; 10 GIUGNO\, ALLE ORE 18.30\, con MARTINA CO RGNATI che terrà\; la conferenza Milano laboratorio di una &ldquo\;st rategia del segno&rdquo\; . \; Alla fine del sesto decennio\, con la co nclusione dell&rsquo\;esperienza nucleare e una sostanziale polverizzazione degli altri gruppi in individualità\; singole\, dotate di un linguag gio già\; caratterizzato\, \; Milano\, forse più\; di ogni altra città\; italiana\, si configura come un laboratorio di idee e p rogetti originali\, in cui quella che potremmo provare a chiamare la &ldquo \;strategia del segno&rdquo\; assume un&rsquo\;importanza determinante\, si a presso gli artisti del Cenobio sia nell&rsquo\;ambito di Azimut\; nel con testo delle sperimentazioni di Lucio Fontana come anche fra gli ex-adepti d el Movimento Arte Concreta. Il decennio che si apre vedrà\; una notev ole crescita di interesse per l&rsquo\;oggetto\, &ldquo\;cosa&rdquo\; in am bito minimal\, e &ldquo\;prodotto&rdquo\; in ambito pop. Anche il segno\, d a ingrediente dell&rsquo\;espressività\; informale tende a farsi ogge tto in se stesso\, meritevole di un&rsquo\;indagine specifica condotta in b uona parte dagli artisti milanesi\, in termini molto originali.

DTEND:20140615 DTSTAMP:20140730T034414 DTSTART:20140409 GEO:45.4636889;9.1881408 LOCATION:Museo La Permanente Milano\,Società per le Belle Arti ed Esposizio ne Permanente \nMilano\, SEQUENCE:0 SUMMARY:Nati nei ’30. Milano e la generazione di Piero Manzoni\, Vincenzo A ccame\, Valerio Adami\, Getulio Alviani\, Giovanni Anceschi\, Rodolfo Aricò \, Paolo Baratella\, Giuliano Barbanti\, Gabriella Benedini\, Floriano Bodi ni\, Agostino Bonalumi\, Davide Boriani\, Ugo Carrega\, Enrico Castellani\, Mino Ceretti\, Gianni Colombo\, Miro Cusumano\, Dadamaino\, Sergio Dangelo \, Gabriele Devecchi\, Lucio Del Pezzo\, Amalia Del Ponte\, Enrico Della To rre\, Luciano Fabro\, Agostino Ferrari\, Attilio Forgioli\, Federica Galli\ , Alberto Ghinzani\, FRANCA GHITTI\, Gino Gini\, Emilio Isgrò\, Ugo La Piet ra\, Pierluigi Lavagnino\, Piero Manzoni\, Giancarlo Marchese\, Umberto Mar iani\, Iros Marpicati\, Claudio Olivieri\, Gottardo Ortelli\, Giancarlo Oss ola\, Gianfranco Pardi\, Tullio Pericoli\, Lorenzo Piemonti\, Pino Pinelli\ , Giò Pomodoro\, Mario Raciti\, Bepi Romagnoni\, Ettore Sordini\, Giangiaco mo Spadari\, Giuseppe Spagnulo\, Mauro Staccioli\, Tino Stefanoni\, Valenti no Vago\, Nanni Valentini\, Grazia Varisco\, Angelo Verga\, Nanda Vigo\, Fr anco Zazzeri UID:348353 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Opening Hours &\; Admission

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Friday 29 August: 1 6 - 20
Saturday 30 August: 12 - 18
Sunday 31 August: 12 - 17
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ADMISSION
Adults: 100 kr
Students with valid stu dent ID: 50 kr
Senior: 50 kr
Children (0 \;- 16 years): Free< br />Students at The Royal Danish Academy of Fine Arts: Free  \;

\n< h3>Exhibitors\n
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VI\, VII ( NO)
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ANDERSEN&rsquo\;S CONTEMPORARY (DK)< /div>\n
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GALLERI ANDERSSON/SANDSTRÖ\;M (SE)\n
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GALERIE ANHAVA (FI)
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\nANNAELL EGALLERY (SE)
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GALLERI BO BJERGGAARD (DK)
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CHRISTIAN ANDERSEN (DK)
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\n< div class="views-row views-row-8 views-row-even">\n
CHRISTIAN LARSEN (SE)
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DAVID RISLEY GALLERY (DK)
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EDITION COPEN HAGEN (DK)
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ELASTIC GALLERY (SE)
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GALERIE FORSBLOM (FI)
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JOHAN BERGGREN GALLERY (SE)
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G ALLERI NICOLAI WALLNER (DK)
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NIELS B ORCH JENSEN (DK)
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NILS STÆ\;RK (DK)
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GALERIE NORDENHAKE \;(DE/SE)
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I8 GALLERY (IS)
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GALLERI MAGNUS KARLSSON (SE)
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MART IN ASBÆ\;K GALLERY (DK)
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OSL CONTEMP ORARY (NO)
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PETER LAV GALLERY (DK)
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PEDER LUND (NO)
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SPECTA (DK)
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GALLERI SUSANNE OTTES EN (DK)
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GALLERY TAIK PERSONS (DE/FI)\n
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V1 GALLERY (DK)
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DTEND:20140831 DTSTAMP:20140730T034414 DTSTART:20140829 GEO:55.6803151;12.5869818 LOCATION:CHART ART FAIR\,Kunsthal Charlottenborg Nyhavn 2\nCopenhagen\, 105 1 SEQUENCE:0 SUMMARY: CHART ART FAIR 2014 UID:348300 END:VEVENT BEGIN:VEVENT DTEND:20140829T200000 DTSTAMP:20140730T034414 DTSTART:20140829T160000 GEO:55.6803151;12.5869818 LOCATION:CHART ART FAIR\,Kunsthal Charlottenborg Nyhavn 2\nCopenhagen\, 105 1 SEQUENCE:0 SUMMARY: CHART ART FAIR 2014 UID:348301 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Opening Times &\; Admission

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Aug. 29

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Professionnal preview (by invitation only)
3&mdash\;8pm< /p>\n

Aug. 30 &\; 31

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open to all public
Exhibition ->\; Sept. 14\, 2014
2&mdash\;7pm
Tickets: 3&euro\;< /p>\n

Exhibitors

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Antoine Levi\, Par is \;
G. \;Kü\;ng

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Crè\;vec&oelig\;ur\, Paris  \;
Xavier \;Antin\, Erica \;Baum\, Mick \;Peter\, Flo rian \;&\; \;Michael \;Quistrebert

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Samy Abraham\, Pa ris \;
Genê\;t \;Mayor

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Rolando Anselmi\, Berlin < br />Valerie \;Krause

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MD72\, Berlin
Merlin \;Carpente r

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PM8\, Vigo
Loreto \;Martinez \;Troncoso\, Fina  \;Miralles

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Delire Gallery\, Brussels
Pat \;McCarthy\, A&n bsp\;Dog \;Republic

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Sultana\, Paris

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Tatjana Pieters\, G hent
Stefanie \;De \;Vos\, Rein \;Dufait

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Proyecto s Ultravioleta\, Guatemala City

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Carroll/Fletcher\, London
Karmelo \;Barmejo\, Eva \;&\;&n bsp\;Franco \;Mattes\, Christine \;Sun \;Kim

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Praz-Delav allade\, Paris
Sam \;Durant\, Joel \;Kyack\, Ry \;Rocklen \, Jim \;Shaw

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Laurent Godin\, Paris
Scoli \;Acsota\, Claude \;Closky\, Paul \;Czerlitzki

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Daviet-Thery &\; mfc -michè\;le didier\, Paris \;
Robert \;Barry\, Claire&nbs p\;Morel\, Yann \;Sé\;randour

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Emmanuel Hervé\;\, Pa ris \;
Peter \;Robinson

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Meessen de Clercq\, Brussels < br />Hreinn \;Fridfinnsson\, Nicolá\;s \;Lamas\, ALEK \;O .\, Sarah \;Ortmeyer\, Evariste \;Richer

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NoguerasBlanchard\ , Barcelona|Madrid
Alain \;Biltereyst

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Louis 21\, Madrid|P alma de Mallorca
Pep \;Vidal

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Ricou Gallery\, Brussels
É\;tienne \;Bossut

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DTEND:20140831 DTSTAMP:20140730T034414 DTSTART:20140829 GEO:43.3116714;5.3808683 LOCATION:ART-O-RAMA\, Marseille International Fair of Contemporary Art\,La Cartonnerie\, La Friche la Belle de Mai 41 rue Jobin \nMarseille\, 13003 SEQUENCE:0 SUMMARY: ART-O-RAMA 2014 UID:348298 END:VEVENT BEGIN:VEVENT DTEND:20140829T200000 DTSTAMP:20140730T034414 DTSTART:20140829T150000 GEO:43.3116714;5.3808683 LOCATION:ART-O-RAMA\, Marseille International Fair of Contemporary Art\,La Cartonnerie\, La Friche la Belle de Mai 41 rue Jobin \nMarseille\, 13003 SEQUENCE:0 SUMMARY: ART-O-RAMA 2014 UID:348299 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Opening Times

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Vernissage (by Invitation on ly!):
14th of \;August 2014\, 4 p.m.- 9 p.m.

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Public Days
15th-25th of \;August 2014\, daily from 1 1 am to 6 pm

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Exhibitors

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A

Gal erie bei der Albertina &bull\; Zetter
Ö\;sterreichische Kunst des 20. Jahrhunderts

AENEA
Jewellery for Lover s


C

2C for Art
Modern and Contemporary Art

Kunsthandel Czaak
Modern and Contemporary Art

F

Galerie Johannes Faber
F otografie

Galerie Franç\;aise
Klassische Moderne

Kunsthandel Freller
Klassische Moderne


G

Giese &\; Schweiger
Ö\;sterreichische Ku nst des 19. und 20. Jahrhunderts

Galerie Gugging
Art brut

H

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Gerald Hartinger Fine Arts
Amerikanische Pop-Art


K

Kovace k Spiegelgasse
Gemä\;lde des 18. und 19. Jahrhunderts\, Klassische Moderne\, Glas

Kovacek contemporary
Zeitgenö\;ssische Kunst

Patrick Kovacs Kunsthandel
Kunst und Antiquitä\;t en

L

Lilly's Art
Antike Wiener Uhren von 1600 bis 1840 Gemä\;lde und Skulpturen des 20. und 21. Jahrhu nderts

M

Galerie Magnet
Klassis che Moderne


P

Anne Pá\;l ffy
Fine Jewels

R

Galerie Dr. R iedl
Klassische Moderne

Galerie Ruberl
Klassische Mode rne &\; Ö\;sterreichische Kunst nach 1945

Kunsthandel Run ge
Gemä\;lde\, Mö\;bel &\; Volkskunst

S< /strong>

Galerie Thomas Salis
Impressionisten\, deutsche &a mp\; franzö\;sische Expressionisten\, klassische Moderne &\; zeitgen ö\;ssische Kunst

Kunsthandel Schü\;tz
Gemä\;lde der klassischen Moderne\, Lampen\, Bronzen\, Glas &\; Mö\;bel

T

Galerie Elisabeth und Klaus Thoman
Zeitgenö\;ssische Kunst

V

Galer ie von Vertes
Impressionismus\, Fauvismus\, deutscher Expressionismus und Pop Art


W

Kunsthandel Wien erroither &\; Kohlbacher
Gemä\;lde ö\;sterreichischer Meist er &\; der klassischen Moderne

Kunsthaus Wiesinger
Antiq uitä\;ten des 18.\, 19. und 20. Jahrhunderts\, Bilder &\; Kleinkunst

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DTEND:20140825 DTSTAMP:20140730T034414 DTSTART:20140814 GEO:47.7985015;13.045787 LOCATION:ART SALZBURG International Fine Art Fair\, Residenz Salzburg \nSal zburg \, A-5020 SEQUENCE:0 SUMMARY: ART SALZBURG 2014 UID:348296 END:VEVENT BEGIN:VEVENT DTEND:20140814T210000 DTSTAMP:20140730T034414 DTSTART:20140814T160000 GEO:47.7985015;13.045787 LOCATION:ART SALZBURG International Fine Art Fair\, Residenz Salzburg \nSal zburg \, A-5020 SEQUENCE:0 SUMMARY: ART SALZBURG 2014 UID:348297 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Opening Times &\; Admission

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Vernissage
Wednesday 13 August 2014

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General Opening Times

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6pm &ndash\; 10pm

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Thursday 14 August 201411am &nd ash\; 6pm
Friday 15 August 201411am &ndash\; 8pm
Saturday 16 August 201410am &ndash\; 6pm
Sunday 17 August 201410am &ndash\ ; 5pm
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TICKET PRICES

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Vernissage: $150 (advance bookings only)
Wednesday 13 August 2014\, 6pm & ndash\; 10pm

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Collector Pass: $250 (adv ance bookings only)
Includes unlimited entry to the Fair\, Fi rst View\, Vernissage\, Collector Program and Collectors Lounge.

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Thursday 14 August &ndash\; Sunday 17 August
Adult: \;$28 in advance / $30 at the doorConcession: \;$22 in advance and at the door
Kids: \;Under 16 free when accompanied by an adult (Th ursday &ndash\; Sunday only*) \;

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Exhibitors

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Alcasto n \;GalleryMelbourne
Anna Pappas Gall eryMelbourne
Anna Schwartz GalleryMelbourne | Sydney
Annandale GalleriesSydney
Arc One GalleryMelbourne
Art AtriumSydney
Art Colle ctive WAPerth
Art EquitySydney | London | Singapore
Artereal \;Gallery
Arts Project AustraliaMelbourne
Beaver GalleriesCanberra
Bett GalleryHobart
Blackartprojec tsMelbourne
Cascade Art SpaceK ehl
Chalk HorseSydney
Cohju contemporary artKyoto
Colville GalleryHobart
Conny Dietzschold Gallery\nSydney | Germany | Hong Kong
Cube Contempor ary Art ProjectsAdelaide
Daine SingerMelbourne
Darren Knight GallerySyd ney
Dianne Tanzer Gallery + Projects (This is no Fan tasy)Melbourne
Dominik Mersch GallerySydney
Edwina Corlette GalleryBris bane
Fehily ContemporaryMelbourne
FireWorks GalleryBrisbane
Flinders Lane GalleryMelbourne
Galeria A FASantiago
Gallery 9Sydney
Gallery OneGold Coast
GallerysmithMelbourne
Greenaway Art Gall ery / GagprojectsAdelaide | Berlin
Helen Gory Galerie (This is no Fantasy)Melbourne
Adelaide
Hugo Michell GalleryAdelaide
James Makin GalleryMelbourne
Kick GalleryMelbourne
Kong SpaceBeijing
Les ley Kehoe GalleriesMelbourne
Lindberg Gal leriesMelbourne
Liverpool Street Gallery< /td>\nSydney
.M ContemporarySydney\n
[MARS] Melbourne Art RoomsMelbourne
Martin Browne ContemporarySydney
Michael ReidSydney | Berlin | Murrurundi
Moana Project SpacePerth
Mossenso n GalleriesPerth
Mossgreen GalleryMelbourne
Niagara GalleriesMelbourne< /td>\n
Olsen IrwinSydney
PaulnacheGisborne New Zealand
Pearl Lam G alleriesShanghai | Hong Kong | Singapore
Rebecca Hossack Art GalleryLondon | New York
Roslyn Oxley9 GallerySydney
Ryan Rens haw GalleryBrisbane
Sanderson Contemporar y ArtAuckland
Scott Livesey GalleriesMelbourne
Sophie Gannon GalleryMel bourne
StarkwhiteAuckland
Stills GallerySydney
{Suite}Wellington
Sullivan + StrumpfSydney
The Commercial GallerySydney
Tolarno GalleriesMelbourne
Tu rner GalleriesPerth
Utopian SlumpsMelbourne
Venn GalleryPerth
Wagner Art GallerySydney
Wa tters GallerySydney
William Mora Gallerie sMelbourne
Yamaki Art GalleryO saka
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MAF PROJECT ROOMS

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Boxcopy Contemporary Ar t SpaceBrisbane
c3 Contemporary Art Space Melbourne
Centre for Contemporary Photogr aphyMelbourne
Contemporary Art Centre of South AustraliaAdelaide
Gertrude Contempo raryMelbourne
DTEND:20140817 DTSTAMP:20140730T034414 DTSTART:20140813 GEO:-37.798389;144.9694441 LOCATION:Melbourne Art Fair\,Royal Exhibition Building Carlton Gardens\nMel bourne \, Victoria 3053 SEQUENCE:0 SUMMARY:2014 Melbourne Art Fair UID:348294 END:VEVENT BEGIN:VEVENT DTEND:20140813T220000 DTSTAMP:20140730T034414 DTSTART:20140813T180000 GEO:-37.798389;144.9694441 LOCATION:Melbourne Art Fair\,Royal Exhibition Building Carlton Gardens\nMel bourne \, Victoria 3053 SEQUENCE:0 SUMMARY:2014 Melbourne Art Fair UID:348295 END:VEVENT BEGIN:VEVENT DESCRIPTION:
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RussellLee worked as part \; of the government-sponsored \;Farm Security Administration beginning in 1936\, \;documenting the socialand economic hardships \;faced by m illions of \;rural Americans during periods of drought and Depression. This exhibition\, drawn from Philbrook&rsquo\;s collection\, features Lee&r squo\;s Oklahoma-based photographs from 1939-1940. \;

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DTEND:20141026 DTSTAMP:20140730T034414 DTSTART:20140727 GEO:36.1234206;-95.9696029 LOCATION:Philbrook Museum of Art\,2727 S. Rockford Road \nTulsa\, OK 74114 SEQUENCE:0 SUMMARY:Hard Times\, Oklahoma\, 1939–40\, Russell Lee UID:348280 END:VEVENT BEGIN:VEVENT DTEND:20140727T170000 DTSTAMP:20140730T034414 DTSTART:20140727T100000 GEO:36.1234206;-95.9696029 LOCATION:Philbrook Museum of Art\,2727 S. Rockford Road \nTulsa\, OK 74114 SEQUENCE:0 SUMMARY:Hard Times\, Oklahoma\, 1939–40\, Russell Lee UID:348281 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Rabih Mroué\;
For his first Swiss solo exhibition \, a collaboration between Fri Art and the Belluard Bollwerk International Festival\, Lebanese artist Rabih Mroué\; (*1967) has hand-picked a nu mber of his recent works which explore how subjective and collective narrat ives\, coupled with the media\, influence the construction of historical ac counts.

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Rabih Mroué\; belongs to the generation of Lebanese a rtists who came to prominence in the immediate period after the official en d of the civil war in 1990. As well as being a stage and film director\, sc ript-writer and actor &ndash\; starring most notably alongside Catherine De neuve in Je veux voir\, a film by Joana Hadjithomas and Khalil Joreige &nda sh\; Rabih Mroué\; is a visual artist whose work includes video\, pho tography and installation art.

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Laurie Vannaz\, The Lost Ship \; For her first solo institutional exhibition\, Laurie Vannaz (*1987)\, a you ng Fribourg artist and recent graduate of HEAD in Geneva\, will present a l arge-scale immersive video installation.

DTEND:20140810 DTSTAMP:20140730T034414 DTSTART:20140627 GEO:46.8031985;7.1594072 LOCATION:Fri Art\,Petites-Rames 22 \nFribourg\, FR CH-1700 SEQUENCE:0 SUMMARY:Festival Belluard Bollwerk International \, Rabih Mroué\, Laurie Va nnaz UID:348277 END:VEVENT BEGIN:VEVENT DESCRIPTION:

For the month of August\, Omaha artists Hope Dendinger\, Kat rina Methot-Swanson\, and Shea Wilkinson will present &ldquo\;Evolutionary Relationships.&rdquo\; \; The show runs July 29\, through August 31\, 2 014. \; They will host an opening celebration during Omaha Firs t Fridays at the Artists&rsquo\; Cooperative Fine Art Gallery\, 405 S. 11th St.\, from 6 p.m. to 9 p.m. Friday\, August 1\, 2014. \;
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Mixed media artist\, Hope Dendinger< /strong> has two collections that capture emotion in portraits and the allu re of nature in her new series of what she calls\, &ldquo\;Tree Forms.&rdqu o\; \; Hope&rsquo\;s portraits depict an aura of emotional hardships wi th grainy\, heavily textured surfaces that move toward a detailed focus in faces.  \;Other works emphasize on the more positive powers of loyalty and love. \; Dendinger&rsquo\;s Tree Forms series are ink on paper rend erings with hints of symbolism. \; The images show the tree form stripp ed and scarred\, yet they appear to still be alive. \; Much like revela tions in her portraits\, the Tree Forms have a similar theme. \; &ldquo \;The Tree Forms are bare in vegetation\, but do not lack liveliness. \ ; They are a representation of life experiences and hardships that the huma n race endures\,&rdquo\; states Dendinger.
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The oil pain tings of Katrina Methot-Swanson present the viewer a porta l into solitude. \; For this show\, Katrina&rsquo\;s work has evolved f rom the obscure vision of what is beyond the window glass and what it refle cts. \; While the paintings are both dark and well lit\, they also have a dream-like feel to them. \; &ldquo\;Walking around at night offers m e a peaceful time where I can catch up with my thoughts and daydreams\, I f ind myself painting solitary people who seem to be in their own world\,&rdq uo\; says Katrina\, &ldquo\;Darkness makes it easy to think of yourself as alone\, even when you are surrounded by people throughout the day\, but per ceptions change at night\, and I&rsquo\;m interested in capturing a moment that can portray a universal loneliness.&rdquo\;
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For th is show\, Shea Wilkinson has created freehand quilts of pl ant cross-sections.  \;When magnified many times\, the plant structure reveals a world of intricacies and puzzles. \; Through Wilkinson&rsquo\ ;s quilts\, it is easy to see familiar objects created by man. \; It ma kes one ponder. \; Why is there a mysterious correlation between the pl ant and us\, the observer and consumer? \; Do plant forms inspire some architecture? \; About her images\, Shea explains\, &ldquo\;Within plan t structures\, everything is stable and as it should be\, yet is not rigidl y defined as it is in man-made structures. \; After studying and proces sing these natural formations\, I&rsquo\;ve extracted various patterns from many plants and put them together in ways that don&rsquo\;t exist in natur e.&rdquo\;

DTEND:20140831 DTSTAMP:20140730T034414 DTSTART:20140729 GEO:41.2564745;-95.9305357 LOCATION:Artists Cooperative Gallery\,405 S. 11th St. \n Omaha\, NE 68102 SEQUENCE:0 SUMMARY:Evolutionary Relationships\, Hope Dendinger\, Katrina Methot-Swanso n\, Shea Wilkinson UID:348275 END:VEVENT BEGIN:VEVENT DTEND:20140801T210000 DTSTAMP:20140730T034414 DTSTART:20140801T180000 GEO:41.2564745;-95.9305357 LOCATION:Artists Cooperative Gallery\,405 S. 11th St. \n Omaha\, NE 68102 SEQUENCE:0 SUMMARY:Evolutionary Relationships\, Hope Dendinger\, Katrina Methot-Swanso n\, Shea Wilkinson UID:348276 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Paul Greedy&rsquo\;s \;Pressure Vessel \;is an audio installation that explores the dynamics of sound propagation in a rchitectural space. \; By mapping the gallery&rsquo\;s resonances\, mod es and dominant frequencies he will be creating instruments tailored to the particular acoustic qualities of the gallery.

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Ultrasonic rangefind ers will track a viewer&rsquo\;s movements through the gallery\, activating sets of instruments that correspond to their locations\; the viewer is bot h audience and performer\, activating and embodying the experience of its c haracteristic resonances.

DTEND:20140829 DTSTAMP:20140730T034415 DTSTART:20140729 GEO:-33.8831736;151.2020463 LOCATION:UTS Gallery\,level 4\, 702 Harris Street Ultimo\nSydney\, NSW SEQUENCE:0 SUMMARY:Pressure Vessel \, Paul Greedy UID:348273 END:VEVENT BEGIN:VEVENT DTEND:20140729T200000 DTSTAMP:20140730T034415 DTSTART:20140729T180000 GEO:-33.8831736;151.2020463 LOCATION:UTS Gallery\,level 4\, 702 Harris Street Ultimo\nSydney\, NSW SEQUENCE:0 SUMMARY:Pressure Vessel \, Paul Greedy UID:348274 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Art Plural Gallery will be showcasing ten works from renowne d American artist\, Peter Halley. Largely associated with Neo-Conceptualism and Minimalist art\, he is famed for his vibrantly-coloured geometrical pa intings\, often described as square prisons. Halley challenges the concept of space\, viewing his principle motif\, the square\, as a metaphor for con finement. Reflecting the idea of prisons\, solitary themes play crucial to Halley&rsquo\;s work. The artist refers to the time when he first arrived i n New York\, recollecting the isolated hardships he faced upon living alone . The importance of solitary isolation in his work is further enhanced by h is intensely bright\, almost fluorescent\, colour palette\, which has often been interpreted as a clear movement away from the natural world. Using Ro ll-a-Tex and Day-Glo paint as his main material sources\, Halley&rsquo\;s a rt thus transcends modern principles as a reflection of contemporary societ y.

DTEND:20141003 DTSTAMP:20140730T034415 DTSTART:20140829 GEO:1.294176;103.849427 LOCATION:Art Plural Gallery\,38 Armenian Street \nSingapore\, 179942 SEQUENCE:0 SUMMARY:Solo Exhibition\, Peter Halley UID:348269 END:VEVENT BEGIN:VEVENT DTEND:20140828T210000 DTSTAMP:20140730T034415 DTSTART:20140828T180000 GEO:1.294176;103.849427 LOCATION:Art Plural Gallery\,38 Armenian Street \nSingapore\, 179942 SEQUENCE:0 SUMMARY:Solo Exhibition\, Peter Halley UID:348270 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Art Plural Gallery is pleased to announce \;Water\, Colour\, Recordings\, the solo exhibition of French Berlin-based artis t Agathe de Bailliencourt running from August 29 to October 3\, 2014 at Thi rd Floor - Art Plural Gallery. The exhibition unveils the new series \; Couleur du Temps. \;

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Agathe de Bailliencourt&rsquo\;s exhibition deals with the question of horizon\, as one of painting&rsquo\;s most basic acts in defining time\, space\, and a scale of infinity. By app lying an extended version of watercolor-technique on untreated linen canvas \, de Bailliencourt turns the perspective of a romantic tradition of landsc ape painting\, the imagination of a distant past\, towards an open futurist vision. \;

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The untreated linen fiber reacts to the painting ma terial in an extremely sensitive and almost uncontrollable way. At the same time\, every action is irreversibly visible\, laying bare the entire proce dure of producing an image of a landscape. \;

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Through an elabor ate method of repetitive movements\, of slow sedimentation of color and of recording the process itself\, the artist establishes the landscape with a single horizontal line\, reminding the work of Hiroshi Sugimoto. The painti ngs are built up as a complex layering of somehow responsive shades of colo r. \;

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More than creating an image\, Agathe de Bailliencourt cre ates a context\, an environment that is open for the viewer. In her own wor ds\, the artist sees the work as an intuitive exploration for an area that shifts the experience of materiality and depth towards something beyond\, s omething beyond inside and outside. \; \;

DTEND:20141003 DTSTAMP:20140730T034415 DTSTART:20140829 GEO:1.294176;103.849427 LOCATION:Art Plural Gallery\,38 Armenian Street \nSingapore\, 179942 SEQUENCE:0 SUMMARY:Water\, Colour\, Recordings\, Agathe de Bailliencourt UID:348267 END:VEVENT BEGIN:VEVENT DTEND:20140828T210000 DTSTAMP:20140730T034415 DTSTART:20140828T180000 GEO:1.294176;103.849427 LOCATION:Art Plural Gallery\,38 Armenian Street \nSingapore\, 179942 SEQUENCE:0 SUMMARY:Water\, Colour\, Recordings\, Agathe de Bailliencourt UID:348268 END:VEVENT BEGIN:VEVENT DESCRIPTION:

Paul Kwilecki owned and operated a hardware store in Bainbri dge\, GA\, and spent over 40 years photographing his native Decatur County\ , GA. From the 1960s - 2000s\, Kwilecki made thousands of black &\; whit e photographs that captured the passage of time and the changes that took p lace in this southwest corner of Georgia. One Place is an intimate and focu sed portrait of a single place that resonates with a universal vision of hu manity.

DTEND:20140921 DTSTAMP:20140730T034415 DTSTART:20140724 GEO:29.9436012;-90.07121 LOCATION:The Ogden Museum of Southern Art\,925 Camp Street \nNew Orleans\, LA 70130 SEQUENCE:0 SUMMARY:One Place: Paul Kwilecki and Four Decades of Photographs from Decat ur County\, Georgia\, Paul Kwilecki UID:348266 END:VEVENT END:VCALENDAR