ArtSlant - Recently added en-us 40 ABOVE - Metro Gallery - June 8th, 2012 - July 2nd, 2012 <p>A solo exhibition at Metro Gallery in Melbourne, Australia 2012</p> Wed, 25 Mar 2015 11:31:34 +0000 Group Show - MCA DENVER - May 14th - June 28th <p>Thief Among Thieves is a group exhibition featuring the work of more than twenty artists working in a broad range of styles and media. Rather than surveying a single theme, the exhibition instead draws connections between the world of art and the world we live in. The title is drawn from the idea that artists continually borrow from the world around them &ndash; &rdquo;stealing&rdquo; from both art history and from any place&ndash;past or present, real or imagined.<br />Artists featured in the exhibition include: Matthew Brandt, Miguel Calder&oacute;n, Cynthia Daignault, Sam Falls, Theaster Gates, Patrick Lee, Nathan Mabry, Pedro Reyes, Pedro Reyes, Amanda Ross-Ho, Raqib Shaw, and others.<br />Thief Among Thieves will be presented on the second floor of MCA Denver in the Natasha Congdon Gallery, Vicki &amp; Kent Logan Promenade Space, Joseph Crescenti Family Gallery, and the Mary Caulkins &amp; Karl Kister Gallery. This exhibition is co-organized by Nora Burnett Abrams and Adam Lerner.<br /><br />This exhibition is supported in part by the Director's Vision Society and Colorado Creative Industries. MCA Denver also thanks the Citizens of the Scientific and Cultural Facilities District.</p> Tue, 24 Mar 2015 16:47:09 +0000 Johanna Diehl - Galerie Wilma Tolksdorf Frankfurt - March 28th - May 30th <p>Works presented in the exhibition SETS are shifting along the interface between photography and film. Places depicted in the works are located in Sicily, Rome, Bolzano, Bergamo, Trent and were built under Mussolini. The exhibition introduces an extended readability of the published trilogy &lsquo;Borgo Romanit&agrave; Alleanza&rsquo; (Hatje Cantz, 2014) and expands the photographic image towards the dimension of the cinematic.<br /><br />Three different aspects maintain a focal point of the exhibition. The first refers to the pan shots and camera work in movies of the propaganda facility &lsquo;Instituto Luce&rsquo;, founded in 1924, as well as in the work of the director Michelangelo Antonioni in his films from the 1950&rsquo;s and 1960&rsquo;s. The second aspect deals with the stopping of the moving image and with the exposing of the view. The third approach concerns the impact of the historical narration on the public space which today is still used as a stage for the political and everyday life. <br /><br />The depictions in frescos, marble and stone generate a specific political dimension of those places. They can be read as &lsquo;backdrops&rsquo; - a technical term taken from area of the stage setting which means a painted curtain used as background of the stage. Placed in front of those settings things become scenery and persons transform into parts of the play (mise-en-sc&egrave;ne). Within the works of Johanna Diehl the expression &lsquo;mise-en-sc&egrave;ne&rsquo; refers to the original 'mettre quelqu'un, quelque chose sur la sc&egrave;ne', which means as much as &lsquo;to make someone or something become a subject of the theater or to assign a place to someone or something&rsquo;.<br /><br />In the movies of the Instituto Luce the Italian settlements planed and built under Mussolini formulate settings for the appearance of power. In doing so, they turn into frames of ideological iconography and become scenes of the spectacle. Within their filmic transition, they seem only to exist in order to create meaning and relevance. In the movies of Antonioni these places on the contrary become sites of meandering protagonists who do not know what to do. While in the propaganda movies the architecture obviously dictates how to move, think and behave, in Antinioni&rsquo;s films it turns to a medium which reflects the inner conflicts, isolation and void of the characters.<br /><br />Johanna Diehl&rsquo;s recent works presented in the exhibition encounter this twofold existence of the places by discussing the elements of the filmic within the medium of the photographic image. She restages these places for the third time while simultaneously dissolving them from the status of framing a plot or being a setting for agents, so that liberated observation from an &lsquo;aesthetic distance&rsquo; becomes possible in the first place. By releasing and intercepting cinematic images, Johanna Diehl points toward the irresolvable status.<br /><br /><br />Johanna Diehl (*1977 in Hamburg, Germany) lives and works in Berlin. She studied photography/visual arts at the Academy of Visual Arts in Leipzig under Prof. Timm Rautert, Boris Mikhailov, and as a master-class student under Prof. Tina Bara. She also studied at the ENSBA Paris under Christian Boltanski and Jean-Marc Bustamante. Her works have been shown at various national and international exhibitions. She has received numerous awards, most recently the working stipend of the Foundation Kunstfonds Bonn and the Akademie Schloss Solitude.<br /><br />For further information and press inquiries please contact<br />Galerie Wilma Tolksdorf: 0049 69 - 430 594 27 /</p> Tue, 24 Mar 2015 14:39:44 +0000 Group Show - Art 1307 Villa Di Donato - May 28th - June 28th <p style="text-align: justify;">ART1307 in partnership with the Lancaster Museum of Art and History (MOAH) present an art exhibition featuring The Artists of the Film MANA, works by Los Angeles artists Craig Skibs Barker, Casper Brindle, Ben Brough, Alex Couwenberg, Ned Evans, Steve Fuchs, Eric Johnson, David Lloyd, Ken Pagliaro and Alex Weinstein.</p> <p style="text-align: justify;"><br /> MANA, an Eric Minh Swenson film showcasing 10 southern California artists who share the skill and affinity of surfing, and how their interactions with the dynamics of the ocean influence their artwork. Filmed in Kona, Hawaii and southern California, MANA takes movie goers on a ride through 10 different artists&rsquo; styles, studios and processes, united in vision and driven by family, friendship, stoke, aloha and MANA: the universal power of the land and sea.</p> <p style="text-align: justify;"><br /> Seven of the ten artists will be attending this exhibition.</p> Sat, 21 Mar 2015 19:06:31 +0000 Group Show - William Reaves Fine Art - May 8th - June 20th <div style="text-align: justify;"><strong>William Reaves Fine Art announces<em>&nbsp;The Texas Aesthetic IX,&nbsp;</em>on view&nbsp;May 8-June 20, 2015<em>.</em></strong><br /><br /></div> <div style="text-align: justify;">For the ninth consecutive year, William Reaves Fine Art brings its popular&nbsp;<em>Texas Aesthetic</em>&nbsp;series back to Houston, providing local aficionados with a delightful sojourn into the distinctive qualities and continuing appeal of traditional Texas painting.&nbsp; Reaves and company open the chute for the&nbsp;<em>Texas Aesthetic IX</em>&nbsp;at their new Westheimer location beginning May 8th and running through June 20th. &nbsp;The exhibition, the gallery&rsquo;s annual celebration of true Texas art, has blossomed into one of the most recognizable and highly anticipated &ldquo;annuals&rdquo; in the state.&nbsp; It features an impressive assemblage of the foremost Texas painters at work in the state today, with selections carefully curated to engender a thoughtful perspective on traditional Texas painting.&nbsp; It is a show that seeks to remind Texans of the inherent virtues of their own &ldquo;Texas&rdquo; brand of art, and fetes patrons to a fabulous display of the best works emanating from Lone Star easels today.</div> <div style="text-align: justify;"> <div>&nbsp;</div> The exhibition showcases the fifteen artists included in the WRFA stable of Contemporary Texas Regionalists (CTR).&nbsp; The fifteen are well-established artists from across the Lone Star State who coalesce to form one of the state&rsquo;s most vital and interesting communities of professional painters, collectively pursuing a modern-day Texas aesthetic which honors and extends the historic efforts of earlier Texas artists.&nbsp; While the output of the CTR group varies widely in terms of style, subject and temper, each artist is strong in their own right and all strive to incorporate their personal Texas perspectives and narratives into superb compositions. Their works eminently capture the diverse landscape, majestic skies, brilliant light and nuanced atmospheres of this grand and vast state, and deftly project the character and personality of Texas and its people. It makes for a pleasing, yet diverse display of Texas-centered materials, reflective of the richness and diversity of our state, as well as its art&ndash;both now and over the years.&nbsp;</div> <div style="text-align: justify;"> <div>&nbsp;</div> Members of the Contemporary Texas Regionalists include: Randy Bacon (Albany), Mary Baxter (Marfa), David Caton (Utopia), Margie Crisp (Elgin), Keith Davis (Austin), Charles Ford (Houston), Pat Gabriel (Fort Worth), Billy Hassell (Fort Worth), Lee Jamison (Huntsville), Rob Kendrick (Austin), Laura Lewis (Mason), William Montgomery (Elgin), Noe Perez (Corpus Christi), Jeri Salter (Round Rock), and Debbie Stevens (Cypress).&nbsp; As a group, they have garnered much attention from informed collectors, as well as attracting interest and consideration of many of the state&rsquo;s leading museums.&nbsp; The CTR group is currently the subject of an exhibition at the new Pearl Fincher Museum of Art on the city&rsquo;s burgeoning Northwest side, and will show at Victoria&rsquo;s venerable Nave Museum in June of this year.&nbsp; In addition to inclusion in important individual and corporate collections, works by individual CTR members may be found in the permanent collections of museums across the state including The Dallas Museum of Art, The Menil Collection, The Grace Museum, The San Angelo Museum of Art, and The Art Museum of South Texas.</div> <div style="text-align: justify;"> <div>&nbsp;</div> Given the spacious new galleries of WRFA&rsquo;s new Houston home, Reaves and staff will feature a broader group of guest artists for this year&rsquo;s exhibition, bringing even more talent to the fore. To date artists who have accepted invitation to participate in<em>Texas Aesthetic IX</em>, include prominent Houston watercolorists Erik Sprohge and Hunter George (both returning to the show, and both having wowed previous audiences with their past selections), renowned Houston painter, Henri Gadbois, and Fort Worth expressionist, Jim Malone.&nbsp; More invitations have been extended, so expect others notable Texas painters to add their distinctive visions to the fold!</div> <div style="text-align: justify;"> <div>&nbsp;</div> Based on past experiences, this year&rsquo;s Texas Aesthetic promises to be even bigger and better; which means it is certain to be one of the most interesting and entertaining art shows going in the Lone Star State!&nbsp; As spring moves into the Texas summer,<em>Texas Aesthetic IX</em>&nbsp;is a great way to celebrate the close of the gallery&rsquo;s unofficial arts &ldquo;season&rdquo;.&nbsp; This culminating exhibition brings together high Texas art in a friendly and inviting manner, reminding Texas devotees of what they love about their art and feel about their state.&nbsp; Thus, in parlance hopefully familiar to us all, we say: &ldquo;ya&rsquo;ll come see it&rdquo;.&nbsp;</div> <div style="text-align: justify;"> <div>&nbsp;</div> God Bless Texas!&nbsp; Long live Texas art!</div> <div style="text-align: justify;">&nbsp;</div> <div style="text-align: justify;"><strong>Opening Reception</strong>:&nbsp;Saturday, May 9th, 6-8:30 pm&nbsp;(Most artists in attendance).</div> Sat, 21 Mar 2015 08:01:39 +0000 Richard Prince - Blum & Poe Tokyo - April 3rd - May 30th <div style="text-align: justify;">Blum &amp; Poe is very pleased to announce<em>&nbsp;Richard Prince: New&nbsp;</em><em>Portraits</em>, the artist's first solo exhibition in Japan in almost twenty years. Prince has pioneered appropriation since the mid-1970s, mining images from mass media, advertising, and entertainment to subvert and redefine concepts of authorship and ownership. The new portraits update this strategy and continue Prince's exploration of photography through the platform of Instagram. Drawn to certain users, Prince traverses an illimitable network of links, jumping from one account to another, scanning through postings, reading endless texts, discarding, collecting, commenting, and cementing. He captures images that appear to be products of the medium itself; these portraits belong to an infinite stream of image distribution, catalyzing exhibitionism and voyeurism. The artist's comments -- non sequiturs, jokes, quotes, oxymorons, and emojis -- embolden his authorship in this enlivened new direction in portraiture. In a fusion of painting and photography, image and text, and authorship and freedom, intervention becomes composition and the written word becomes brushstroke, handled with a signature.</div> <div style="text-align: justify;">&nbsp;</div> <div style="text-align: justify;" align="justify">Richard Prince&nbsp;was born in the Panama Canal Zone in 1949 and lives and works in New York.&nbsp;&nbsp;</div> Sun, 22 Mar 2015 17:00:01 +0000