ArtSlant - Recently added en-us 40 Group Show - Museum der bildenden Künste Leipzig - July 13th - October 19th <p>Marking the 250th anniversary of the Academy of Visual Arts Leipzig, the Museum of Fine Arts Leipzig presents a selection of paintings and illustrations from its own collection, created by artists who have taught at the Academy since 1947. The focus of the selection is on the artistic community between teachers and students who themselves frequently become teachers. This genealogical approach illuminates the various phases and emphases at the Academy, also the continuities and fractures in artistic perceptions.&nbsp;</p> Wed, 30 Jul 2014 22:48:18 +0000 Group Show - Museum der bildenden Künste Leipzig - July 13th - October 19th <p>Celebrations to mark the 250th anniversary of the Academy of Visual Arts Leipzig will feature representative work by graduates over the last 20 years, focusing on the artistic genres of installation, photography, film and conceptual art, which in addition to painting and illustration have defined teaching at the Academy for many years. The invited artists are united in their equally dedicated and analytical view of the complex phenomena apparent in the reality of contemporary life. In doing so they aspire to the artistic maxims of young Goethe, one of the most prominent students under Friedrich Oeser, the first Director of the Academy, who described subjective perception and orientation toward social developments as essential aspects of artistic endeavour.&nbsp;</p> Wed, 30 Jul 2014 22:43:36 +0000 Yulia Zastava - Moscow Museum of Modern Art [9 Tverskoy Blvd] - July 1st - August 24th <p>The Moscow Museum of Modern Art and Paperworks Gallery present &ldquo;Blinking,&rdquo; an exhibition of works by Yulia Zastava. The exhibition includes objects, videos and drawings. It is held in the frame of the 4th Moscow Biennale of Young Art.</p> <p>&nbsp;The artist makes use of her project for bringing out some means of self-hypnosis. Within the confines of her easily recognizable style, Yulia Zastava is looking into the processes of overflowing and regeneration. Her works find themselves somewhere in between modern art and salon art which are the successors to the avant-garde art and kitsch &ndash; the classic opposites. An exquisite style of the artist&rsquo;s graphic work and painting is integrated with her personal peculiarity: Zastava is an artist working with the history of art, cinema and literature. Instead of straightforwardly combining citations and paraphrases in her work she employs a nearly surrealistic mechanism for making a collage of images, the mechanism based on the game of chance and free associations. &nbsp;&nbsp;</p> <p>Each of Zastava&rsquo;s canvases is a fragment of a dream featuring a dreamer who is either watching TV or a movie in a motion-picture theatre. On the screen the dreamer can see the sequences of movie scraps changing frantically before his eyes. Those are the bits of the movies he has either seen or never seen before. The dreamer may as well go leafing through the book or find himself in a museum of fine arts. As he takes a closer look at the pictures that used to be the &ldquo;freeze frames,&rdquo; the knowledgeable spectator can identify the characters pertaining to&nbsp;<em>The Wizard of Ozz,&nbsp;</em>a well-known novel adaptation produced in the golden age of Hollywood. Alternatively, he can recognize the characters of&nbsp;<em>Possession,&nbsp;</em>a drama directed by Andrzei Zulawski. The abstract paintings that are either perceived as a random part of the series or seem to be included in it to ease tension created by the concentrated surrealistic imagery &ndash; these paintings correspond to the inner logic of narrative too. The color psychedelic and simple black-and-white abstract works are none other but the TV screens distorted by interference graphics. These are the screens still awaiting a &ldquo;signal&rdquo; with the artist&rsquo;s visions in it.</p> <p>&nbsp;Yulia Zastava is not merely creating series of graphic works and paintings. First and foremost, she aims to concoct an ethereal, special emotional state. The visual images are by far not the only ones playing the role for forming the above state. Sound, video and objects as well are becoming part of a symbolic space of Zastava&rsquo;s project.&nbsp;</p> Wed, 30 Jul 2014 22:37:51 +0000 Matt Morris - Baton Rouge Gallery - center for contemporary art - August 3rd - August 28th Wed, 30 Jul 2014 21:57:32 +0000 Katie Knoeringer - Baton Rouge Gallery - center for contemporary art - August 3rd - August 28th Wed, 30 Jul 2014 21:56:09 +0000 Dawn Black - Baton Rouge Gallery - center for contemporary art - August 3rd - August 28th Wed, 30 Jul 2014 21:56:51 +0000 Txema Novelo - Museo de Arte Carrillo Gil - April 11th - June 11th <h3 class="post_subtitle"><em>Still Movie</em>&nbsp;is the second feature of&nbsp;<a href="" rel="nofollow" target="_blank">Txema Novelo</a>&rsquo;s film pentalogy&nbsp;<em>The Anagram Movie Series</em>. The film will have its solo opening at the Museo de Arte Carrillo Gil in Mexico City on April 11th 2014.&nbsp;&ldquo;..kno what you want, be your own boss, do what you hav to, and take nothing for granted.&rdquo; (sic) -&nbsp;Thee Temple of Psychick Youth</h3> <p dir="ltr">Divided in five complex chapters&nbsp;<em>Still Movie</em>&nbsp;is a union of many themes. &nbsp;Exemplary of the contemporary way in which we access information through the internet &ndash; think time travel and infinite research possibilities, webs of relationships between subjects, etc. &nbsp;It juxtaposes references ranging from very early paintings depicting paradise to modern paintings of industrial times, references Nietzsche as well as Bob Dylan, and shows the striking similarities of symbols found in Mitla Oaxacan pyramids with that Atari video game icons. &nbsp;Besides the myriad of thematic allusions,&nbsp;<em>Still Movie</em>&nbsp;also becomes a new way to see painting. Its scenes are pictorial, sometimes imitating paintings themselves, and at times digital versions of old paintings become video and change colors, fading and coming back to life.</p> Tue, 29 Jul 2014 07:06:46 +0000 Claude Monet - State Hermitage Museum, St. Petersburg (Winter Palace of Peter the Great) - May 21st - September 13th <p>On May 21, 2014, the Winter Palace welcomed the grand opening of the exhibition &ldquo;Claude Monet. Three Scenes from the Beyeler Foundation&rdquo; from the series &ldquo;World Museum Masterpieces at the Hermitage,&rdquo; prepared by the State Hermitage and the Beyeler Foundation, Switzerland.</p> <p>The exposition is on display in the impressionist halls, exquisitely complementing the paintings by Claude Monet from the State Hermitage collection, which includes a fine range of Monet&rsquo;s early work, beginning with the celebrated&nbsp;<em>Women in the Garden</em>&nbsp;and two oversized Montgeron canvasses. These &ldquo;garden&rdquo; scenes, painted in Sainte-Adresse and Montgeron, cry out for comparison with the later views of Giverny.</p> <p>The artistry of Claude Monet (1840&ndash;1926) can be nominally divided into three periods. The early period stretches from his first landscape sketches (1856) to his first personal exhibition at the Durand-Ruel Gallery in 1883. It was then that the artist settled in Giverny, a place he chose as the cornerstone for the rest of his life. The next, central period is striking first and foremost for his series of landscapes, variations on a single motif:&nbsp;<em>Haystacks</em>,&nbsp;<em>Poppy Field</em>,&nbsp;<em>Poplars</em>. The final and most extended period begins in 1892&nbsp;with his rendering of the Rouen Cathedral and continues with the large group&nbsp;<em>Views of the River Thames in London</em>&nbsp;and more definitively by the series of depictions of the sprawling Giverny garden created by Monet himself:&nbsp;&nbsp;<em>In the Meadow</em>,<em>&nbsp;Japanese Footbridge</em>,<em>&nbsp;Water Lilies</em>.</p> <p>The Beyeler Foundation, founded in 1997 in Riehen, Switzerland by one of the best gallerists of the 20th Century, won acclaim for its featured works by impressionists and the contemporary masters whose names continue to define the path of world art. The exposition showcases three paintings by Claude Monet that beautifully illustrate the facets of his art that are missing from the Hermitage collection. They are all part of the Giverny period &ndash; even&nbsp;<em>Rouen Cathedral</em>, begun in Rouen (1892), continued there (1893) but finished within the confines of his Giverny studio (1894), when his artistic mastery was no longer in need of any hints from nature.</p> <p>The general problem of the&nbsp;<em>Rouen Cathedral</em>&nbsp;series, comprising a total of 30 canvases, was not only the consistent rendering of the transitory state of the cathedral&rsquo;s lighting, but also in the pictorial transfiguration of visual effects in &ldquo;symphonic&rdquo; arrangement. Each and every nuance is striking. The morning rays are already streaming into the upper floors of Alban Tower, yet the cathedral&rsquo;s foundation continues to slumber in deep shadow, the gothic stones tamed by the air enshrouding them.</p> <p>All of Monet&rsquo;s later work is associated with Giverny. He planted gardens there that were at once an amazing feat of gardening skill and a fertile environment for painting. The Big Pond is magnificent, landscaped in the Eastern tradition, complete with the wooden footbridge above it and the lush vegetation dotting its banks.&nbsp;<em>Japanese Footbridge</em>&nbsp;from the Beyeler Foundation (1918&ndash;1924) was painted following a series of dramatic event&rsquo;s in the artist&rsquo;s life: the death of his wife, his eldest son&rsquo;s heart attack, his deteriorating vision. But in the summer of 1914, despite all of his misfortunes, he took up the brush once again, finding the best medicine and solace in his work. His connection with nature is becoming too fragile. It&rsquo;s no longer a landscape in the common sense of the word or even a flight of fancy on a conventional theme, but an expression of sheer awe in the face of the eternal green elements. The rhythmics of this awe becomes the meaning of his work. &nbsp;</p> <p>The main theme of the older artist&rsquo;s paintings &ndash;&nbsp;<em>Water Lilies</em>. He paints them over and over again, without thinking about the purpose of his canvases. Over time, the idea came about to put them in the Orangerie Building at Tuileries Garden. Not all of them were &ldquo;well-suited,&rdquo; and the ones that didn&rsquo;t make the cut remained unknown until the mid-20th Century. The generality of the color splashes in the later&nbsp;<em>Water Lilies</em>&nbsp;(1914-17) is striking: blue water and a green blotch of leaves, nothing more. But it&rsquo;s important to remember that Monet&rsquo;s generalizations were inspired by his pantheistic attitude towards the eternal green of nature, his homage to the vitality of the water element and world of vegetation.</p> Tue, 29 Jul 2014 06:44:35 +0000 - State Hermitage Museum, St. Petersburg (Winter Palace of Peter the Great) - June 10th - January 11th, 2015 <p>On June 10, 2014, room number 307 (the Blue Bedroom) of the Winter Palace saw the opening of the "Monologue in Praise of the Seashell" exhibition. The exhibition features more than 150 objects of arts and crafts covering the period from antiquity (4000 BC) to the present day from the State Hermitage collection.</p> <p>Since ancient times, shells have played an important role in human life &ndash; at home, in religion, during ceremonies. With the development of religious ideas, they became endowed with a certain symbolic meaning, somehow uniting different nations and religions, while at the same time somehow significantly differentiating them. The unity comes from the habitat and shape of the shells &ndash; a symbol of the water element, of femininity. Also, at different times and in different nations, shells have been used as a form of currency, for example, in Africa "shell money" was in circulation almost until the 20th century.</p> <p>The exhibition aims to show how attractive this wonderful creation of nature is to man, and how it can be turned into a work of art in the hands of a skilled craftsman. The Hermitage collection allows you to see the shell in its various guises &ndash; as a talisman, amulet, table decoration and as a valuable material for jewellers and cameo engravers.</p> <p>Since the 16th century,&nbsp;<em>Nautiluses</em>&nbsp;and&nbsp;<em>turbo shells</em>&nbsp;imported from the South Seas have been purified into mother-of-pearl, and jewellers have placed them in precious settings. These highly valued products have adorned kings&rsquo; and tsars&rsquo; treasuries, cabinets and collections of curiosity lovers.</p> <p><em>Cowries, tridacnas&nbsp;</em>and<em>&nbsp;turbo shells</em>&nbsp;have attracted jewellers with their wealth and elegance of colours and pleasing tactile qualities. They used them to create snuff containers, powder flasks and a variety of boxes.&nbsp;<em>Triton&rsquo;s trumpet</em>&nbsp;and&nbsp;<em>Turbinella rapa</em>&nbsp;shells have been used in many countries as ritual musical instruments, bugles and hunting horns. The beautiful, graceful shape of shells has offered plenty of opportunity to transform them into cups, fountains, table decorations, etc.</p> <p>The exposition opens with exhibits from the first half of the 4th millennium BC &ndash; shells found during archaeological excavations of different settlements in Eurasia. They served as ornaments of status and amulets, carrying specific symbolic meaning.</p> <p>Eventually, shells began to be used as a material for gem carvers. On display at the exhibition are luxury items made by goldsmiths and silversmiths of the 16th and 17th centuries where shells are complemented by images related to water and sea elements. These include Aphrodite who was &lsquo;born from the foaming waves&rsquo;, the ruler of the seas Poseidon, the Tritons, Nereides and hippocampi, dolphins and turtles.</p> <p>During the Rococo period, master craftsmen made elegant snuff boxes, caskets, bottles in the shape of shells from various materials &ndash; porcelain, ornamental stone, gold and silver, decorating them with carvings, bright enamel and paintings.</p> <p>The shell theme and its shape have attracted artists from different disciplines over the centuries. Rocaille swirls, based on the shell shape, have become one of the main decorative motifs of the Rococo style of the mid-18th century, whose ideas were actively developed by artists in the 19th century, who created the so-called &lsquo;marine Rococo style&rsquo;. It was the main decorative motif of the neo-Rococo style.</p> <p>Modern masters are also turning to the shell for inspiration, seeing it as a refined material for creating works of art, or rendering it in different materials.</p> Tue, 29 Jul 2014 06:40:41 +0000 Amy Guidry, Group Exhibition - Louisiana State Museum - July 19th - August 28th <p>Juried exhibition of art by Louisiana artists held at the Capitol Park Museum (formerly Louisiana State Museum). Jurors- Ben Thompson, Curator at the Museum of Contemporary Art Jacksonville; Katie Pfohl, Curator at LSU Museum of Art; and Eric Robert Dallimore, co-owner of the Leon Gallery, Denver, Colorado</p> Mon, 28 Jul 2014 16:34:08 +0000 Group Show - Museo La Permanente Milano - April 9th - June 15th <p>Fino al 15 giugno &egrave; in corso la mostra Nati nei &rsquo;30. Milano e la generazione di Piero Manzoni.<br /><br />In concomitanza con l&rsquo;antologica di Piero Manzoni a Palazzo Reale, la rassegna, che partecipa al palinsesto della &ldquo;Primavera di Milano&ldquo;, propone una ricognizione della generazione di artisti milanesi di nascita o di adozione, nati fra il 1930 e il 1939, e quindi appartenenti alla generazione di Manzoni.<br /><br />Si tratta di una generazione nata tutta durante il fascismo; che conosce da vicino la guerra e la guerra civile, anche se non vi partecipa direttamente; che sente come patria l&rsquo;Europa e l&rsquo;America, non l&rsquo;Italia sconfitta, ma trova i maestri pi&ugrave; condivisi in Lucio Fontana e, in misura minore, in Munari; che vive sia le durezze del dopoguerra, sia gli anni del boom economico. E&rsquo; una generazione per cui gli studi all&rsquo;accademia (a Brera, dove insegnavano Funi, Carr&agrave;, Carpi, Marino Marini) rappresentavano ancora un&rsquo;esperienza decisiva di formazione; che operava in un sistema dell&rsquo;arte ancora incentrato sull&rsquo;artista pi&ugrave; che sul critico; che aveva possibilit&agrave; di esporre o di vendere ancora relativamente limitate (la qual cosa favoriva complicit&agrave; e aggregazioni ben pi&ugrave; di ora); che &ndash; al di l&agrave; di nostalgie e leggende &ndash; viveva ancora momenti di incontro, confronto, scontro, discussione quotidiani, imparagonabili a quanto accade oggi.<br /><br />Sessanta artisti e sessanta opere documentano l&rsquo;effervescente clima milanese degli anni Sessanta-Settanta, la stagione artistica successiva al realismo, all&rsquo;informale, al realismo esistenziale. La mostra prosegue poi addentrandosi nel clima postinformale dei primi anni Sessanta, attraverso esponenti di &ldquo;Azimuth&rdquo;, dell&rsquo;arte cinetica e programmata, del gruppo del Cenobio. Documenta quindi le ricerche degli esponenti della figurazione vicina alla Pop Art e della pittura analitica, soffermandosi infine sulle ricerche concettuali e sulla poesia visiva. Grande attenzione &egrave; dedicata alla scultura, rappresentata dai principali artisti nati fra il 1930 e il 1939 e attivi a Milano. La mostra per&ograve; non vuole essere una ricognizione per &ldquo;gruppi&rdquo; ma per individualit&agrave; e vasto spazio &egrave; dedicato anche a figure che si muovono individualmente nel panorama del periodo.<br /><br />Accompagna l&rsquo;iniziativa un catalogo Skira con testi delle curatrici, biografie ragionate a cura di Lorella Giudici e Luca Cavallini e dichiarazioni di poetica degli artisti a cura di Elisabetta Staudacher.<br /><br />Il progetto allestitivo della mostra &egrave; realizzato da Massimo Negri dello studio DNPR.<br /><br />In concomitanza alla mostra e a corollario della stessa si terr&agrave; una serie di incontri di approfondimento sul fermento culturale milanese tra gli anni Sessanta e gli anni Ottanta e sull&rsquo;influenza di quel periodo sul clima artistico di oggi.<br /><br />Il prossimo appuntamento &egrave; MARTEDI&rsquo; 10 GIUGNO, ALLE ORE 18.30, con MARTINA CORGNATI che terr&agrave; la conferenza Milano laboratorio di una &ldquo;strategia del segno&rdquo; .&nbsp; Alla fine del sesto decennio, con la conclusione dell&rsquo;esperienza nucleare e una sostanziale polverizzazione degli altri gruppi in individualit&agrave; singole, dotate di un linguaggio gi&agrave; caratterizzato,&nbsp; Milano, forse pi&ugrave; di ogni altra citt&agrave; italiana, si configura come un laboratorio di idee e progetti originali, in cui quella che potremmo provare a chiamare la &ldquo;strategia del segno&rdquo; assume un&rsquo;importanza determinante, sia presso gli artisti del Cenobio sia nell&rsquo;ambito di Azimut; nel contesto delle sperimentazioni di Lucio Fontana come anche fra gli ex-adepti del Movimento Arte Concreta. Il decennio che si apre vedr&agrave; una notevole crescita di interesse per l&rsquo;oggetto, &ldquo;cosa&rdquo; in ambito minimal, e &ldquo;prodotto&rdquo; in ambito pop. Anche il segno, da ingrediente dell&rsquo;espressivit&agrave; informale tende a farsi oggetto in se stesso, meritevole di un&rsquo;indagine specifica condotta in buona parte dagli artisti milanesi, in termini molto originali.</p> Sun, 27 Jul 2014 19:45:18 +0000 - CHART ART FAIR - August 29th - August 31st <h3>Opening Hours &amp; Admission</h3> <p>Friday 29 August: 16 - 20<br />Saturday 30 August: 12 - 18<br />Sunday 31 August: 12 - 17<br />&nbsp;</p> <p>ADMISSION<br />Adults: 100 kr<br />Students with valid student ID: 50 kr<br />Senior: 50 kr<br />Children (0&nbsp;- 16 years): Free<br />Students at The Royal Danish Academy of Fine Arts: Free &nbsp;</p> <h3>Exhibitors</h3> <div class="exhibitor-column"> <div class="exhibitor-column"> <div class="views-row views-row-5 views-row-odd"> <div class="views-field views-field-title"> <div class="views-row views-row-1 views-row-odd views-row-first"> <div class="views-field views-field-title">VI, VII (NO)</div> </div> <div class="views-row views-row-2 views-row-even"> <div class="views-field views-field-title">ANDERSEN&rsquo;S CONTEMPORARY (DK)</div> </div> <div class="views-row views-row-3 views-row-odd"> <div class="views-field views-field-title">GALLERI ANDERSSON/SANDSTR&Ouml;M (SE)</div> </div> <div class="views-row views-row-4 views-row-even"> <div class="views-field views-field-title">GALERIE ANHAVA (FI)</div> </div> ANNAELLEGALLERY (SE)</div> </div> <div class="views-row views-row-6 views-row-even"> <div class="views-field views-field-title">GALLERI BO BJERGGAARD (DK)</div> </div> <div class="views-row views-row-7 views-row-odd"> <div class="views-field views-field-title">CHRISTIAN ANDERSEN (DK)</div> </div> <div class="views-row views-row-8 views-row-even"> <div class="views-field views-field-title">CHRISTIAN LARSEN (SE)</div> </div> <div class="views-row views-row-9 views-row-odd"> <div class="views-field views-field-title">DAVID RISLEY GALLERY (DK)</div> </div> <div class="views-row views-row-10 views-row-even"> <div class="views-field views-field-title">EDITION COPENHAGEN (DK)</div> </div> <div class="views-row views-row-11 views-row-odd"> <div class="views-field views-field-title">ELASTIC GALLERY (SE)</div> </div> <div class="views-row views-row-12 views-row-even"> <div class="views-field views-field-title">GALERIE FORSBLOM (FI)</div> </div> <div class="views-row views-row-13 views-row-odd"> <div class="views-field views-field-title">JOHAN BERGGREN GALLERY (SE)</div> </div> <div class="views-row views-row-14 views-row-even"> <div class="views-field views-field-title">GALLERI NICOLAI WALLNER (DK)</div> </div> </div> </div> <div class="exhibitor-column"> <div class="exhibitor-column"> <div class="views-row views-row-15 views-row-odd"> <div class="views-field views-field-title">NIELS BORCH JENSEN (DK)</div> </div> <div class="views-row views-row-16 views-row-even"> <div class="views-field views-field-title">NILS ST&AElig;RK (DK)</div> </div> <div class="views-row views-row-17 views-row-odd"> <div class="views-field views-field-title">GALERIE NORDENHAKE&nbsp;(DE/SE)</div> </div> <div class="views-row views-row-18 views-row-even"> <div class="views-field views-field-title">I8 GALLERY (IS)</div> </div> <div class="views-row views-row-19 views-row-odd"> <div class="views-field views-field-title">GALLERI MAGNUS KARLSSON (SE)</div> </div> <div class="views-row views-row-20 views-row-even"> <div class="views-field views-field-title">MARTIN ASB&AElig;K GALLERY (DK)</div> </div> <div class="views-row views-row-21 views-row-odd"> <div class="views-field views-field-title">OSL CONTEMPORARY (NO)</div> </div> <div class="views-row views-row-22 views-row-even"> <div class="views-field views-field-title">PETER LAV GALLERY (DK)</div> </div> <div class="views-row views-row-23 views-row-odd"> <div class="views-field views-field-title">PEDER LUND (NO)</div> </div> <div class="views-row views-row-24 views-row-even"> <div class="views-field views-field-title">SPECTA (DK)</div> </div> <div class="views-row views-row-25 views-row-odd"> <div class="views-field views-field-title">GALLERI SUSANNE OTTESEN (DK)</div> </div> <div class="views-row views-row-26 views-row-even"> <div class="views-field views-field-title">GALLERY TAIK PERSONS (DE/FI)</div> </div> <div class="views-row views-row-27 views-row-odd views-row-last"> <div class="views-field views-field-title">V1 GALLERY (DK)</div> </div> </div> </div> Sun, 27 Jul 2014 02:49:04 +0000 - ART-O-RAMA, Marseille International Fair of Contemporary Art - August 29th - August 31st <h3>Opening Times &amp; Admission</h3> <p><strong>Aug. 29</strong></p> <p>Professionnal preview (by invitation only)<br />3&mdash;8pm</p> <p><strong>Aug. 30 &amp; 31</strong></p> <p>open to all public<br />Exhibition -&gt; Sept. 14, 2014<br />2&mdash;7pm<br />Tickets: 3&euro;</p> <h3>Exhibitors</h3> <div class="grid_6 alpha"> <p>Antoine Levi, Paris&nbsp;<br />G.&nbsp;K&uuml;ng</p> <p>Cr&egrave;vec&oelig;ur, Paris&nbsp;<br />Xavier&nbsp;Antin, Erica&nbsp;Baum, Mick&nbsp;Peter, Florian&nbsp;&amp;&nbsp;Michael&nbsp;Quistrebert</p> <p>Samy Abraham, Paris&nbsp;<br />Gen&ecirc;t&nbsp;Mayor</p> <p>Rolando Anselmi, Berlin <br />Valerie&nbsp;Krause</p> <p>MD72, Berlin <br />Merlin&nbsp;Carpenter</p> <p>PM8, Vigo <br />Loreto&nbsp;Martinez&nbsp;Troncoso, Fina&nbsp;Miralles</p> <p>Delire Gallery, Brussels <br />Pat&nbsp;McCarthy, A&nbsp;Dog&nbsp;Republic</p> <p>Sultana, Paris</p> <p>Tatjana Pieters, Ghent <br />Stefanie&nbsp;De&nbsp;Vos, Rein&nbsp;Dufait</p> <p>Proyectos Ultravioleta, Guatemala City</p> </div> <div class="grid_6 omega"> <p>Carroll/Fletcher, London <br />Karmelo&nbsp;Barmejo, Eva&nbsp;&amp;&nbsp;Franco&nbsp;Mattes, Christine&nbsp;Sun&nbsp;Kim</p> <p>Praz-Delavallade, Paris <br />Sam&nbsp;Durant, Joel&nbsp;Kyack, Ry&nbsp;Rocklen, Jim&nbsp;Shaw</p> <p>Laurent Godin, Paris <br />Scoli&nbsp;Acsota, Claude&nbsp;Closky, Paul&nbsp;Czerlitzki</p> <p>Daviet-Thery &amp; mfc-mich&egrave;le didier, Paris&nbsp;<br />Robert&nbsp;Barry, Claire&nbsp;Morel, Yann&nbsp;S&eacute;randour</p> <p>Emmanuel Herv&eacute;, Paris&nbsp;<br />Peter&nbsp;Robinson</p> <p>Meessen de Clercq, Brussels <br />Hreinn&nbsp;Fridfinnsson, Nicol&aacute;s&nbsp;Lamas, ALEK&nbsp;O., Sarah&nbsp;Ortmeyer, Evariste&nbsp;Richer</p> <p>NoguerasBlanchard, Barcelona|Madrid <br />Alain&nbsp;Biltereyst</p> <p>Louis 21, Madrid|Palma de Mallorca <br />Pep&nbsp;Vidal</p> <p>Ricou Gallery, Brussels <br />&Eacute;tienne&nbsp;Bossut</p> </div> Sun, 27 Jul 2014 02:25:53 +0000 - ART SALZBURG International Fine Art Fair - August 14th - August 25th <h3>Opening Times</h3> <p><strong>Vernissage (by Invitation only!):</strong><br />14th of&nbsp;August 2014, 4 p.m.- 9 p.m.</p> <p><strong>Public Days</strong><br />15th-25th of&nbsp;August 2014, daily from 11 am to 6 pm</p> <h3>Exhibitors</h3> <p><strong>A</strong><br /><br />Galerie bei der Albertina &bull; Zetter<br />&Ouml;sterreichische Kunst des 20. Jahrhunderts<br /><br /><strong>AENEA</strong><br />Jewellery for Lovers<br /><br /><br /><strong>C</strong><br /><br />2C for Art<br />Modern and Contemporary Art<br /><br />Kunsthandel Czaak<br />Modern and Contemporary Art<br /><br /><strong>F</strong><br /><br />Galerie Johannes Faber<br />Fotografie<br /><br />Galerie Fran&ccedil;aise<br />Klassische Moderne<br /><br />Kunsthandel Freller<br />Klassische Moderne<br /><br /><br /><strong>G</strong><br /><br />Giese &amp; Schweiger<br />&Ouml;sterreichische Kunst des 19. und 20. Jahrhunderts<br /><br />Galerie Gugging<br />Art brut<br /><br /><br /><strong>H</strong></p> <p>Gerald Hartinger Fine Arts<br />Amerikanische Pop-Art<br /><br /><br /><strong>K</strong><br /><br />Kovacek Spiegelgasse<br />Gem&auml;lde des 18. und 19. Jahrhunderts, Klassische Moderne, Glas<br /><br />Kovacek contemporary<br />Zeitgen&ouml;ssische Kunst<br /><br />Patrick Kovacs Kunsthandel<br />Kunst und Antiquit&auml;ten<br /><br /><strong>L</strong><br /><br />Lilly's Art<br />Antike Wiener Uhren von 1600 bis 1840 Gem&auml;lde und Skulpturen des 20. und 21. Jahrhunderts<br /><br /><strong>M</strong><br /><br />Galerie Magnet<br />Klassische Moderne<br /><br /><br /><strong>P</strong><br /><br />Anne P&aacute;lffy<br />Fine Jewels<br /><br /><strong>R</strong><br /><br />Galerie Dr. Riedl<br />Klassische Moderne<br /><br />Galerie Ruberl<br />Klassische Moderne &amp; &Ouml;sterreichische Kunst nach 1945<br /><br />Kunsthandel Runge<br />Gem&auml;lde, M&ouml;bel &amp; Volkskunst<br /><br /><strong>S</strong><br /><br />Galerie Thomas Salis<br />Impressionisten, deutsche &amp; franz&ouml;sische Expressionisten, klassische Moderne &amp; zeitgen&ouml;ssische Kunst<br /><br />Kunsthandel Sch&uuml;tz<br />Gem&auml;lde der klassischen Moderne, Lampen, Bronzen, Glas &amp; M&ouml;bel<br /><br /><strong>T</strong><br /><br />Galerie Elisabeth und Klaus Thoman<br />Zeitgen&ouml;ssische Kunst<br /><br /><strong>V</strong><br /><br />Galerie von Vertes<br />Impressionismus, Fauvismus, deutscher Expressionismus und Pop Art<br /><br /><br /><strong>W</strong><br /><br />Kunsthandel Wienerroither &amp; Kohlbacher<br />Gem&auml;lde &ouml;sterreichischer Meister &amp; der klassischen Moderne<br /><br />Kunsthaus Wiesinger<br />Antiquit&auml;ten des 18., 19. und 20. Jahrhunderts, Bilder &amp; Kleinkunst</p> <p>&nbsp;</p> Sun, 27 Jul 2014 02:10:48 +0000 - Melbourne Art Fair - August 13th - August 17th <h3>Opening Times &amp; Admission</h3> <table border="0" cellspacing="0" cellpadding="0"> <tbody> <tr> <td valign="top" width="191"> <p><strong>Vernissage</strong><br />Wednesday 13 August 2014</p> <p><strong>General Opening Times</strong></p> </td> <td valign="top" width="161"> <p><br />6pm &ndash; 10pm</p> </td> </tr> <tr> <td valign="top" width="191">Thursday 14 August 2014</td> <td valign="top" width="161">11am &ndash; 6pm</td> </tr> <tr> <td valign="top" width="191">Friday 15 August 2014</td> <td valign="top" width="161">11am &ndash; 8pm</td> </tr> <tr> <td valign="top" width="191">Saturday 16 August 2014</td> <td valign="top" width="161">10am &ndash; 6pm</td> </tr> <tr> <td valign="top" width="191">Sunday 17 August 2014</td> <td valign="top" width="161">10am &ndash; 5pm</td> </tr> </tbody> </table> <p><strong style="font-size: 1.17em;">TICKET PRICES</strong></p> <p class="ecxMsoNormal"><strong>Vernissage: $150 (advance bookings only)<br /></strong>Wednesday 13 August 2014, 6pm &ndash; 10pm</p> <p class="ecxMsoNormal"><strong>Collector Pass: $250 (advance bookings only)<br /></strong>Includes unlimited entry to the Fair, First View, Vernissage, Collector Program and Collectors Lounge.</p> <p class="ecxMsoNormal"><strong>Thursday 14 August &ndash; Sunday 17 August<br /></strong><strong>Adult:</strong>&nbsp;$28 in advance / $30 at the door<br /><strong>Concession:</strong>&nbsp;$22 in advance and at the door<br /><strong>Kids:</strong>&nbsp;Under 16 free when accompanied by an adult (Thursday &ndash; Sunday only*)&nbsp;</p> <h3>Exhibitors</h3> <table class="easy-table easy-table-default tablesorter "> <tbody> <tr> <td>Alcaston&nbsp;Gallery</td> <td>Melbourne</td> </tr> <tr> <td>Anna Pappas Gallery</td> <td>Melbourne</td> </tr> <tr> <td>Anna Schwartz Gallery</td> <td>Melbourne | Sydney</td> </tr> <tr> <td>Annandale Galleries</td> <td>Sydney</td> </tr> <tr> <td>Arc One Gallery</td> <td>Melbourne</td> </tr> <tr> <td>Art Atrium</td> <td>Sydney</td> </tr> <tr> <td>Art Collective WA</td> <td>Perth</td> </tr> <tr> <td>Art Equity</td> <td>Sydney | London | Singapore</td> </tr> <tr> <td>Artereal&nbsp;Gallery</td> <td>Sydney</td> </tr> <tr> <td>Arts Project Australia</td> <td>Melbourne</td> </tr> <tr> <td>Beaver Galleries</td> <td>Canberra</td> </tr> <tr> <td>Bett Gallery</td> <td>Hobart</td> </tr> <tr> <td>Blackartprojects</td> <td>Melbourne</td> </tr> <tr> <td>Cascade Art Space</td> <td>Kehl</td> </tr> <tr> <td>Chalk Horse</td> <td>Sydney</td> </tr> <tr> <td>Cohju contemporary art</td> <td>Kyoto</td> </tr> <tr> <td>Colville Gallery</td> <td>Hobart</td> </tr> <tr> <td>Conny Dietzschold Gallery</td> <td>Sydney | Germany | Hong Kong</td> </tr> <tr> <td>Cube Contemporary Art Projects</td> <td>Adelaide</td> </tr> <tr> <td>Daine Singer</td> <td>Melbourne</td> </tr> <tr> <td>Darren Knight Gallery</td> <td>Sydney</td> </tr> <tr> <td>Dianne Tanzer Gallery + Projects (This is no Fantasy)</td> <td>Melbourne</td> </tr> <tr> <td>Dominik Mersch Gallery</td> <td>Sydney</td> </tr> <tr> <td>Edwina Corlette Gallery</td> <td>Brisbane</td> </tr> <tr> <td>Fehily Contemporary</td> <td>Melbourne</td> </tr> <tr> <td>FireWorks Gallery</td> <td>Brisbane</td> </tr> <tr> <td>Flinders Lane Gallery</td> <td>Melbourne</td> </tr> <tr> <td>Galeria AFA</td> <td>Santiago</td> </tr> <tr> <td>Gallery 9</td> <td>Sydney</td> </tr> <tr> <td>Gallery One</td> <td>Gold Coast</td> </tr> <tr> <td>Gallerysmith</td> <td>Melbourne</td> </tr> <tr> <td>Greenaway Art Gallery / Gagprojects</td> <td>Adelaide | Berlin</td> </tr> <tr> <td>Helen Gory Galerie (This is no Fantasy)</td> <td>Melbourne</td> </tr> <tr> <td>Hill Smith Gallery</td> <td>Adelaide</td> </tr> <tr> <td>Hugo Michell Gallery</td> <td>Adelaide</td> </tr> <tr> <td>James Makin Gallery</td> <td>Melbourne</td> </tr> <tr> <td>Kick Gallery</td> <td>Melbourne</td> </tr> <tr> <td>Kong Space</td> <td>Beijing</td> </tr> <tr> <td>Lesley Kehoe Galleries</td> <td>Melbourne</td> </tr> <tr> <td>Lindberg Galleries</td> <td>Melbourne</td> </tr> <tr> <td>Liverpool Street Gallery</td> <td>Sydney</td> </tr> <tr> <td>.M Contemporary</td> <td>Sydney</td> </tr> <tr> <td>[MARS] Melbourne Art Rooms</td> <td>Melbourne</td> </tr> <tr> <td>Martin Browne Contemporary</td> <td>Sydney</td> </tr> <tr> <td>Michael Reid</td> <td>Sydney | Berlin | Murrurundi</td> </tr> <tr> <td>Moana Project Space</td> <td>Perth</td> </tr> <tr> <td>Mossenson Galleries</td> <td>Perth</td> </tr> <tr> <td>Mossgreen Gallery</td> <td>Melbourne</td> </tr> <tr> <td>Niagara Galleries</td> <td>Melbourne</td> </tr> <tr> <td>Olsen Irwin</td> <td>Sydney</td> </tr> <tr> <td>Paulnache</td> <td>Gisborne New Zealand</td> </tr> <tr> <td>Pearl Lam Galleries</td> <td>Shanghai | Hong Kong | Singapore</td> </tr> <tr> <td>Rebecca Hossack Art Gallery</td> <td>London | New York</td> </tr> <tr> <td>Roslyn Oxley9 Gallery</td> <td>Sydney</td> </tr> <tr> <td>Ryan Renshaw Gallery</td> <td>Brisbane</td> </tr> <tr> <td>Sanderson Contemporary Art</td> <td>Auckland</td> </tr> <tr> <td>Scott Livesey Galleries</td> <td>Melbourne</td> </tr> <tr> <td>Sophie Gannon Gallery</td> <td>Melbourne</td> </tr> <tr> <td>Starkwhite</td> <td>Auckland</td> </tr> <tr> <td>Stills Gallery</td> <td>Sydney</td> </tr> <tr> <td>{Suite}</td> <td>Wellington</td> </tr> <tr> <td>Sullivan + Strumpf</td> <td>Sydney</td> </tr> <tr> <td>The Commercial Gallery</td> <td>Sydney</td> </tr> <tr> <td>Tolarno Galleries</td> <td>Melbourne</td> </tr> <tr> <td>Turner Galleries</td> <td>Perth</td> </tr> <tr> <td>Utopian Slumps</td> <td>Melbourne</td> </tr> <tr> <td>Venn Gallery</td> <td>Perth</td> </tr> <tr> <td>Wagner Art Gallery</td> <td>Sydney</td> </tr> <tr> <td>Watters Gallery</td> <td>Sydney</td> </tr> <tr> <td>William Mora Galleries</td> <td>Melbourne</td> </tr> <tr> <td>Yamaki Art Gallery</td> <td>Osaka</td> </tr> </tbody> </table> <p><strong><span style="font-size: 1.17em;">MAF PROJECT ROOMS</span></strong></p> <table class="easy-table easy-table-default tablesorter "> <tbody> <tr> <td>Boxcopy Contemporary Art Space</td> <td>Brisbane</td> </tr> <tr> <td>c3 Contemporary Art Space</td> <td>Melbourne</td> </tr> <tr> <td>Centre for Contemporary Photography</td> <td>Melbourne</td> </tr> <tr> <td>Contemporary Art Centre of South Australia</td> <td>Adelaide</td> </tr> <tr> <td>Gertrude Contemporary</td> <td>Melbourne</td> </tr> </tbody> </table> Sun, 27 Jul 2014 01:58:32 +0000 Russell Lee - Philbrook Museum of Art - July 27th - October 26th <div class="first column"> <p>RussellLee worked as part&nbsp;of the government-sponsored&nbsp;Farm Security Administration beginning in 1936,&nbsp;documenting the socialand economic hardships&nbsp;faced by millions of&nbsp;rural Americans during periods of drought and Depression. This exhibition, drawn from Philbrook&rsquo;s collection, features Lee&rsquo;s Oklahoma-based photographs from 1939-1940.&nbsp;</p> </div> Sat, 26 Jul 2014 23:19:34 +0000