Five thousand women are murdered annually by their fathers, sons, brothers, or husbands in so-called honor killings. Or at least that’s the most widely cited number, derived from a UN estimate in 2000, the last time an official study was done. The real number, according to experts like Jordanian journalist Rana Husseini, who has covered the subject for over 20 years, is likely much larger. Honor killings are often considered an internal family issue; they’re a highly sensitive topic, a... [more]
It took a crisis to spark off the next revolution in technology. In 2009, a year after Lehman Brothers’ disastrous crash and its subsequent domino effect on the rest of the financial sector, the Bitcoin was launched. The concept of cryptocurrency, cashless and operating in a peer-to-peer network, had been around for some ten years but until the dawn of the New Great Depression no one had felt the need to explore it in depth. Its stability—the conversion rate has been hovering around... [more]
“Will women always die? Let some men die too. I killed him for my honor,” uttered Çilem Doğan, defending herself with a heartfelt statement. Arrested for murdering her abusive husband, who beat her—even while she was pregnant—and forced her into prostitution, Doğan resisted the long-term abuse one day and shot her husband with bullets originally aimed at her.
Doğan’s story isn’t unique within Turkey’s long history of violence—domestic and o... [more]
A consistent theme across Omer Fast’s work are the many facets of trauma, particularly those which arise from the conflicts being played out across the western world today. But it is how he uses narrative tropes to explore these contemporary tensions that make Fast one of the most talented video artists working at the moment. A major presentation of the artist's videos, currently at BALTIC Centre for Contemporary Art, is a testament to his layered and moving practice.
5,000 Feet is the Be... [more]
According to her CV, Sara Ludy “currently lives and works everywhere.” Her art reflects this notion through its eerily universal aesthetics that are somehow simultaneously alien and familiar. Ludy’s work has always stood out from her contemporaries in the new media scene through her explorations of virtual places and objects that exist in the spaces between architecture, dreams, and the digital universe. For the past three years Ludy has been developing an expansive 3D archite... [more]
How and why an artist comes to be represented by a gallery is a seemingly mysterious process, one of many parts of the industry that exist behind a veil of secrecy. Yet for an artist who has committed to making a living from their art, it is naturally a topic of some interest, one we wanted to look into a bit further. While our exploration hardly threw the entire process open—if anything it highlighted what an individual and idiosyncratic process establishing gallery representation is—we did... [more]
New York based artist Leah Schrager is known for using overt eroticism in her new media work. She uses her own sexualized image to wildly subvert the concept of the "selfie" while making a vital statement about feminism and the "self" in the digital age.
Schrager first came to prominence under the pseudonym Sarah White, better known as the "Naked Therapist." This bold combination of internet-based performance art and genuine healing therapy achieved notoriety because Schrager (as Sarah White) and the p... [more]
Womanist is to feminist as purple is to lavender. –Alice Walker
I am not asking who I am. I’m a Black woman and expansive in my Blackness and my queerness as Blackness and queerness are always already expansive. –E. Jane
I first encountered Alice Walker’s womanist theory as a sophomore in college. I was wide eyed and enrolled in a bunch of Africana Studies courses trying to “find” myself as they say. It was a glorious journey which, in hindsight, was capsto... [more]
This week Art Dubai will be the first international fair to give contemporary art from the Philippines pride of place, as Ringo Bunoan (an artist, writer, researcher, and curator) curates Marker, the fair’s annual geographically-focused presentation. Under Bunoan’s direction Marker’s 100-square-meter area will concentrate on four artist-run spaces in metro Manila: 98-B, Post Gallery, Project 20, and Thousandfold. Installations by the late Roberto Chabet, widely recognized as the Ph... [more]
The artist’s desk: enchanted playground or torturous wrestling mat? The home of inspiration—or perspiration?
The ubiquitous marker of the workspace holds different meaning for each artist. What they bring to the table tells us something about their process, and perhaps even their artwork. Beyond voyeuristic satisfaction, we think there’s something to learn from getting a glimpse of the artist’s desk, and in this ongoing series we ask artists to share their space with u... [more]
“Do women have to be naked to get into the Met. Museum?”
The Guerrilla Girls have famously been asking the same question since 1989, when the feminist group first pointed out that “Less than 5% of the modern art section [at the museum] are women.” That was in New York, but does the same hold true for the representation and visibility of modern women artists in non-western regions? While the West is quick to slap a “suppressed” sticker on Middle Eastern women... [more]
Philadelphia-based artist Alexandra Gorczynski was one of the early stars of the new wave of digital art. Her work bridged the gap between “Tumblr” culture and fine art and helped set a precedent for the aesthetic obsessions of the scene that are still being mined today. Her education in fine art painting is clearly evident in the construction of her pieces. There is a subtle and precise attention to detail as well as a distinct subversive wit that elevates her compositions to disti... [more]
Usually, art world press conferences avoid politics, but for the opening of the 6th Marrakech Biennale, events like the Syrian refugee crisis were used as a starting point to introduce the exhibition, which kicked off February 23 featuring 50 artists across several venues of the ancient city.
“Art brings together people, not tears them apart,” said the Palestinian curator Reem Fadda, who is the Associate Curator of Middle Eastern Art for the Abu Dhabi Guggenheim. In her selection of artis... [more]
Table of Contents:
The Problem of Art's Morality | Joel Kuennen
Body as Material in the Surveillance State | Tara Plath
Queering Film Production | Lauren McQuade
Bringing Self-Defense Performance into the Community | Joel Kuennen
If resistance hasn’t been on your mind lately, you haven’t been paying attention.
In an explosive presidential primary season, the loudest voices on both sides of the aisle flaunt their outsider statuses, reacting against the mainstream. While app... [more]
Morehshin Allahyari is an Iranian artist currently based in California. Her work subverts the often self-absorbed and ephemeral themes of new media art to create art that is overtly political and meaningful. Iran itself often serves as a primary inspiration and she is enthusiastic to dispel assumptions about her home country.
Priest with Eagle
“It's not what (people) think,” she says, “It's much more complex and awesome than their knowledge of it from the media. I wish my... [more]
While studying in Paris following WWII, Ellsworth Kelly, recognized internationally by scholars, artists, and museums as one of the most influential artists at the turn of the millennium, unlocked a new kind of abstraction through his isolation of the discreet forms he observed in the world around him. It was during this period that Kelly made the seminal 1949 painting, Window, Museum of Modern Art, Paris, in which he eliminated brushwork and transitioning values, leaving four white and gray rectangula... [more]