After a Bob Marley concert in 1979 at the Santa Barbara County Bowl, the artist Henry Taylor found himself backstage, seated next to the legend himself. Eyes closed, Marley sat silent in meditation for twenty minutes before engaging Taylor in what felt like an hour-long conversation. What was exchanged between them is unknown, but the memory stayed with Taylor forever.
Kahlil Joseph’s new film and installation Wizard of the Upper Amazon (WOTUA), which accompanies Taylor’s three-room exhibition o... [more]
Orlando-based Elizabeth Mputu is part of a rising wave of new media artists using digital platforms to express powerful political and social ideas through their work. Her art deals thoughtfully and forcefully with issues of feminism, gender, sexuality, inequality, and race, all projected through the lens of someone who has grown up saturated in all aspects of digital culture.
Mputu’s work combines abstract conceptualism, experimental video, performance, poetry, found digital ephemera, selfies, m... [more]
Visitors enter a dark gallery. As their eyes adjust they find themselves faced with a wooden frame structure occupying almost the entire space. They can walk inside of it or around it. Projected on one wall of the structure is a video of a white, humble room furnished with simple white stools, tables, and shelves. Every fifteen minutes a small origami crane mobile appears near a doorway, then disappears. There is something off-kilter with the objects on screen; they are life-size, yet they seem to... [more]
Look the vidéo of my new artwork "Art revolution".Regarder la vidéo de ma nouvelle oeuvre "Art révolution"
Klaus Guingand artwork
Une vidéo publiée par Klaus Guingand (@klaus_guingand) le 22 Sept. 2016 à 13h14 PDT [more]
Xaviera López is a Chilean animator who was an early adopter of the short video app Vine. Alongside a few likeminded souls she helped reveal the creative potential of the deceptively limited platform. The challenge of packing ideas, depth, and emotion into a maximum of six seconds has lead to a new visual language that has spread across all motion-based mediums.
López creates hallucinatory, visual poems that expertly utilize traditional drawing and animation techniques in a uniquely modern way. Her a... [more]
"Fernando Carpaneda was named as a Juror's Choice for Visual Art at the 2016 Seattle Erotic Art Festival. "The Rebirth of Punk" sculpture was one of three pieces of art to receive the award." https://www.seattleerotic.org/2016-visual-art-award-winners/ [more]
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September, cool breezes and a glut of exhibitions, it's our favorite time of year. Galleries set the tone for their exhibition schedule and we get to see a ton of new work.
To ease the visual overload, we're here to clarify your calendar. Check out the best openings from around the world below:
Get the most out of the ArtSlant Calendar! Plan gallery and museum trips, map venues and events, share exhibitions with... [more]
Stop me if you’ve heard this one before. A self-conscious avatar, pair of floating lips, and President Obama walk into an art show…
What seems like the beginning to a potentially funny joke is actually half of the nearly mirthless exhibition Suspended Animation at the Hirshhorn Museum. Eschewing humor as a staple of animation and postmodern critical tool, the show soberly promises to introduce the audience to six contemporary artists using computer animation to “challenge c... [more]
Transformation II by Chalchitra Academy
31 artists. 19 of them ‘contemporary’, 12 ‘traditional’.
This gathering of artmakers which include fine art degree holding artists, professional illustrators, a print collective, self-taught art object-makers, family-trained traditional art and ritual object makers, a 3D street artist, a performance artist and many more whose practice can’t be neatly categorised, is contrary to contemporary exhibition trends t... [more]
Video Photo Credit: Faye Arranz. Artist, PD Packard (left), Video Director, Christine Puma (middle), and Artist + Akua Inks Inventor, Susan Rostow (left).
To view new VIDEO:
Artist P D Packard takes you through the making of her Printed Decorative Papers using Akua Inks. Her "commitment to color", as she describes, inspires the layering of the decorative patterns she creates using dried leaves that she's collected. Packard emphasizes the importance of devising a "color story", selectin... [more]
Join us in the afternoon on Sunday, August 14th for a salon with TRANSFER artists sharing their studio practice: Claudia Hart Rosa Menkman Harvey Moon Mary Ann Strandell Salon conversations run 15 minutes each, hosted on the steps of Minnesota Street Project's indoor atrium. Presentations begin with a look into the artists studio, followed by conversation –open discusion from the audience is encouraged. First salon starts at 4PM, come early for a seat! Drinks and snacks in-between... [more]
Catch the award winning London show, The Lion King at the magnificent Lyceum Theatre London! The stunning London theatre is located at 21 Wellington Street, London, WC2E 7RQ. The venue is located at a nearby distance to some of the topmost restaurants, bars and shops. Lyceum theatre is located close to some of the popular tourist spots such as London Transport Museum, Covent Garden Market, the Royal Opera House, Soho, Leicester Square and Chinatown.
http://lyceum.london-theatretickets.com/ is located at an easily acc... [more]
Portland-based Michael Green blends conceptualism, surrealism, and capitalism to create work that asks questions unique to our new digital world. His satirical GIF based on Jeff Koon’s Balloon Dog achieved global internet fame in 2014 when he put it on eBay in an attempt to make it the most expensive GIF ever sold. The original Koons sculpture had recently sold for $58 million so Green’s reaction became a perfectly timed comment on the value—both monetary and intellectual—of digital art more generally. Green uses th... [more]
Art and object are at a crossroads, the latter pressing upon the former in unapologetic terms. With these blurry borders, the object—once just a thing in the world, a commodity, really—is now widely considered art object par excellence, meaningful in its quotidian thingness, its ontological being now revelatory. That we’ve arrived at a juncture where the object now speaks is interesting to think through in terms of the potential epistemological offshoots. For instance, what know... [more]