Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]
At the heart of the works in No Can Handle is the ethos of endurance. Entering the exhibition is not unlike entering an interpretation of a physical training facility. Equipment-like inventions dangle from the ceiling and perch amidst the gallery space; there is even a painted panel squatting in the crease of a gym mat on the floor. Many of the works, like Bow 4 (2014) have a suggestive tenacity. Bow 4 is a delicately curved wooden pole bending like a “C” around an entire wall, held in plac... [more]
The National Gallery’s summer exhibition Making Colour guides the audience through the spectrum of materials used throughout history to create artists’ pigment—from blues, through reds and oranges, to purples. Each room focuses on a specific colour and the multiple materials used to make it over time, from early earth pigments, through lakes (dyes made into pigment) to the new artificial coal tar derived pigments created around the time of the Impressionists. The function of t... [more]
Toronto, Aug. 2014: “The daydream transports the dreamer outside the immediate world to a world that bears the mark of infinity.” –Gaston Bachelard
The tipping point between the limitless and the limited is well traversed. A common steadiness has been found in speaking of the two types of spaces at once, though they are indeed opposed to one another with regards to the dream: the two exist synonymously for the dreamer. But in using the metaphor of immense space to describe int... [more]
For eons of time mass consciousness has been under the illusion that politics is the control center for world affairs, that presidents define the destinies of both countries and people and we the public are subject to its wavering discourse. We have been led to believe that media sets the trend for cultural standards of how we should feel and think and that the answer to true happiness lies in upholding the values embodied by the majority and the most popular in our circle of influence.
This new page is under construction for a while as I add very old works scanned from slides. I'm also choosing a few for sale and print here at this site, and am minded for catalogues and a new book page deadlines. I'm Trying to get the photography done without too much slowing down.
Two peices are going to show early next year in the Bienale Di Palermo in Palermo, Sicily and Florence Italy. I think artists who've been admitted all get an award and there's a competition for a prize. ... [more]
New York, Aug. 2014: Sahra Motalebi’s multimedia performance operetta, Intangible Heritages, Belief's Demise, staged at New York’s Sculpture Center in February, told the stories of neglected archetypical characters. Among the characters that Motalebi conjured from an ancient Eastern literary heritage were a prostitute, a warrior-prisoner, and an elderly recluse. She lyrically presented their interlaced narratives while they moved through a projected shadow play praised by curator Ka... [more]
“Our sky was destroyed during World War II,” creaks a white-bearded eighty-six-year-old Otto Piene from in front of the lens of a video created on the occasion of his Berlin multi-sited exhibition More Sky. He explains his lasting impression with the light phenomena that would permeate his art practice for upwards of six decades, his desire to establish a new launching point for his practice, for the role of art to act as rebuilder.
In conjunction, the Neue Nationalgalerie and the De... [more]
Chicago, Aug. 2014: Zachary Cahill is an interdisciplinary artist working in Chicago. He is a lecturer at the University of Chicago Department of Visual Arts and Coordinator of the Open Practice Committee. His work was recently included in the 8th Berlin Biennale, curated by Juan A. Gaitán; USSA 2012 Wellness Center: Snow, curated by Abigail Winograd at the Museum of Contemporary Art Chicago; and the Smart Museum of Art in a project curated by Sarah Mendelsohn. The Wellness Center is the third... [more]
No Longer Empty's "If You Build It" has been, hands-down, the most exciting visual art event Harlem has experienced in modern history. Taking place at the future home of Broadway Housing Communities' Sugar Hill Apartments, the long-anticipated architectural project has attracted as many admirers as the spectacular art currently nestled inside.
Designed by world-class architect, David Adjaye, the building is Broadway Housing's seventh Upper Manhattan housing development. It is the non-profit's... [more]
We are thrilled to announce that Aedicule will be returning as an exhibitor to the 2014 Show! Peter Werkhoven is the only European master gilder and frame maker on the West Coast and trained at the historic Dutch firm, Gehring & Heijdenrijk..., in Amsterdam, The Netherlands, under Paul Gehring, a third generation frame maker, mastering the craft of gilding and antique restoration/conservation before relocating to San Francisco.
Frame. Aedicule. Peter Werkhoven. Girl With Flower. Artist Sergey K... [more]