T'HO fest Yucatan Art Code:
Is a visual dialogue among civilizations, an international collective of contemporary art in painting, sculpture, photography, Installation, mix media, digital art, and video. Jose Luis Rodriguez de Armas, General Coordinator, is a critic member of AICA Cuba-Mexico, an experienced museologist, and curator at this festival on contemporary art in Yucatan.
What does a dialogue among civilizations mean? One could argue that there are two groups of civilizations in the wo... [more]
As we flock around her right after our final MA Visual Arts First Year Juries and I request some time for an interview as directed by my professor Sir Quddus Mirza (Editor of ArtNow), there is a yes and a no in the answer that I get. The word enigmatic is a constant in all the published material that I’ve read about Sumaya Durrani in my humble quest to know a bit about her and we, the visual arts Master's students frozen in the space of her eloquence, are proof that it’s true.
ROSAE NOVICHENKO, Brazilian worldwide awarded artist, with the International Art Exhibition RIO ART OLYMPICS 2016.
Curator: Salvo Nugnes
Rio de Janeiro - Al Tiffany's Ipanema Hotel Residence la mostra internazionale "Rio Art - Olimpiadi dell'arte"
Con il contributo straordinario di grandi personaggi della cultura e dello sport
Dal 5 al 21 agosto 2016, la splendida Rio De Janeiro sarà al centro dell'attenzione pubblica mondiale, ospitando la 31° edizione dei Giochi Olimpici. Pro... [more]
Transformation II by Chalchitra Academy
31 artists. 19 of them ‘contemporary’, 12 ‘traditional’.
This gathering of artmakers which include fine art degree holding artists, professional illustrators, a print collective, self-taught art object-makers, family-trained traditional art and ritual object makers, a 3D street artist, a performance artist and many more whose practice can’t be neatly categorised, is contrary to contemporary exhibition trends t... [more]
To deal with art and approaching it are the first basic steps that every artist in his research must address.
To approach the various forms of artistic expression and to bring it into line for us, may often be a difficult but necessary challenge to us, when we place ourselves in front of an collective exhibition, in which different artists and their different visual languages interact, feel and live art together. The artwork reflects the individual expression of a general feeling, is influence... [more]
Lichtundfire’s “Raid Envy” Group Show Curated by D. Dominick Lombardi
With Works by Todd Bartel, Ross Caudill, Karlos Carcamo, Augustus Goertz, Bodo Korsig, D. Dominick Lombardi, Mary Ann Strandell and Joan Waltemath.
July 13 – August 12, 2016
LICHTUNDFIRE 175 Rivington Street New York, New York USA 10002
Summer Gallery Hours: · July: Tuesday – Saturday 12:00 to 6:00 PM · August: Tuesday – Friday 12:00 to 6:00 PM
Gallery Hours: : Wed-Sa... [more]
The process of creating art always involves transmitting one’s singular sensory experiences into a discrete vision. The Los Angeles exhibition Mapping Fictions brings together four contemporary artists who organize information and experience through text and images, charting popular culture, physical space, and personal knowledge in painstakingly detailed work. Andreana Donahue and Tim Ortiz of Disparate Minds curated the exhibition, which is now on view at The Good Luck Gallery, a space dedicated to... [more]
THE NEW YORK TIMES
May 23, 1997
ART IN REVIEW
Art in Review
By GRACE GLUECK
Janos Gat Gallery
1100 Madison Avenue, at 82d Street
Through Sept. 30
Knox Martin arrived on the scene in the early 1950's, a young acolyte drawn to the work and climate of Abstract Expressionism. A couple of early paintings here show how much he was in its sway, particularly ''Susanna and the Elders'' (1953), a de Kooning-esque romp of bold, energetic forms in black and white marching di... [more]
On the Front Lines by Jillian Russo, LINEA (June 9, 2015) by reviewer1 Sigmund Abeles, Charles Alston, Stanley Boxer, Terence Coyle, Jack Faragasso, Michael Goldberg, Peter Golfinopoulos, Daniel Greene, Al Held, John Hultberg, Paul Jenkins, Everett Raymond Kinstler, Hughie Lee-Smith, Alfred Leslie, Knox Martin, Frank Herbert Mason, Frank O’Cain, Anthony Palumbo, Robert Rauschenberg, Bill Scharf, Sidney Simon, GREG WYATT at Phyllis Harriman Mason Gallery at The Art Students League of New York
June 19th, 2015 - July 29th, 2015
On the Front Lines
by Jillian Russo | June 9, 2015
Since the passage of the GI Bill during World War II, thousands of veterans have studied at the Art Students League of New York. Returning World War II veterans rejuvenated the League, making it a site of experimentation and an incubator for postwar artists. The GI Bill made an art education accessible to those who might not otherwise have become engaged in the field, and the influx of students strengthened an ambitious community.... [more]
Knox Martin at Woodward Gallery by Robert Shuster, Best in Show - Village Voice - Best of New York (October 20, 2010)
Daydreaming the females: Knox Martin's Mary Ellen, 2010
Courtesy Woodward Gallery
How many artists in their ninth decade find themselves as vigorously inventive as Knox Martin? In 34 new paintings, most of which concentrate on the female figure (a favorite subject), the 87-year-old artist steers away from his familiar style—a brightly co... [more]
“Paintings of Women by the Handful,” by Benjamin Sutton, L Magazine (September 29, 2010)
Since very nearly the earliest chapters of art history, women have been among artists’ two or three preferred subjects (or objects, following feminism’s reframing of that history). Two new solo exhibitions three doors from one another on Eldridge Street attest to the feminine figure’s inexhaustible appeal. For Knox Martin, the female form remains a sensual muse that he dissects and... [more]
The Necessity of French Cafés is the blog of ArtSlant's Georgia Fee Artist-in-Residence, Lisa Diane Wedgeworth, who is undertaking her residency in Paris during June and July 2016. Lisa will build this blog as a digital archive of essays, photographs, excerpts of narratives, and other relevant manifestations of the project. You can find more information about ArtSlant's Georgia Fee Artist/Writer Residency here.
It is 2:34 am. I write from my home on Rue de Charenton, a lovely neighb... [more]
The night is thick with heat and windless humidity. I am restless and stimulated, my body temperature rising in the dark room as I stare at and am consumed by an extraordinary Macri image: Drop Curtain. I have no idea what Macri intends by this image, his title notwithstanding, but I mean to write what it means to me because I cannot quench the fire in my bones until I do so. We don’t need to know what an artist “meant” in order to understand what the art means to us, and it... [more]