Hello frends! I am an artist. My roots take place in St.Petersburg, which has great architecture, culture and history that influenced me once and forever. Today, in the times of technical progress, mass production and new artificial materials I search for inspiration in the foundation of the Arts - old Russian Orthodox icons, Renaissance and folk cultures. I seek out look for new shapes and images within my themes using different materials, but my favorite is glass for its plasticit... [more]
It's Turner Prize time again. Britain’s most hated art award celebrates its 30th year this year. What has it achieved in over three decades?
For one thing – its brought contemporary British art to the public attention – mostly to be lampooned by the tabloids. Who can forget headlines surrounding Tracey Emin’s winning entry My Bed (dubbed ‘My Turd’ by Private Eye) or the fury roused by Damien Hirst’s formaldehyde tiger shark entry in 1992?
The “national joke” has provoked walk outs and protests (the Stuckist... [more]
Something I'm working on at the moment.. A Deep and Gathering Roar
a drastic change in the composition since working on the piece back in 2012
sketching out the painting so far - working out what will go where
a patch work forest with patch work fire
some of the brush work close up
... follow the rest of the piece coming together here [more]
In dishonor of the longtime US holiday celebrating the beginning of the colonization of the Americas, we here at ArtSlant thought it might be a good idea to round up some influential postcolonial artworks that interrogate and deconstruct the long-lasting effects of colonization on identity.
Props to the states that have opted out of Columbus Day:
AK, AR, CA, DE, FL, HI, MI, MN, NV, OR, SD, TX, VT, WA, WI, WY.
Coco Fusco and Guillermo Gomez-Peña - Couple in a Cage, 1992 and 1993
Kara Walker, A Subtlety, 2014
When Matthew Christopher said "ruins porn" at his recent "Abandoned America: The Age of Consequences" Preservation Austin talk, sponsored by Suzanne Deal Booth, I was so guilty of it I blushed. I've had a penchant for the urban decay aesthetic for as long as I can recall. Fortunately I live downtown in a city that is constantly undergoing major construction and rapid population growth, so decomposing eye candy is part of my daily environment. Above is a snapshot I took of broken windows in my... [more]
...In thinking about the act of choreography, the concept of visualizing music is one that has inspired my work - particularly this past year, in my paintings which illustrate personal responses to different songs. For example, my print above is a metaphorical mashup of Prince and Bob Dylan, combining lyrics and concepts from both artists.
There is an interesting quote from Balanchine on Ballet Austin's site about making art from music:
"Music like Stravinsky’s cannot be illustrated; one... [more]
My first introduction to performance art that reclaims public and architectural spaces was meeting the brilliantNoemie LaFrance, acclaimed site-specific Choreographer, Director and Producer of Sens Production, in 2003 in New York City. Subsequently I attended her debut work, "Descent" which took place on a spiraling staircase. Having also created a piece on a stairwell that I'd titled the same name, I connected with LaFrance's creative vision. Here is my "Descent" image which I shot in 1999 ato... [more]
Winnipeg, Sept. 2014: Robert Taite generates content through painting. Visual data culled through transitions, his paintings seem coy or perhaps indifferent to what Donald Judd described as “specific” in his seminal 1965 essay Specific Objects. While influenced by post war conceptual art, Taite’s own work feels of the moment with a cut-and-paste aesthetic; sources are loose and refreshed often. His practice prompts associations with a continuum of artists playing with architecture... [more]
The magnitude of entropy overcomes one who moves along the two floors of Dominique Lévy’s gallery, viewing Roman Opalka’s five-decade quest to render the spectrum of time’s (ir)relevance. Two early series prognosticate the honed laboriousness arriving in the French-born Polish artist’s most renowned final series OPALKA 1965 / 1 – ∞ (1965-2011). In this series, comprising 233 paintings in total, 11 shown by the gallery—each titled Détails&mdas... [more]
Manus Groenen’s show Cryptographics: A Tribute to the Voynich Manuscript was selected as the winner of ArtSlant’s Curator’s Open, where we asked readers to use our massive database of art to design an exhibition. Now showing at EXPO CHICAGO Art Fair, Groenen’s Cryptographics brings together twelve unique artworks exploring different forms of marking, both linguistic and pictorial. Reflective of the mysterious text his show honors, Groenen’s Cryptographics features works touching on the cosmological, the obscured, and... [more]