Jorge Mujica, Magic Johnson / Larry Bird 1984 NBA Finals, 2015. Spray painted Aluminum, 33 x 20 in..
ArtSlant is pleased to partner with stARTup Art Fair LA to present two panels and a Special Project by LA artist, Jorge Mujica. stARTup Art Fair runs January 29–31, 2016, at the Highland Gardens Hotel and is the only fair exclusively for unrepresented artists.
ArtSlant Special Project
Jorge Mujica — Double Dribble: Hotel Scrimmage, Booth #227
Double Dribble is intended to be... [more]
Photography is growing up by ArtFanToo Keith Auerbach, Priscilla Briggs, Carrie Burr, Tiffany Carbonneau, Mary Carothers, Debra Clem, Robert Ladislas Derr, Anita Douthat, Mitch Eckert, Julius Friedman, Dana Fritz, Laura Hartford, Celene Hawkins, Barbara Houghton, Brian Jones, Keith Kleespies, Cal Kowal, Tom LeGoff, Suzanne Mitchell, James Norton, CJ Pressma, Arturo Alonzo Sandoval, Jenée Rue Sastry, Mel Strawn, Alan Teller, Alex Traube, John Whitesell, Marilyn Whitesell, Jerri Zbiral, Jenny Zeller at Carnegie Center for Art & History
October 9th, 2015 - January 9th
It is hard to take any exhibition with a grandiose title such as Photography Since the Millennium seriously, but then again, we are just fifteen years into this new millennium.
And there have not been any major strides in photography since the new millennium except for, well, the death of analogue, and video is accessible to all. Goodbye film, hello pixels. Has there been one year since the new millennium that has not seen a new release of cameras with enhanced numbers of pixels? It is the mega... [more]
Arsenale di Venezia by Gabriela Torres Ruiz Exhibition of the 110 finalist from the 8th Arte Laguna Prize at Arsenal of Venice, Italy
March 23rd, 2014 - April 6th, 2014
Published in Art India Magazine
Sourav Roy responds to Rameshwar Broota’s multi-generic journey over the last ﬁfty years.
Rameshwar Broota. Metamorphosis VI. Oil on canvas. 1986. Images courtesy Kiran Nadar Museum of Art, Delhi.
Contemporary art discourse constantly refers to the male gaze as it stays trained on a female body: longing, projecting, mapping, invading. But when the male gaze turns inwards, towards its host male body, not... [more]
Northwest Florida's little know Digital Graffiti Festival at Alys Beach has just announced its 27 artist line-up for its 8th edition taking place in 2015. Digital Graffiti (creating graffiti using computer software and technology) is a relatively undeveloped field, surprising considering the surge of interest in both graffiti and digital arts practices respectively.
The festival elicits participants come from the fields of film, art, and music who project their art on site at Alys Beach, a luxury devel... [more]
I entered the small, unassuming gallery space as a bearded head popped out from the back of the room and said, “Are you here to get your MFA?”
“Yes!” I replied cheerfully. Because I was. I read that I could get an MFA in just one day at the Tenderloin Institute of Art, hosted by SFAQ, and I was immediately on board. If showing up was the application process, I was already excelling with flying colors.
The man introduced himself as Dean Jeremiah Jenkins, and together... [more]
A MET galéria Háromszög című sorozatának első kiállítása"PROCESS": Gábor Enikő, Detvay Jenő, Kecskés PéterA kiállítást megnyitotta: Nagy Zopán költő, író, fotográfus
C/O Berlin recently moved to its new home, the Amerika Haus, a 1950s architectural trademark that saw little of the vicious consumerism and booming hedonism that characterized the so-called "Swinging 60s," yet plays perfect host to an exhibition centered on the era. C/O's current exhibition Blow-Up revolves around Italian director Michelangelo Antonioni's iconic 1966 film of the same name. Photography’s ability to picture reality is challenged both in the movie, as well as in the exhibiti... [more]
Written By Amma Aburam
There is no better way to describe Mauren Brodbeck than as a bold, multifaceted artist. From paintings, collages and photography to acting and singing, there is no artistic avenue she has not explored and mastered. The Horyou team had the opportunity to attend one of her shows in Geneva last month. We caught up with her to ask about her creative process and how she lives to Dream, Act and Inspire.
Is being such a multifaceted artist a dream come true for you?
I have always love... [more]
Zakir Hussain’s latest works at Gallery SKE in Bangalore is a wonderful presentation of works to understand that originality can only be claimed as an unclaimed, seen as the other in the final omnipresent grand narrative of itself. The claim to originality that his works make in the beginning is by having a title ‘no title’. This is very interesting as the self proclamation of having no title negates the presence of the trace of the past. If there is any coincide... [more]
Althea Thauberger Casts Kids as … Us
Blake Gopnik, Thursday, December 18, 2014
This is a still from Althea Thauberger's video called “Preuzmimo Benčić (Take Back Benčić)", which I recently caught at Susan Hobbs gallery in Toronto. (Click on my image to view a clip.) Thauberger's work is always fiendishly complex but also reliably compelling, and this is no exception. The video is set and was shot in the Croatian port city of Rijeka, in the abandoned (but gorgeous) Rikard Benčić factory complex; the factory's potential reuse has apparently been the subject of great civic debate and tension. For her piece, Thauberger got 67 local children to improvise possible reuse scenarios, with some playing factory workers retrained for the “creative industries" and others playing local administrators with their own ideas for the site, while still others play bosses and laborers. (Although none of those roles are all that clearly defined; misdirection and confusion are the order of the day.) If I've made the video sound dry and academic, the crucial antidote to that is the element of absurdity that the kids inject into things – into Thauberger's video, as a work of art, but also into the political and cultural conflicts they act out. I'm somehow reminded of the Houyhnhnm chapter in Gulliver's Travels, where “dumb" animals come off as smarter than the most sophisticated of (adult) humans. But as with Swift's chapter, the meaning of Thauberger's video can't be pinned down to some simple political or moral message. The real world of adult decision-making is every bit as confusing and complex – and ludicrous – as children's play.... [more]
Fresh Paint 7, Israel's largest contemporary art fair, which attracts more than 30,000 visitors annually, open tonight. The fair brings together the major forces of culture in the country, from galleries and institutions to established artists and curators working both locally and globally. While its exhibition model generally resembles those of other commerical art fairs—with their commercial motives, thematic sectors, and programming iniatives such as the Artists' Greenhouse, which presents eme... [more]