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City of Sillar II
2012
Mixed Media on Canvas
60 x 48 x 2 inches
©
Beth Davila Waldman
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Description
"The City of Sillar" is not only a tourist destination, but my
maternal homeland. Arequipa has three primary
mountains, The Misti, The Chachani and The Pichu Pichu.
The white city of Arequipa was built brick by brick out of its
Chachani & Misti Mountain's own volcanic rock, known as
Sillar. From the Spanish colonial churches to the simple
homes in the barrios, hand carved sillar bricks have created
the spaces in which the Arequipians live, dream, pray, and
on which they walk. These bricks have a layered history. A
brick of sillar once part of a cathedral tower now exists as
part of a family's rebuilt home. Worn down sillar from broken
buildings is cleaned and reshaped to build new homes in
the countrysides like Sabandia of Arequipa. While I have
visited Arequipa multiple times as a child, a recent trip in
October of 2010 inspired this current series of work.
My own history with The City involves layers of stories of
three generations before me who once occupied the
mansions in the central and outskirts of the city along with
those of my own in the late seventies and mid-eighties as a
child. Since the 1970s, Arequipa has expanded its barrios
tremendously. However, never had I witnessed the city as I
did during my last trip. I saw constructed and unconstructed
homes speak of the cultural landscape that taking one
family unit and expanding it three levels high with each
growing generation. The rebar lining the skyline speaks of
dreams and stories untold, of commitment and hope. The
concrete blocks speak of financial success not of financial
limitation.
My interest is to share a side of Arequipa that is not typically
seen. It is not only a story of the building blocks, but also
how the building is reflective of the culture of the people. It is
also about how within the same set of walls, there are many
untold stories of lives had and lives being lived. There are
great grandparents, and grandparents, and parents and
children. Their stories and faces breathe the life into the
architecture of the city, both those noted in the known tourist
images such as they cathedrals and convents but more
importantly, to me, in the barrios that appear to most as half
constructed homes. It is a city that truly is built brick by brick
by its people. One of the many traditions of the naming of
Arequipa says that the Inca Mayta Cápac received a petition
from his subjects to reach the valley of the Chili. They
requested permission to stay in the region, because they
were amazed by the beautiful scenery and mild climate. The
Inca responded, "Ari qhipay" (in Quechua: "Yes, Here I will
stay").
Full Artwork Details
| Artist: |
BETH WALDMAN |
| Title: |
City of Sillar II |
| Date: |
2012 |
| Medium: |
Mixed Media on Canvas |
| Medium Category: |
Painting |
| Genre: |
Street/Urban Art |
| Original Dimensions: |
60 x 48 x 2 inches |
| Copyright: |
Beth Davila Waldman |
| ArtSlant Awards: |
Selected as part of the Newest Originals Curation Category
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| Primary color: |   |
| Tags: |
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